Loans to Taking Shape: Finding Sculpture in the Decorative Arts Dates: 1 October 2008 – 4 January 2009 Venue: Henry Moore Institute 74 The Headrow Leeds LS1 3AH Contact: Stephen Feeke, Assistant Curator

Lender: J. Paul Getty Museum 1200 Getty Center Drive Los Angeles CA 90049-1687 USA Contact: Sally Hibbard, Chief Registrar

INTRODUCTION TO GETTY PROVENANCE INFORMATION

Much of the following information has been excerpted from http://www.getty.edu/museum/research/provenance/

Provenance research has always been and continues to be a central and often laborious activity of the staff at the J. Paul Getty Museum, as it is at most art museums. It serves many purposes, sometimes helping to substantiate an attribution and at all times aiding curators, educators, and scholars to understand the history of collecting and taste. We have published this research in collection catalogues and other publications for many years; the Internet provides another powerful method of distribution.

Reconstruction of a complete history of ownership for a given work can be difficult and sometimes impossible. Many records of ownership have been destroyed as a result of natural disasters, man-made disasters such as war, and neglect. Information is sometimes withheld by dealers and auction houses at the request of previous owners who wish to maintain their anonymity. Much archival information remains undiscovered or difficult to access. Provenance information we receive or find needs to be treated cautiously, since owners, dealers, curators, and scholars have been known to associate documentary evidence with the wrong object.

The works included here may have gaps in, or no provenance for some periods of their history including the years from 1933 to 1945. Records are updated regularly as new information comes to light and as objects are added to the collection. Such gaps in provenance, in and of themselves, are by no means proof that these works were looted during the Holocaust or World War II.

Publication and exhibition histories are also included here in order to document the extended presence of each object in the public domain. Please note, furthermore, that each object in the collection of the J. Paul Getty Museum is posted on the Internet at http://www.getty.edu/art/gettyguide.

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UNDERSTANDING GETTY PROVENANCE DATA

The following has been excerpted from http://www.getty.edu/museum/research/provenance/provIntroUnderstanding.jsp

The provenance, or history of ownership, of our objects is listed in chronological order, starting with the earliest known owner and moving forward in time. Each entry is in the following format:

Date name of owner or seller, life dates of owner or seller if known (location of owner or seller range of in parentheses if known), details (if known) of the transaction by which the object passed ownership to its next owner, including information about the particular sale if known (e.g., auction date, place, lot number, sale price)

The left column shows the date range of ownership. Here are a few common date formats:

1955 - 1970 The work entered this collection in 1955 and left it in 1970.

1955 - The work entered this collection in 1955, but we do not know when it left.

- 1955 We do not know when the work entered this collection, but it left in 1955.

by 1955 - The work was in this collection by 1955 but may have entered it earlier.

- still in 1955 The work was still in this collection in 1955, and may have left it at a later date.

An owner name with no date(s) in the left column indicates that we know the work was in this collection, but we do not know precisely when. We do know the work was in this collection between the owners listed above and below it, though there may be other unknown owners in the chain of ownership.

"Private collection" indicates that we know the work was not owned by a dealer and can mean one of two things: 1) we do not know the name of the owner or seller of that work, or 2) we know the name of the owner or seller, but he/she made it a condition of sale that his/her identity not be revealed. "Private Dealer" means that we know the seller was a dealer but we do not know his/her name.

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Accession Number: 70.DE.98.1

TITLE(S): Figure Group: The Flute Lesson (Le Flûteur) (one of a pair)

ARTIST OR MAKER(S): Sèvres Porcelain Manufactory [French, active 1756 - present] Modelled under the direction of Etienne-Maurice Falconet [French, 1716 - 1791] After engraved designs of François Boucher [French, 1703 - 1770] (Designer)

CULTURE: French

PLACE: Sèvres, France

OBJECT TYPE: Figures

MEDIUM: Soft-paste biscuit porcelain; traces of red pigment

DATE OF EXECUTION: about 1757 - 1766

DIMENSIONS: Object: H: 22.3 x W: 25.4 x D: 15.2 cm (H: 8 3/4 x W: 10 x D: 6 in.)

SOURCE NAME(S): J. Paul Getty (Donor)

INSCRIPTIONS: Secondary Inscription: Incised "F" on back.

PROVENANCE/HISTORY: - 1905 Goury de Rosland (Paris, France) [sold, Galerie Georges Petit, Paris, May 29-30, 1905, no. 108]

- 1931 Mortimer Leo Schiff, 1877 - 1931 (New York City, New York), by inheritance to his son, John M. Schiff, 1931.

1931 - 1938 John Mortimer Schiff, 1904 - 1987 [sold, Christie's, London, June 22, 1938, lot 27, to J. Paul Getty.]

1938 - 1970 J. Paul Getty, American, 1892 - 1976, donated to the J. Paul Getty Museum, 1970.

The Henry Moore Foundation possesses a full history of the object 1933 – 1945 (see above)

BIBLIOGRAPHY: Antoine d'Albis, "Le Marchand Mercier Lazare Duvaux et la Porcelaine de Vincennes," Les Décors des boutiques parisiennes (Paris, 1987), La Delegation à l'Action artistique de la Ville de Paris, eds., pp. 76-88, The Flute Lesson illus. p. 83.

Adrian Sassoon, Vincennes and Sèvres Porcelain: Catalogue of the Collections, The J. Paul Getty Museum (Malibu, 1991), no. 6, pp. 29-34, illus. pp. 31-35.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 217, pp. 128-129, illus.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty

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Museum (Los Angeles, 2001), no. 227, p. 111, illus.

Howard Coutts, The Art of Ceramics: European Ceramic Design 1500-1830 (New Haven, 2001), p. 111, figure 133.

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Accession Number: 70.DE.98.2

TITLE(S): Figure Group: The Grape Eaters (Les Mangeurs de Raisins) (one of a pair)

ARTIST OR MAKER(S): Sèvres Porcelain Manufactory [French, active 1756 - present] Modelled under the direction of Etienne-Maurice Falconet [French, 1716 - 1791] After engraved designs by François Boucher [French, 1703 - 1770] (Designer)

CULTURE: French

PLACE: Sèvres, France

OBJECT TYPE: Figures

MEDIUM: Soft-paste biscuit porcelain; traces of red pigment

DATE OF EXECUTION: about 1757 - 1766

DIMENSIONS: Object: H: 22.9 x W: 24.8 x D: 17.8 cm (H: 9 x W: 9 3/4 x D: 7 in.)

SOURCE NAME(S): J. Paul Getty (Donor)

PROVENANCE/HISTORY: - 1905 Goury de Rosland (Paris, France) [sold, Galerie Georges Petit, Paris, May 29-30, 1905, no. 108]

- 1931 Mortimer Leo Schiff, 1877 - 1931 (New York City, New York), by inheritance to his son, John M. Schiff, 1931.

1931 - 1938 John Mortimer Schiff, 1904 - 1987 [sold, Christie's, London, June 22, 1938, lot 27, to J. Paul Getty.]

1938 - 1970 J. Paul Getty, American, 1892 - 1976, donated to the J. Paul Getty Museum, 1970.

The Henry Moore Foundation possesses a full history of the object 1933 – 1945 (see above)

BIBLIOGRAPHY: Antoine d'Albis, "Le Marchand Mercier Lazare Duvaux et la Porcelaine de Vincennes," Les Décors des boutiques parisiennes (Paris, 1987), La Delegation à l'Action artistique de la Ville de Paris, eds., pp. 76-88, The Flute Lesson illus. p. 83.

Adrian Sassoon, Vincennes and Sèvres Porcelain: Catalogue of the Collections, The J. Paul Getty Museum (Malibu, 1991), no. 6, pp. 29-34, illus. pp. 31-35.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 217, pp. 128-129, illus.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 227, p. 111, illus.

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Accession Number: 72.DA.68

TITLE(S): Console Table

ARTIST OR MAKER(S): Unknown

CULTURE: French

PLACE: Paris, France

OBJECT TYPE: Furniture

MEDIUM: Gessoed and gilded white oak and European walnut; lumachella pavonazza marble top

DATE OF EXECUTION: about 1715 - 1720

DIMENSIONS: Object: H: 87.3 x W: 152.1 x D: 59.1 cm (H: 2 ft. 10 3/8 in. x W: 4 ft. 11 7/8 in. x D: 1 ft. 11 1/4 in.)

SOURCE NAME(S): Rosenberg & Stiebel Incorporated (Vendor)

MARKS: Label: Pasted under black rail, the remains of a printed label, "102, George Street, Portman Square, W1".

PROVENANCE/HISTORY: Christie Robert (102 George Street, Portman Square, London, England), active between 1885 and 1916

Barone Etienne van Zuylen van Nyevelt van de Haar, 1860 - 1934

and Baronne Hélène van Zuylen van Nyevelt van de Haar (née de Rothschild), 1863 - 1947

by 1960 Baronne Marguerite Marie van Zuylen van Nyevelt van de Haar, died 1970 (Paris, France) [sold, Palais Galliera, Paris, June 8, 1971, no. 77]

- 1972 Rosenberg & Stiebel Incorporated (New York City, New York), sold through the agent French & Company, New York, to J. Paul Getty for the J. Paul Getty Museum, 1972.

The Henry Moore Foundation possesses a full history of the object 1933 – 1945 (see above)

BIBLIOGRAPHY: Gillian Wilson et al., French Furniture and Gilt Bronzes, Baroque and Régence, Catalogue of the J. Paul Getty Museum Collection (Los Angeles, 2008) , entry 27, pp. 258-267, illus.

Eveline Schlumberger, "En Hommage à Gérard Mille: l'appartement qui illustre le mieux le style baroque qui couronna sa carrière de décorateur," Connaissance des arts 146 (April 1964), illus. p. 71.

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Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 82, p. 60, illus.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 78, p. 43, illus.

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Accession Number: 72.DB.89

TITLE(S): Wall Clock

ARTIST OR MAKER(S): Clock movement by Jean-Jacques Fiéffé [French, about 1700 - 1770, maître 1725] case possibly after a design by Juste-Aurèle Meissonier [French, 1695 - 1750, master 1724]

CULTURE: French

PLACE: Paris, France

OBJECT TYPE: Clocks

MEDIUM: Gilt bronze; enameled metal; wood carcass; glass

DATE OF EXECUTION: about 1735 - 1740

DIMENSIONS: Object: H: 133.4 x W: 67.3 x D: 14.3 cm (H: 4 ft. 4 1/2 in. x W: 2 ft. 2 1/2 in. x D: 5 5/8 in.)

SOURCE NAME(S): Baron Guy de Rothschild (Vendor) through Sotheby's (London) (Vendor) French and Company (Agent)

SIGNED: Dial painted "FIEFFE DELOBSERVATOIR"; movement engraved "Fieffé [AP]aris".

PROVENANCE/HISTORY: - 1905 Baron (Mayer) Alphonse de Rothschild, 1827 - 1905 (Château de Ferrières, Tarn), by descent to Baron Edouard (Alphonse James) de Rothschild.

1905 - Baron Edouard (Alphonse James) de Rothschild, 1868 - 1949 (Château de Ferrières, Tarn)

- 1972 Baron Guy (Edouard Alphonse Paul) de Rothschild, born 1909 (Château de Ferrières, Tarn) [sold, Sotheby's, London, November 24, 1972, lot 7, through the agent French and Company to J. Paul Getty for the J. Paul Getty Museum]

The Henry Moore Foundation possesses a full history of the object 1933 – 1945 (see above)

BIBLIOGRAPHY: Eveline Schlumberger, "Caffiéri, le bronzier de Louis XV," Connaissance des arts May 1965), illus. p. 83.

Gérard Mabille, Le Style Louis XV (Paris, 1978), p. 175, illus. 8

Carole Ann Lyons Miller, "Clockwise Special Report: the J. Paul Getty Museum," Clockwise (August 1979), pp. 15-21, fig. 6, p. 19, illus..

Hans Ottomeyer and Peter Pröschel, Vergoldete Bronzen: Die Bronzearbeiten des Spätbarock und Klassizismus (Munich, 1986), vol. I, vol. I, p. 111, fig. 2.3.4.

Gian Giotto Borelli, Antiquités & Objets d'art-Horloges et Pendules (Paris, 1992), p. 57, illus. p. 49.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 133, p. 86, illus.

Gillian Wilson et al., European Clocks in the J. Paul Getty Museum (Los Angeles, 1996), no. 8, pp. 58-64.

Jean-Dominique Augarde, Les Ouvriers du Temps. La Pendule à Paris de Louis XIV à Napoléon Ier (Geneva, 1996), pp. 314-315, illus. fig. 238.

Masterpieces of the J. Paul Getty Museum: Decorative Arts (Los Angeles, 1997), no. 60, p. 80, illus.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 133, p. 68, illus.

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Accession Number: 73.DF.63.1

TITLE(S): Fire Dog

ARTIST OR MAKER(S): Attributed to Charles Cressent [French, 1685 - 1768, master 1719]

CULTURE: French

PLACE: Paris, France

OBJECT TYPE: Firedogs

MEDIUM: Gilt bronze

DATE OF EXECUTION: about 1735

DIMENSIONS: Object: H: 38.7 x W: 36.5 x D: 20.6 cm (H: 15 1/4 x W: 14 3/8 x D: 8 1/8 in.)

SOURCE NAME(S): French and Company (Vendor)

PROVENANCE/HISTORY: Private Collection (Paris, France)

by 1971 Didier Aaron & Cie (Paris, France)

1972 - 1973 French and Company (New York City, New York), sold to J. Paul Getty for the J. Paul Getty Museum, 1973.

The Henry Moore Foundation does not possess a full history of the object 1933 – 1945, however due diligence checks have revealed no evidence of wrongful acquisition. Documentation is on file at the Henry Moore Institute (see contact details above)

BIBLIOGRAPHY: Marie-Juliette Ballot, Charles Cressent: Sculpteur, ébéniste, collectionneur, Archives de l'art français: Nouvelle période 10 (Paris, 1919), p. 218.

Gillian Wilson, Selections from the Decorative Arts in the J. Paul Getty Museum (Malibu, 1983), no. 17, p. 34, illus.

Hans Ottomeyer and Peter Pröschel, Vergoldete Bronzen: Die Bronzearbeiten des Spätbarock und Klassizismus (Munich, 1986), vol. I, p. 112.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 177, p. 107, illus.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 182, pp. 90-91.

Alexandre Pradere, Charles Cressent, sculpteur, ebeniste du Regent (Dijon, 2003), pp. 204-206 and no. 270 on p. 307.

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Accession Number: 73.DF.63.2

TITLE(S): Fire Dog

ARTIST OR MAKER(S): Attributed to Charles Cressent [French, 1685 - 1768, master 1719]

CULTURE: French

PLACE: Paris, France

OBJECT TYPE: Firedogs

MEDIUM: Gilt bronze

DATE OF EXECUTION: about 1735

DIMENSIONS: Object: H: 38.7 x W: 36.5 x D: 20.6 cm (H: 15 1/4 x W: 14 3/8 x D: 8 1/8 in.)

SOURCE NAME(S): French and Company (Vendor)

PROVENANCE/HISTORY: Private Collection (Paris, France)

by 1971 Didier Aaron & Cie (Paris, France)

1972 - 1973 French and Company (New York City, New York), sold to J. Paul Getty for the J. Paul Getty Museum, 1973.

The Henry Moore Foundation does not possess a full history of the object 1933 – 1945, however due diligence checks have revealed no evidence of wrongful acquisition. Documentation is on file at the Henry Moore Institute (see contact details above)

BIBLIOGRAPHY: Marie-Juliette Ballot, Charles Cressent: Sculpteur, ébéniste, collectionneur, Archives de l'art français: Nouvelle période 10 (Paris, 1919), p. 218.

Gillian Wilson, Selections from the Decorative Arts in the J. Paul Getty Museum (Malibu, 1983), no. 17, p. 34, illus.

Hans Ottomeyer and Peter Pröschel, Vergoldete Bronzen: Die Bronzearbeiten des Spätbarock und Klassizismus (Munich, 1986), vol. I, p. 112.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 177, p. 107, illus.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 182, pp. 90-91.

Alexandre Pradere, Charles Cressent, sculpteur, ebeniste du Regent (Dijon, 2003), pp. 204-206 and no. 270 on p. 307.

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Accession Number: 74.SB.17

TITLE(S): Pluto Abducting Proserpine

ARTIST OR MAKER(S): After model by François Girardon [French, 1628 - 1715]

CULTURE: French

PLACE: Paris, France

OBJECT TYPE: Sculpture

MEDIUM: Bronze

DATE OF EXECUTION: Probably cast in the Late 18th century

DIMENSIONS: Object: H: 56.5 x W: 26.34 x D: 26 cm (H: 22 1/4 x W: 10 3/8 x D: 10 1/4 in.)

SOURCE NAME(S): Heim Gallery (London) (Vendor)

PROVENANCE/HISTORY: by 1968 - 1974 Heim Gallery (London, England), sold to the J. Paul Getty Museum, 1974.

The Henry Moore Foundation does not possess a full history of the object 1933 – 1945, however due diligence checks have revealed no evidence of wrongful acquisition. Documentation is on file at the Henry Moore Institute (see contact details above)

EXHIBITION HISTORY: French Paintings & Sculptures of the 17th Century (Part 1) (June 12, 1968 - August 15, 1968) Heim Gallery (London)

BIBLIOGRAPHY: Heim Gallery (London), Ltd., French Paintings & Sculptures of the 17th Century (Part 1), (London, 1968), entry 50, p. 24, illustrated.

Gillian Wilson, Decorative Arts in The J. Paul Getty Museum (Malibu, 1977), no. 9, p. 11, illus.

Peter Fusco, Summary Catalogue of European Sculpture in the J. Paul Getty Museum (Los Angeles, 1997), p. 27, illus.

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Accession Number: 74.SB.18

TITLE(S): Boreas Abducting Orithyia

ARTIST OR MAKER(S): After a model by Gaspard Marsy [French, 1624 - 1681] and Anselme Flamen [French, 1647 - 1717]

CULTURE: French

PLACE: Paris, France

OBJECT TYPE: Sculpture

MEDIUM: Bronze

DATE OF EXECUTION: Probably cast in the late 18th century

DIMENSIONS: Object: H: 55.25 x W: 31.43 x D: 26.53 cm (H: 21 3/4 x W: 12 3/8 x D: 10 7/16 in.)

SOURCE NAME(S): Heim Gallery (London) (Vendor)

PROVENANCE/HISTORY: by 1968 - 1974 Heim Gallery (London, England), sold to the J. Paul Getty Museum, 1974.

The Henry Moore Foundation does not possess a full history of the object 1933 – 1945, however due diligence checks have revealed no evidence of wrongful acquisition. Documentation is on file at the Henry Moore Institute (see contact details above)

EXHIBITION HISTORY: French Paintings & Sculptures of the 17th Century (Part 1) (June 12, 1968 - August 15, 1968) Heim Gallery (London)

BIBLIOGRAPHY: Heim Gallery (London), Ltd., French Paintings & Sculptures of the 17th Century (Part 1), (London, 1968), entry 51, p. 24.

Gillian Wilson, Decorative Arts in The J. Paul Getty Museum (Malibu, 1977), no. 9, p. 11, illus.

Peter Fusco, Summary Catalogue of European Sculpture in the J. Paul Getty Museum (Los Angeles, 1997), p. 33, illus.

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Accession Number: 79.DA.5.2

TITLE(S): Torchere

ARTIST OR MAKER(S): Pieter de Swart [Dutch, 1702 - 1772] (Designer) probably carved by Agostino Carlini [Italian, about 1718 - 1790] (Carver)

CULTURE: Dutch

PLACE: possibly The Hague, Netherlands

OBJECT TYPE: Furniture

MEDIUM: Gessoed, painted, and gilt limewood; crushed glass; bases possibly of dogwood

DATE OF EXECUTION: about 1748 - 1753

DIMENSIONS: Object: H: 214 x W: 68.6 x D: 55.9 cm (84 1/4 x 27 x 22 in.)

SOURCE NAME(S): Fabius Frères (Vendor)

PROVENANCE/HISTORY: - 1963 Private Collection [sold, Palais Galliera, Paris, December 9, 1963, no. 93]

1963 - 1979 Fabius Frères (Paris, France), sold to the J. Paul Getty Museum, 1979.

The Henry Moore Foundation does not possess a full history of the object 1933 – 1945, however due diligence checks have revealed no evidence of wrongful acquisition. Documentation is on file at the Henry Moore Institute (see contact details above)

BIBLIOGRAPHY: Gillian Wilson, "Acquisitions Made by the Department of Decorative Arts, 1977 to mid 1979," The J. Paul Getty Museum Journal, vol. 6-7 (Malibu, 1978-1979), pp. 37-52, no. 13, pp. 49-51, illus. (one).

Marten Loonstra, The Royal Palace Huis ten Bosch in a Historical View (Zutphen, 1985), p. 75, illus. p. 74.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 479, p. 275, illus..

Reinier Baarsen, "High Rococo in Holland's William IV and Agostino Carlini," Burlington Magazine (March 1998), pp. 172-183, illus. fig. 29.

Lisa Lyons, "Adrian Saxe, 1-900-ZEITGEIST," Departures: 11 Artists at the Getty (Los Angeles, 2000), pp. 52-53, illus. p. 52.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 429, p. 214, illus.

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Accession Number: 85.SB.70.1

TITLE(S): Putto Holding Shield to His Left

ARTIST OR MAKER(S): Ferdinando Tacca [Italian, 1619 - 1686]

CULTURE: Italian

PLACE: Florence, Italy

OBJECT TYPE: Sculpture

MEDIUM: Bronze

DATE OF EXECUTION: 1650 - 1655

DIMENSIONS: Object: H: 65.1 x W: 53.3 x D: 46.7 cm (25 5/8 x 21 x 18 3/8 in.)

SOURCE NAME(S): Elisabeth Lederer (Vendor)

PROVENANCE/HISTORY: 1650 Commissioned by Giovanni Battista, Andrea and Girolamo Bartolommei, for the former high altar of Santo Stephano al Ponte Vecchio, Florence, Italy.

by 1695 - 1869 Bartolommei Family (Palazzo Bartolommei, Florence, Italy) [sold, Milan 1869 to Monsieur Beurdeley]

1869 - 1883 Louis-Auguste-Alfred Beurdeley, 1808 - 1882 (Paris) [sold, Hotel Drouot, Paris, April 9 - 10, 1883, lot 252 to Dr. Alexander von Frey]

1883 - between early Count Dr. Alexander von Frey, Hungarian, 1882 - 1951 (Paris), sold to Augustus 1920s and mid 1930s Lederer.

- 1936 August Lederer, died 1936 (Vienna, Austria), by inheritance to his widow, Serena Lederer, 1936.

1936 - 1938 Serena Lederer, died 1943 (Vienna, Austria), looted by the Nazis, 1938.

1938 - 1947 In the possession of the Nazis, restituted to the Austrian Government by the Allied Forces, 1947.

1947 Austrian Government, restituted to the son of Serena Lederer, Erich Lederer, 1947.

1947 - 1985 Erich Lederer, 1896 - 1985 (Geneva, Switzerland), by inheritance to his widow, Elisabeth Lederer, 1985.

1985 Elisabeth Lederer (Geneva, Switzerland), sold to the J. Paul Getty Museum, 1985.

The Henry Moore Foundation possesses a full history of the object 1933 – 1945 (see above)

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PROVENANCE REMARKS: The entire collection belonging to Serena Lederer was looted by the Nazis between November 1938 and May 1939, when the Lederers were forced to leave Austria in order to save themselves from persecution. After the war, the Allies rescued the collection from the salt mine at Bad-Aussee and brought it to the Central Collecting Point in Munich. There it was shipped back to Austria in 1947 and restituted to Serena's son, Erich Lederer, by the Austrian government. Information on the collection and its confiscation can be found in documents at the National Archives and Records Administration, Washington D. C.

BIBLIOGRAPHY: Fogelman, Peggy and Peter Fusco with Marietta Cambareri. Italian and Spanish Sculpture: Catalogue of the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2002) p. 217.

"Acquisitions/1985," The J. Paul Getty Museum Journal 14 (1986), no. 247, pp. 261, illus.

Masterpieces of the J. Paul Getty Museum: European Sculpture (Los Angeles, 1997), no. 20, pp. 64-65, illus.

Peter Fusco, Summary Catalogue of European Sculpture in the J. Paul Getty Museum (Los Angeles, 1997), p. 50, illus.

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Accession Number: 85.SB.70.2

TITLE(S): Putto Holding Shield to His Right

ARTIST OR MAKER(S): Ferdinando Tacca [Italian, 1619 - 1686]

CULTURE: Italian

PLACE: Florence, Italy

OBJECT TYPE: Sculpture

MEDIUM: Bronze

DATE OF EXECUTION: about 1650 - 1655

DIMENSIONS: Object: H: 64.5 x W: 53.3 x D: 45.7 cm (25 3/8 x 21 x 18 in.)

SOURCE NAME(S): Elisabeth Lederer (Vendor)

PROVENANCE/HISTORY: 1650 Commissioned by Giovanni Battista, Andrea and Girolamo Bartolommei, for the former high altar of Santo Stephano al Ponte Vecchio, Florence, Italy.

by 1695 - 1869 Bartolommei Family (Palazzo Bartolommei, Florence, Italy) [sold, Milan 1869 to Monsieur Beurdeley]

1869 - 1883 Louis-Auguste-Alfred Beurdeley, 1808 - 1882 (Paris) [sold, Hotel Drouot, Paris, April 9 - 10, 1883, lot 252 to Dr. Alexander von Frey]

1883 - between early Count Dr. Alexander von Frey, Hungarian, 1882 - 1951 (Paris), sold to Augustus 1920s and mid 1930s Lederer.

- 1936 August Lederer, died 1936 (Vienna, Austria), by inheritance to his widow, Serena Lederer, 1936.

1936 - 1938 Serena Lederer, died 1943 (Vienna, Austria), looted by the Nazis, 1938.

1938 - 1947 In the possession of the Nazis, restituted to the Austrian Government by the Allied Forces, 1947.

1947 Austrian Government, restituted to the son of Serena Lederer, Erich Lederer, 1947.

1947 - 1985 Erich Lederer, 1896 - 1985 (Geneva, Switzerland), by inheritance to his widow, Elisabeth Lederer, 1985.

1985 Elisabeth Lederer (Geneva, Switzerland), sold to the J. Paul Getty Museum, 1985.

The Henry Moore Foundation possesses a full history of the object 1933 – 1945 (see above)

PROVENANCE REMARKS: The entire collection belonging to Serena Lederer was looted by the Nazis between November 1938 and May

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1939, when the Lederers were forced to leave Austria in order to save themselves from persecution. After the war, the Allies rescued the collection from the salt mine at Bad-Aussee and brought it to the Central Collecting Point in Munich. There it was shipped back to Austria in 1947 and restituted to Serena's son, Erich Lederer, by the Austrian government. Information on the collection and its confiscation can be found in documents at the National Archives and Records Administration, Washington D. C.

BIBLIOGRAPHY: Fogelman, Peggy and Peter Fusco with Marietta Cambareri. Italian and Spanish Sculpture: Catalogue of the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2002) p. 217.

"Acquisitions/1985," The J. Paul Getty Museum Journal 14 (1986), no. 247, pp. 261, illus.

Masterpieces of the J. Paul Getty Museum: European Sculpture (Los Angeles, 1997), no. 20, pp. 64-65, illus.

Peter Fusco, Summary Catalogue of European Sculpture in the J. Paul Getty Museum (Los Angeles, 1997), p. 50, illus.

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Accession Number: 85.DF.383.1

TITLE(S): Wall Light with Zephyr

ARTIST OR MAKER(S): Unknown

CULTURE: French

PLACE: Paris, France

OBJECT TYPE: Wall Lights

MEDIUM: Gilt bronze

DATE OF EXECUTION: about 1700

DIMENSIONS: Object: H: 54.6 x W: 30.5 x D: 22.9 cm (H: 1 ft. 9 1/2 in. x W: 1 ft. x D: 9 in.)

SOURCE NAME(S): Francois Leáge S.A.R.L. (Vendor)

PROVENANCE/HISTORY: - 1985 François Leáge (Paris, France), sold to the J. Paul Getty Museum, 1985.

The Henry Moore Foundation does not possess a full history of the object 1933 – 1945, however due diligence checks have revealed no evidence of wrongful acquisition. Documentation is on file at the Henry Moore Institute (see contact details above)

BIBLIOGRAPHY: "Acquisitions/1985," The J. Paul Getty Museum Journal 14 (1986), no. 191, p. 242, illus.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 162, p. 100, illus.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 162, pp. 81-82, illus.

Gillian Wilson et al., French Furniture and Gilt Bronzes, Baroque and Régence, Catalogue of the J. Paul Getty Museum Collection (Los Angeles, 2008) , entry 36, pp. 310-317, illus.

19

Accession Number: 86.DA.7

TITLE(S): Side Table

ARTIST OR MAKER(S): Design attributed to Johann Paul Schor (called Giovanni Paolo Tedesco) [Austrian, 1615 - 1674]

CULTURE: Austrian

PLACE: Rome, Italy

OBJECT TYPE: Furniture

MEDIUM: Gessoed and gilt poplar

DATE OF EXECUTION: about 1670

DIMENSIONS: Object: H: 170 x W: 224.8 x D: 84.9 cm (66 15/16 x 88 1/2 x 33 7/16 in.)

SOURCE NAME(S): International Patents Trust Reg. (Vendor)

PROVENANCE/HISTORY: 1947 - Rudolph Hegetschweiler (Zurich, Switzerland), sold to International Patents Trust Reg.

- 1986 International Patents Trust Reg. (Vaduz, Liechtenstein), sold to the J. Paul Getty Museum, 1986.

The Henry Moore Foundation does not possess a full history of the object 1933 – 1945, however due diligence checks have revealed no evidence of wrongful acquisition. Documentation is on file at the Henry Moore Institute (see contact details above)

BIBLIOGRAPHY: Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 121, p. 190, illus.

Masterpieces of the J. Paul Getty Museum: Decorative Arts (Los Angeles, 1997), no. 34, p. 48, illus.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 141, p. 207, illus.

20

Accession Number: 86.DE.668.1

TITLE(S): Bust of Louis XV

ARTIST OR MAKER(S): Rue de Charenton Manufactory (Paris) (Maker) or Chambrette Manufactory (Lunéville) (Maker)

CULTURE: French

PLACE: Paris or Lunéville, France

OBJECT TYPE: Busts

MEDIUM: Glazed earthenware (faience)

DATE OF EXECUTION: about 1745 - 1755

DIMENSIONS: Object: H: 53 x W: 24 x D: 25.1 cm (H: 1 ft. 8 7/8 in. x W: 9 7/16 in. x D: 9 7/8 in.)

SOURCE NAME(S): Michel Vandermeersch (Vendor)

PROVENANCE/HISTORY: - 1986 Michel Vandermeersch (Paris, France), sold to the J. Paul Getty Museum, 1986.

The Henry Moore Foundation does not possess a full history of the object 1933 – 1945, however due diligence checks have revealed no evidence of wrongful acquisition. Documentation is on file at the Henry Moore Institute (see contact details above)

BIBLIOGRAPHY: "Acquisitions/1986," The J. Paul Getty Museum Journal 15 (1987), no. 103, pp. 212-213, illus.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 207, pp. 123-124, illus. p. 123.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 215, p. 106, illus.

21

Accession Number: 86.DE.668.2

TITLE(S): Bust of Marie Leczinska Bust of Marie Leszczynska

ARTIST OR MAKER(S): Rue de Charenton Manufactory (Paris) (Maker) or Chambrette Manufactory (Lunéville) (Maker)

CULTURE: French

PLACE: Paris or Lunéville, France

OBJECT TYPE: Busts

MEDIUM: Glazed earthenware (faience)

DATE OF EXECUTION: about 1745 - 1755

DIMENSIONS: Object: H: 53 x W: 15.6 x D: 25.1 cm (H: 1 ft. 8 7/8 in. x W: 6 1/8 in. x D: 9 7/8 in.)

SOURCE NAME(S): Michel Vandermeersch (Vendor)

PROVENANCE/HISTORY: - 1986 Michel Vandermeersch (Paris, France), sold to the J. Paul Getty Museum, 1986.

The Henry Moore Foundation does not possess a full history of the object 1933 – 1945, however due diligence checks have revealed no evidence of wrongful acquisition. Documentation is on file at the Henry Moore Institute (see contact details above)

BIBLIOGRAPHY: "Acquisitions/1986," The J. Paul Getty Museum Journal 15 (1987), no. 103, pp. 212-213, illus.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 207, pp. 123-124, illus. p. 123.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 215, p. 106, illus.

22

Accession Number: 88.SB.73

TITLE(S): Pluto Abducting Proserpine

ARTIST OR MAKER(S): François Girardon [French, 1628 - 1715]

CULTURE: French

PLACE: France

OBJECT TYPE: Sculpture

MEDIUM: Bronze

DATE OF EXECUTION: cast about 1693 - 1710

DIMENSIONS: Object: H: 106.5 x W: 45 x D: 51 cm (41 15/16 x 17 11/16 x 20 1/16 in.)

SOURCE NAME(S): Same Art Ltd. (Vendor)

SIGNED: Signed on the top of the base: "F. Girardon Inv. et F.".

PROVENANCE/HISTORY: Before 1788 Antoine-Alexandre Dubois [sold, Paillet, Paris, December 18, 1788, lot 168, acquired by "Berotaire" for 5599 livres]

1803 Private Collection [possibly sold at auction, Vente Pailletet Delaroche, Paris, July 11, 1803, lot 41]

Before 1860 Baron James (Mayer) de Rothschild, 1792 - 1868, by descendence to

Baron Gustave (Samuel James) Salomon de Rothschild, 1829 - 1911, Paris

Baron Robert (Philippe Gustave) de Rothschild, 1880 - 1946

Baron Alain (James Gustave Jules) de Rothschild, 1910 - 1982, Paris

-1987 Baron Eric (Alain Robert David) de Rothschild, b. 1940, Paris [sold Hotel Drouot, Paris, December 4, 1987, lot 112], Paris

1987-1988 Same Art Ltd. (Zurich, Switzerland), purchased by the J. Paul Getty Museum, 1988

The Henry Moore Foundation possesses a full history of the object 1933 – 1945 (see above)

BIBLIOGRAPHY: La Dix-septième siècle francais (Paris, 1960), p. 94.

Connaissance de arts (January 1988), p. 18-19.

23

"Vive la crise," L'Object d'Art (January 1988), p. 95.

Il Giornale dell'Arte (February, 1988), no. 53.

Souren Melikian, "Surprise, Surprise," Art and Auction (February 1988), pp. 84 & 86.

"Acquisitions/1988," The J. Paul Getty Museum Journal 17 (1989), no. 93, pp. 151-152, illus.

Masterpieces of the J. Paul Getty Museum: European Sculpture (Los Angeles, 1997), no. 26, pp. 78-79, illus.

Peter Fusco, Summary Catalogue of European Sculpture in the J. Paul Getty Museum (Los Angeles, 1997), p. 26, illus.

24

Accession Number: 88.SB.74

TITLE(S): Boreas Abducting Orithyia

ARTIST OR MAKER(S): After a model by Gaspard Marsy [French, 1624 - 1681]

CULTURE: French

PLACE: France

OBJECT TYPE: Sculpture

MEDIUM: Bronze

DATE OF EXECUTION: cast 1693 - 1710

DIMENSIONS: Object: H: 104.5 x W: 53.5 x D: 45 cm (41 1/8 x 21 1/16 x 17 11/16 in.)

SOURCE NAME(S): Same Art Ltd. (Vendor)

PROVENANCE/HISTORY: Before 1788 Antoine-Alexandre Dubois [sold, Paillet, Paris, December 18, 1788, no. 168, to "Berotaire" for 5599 livres]

1803 Private Collection [possibly sold, Paillet et Delaroche, Paris, July 11, 1803, lot 41]

Before 1860 Baron James (Mayer) de Rothschild, 1792 - 1868, by descendence to

Baron Gustave (Samuel James) Salomon de Rothschild, 1829 - 1911

Baron Robert (Philippe Gustave) de Rothschild, 1880 - 1946

Baron (James Gustave Jules) Alain de Rothschild, 1910 - 1982, Paris

- 1987 Baron Eric (Alain Robert David) de Rothschild, b. 1940, Paris [(sold, Hotel Drouot, Paris, December 4, 1987, lot 112)]

1987-1988 Same Art Ltd. (Zurich, Switzerland), purchased by the J. Paul Getty Museum, 1988

The Henry Moore Foundation possesses a full history of the object 1933 – 1945 (see above)

BIBLIOGRAPHY: Connaissance de arts (January 1988), p. 18-19.

"Vive la crise," L'Object d'Art (January 1988), p. 95.

Il Giornale dell'Arte (February, 1988), no. 53.

25

Souren Melikian, "Surprise, Surprise," Art and Auction (February 1988), pp. 84 & 86.

"Acquisitions/1988," The J. Paul Getty Museum Journal 17 (1989), no. 94, pp. 151-152, illus.

Peter Fusco, Summary Catalogue of European Sculpture in the J. Paul Getty Museum (Los Angeles, 1997), p. 33, illus.

26

Accession Number: 88.DA.75.1

TITLE(S): Pedestal

ARTIST OR MAKER(S): Attributed to André-Charles Boulle [French, 1642 - 1732, master before 1666]

CULTURE: French

PLACE: Paris, France

OBJECT TYPE: Furniture

MEDIUM: Fir, oak and walnut veneered with ebony, dyed fruit wood (probably pear), brass and tortoise shell; gilt bronze mounts

DATE OF EXECUTION: about 1700

DIMENSIONS: Object: H: 121.1 x W: 55.6 x D: 55.6 cm (H: 3 ft. 11 11/16 in. x W: 1 ft. 9 7/8 in. x D: 1 ft. 9 7/8 in.)

SOURCE NAME(S): Same Art Ltd. (Vendor)

PROVENANCE/HISTORY: - 1788 Antoine-Alexandre Dubois (Paris, France) [sold, Paillet, Paris, December 18, 1788, no. 168, to "Berotaire" for 5599 livres]

- 1803 Private Collection [sold, Paillet et Delaroche, Paris, July 11, 1803, no. 41]

before 1860 Baron James (Mayer) de Rothschild, 1792 - 1868 (Paris, France)

Baron Gustave (Samuel James) Salomon de Rothschild, 1829 - 1911 (Paris, France)

Baron Robert (Philippe Gustave) de Rothschild, 1880 - 1946 (Paris, France)

Baron Alain (James Gustave Jules) de Rothschild, 1910 - 1982 (Paris, France)

- 1987 Baron Eric (Alain Robert David) de Rothschild, b. 1940 (Paris, France) [sold, Hôtel Drouot, Paris, December 4, 1987, no. 112]

1987 - 1988 Same Art Ltd. (Zurich, Switzerland), sold to the J. Paul Getty Museum, 1988.

The Henry Moore Foundation possesses a full history of the object 1933 – 1945 (see above)

BIBLIOGRAPHY: Gillian Wilson et al., French Furniture and Gilt Bronzes, Baroque and Régence, Catalogue of the J. Paul Getty Museum Collection (Los Angeles, 2008) entry 22, pp. 226-235, illus.

Connaissance de arts (January 1988), p. 18-19. 27

"Vive la crise," L'Object d'Art (January 1988), p. 95.

Il Giornale dell'Arte (February, 1988), no. 53.

Souren Melikian, "Surprise, Surprise," Art and Auction (February 1988), pp. 84 & 86.

"Acquisitions/1988," The J. Paul Getty Museum Journal 17 (1989), no. 68, pp. 140-141, illus.

Alexandre Pradère, Les Ébénistes Français de Louis XIV à la Révolution (Paris, 1989), nos. 189-190, p. 105.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 107, p. 73, illus.

Anne Forray-Carlier, Le Mobilier du Musée Carnavalet (Dijon, 2000), pp. 38-39.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 106, pp. 55-56, illus.

28

Accession Number: 88.DA.75.2

TITLE(S): Pedestal

ARTIST OR MAKER(S): Attributed to André-Charles Boulle [French, 1642 - 1732, master before 1666]

CULTURE: French

PLACE: Paris, France

OBJECT TYPE: Furniture

MEDIUM: Fir, oak and walnut veneered with ebony, dyed fruit wood (probably pear), brass and tortoise shell; gilt bronze mounts

DATE OF EXECUTION: about 1700

DIMENSIONS: Object: H: 121.1 x W: 55.6 x D: 55.6 cm (H: 3 ft. 11 11/16 in. x W: 1 ft. 9 7/8 in. x D: 1 ft. 9 7/8 in.)

SOURCE NAME(S): Same Art Ltd. (Vendor)

PROVENANCE/HISTORY: - 1788 Antoine-Alexandre Dubois (Paris, France) [sold, Paillet, Paris, December 18, 1788, no. 168, to "Berotaire" for 5599 livres]

- 1803 Private Collection [sold, Paillet et Delaroche, Paris, July 11, 1803, no. 41]

before 1860 Baron James (Mayer) de Rothschild, 1792 - 1868 (Paris, France)

Baron Gustave (Samuel James) Salomon de Rothschild, 1829 - 1911 (Paris, France)

Baron Robert (Philippe Gustave) de Rothschild, 1880 - 1946 (Paris, France)

Baron Alain (James Gustave Jules) de Rothschild, 1910 - 1982 (Paris, France)

- 1987 Baron Eric (Alain Robert David) de Rothschild, b. 1940 (Paris, France) [sold, Hôtel Drouot, Paris, December 4, 1987, no. 112]

1987 - 1988 Same Art Ltd. (Zurich, Switzerland), sold to the J. Paul Getty Museum, 1988.

The Henry Moore Foundation possesses a full history of the object 1933 – 1945 (see above)

BIBLIOGRAPHY: Gillian Wilson et al., French Furniture and Gilt Bronzes, Baroque and Régence, Catalogue of the J. Paul Getty Museum Collection (Los Angeles, 2008) entry 22, pp. 226-235, illus.

Connaissance de arts (January 1988), p. 18-19.

"Vive la crise," L'Object d'Art (January 1988), p. 95.

Il Giornale dell'Arte (February, 1988), no. 53.

Souren Melikian, "Surprise, Surprise," Art and Auction (February 1988), pp. 84 & 86.

"Acquisitions/1988," The J. Paul Getty Museum Journal 17 (1989), no. 68, pp. 140-141, illus.

Alexandre Pradère, Les Ébénistes Français de Louis XIV à la Révolution (Paris, 1989), nos. 189-190, p. 105.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 107, p. 73, illus.

Anne Forray-Carlier, Le Mobilier du Musée Carnavalet (Dijon, 2000), pp. 38-39.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 106, pp. 55-56, illus.

29

30

Accession Number: 88.DH.127.1

TITLE(S): One of a pair of Decorative Figures

ARTIST OR MAKER(S): Surface decoration attributed to Étienne-Simon Martin [French] (Painter) and Guillaume Martin [French] (Painter)

CULTURE: French

PLACE: Paris, France

OBJECT TYPE: Figures

MEDIUM: Painted bronze and silver

DATE OF EXECUTION: 1738 - 1750 (silver); 1745 - 1749 (bronze)

DIMENSIONS: Object: H: 22.8 x W: 11.4 x D: 15.2 cm (H: 9 x W: 4 1/2 x D: 6 in.)

SOURCE NAME(S): Jean-Luc Chalmin (Vendor)

MARKS: Markings: Base is stamped with the crowned "C" for 1745-1749. Each silver element is marked with a crowned "Y" (the warden's mark used between October 4, 1738, and October 12, 1739); a fox's head (the Paris discharge mark for small works in silver and gold used between October 4, 1738, and October 12, 1744); and a helmet with open visor (the Paris discharge mark for works in gold and small works in old silver used between October 13, 1744, and October 9, 1750). The silver also bears an obliterated mark which might be a charge or maker's mark.

PROVENANCE/HISTORY: - 1745 Gabriel Bernard de Rieux, Président à la deuxième chambre des enquêtes du Parlement de Paris, 1687 - 1745 (Paris, France)

before 1752 Possibly Jeanne-Antoinette Poisson, 1721 - 1764 (Paris, France)

about 1910 Kraemer et Cie (Paris, France)

about 1920 - 1988 Private Collection (Paris, France) [offered for sale but withdrawn, Nouveau Drout, Paris, April 2, 1981, no. 61]

1988 Jean-Luc Chalmin (Paris, France), sold to the J. Paul Getty Museum, 1988.

The Henry Moore Foundation does not possess a full history of the object 1933 – 1945, however due diligence checks have revealed no evidence of wrongful acquisition. Documentation is on file at the Henry Moore Institute (see contact details above)

EXHIBITION HISTORY: Madame de Pompadour et les arts (February 13, 2002 to January 12, 2003) Musée national des Châteaux de Versailles et de Trianon (Versailles), February 13, 2002-May 19, 2002 Kunsthalle der Hypo-Kulturstiftung (Munich), June 14, 2002-September 15, 2002

31

The National Gallery (London), October 16, 2002-January 12, 2003

Versailles, Musée national des châteaux de Versailles et de Trianon, Munich, Kunsthalle der Hypo-Kulturstiftung, and London, National Gallery, Madame de Pompadour et les arts, February 2002-January 2003, no. 156 p. 364, illus. p. 356.

BIBLIOGRAPHY: Livre-Journal de Lazare Duvaux, Marchand-Bijoutier ordinaire du Roy, 1748-1758, Louis Courajod, ed. (Paris, 1873), vol. 2, p. 135, no. 1213.

"Acquisitions/1988," The J. Paul Getty Museum Journal 17 (1989), no. 72, p. 142, illus.

John Whitehead, The French Interior in the Eighteenth Century (London, 1992), p. 23, illus.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 184, p. 110, illus.

Musée du Louvre, Nouvelles acquisitions du département des Objects d'art 1990-1994 (Paris 1995) number 61, pp. 163-165.

Carolyn Sargentson, Merchants and Luxury Markets: The Marchands Merciers of Eighteenth-Century Paris (London, 1996), pl. 18, illus.

The J. Paul Getty Museum Handbook of the Collections (Los Angeles 1997), p. 203, illus.

Thibaut Wolvesperges, "A propos d'une pendule aux magots en vernis Martin du musée du Louvre provenant de la collection Grog-Carven," Revue du Louvre, La Revue des Musées de France (October 4, 2001), p. 72, illus. p. 73, figures 5a, 5b.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 190, p. 93-94, illus. p. 93

Xavier Salmon, Madame de Pompadour et les arts, exh. cat. (Paris, 2002), no. 156, pp. 364-365, illus. p. 356.

32

Accession Number: 88.DH.127.2

TITLE(S): One of a pair of Decorative Figures

ARTIST OR MAKER(S): Surface decoration attributed to Étienne-Simon Martin [French] (Painter) and Guillaume Martin [French] (Painter)

CULTURE: French

PLACE: Paris, France

OBJECT TYPE: Figures

MEDIUM: Painted bronze; silver

DATE OF EXECUTION: 1738 - 1750 (silver); 1745 - 1749 (bronze)

DIMENSIONS: Object: H: 22.8 x W: 11.4 x D: 15.2 cm (9 x 4 1/2 x 6 in.)

SOURCE NAME(S): Jean-Luc Chalmin (Vendor)

MARKS: Markings: Base is stamped with the crowned "C" for 1745-1749. Each silver element is marked with a crowned "Y" (the warden's mark used between October 4, 1738, and October 12, 1739); a fox's head (the Paris discharge mark for small works in silver and gold used between October 4, 1738, and October 12, 1744); and a helmet with open visor (the Paris discharge mark for works in gold and small works in old silver used between October 13, 1744, and October 9, 1750). The silver also bears an obliterated mark which might be a charge or maker's mark.

PROVENANCE/HISTORY: - 1745 Gabriel Bernard de Rieux, Président à la deuxième chambre des enquêtes du Parlement de Paris, 1687 - 1745 (Paris, France)

before 1752 Possibly Jeanne-Antoinette Poisson, 1721 - 1764 (Paris, France)

about 1910 Kraemer et Cie (Paris, France)

about 1920 - 1988 Private Collection (Paris, France) [offered for sale but withdrawn, Nouveau Drout, Paris, April 2, 1981, no. 61]

1988 Jean-Luc Chalmin (Paris, France), sold to the J. Paul Getty Museum, 1988.

The Henry Moore Foundation does not possess a full history of the object 1933 – 1945, however due diligence checks have revealed no evidence of wrongful acquisition. Documentation is on file at the Henry Moore Institute (see contact details above)

EXHIBITION HISTORY: Madame de Pompadour et les arts (February 13, 2002 to January 12, 2003) Musée national des Châteaux de Versailles et de Trianon (Versailles), February 13, 2002-May 19, 2002 Kunsthalle der Hypo-Kulturstiftung (Munich), June 14, 2002-September 15, 2002 The National Gallery (London), October 16, 2002-January 12, 2003

Versailles, Musée national des châteaux de Versailles et de Trianon, Munich, Kunsthalle der Hypo-Kulturstiftung, and London, National Gallery, Madame de Pompadour et les arts, February 2002-January 2003, no. 156 p. 364, illus. p. 356.

BIBLIOGRAPHY: Livre-Journal de Lazare Duvaux, Marchand-Bijoutier ordinaire du Roy, 1748-1758, Louis Courajod, ed. (Paris, 1873), vol. 2, p. 135, no. 1213.

"Acquisitions/1988," The J. Paul Getty Museum Journal 17 (1989), no. 72, p. 142, illus.

John Whitehead, The French Interior in the Eighteenth Century (London, 1992), p. 23, illus.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 184, p. 110, illus.

Musée du Louvre, Nouvelles acquisitions du département des Objects d'art 1990-1994 (Paris 1995) number

33

61, pp. 163-165.

Carolyn Sargentson, Merchants and Luxury Markets: The Marchands Merciers of Eighteenth-Century Paris (London, 1996), pl. 18, illus.

The J. Paul Getty Museum Handbook of the Collections (Los Angeles 1997), p. 203, illus.

Thibaut Wolvesperges, "A propos d'une pendule aux magots en vernis Martin du musée du Louvre provenant de la collection Grog-Carven," Revue du Louvre, La Revue des Musées de France (October 4, 2001), p. 72, illus. p. 73, figures 5a, 5b.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 190, p. 93-94, illus. p. 93

Xavier Salmon, Madame de Pompadour et les arts, exh. cat. (Paris, 2002), no. 156, pp. 364-365, illus. p. 356.

34

Accession Number: 89.DF.26.1

TITLE(S): One of a pair of Wall Lights

ARTIST OR MAKER(S): Unknown

CULTURE: French

PLACE: Paris, France

OBJECT TYPE: Wall Lights

MEDIUM: Gilt Bronze

DATE OF EXECUTION: 1745 - 1749

DIMENSIONS: Object: H: 72.4 x W: 47.6 x D: 26.7 cm (H: 2 ft. 4 1/2 in. x W: 1 ft. 6 3/4 in. x D: 10 1/2 in.)

SOURCE NAME(S): Alexander & Berendt Ltd. (Vendor)

MARKS: Light bears one crowned "C" for 1745-1749.

PROVENANCE/HISTORY: - 1989 Alexander & Berendt Ltd. (London, England), sold to the J. Paul Getty Museum, 1989.

The Henry Moore Foundation does not possess a full history of the object 1933 – 1945, however due diligence checks have revealed no evidence of wrongful acquisition. Documentation is on file at the Henry Moore Institute (see contact details above)

BIBLIOGRAPHY: "La Chronique des Arts, principales acquisitions des musées en 1989," Gazette des Beaux-Arts, no. 1454 (March 1990), no. 250, p. 51.

"Acquisitions/1989," The J. Paul Getty Museum Journal 18 (1990), no. 53, p. 193, illus.

Charissa Bremer-David et al., Decorative Arts, An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu, 1993), no. 167, p. 102, illus.

The J. Paul Getty Museum Handbook of the Collections (Los Angeles 1997), p. 206, illus.

The J. Paul Getty Museum Handbook of the Collections (Los Angeles 2001), p. 206, illus.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts (Los Angeles, 2001), p. 84, no. 169.

35

Accession Number: 94.SB.77.1

TITLE(S): Andiron in the Form of a Female Herm Andiron in the Form of a Nymph Firedog in the Form of a Female Herm

ARTIST OR MAKER(S): Unknown maker, Italian

CULTURE: Italian

PLACE: Fontainebleau, France

OBJECT TYPE: Sculpture

MEDIUM: Bronze

DATE OF EXECUTION: about 1540 - 1545

DIMENSIONS: Object: H: 84 x W: 39 x D: 14 (at base) cm (33 1/16 x 15 3/8 x 5 1/2 in.)

SOURCE NAME(S): Same Art Ltd. (Vendor)

PROVENANCE/HISTORY: Probably Francis I , King of France, 1494 - 1547 (Fontainebleau, France)

- 1911 Baron Gustave (Samuel James) Salomon de Rothschild, 1829 - 1911, by inheritance within the Rothschild family.

1911 - 1994 Rothschild Family [sold, Hotel Drouot, Etude Oger-Dumont, Etude Courturier Nicolay, Paris, 17 June 1994, lot 117, to Same Art Ltd.], sold to Same Art Ltd.

1994 Same Art Ltd., sold to the J. Paul Getty Museum, 1994.

The Henry Moore Foundation possesses a full history of the object 1933 – 1945 (see above)

BIBLIOGRAPHY: "Acquisitions/1994." The J. Paul Getty Museum Journal 23 (1995), no. 97, p. 120.

Allen, D. Unsigned note in J. Paul Getty Museum Calendar, summer 1996.

Bassett, J., and P. Fogelman. Looking at European Sculpture: A Guide to Technical Terms (Los Angeles, 1997) p. 36.

Fusco, Peter. Summary Catalogue of European Sculpture in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997) p. 61.

Masterpieces of the J. Paul Getty Museum: Decorative Arts (Los Angeles: J. Paul Getty Museum, 1997), no. 11, p. 18.

36

The J. Paul Getty Museum Handbook of the Collections (Los Angeles: 1997) p. 240.

Fogelman, Peggy and Peter Fusco with Marietta Cambareri. Italian and Spanish Sculpture: Catalogue of the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2002) p. 43.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 179, p. 89, illus.

37

Accession Number: 94.SB.77.2

TITLE(S): Andiron in the Form of a Male Herm Andiron in the Form of A Satyr Firedog in the Form of a Male Herm

ARTIST OR MAKER(S): Unknown maker, Italian

CULTURE: Italian

PLACE: Fontainebleau, France

OBJECT TYPE: Sculpture

MEDIUM: Bronze

DATE OF EXECUTION: about 1540 - 1545

DIMENSIONS: Object: H: 82.5 x W: 39.5 x D: 13 (at base) cm (32 1/2 x 15 1/2 x 5 1/8 in.)

SOURCE NAME(S): Same Art Ltd. (Vendor)

PROVENANCE/HISTORY: Probably Francis I , King of France, 1494 - 1547 (Fontainebleu, France)

- 1911 Baron Gustave (Samuel James) Salomon de Rothschild, 1829 - 1911, by descent within the Rothschild family.

1911 - 1994 Rothschild family [sold, Hotel Drouot, Etude Oger-Dumont, Etude Courturier Nicolay, Paris, 17 June 1994, lot 117, to Same Art Ltd.]

1994 Same Art Ltd., sold to the J. Paul Getty Museum, 1994.

The Henry Moore Foundation possesses a full history of the object 1933 – 1945 (see above)

BIBLIOGRAPHY: "Acquisitions/1994." The J. Paul Getty Museum Journal 23 (1995), no. 97, p. 120.

Allen, D. Unsigned note in J. Paul Getty Museum Calendar, summer 1996.

Bassett, J., and P. Fogelman. Looking at European Sculpture: A Guide to Technical Terms (Los Angeles, 1997) p. 36.

Fusco, Peter. Summary Catalogue of European Sculpture in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997) p. 61.

Masterpieces of the J. Paul Getty Museum: Decorative Arts (Los Angeles: J. Paul Getty Museum, 1997), no. 11, p.

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18.

The J. Paul Getty Museum Handbook of the Collections (Los Angeles: 1997) p. 240.

Fogelman, Peggy and Peter Fusco with Marietta Cambareri. Italian and Spanish Sculpture: Catalogue of the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2002) p. 43.

Gillian Wilson and Catherine Hess, Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles, 2001), no. 179, p. 89, illus.

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