Españagobo Cat No9 Aug07

Total Page:16

File Type:pdf, Size:1020Kb

Españagobo Cat No9 Aug07 INDICE DE MAT E R I A S INTRODUCCIÓN A GOBOS . 2 P O RTA G O B O S . 3 TAMAÑOS DE GOBOS Y PORTA G O B O S . 4 GOBOS DE VIDRIO . 7 ColorWaves™ 7 Colorizers™ 8 Prismatics™ 9 Image Glass™ 10 Signature Series™ 11- 14 GOBOS DE META L . 1 5 Textos 15 Breakups 16 - 19 Foliage Breakups 19 - 21 Árboles y Vegetación 22 - 24 Abstractos 24 - 26 Gráficos 26 - 28 Gráficos y Rejas 29 - 30 Rotación 30 - 33 Simbolos y Señales 34 El mundo que nos rodea 35 - 37 Iglesias y Heraldicos 37 - 38 Ventanas, Puertas, Persianas 38 - 40 Vallas, Fauna y Flora 40 - 41 Nubes 42 - 43 Agua y Cielo 43 - 44 Fuego y Hielo 44 - 45 Arquitectónicos y Comercio 46 Fiestas y Celebraciones 47 - 51 Ruedas Mac500 52 - 53 D I S E Ñ A D O R E S . 5 4 I N D I C E . 5 6 Numérico (DHA Ref) 56 - 62 Numérico (ROSCO Ref) 63 - 69 Alfabético 70 - 76 Las imágenes siguientes están protegidas bajo la Ley Internacional de Copyright y no pueden copiarse ni reproducirse de ningún modo sin permiso previo. Por favor, contacte (Ago 07 ) con Rosco Ibérica para más información. 1 D I S E Ñ O S E S T Á N D A R E N A C E R O Todos los gobos estándar Rosco|DHA son realizados con precisión en acero inoxidable para encajar en la mayoría de los pro y e c t o r es, cañones de seguimiento y cabezas móviles convencionales. Todos los diseños del catálogo están disponibles como estándar en cualquier tamaño sujetos únicamente a las características de la imagen. Algunos diseños delicados no se pueden re p r oducir en los tam años más pequeños. También es bueno tener en cuenta que algunas luminarias no pueden proyectar el diámetro de imagen completo y la mayoría de los pro y e c t o r es populares tienen varios portagobos alternativos para facilitar el uso de gobos de distintos tamaños. Si se hace pedido de un gobo para utilizarlo en un portagobos existente es importante ver que el gobo y el p o r tagobos sean compatibles y que se pueda proyectar la imagen completa. La política de Rosco|DHA es tener disponibles todos los diseños estándar en los tamaños más habituales para así p e r mitir que los pedidos salgan inmediatamente. Sin embargo, con el incremento de la gama puede ocurrir que no dispongamos de stock de un diseño en part i c u l a r. Por ello nos comprometemos a pro p o r cionar diseños de catálogo en 3 dias laborables después de recibir el pedido, aun que se puede solicitar un plazo de entrega más rápido. G O B O S D E V I D R I O E S T Á N D A R Para complementar su gama de gobos, Rosco|DHA también fabrica una gama de gobos de vidrio disponible bajo pedido en tamaños para encajar en los proyectores convencionales y en cabezas móviles. A diferencia del metal, el vidrio tiene la ventaja de poder llevar imágenes muy complicadas y así permitir la proyección de un detalle muy fino desde el proyector adecuado. Se fabrican de manera que se puede proyectar luz alrededor de “islas” oscuras de imagen sin distorsión o con un sombreado medio fino. Se debe tener en cuenta que existen directrices estrictas para el uso y manejo de gobos de vidrio, en particular con respecto al ajuste de la lámpara del proyector que se está utilizando. Se debe prestar atención a las instrucciones suministradas con todos los gobos de vidrio. Cada imagen original de nuestra gama de vidrio Signature Series, incluyendo también Colorwaves™, Colorizers™, Prismatics™ e Image Glass™, se ha diseñado para utilizarla en cabezas móviles y complementa nuestra gama existente de diseños de vidrio y acero. El proceso de diseño ha llevado muchos meses porque todas las imágenes se produjeron, proyectaron, evaluaron y revisaron para conseguir el contraste y balance perfecto de sombra tonal a bloque sólido. REFERENCIA DE COLOR DICROICO Están disponibles otros colores, para ver la gama completa, por favor, vea el muestrario Perm a c o l o r ™ . Estos colores sirven como directrices únicamente ya que no es posible equiparar colores impresos con vidrio dicroico. Los colores están sujetos a disponibilidad y su adecuación para algunos proyectores. 2 P O R TA G O B O S Rosco|DHA fabrica portagobos que encajan en la mayoría de los proyectores en uso hoy en día pero podemos producir portagobos que satisfagan una necesidad particular. Cuando se está seleccionando un portagobos, hay que asegurarse que las dimensiones totales del portagobos y el tamaño del gobo que portará son compatibles con el proyector utilizado. DHA Portagobos Además de los portagobos estándar detallados en las páginas 4-6, Rosco fabrica una variedad de portagobos alternativos. Portagobos Ranurado Sandwich Acanalado Universal (Acero) (Acero) (Vidrio) para el Iris (Acero o Vidrio) Gobos de Acero Gobos de Vidrio Los gobos de acero pueden utilizarse en la abertura estándar Los Gobos de Vidrio requieren unos portagobos diseñado espe- para el gobo de varios proyectores de recorte. Especifique los cialmente para que se ajusten los gobos de vidrio más gruesos. Portagobos según se indica: Los Portagobos Acanalados se pueden utilizar en la abertura estándar para el gobo. El Portagobos para el Iris debe uti- Tamaño B portagobos Ranurado lizarse en la abertura del iris. Utilícelo para gobos de acero tamaño B en Altman y otros proyectores europeos similares. Tamaño BG Portagobos Acanalado para gobos de vidrio Tamaño B portagobos Sandwich Utilícelo para gobos de vidrio tamaño BG (79 mm), Utilícelo para gobos de acero tamaño B en Altman y Colorizers y Spectrumgobos B/N en Altman y otros otros proyectores europeos similares. proyectores europeos similares. Tamaño B Portagobos Sandwich – ETC Tamaño B Portagobos Acanalado para Utilícelo para gobos de acero tamaño B en ETC gobos de vidrio - ETC Source 4 y Source 4 750. Utilícelo para Colorizers tamaño B y Spectrumgobos B/N en ETC Source 4. Tamaño A Portagobos Sandwich – ETC Utilícelo para gobos de acero tamaño A en ETC Portagobos Universal para el Iris Source 4 y Source 4 750. Es necesario recortar el Utilícelo para cualquier gobo de Acero o Vidrio gobo con unas tijeras para que se ajuste en el tamaño B en Altman Shakespeare, ETC Source Four, proyector. Strand SL o Selecon Pacific. Doble cara, para inser- tar dos gobos. Existe la posibilidad de que necesite utilizar los gobos de vidrio Rosco en portagobos y pro y e c t o r es distintos de los que se listan a continuación. Contacte al fabricante del proyector para más información. A D A P T A D O R E S D E G O B O S Para permitir más versatilidad de uso para gobos de tamaño B y M hemos desarrollado el adaptador de gobos. Perforados del mismo acero inoxidable que un gobo estándar, este simple dispositivo permite utilizar un gobo de tamaño M en un portagobo de tamaño B y un gobo de tamaño B en un portagobos de tamaño A. TA D P O L E S Para utilizar en conjunto con el portagobos de tamaño apropiado, el Tadpole permite que gobos de tamaño A, B y M sean alineados con un proyector. Los gobos se pueden alinear utilizando la cola que sobresale del proyector y que está diseñada para mantenarse fría. La posición final se puede fijar firmemente utilizando un gancho grabado. 3 GUÍA DE TAMAÑO DE GOBOS Y PORTA G O B O S FABRICANT E / PR OY ECTOR V I D R I O A C E R O DE AI PORTA DE AI PORTA (mm) (mm) GOBOS (mm) (mm) GOBOS ADB Europa series A (100) 68 GH57 A (100) 68 GH34 1K A (100) 68 GH24 A (100) 68 GH24 2K A (100) 68 GH25 Altman 360Q / 1 KL / Shakespeare B (86) 64.5 GH09 Micro Ellipse E (37.5) 28.13 Berkey Ellipsoidal B (86) 64.5 GH17 A (100) 68 GH16 Mini Ellipse A (100) 68 GH20 A (100) 68 GH18 Color Arc Follow Spot M (65.5) 48 GH28 Bowens Monospot/Spotlight 1.5/3 (A) A (100) 68 GH65 Monospot/Spotlight 1.5/3 (B) B (86) 64.5 GH66 Monospot/Spotlight 1.5/3 (M) M (65.5) 48 GH67 CCT Project/ Silhouette/ Freedom (A) A (100) 68 GH02 A (100) 68 GH01 Minuette / Helios M (65.5) 48 GH55 M (65.5) 48 GH15 Clay Paky Alphaspot E (37.5) 25 E (37.5) 25 Alphaspot1200 (fixed) 31.5 25 Alphaspot1200 (rotator) E (37.5) 25 Goldenscan/Superscan/Tigerscan 51.8 45 G (66) 45 Coemar Accento M (65.5) 48 GH41 Centro E (37.5) 25 Testa B (86) 64.5 GH43 Dedolight 100w / 150w M (65.5) 48 M (65.5) 48 Derksen GL100 / 150 / 200 70 35 70 35 GL700 / 1200 105 68 105 68 Gobotop E (37.5) 20 E (37.5) 20 DHA Gecko / Chameleon E (37.5) 25 E (37.5) 25 Elinchrom Minispot D (53.3) 40 D (53.3) 40 Servospot250 27 23 27 23 Enlighten BP75 LV Gobo projector D (53.3) 40 D (53.3) 40 Callisto B (86) 64.5 B (86) 64.5 ETC SourceFour (A) A (100) 68 GH62 A (100) 68 GH61 SourceFour (B) B (86) 64.5 GH56 B (86) 64.5 GH59 SourceFour (FX Slot) B (86) 65.5 GH77 SourceFour Junior M (65.5) 48 GH64 M (65.5) 48 GH63 FAL Sagomatore 650/1000/2000 M (65.5) 48 M (65.5) 48 Scala575/1000/1200/2000 M (65.5) 48 M (65.5) 48 High End Cyberlight 44 36 44 36 Intellabeam V (25) 18 V (25) with notch 18 Technobeam V (25) 18 V (25) 18 Studiospot575 36.5 31.5 36.5 31.5 Studiospot250 V (25) 22 V (25) 22 Studiospot X 36.3 31.5 36.5 31.5 James Thomas 650 D (53.3) 40 GH12 4 GUÍA DE TAMAÑO DE GOBOS Y PORTA G O B O S FABRICANT E / PR OY ECTOR V I D R I O A C E R O DE AI PORTA DE AI PORTA (mm) (mm) GOBOS (mm) (mm) GOBOS Juliat Aramis B (86) 50 B (86) 50 Athos Profile A (100) 68 D'Artagnan B (86) 50 B (86) 50 GH58 Lee Colortran Windsor (A) A (100) 68 GH02 A (100) 68 GH01 Windsor (B) B (86) 64.5 GH03 Martin Mac250 22.5 17 22.5 17 Mac500/550/700 27.8 23 27.8 23 Mac1200 50 40 D (53.3) 40 Mac2000 E (37.5) 30 E (37.5) 30 Mania PR1 D (53.3) 40 D (53.3) 40 Microlight Microprofile / Polaris E (37.5) 28 E (37.5) 28 GH14 Niethammer Enispot / Eniszoom (A) A (100) 68 GH21 Enispot / Eniszoom (B) B (86) 65.5 GH39 B (86) 65.5 GH29 Novolight Followspot D (53.3) 40 GH42 Optikinetics K1 / K2 / K4 50 35 50 35 Goboshow F1 / F2 50 35 50 35 Gobo Pro 50 35 50 35 Solar 100 / 250 50 35 50 35 Pani Profile A (100) 68 GH22 BP Projector 18cm Sq.
Recommended publications
  • City Theatrical Talks with Eastern Lighting Design's Matt Gordon and Mick Smith
    A Conversation With MATT GORDON & MICK SMITH Nexstar Media Group’s “NewsNation” on WGN America in Chicago, Illinois Set Design: Clickspring Design | Lighting Design: Eastern Lighting Design | Lighting Package: Barbizon Fabrication: Chicago Scenic Studios, Inc.; Showman Fabricators | Display Technology: AOTO BACKGROUND Eastern Lighting Design is a leading international design firm specializing in broadcast, location, and special events lighting. With a keen eye on the latest technology and industry trends, lighting designers and entrepreneurs Matt Gordon and Mick Smith have taken the industry by storm, designing innovative news studios in Dubai, Chicago, Beijing, and everywhere in between. City Theatrical talked with the team about the design and technology that has gone into some of the projects of this budding company’s past, present, and future, in this designer interview. Q&A: York at Purchase, which had a really great a story through lighting. If you flip through conservatory for theatre arts and film. At the television channels, you know what you’re City Theatrical (CTI): How did you get time, it had the highest turnout for Broadway looking at without stopping to read the guide. started in the world of professional lighting designers of any school in the country. Lighting helps you easily identify the content lighting design? Initially, that’s where I was headed. and aesthetic you’re looking for. Matt Gordon (Matt): For me, lighting really I graduated Purchase, and did a lot of theatre. Mick Smith (Mick): Funny enough, my story is the only thing I’ve ever done. I started I landed on one Broadway show as an is almost identical to Matt’s.
    [Show full text]
  • Designedinthe
    Designedinthe USA The United States of America Exhibition at the 1995 Prague Quadrennial Designed in the USA The United States of America Exhibition at the 1995 Prague Quadrennial Exhibit Producer Arnold Aronson Associate Producer Sarah ash Gates Exhibit Designer Eric Fielding Architecture Exhibit Coordinator Timothy Hartung Student Exhibit Coordinators Sarah ash Gates, Timothy Saternow, William Forrester U.S. Delegation Tour Coordinator Leon Brauner Ass~tanttotheProducer Patrick Kelsey Catalog Text Arnold Aronson Catalog Design Eric Fielding Exhibit Staff Timothy Saternow, Tee/mical Director Patrick Kelsey Judy Pfeifer MirenaRada Joan Schlafer Merope Vachliotif Steering Committee Richard Durst, Eric Fielding, Sarah ash Gates, Patricia MacKay, Dr. Joel E. Rubin, Samuel Scripps Our thanks and appreciation to the following for their help and support: Christine Kaiser, Debora Kingston, Dr. Joel E. Rubin, Valerie dilorenzo, ~onnand Bouchard, and Joan Vick (USITT), Rex loser (Arts America). Martha Coigney (ITUfiS), Barbara Stral}ner (Lincoln Center Libra/J'for tbe Pe/forming Arts), Roberta Fotia (Rosco Laboratories), Ralph Pine (Drama Book Specialists), WiLlianl Bent (U.S. Illformatioll r1geIlC)~, Deb Styer,Josh Rothenberg, Blake Seidel, and Ernie Barbarash (Columbia {;lIiL'ersiM. Chris Boneau (BolleaulBryan-Broll'lI), Marcia McDonald and Tom Reiter (Grace Cos/umes), Brigid Milchell (Dislley Art Editions), Joseph Clark (Metropolitall Opera). Susan lee (League ofProfessiollal Tbeatres), Paul Arianas, Vito Zingarelli and Anita Gaffney (Stratford FestiL'fll), Tanya Grubich, MaJ)' HUDter (Seattle Rep), Ruth Rorak (Zenitb Travel), PalIick Costin (RCLAgenC)~, Takashi Mizuta (.\'HK), Dan Kuchar, Joan Schlafer Galena Tsypin, Angela Wendt, and Joseph Yossoupoff Published bylilc "niled Slales lnSlilUlc for The,nrc Technology. Inc. 10 \\'CSI 191h Sl.
    [Show full text]
  • Rosco-Gobo-Catalogo.Pdf
    s Page Page t n e Custom Gobos Glass Colour 54 t n Online Catalogue 3 Abstract 54 o Breakups 55 C Effects Glass 4 Rotation 55 f Colorizers 4 Scene 57 O Prismatics 4 Image Glass 5 Sizes, Holders,Tech Info 59 e l ColorWaves 6 Details for choosing the right gobo size, type b and holder for the fixtures you’re using. a T Steel 7 Custom Gobos 61 Breakups 7 Tips and details for ordering a custom-made gobo. Foliage Breakups 11 Trees & Flowers 14 Abstract 16 Gobo Rotators 63 Graphics 19 Graphics & Grills 22 iPro Image Projector 64 Rotation 23 Symbols & Signs 27 X24 X-Effects Projector 65 World Around Us 28 Churches & Heraldics 32 Equipment 66 Windows, Doors & Blinds 33 Rosco’s Infinity and I-Cue Intelligent Mirror Boundaries & Wildlife 36 Clouds & Sky 37 Creative Combinations 67 Water & Sky 38 Combining gobos and rotating them can Fire & Ice 40 create stunning effects. Architectural & Retails 41 Occasions & Holidays 42 Index, Numerical 69 Text 47 Index, Alphabetical 75 Glass B/W 48 Abstract 48 Breakups 50 Rotation 51 Scene 52 Rosco Gobo 77785 Number DHA Gobo 238-285 Number Gobo Sharp Breakup (Medium) Name Tom Skelton Gobo Designer ©1984 – 2016 Rosco Laboratories, Inc. (“Rosco”). Copyright claim includes but is not limited to all Rosco Gobo patterns/designs. The names and numerical designations of Rosco Gobo patterns/designs are trademarks of Rosco. Rosco reserves all copyright and trademark rights. 2 Custom Gobos s o Rosco has long been involved in the production of gobos, catalogue and custom, metal and glass, monochrome and colour.
    [Show full text]
  • Spoleto Festival Usa Program History 2016 – 1977
    SPOLETO FESTIVAL USA PROGRAM HISTORY 2016 – 1977 Spoleto Festival USA Program History Page 2 2016 Opera Porgy and Bess; created by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin; conductor, Stefan Asbury; director, David Herskovits; visual designer, Jonathan Green; lighting designer, Lenore Doxsee; wig and makeup designer, Ruth Mitchell; set designer, Carolyn Mraz; costume designer, Annie Simon; fight director, Brad Lemons; Cast: Alyson Cambridge, Lisa Daltirus, Eric Greene, Courtney Johnson, Lester Lynch, Sidney Outlaw, Victor Ryan Robertson, Indra Thomas; Spoleto Festival USA Orchestra, Johnson C. Smith University Concert Choir; Charleston Gaillard Center *La Double Coquette; music by Antoine Dauvergne with additions by Gérard Pesson; libretto by Charles-Simon Favart with additions by Pierre Alferi; director, Fanny de Chaillé; costume designer, Annette Messager; costume realization, Sonia de Sousa; lighting designer, Gilles Gentner; lighting realization, Cyrille Siffer; technical stage coordination, Francois Couderd; Cast: Robert Getchell, Isabelle Poulenard, Mailys de Villoutreys; Dock Street Theatre *The Little Match Girl; music and libretto by Helmut Lachenmann; conductor, John Kennedy; co-directors, Mark Down and Phelim McDermott; costume designer, Kate Fry; lighting designer, James F. Ingalls; set designer, Matt Saunders; puppet co-designers, Fiona Clift, Mark Down, Ruth Patton; Cast: Heather Buck, Yuko Kakuta, Adam Klein; Soloists: Chen Bo, Stephen Drury, Renate Rohlfing, Memminger Auditorium Dance Bill T. Jones/Arnie
    [Show full text]
  • The Fellows Gazette
    The Fellows Gazette Volume 53 Published by the College of Fellows of the American Theatre Summer 2010 hop. You will notice that I’ve not mentioned names The Fellows as Creators and because we would be here deep into next week, if I did so! Stewards of a Legacy The miracle of this annual gathering is that we socialize (The following remarks by incoming Dean, Milly S. Barranger, were as good friends and respected colleagues, and, when made during the annual business meeting of the College of Fellows on we assemble shoulder-to-shoulder as a “College,” we April 18, 2010, at the John F. Kennedy Center for the Performing Arts.) make a distinguished and powerful statement as Thank you, friends, creators and stewards of the past, present, and future for this privilege of legacy of theatre in America. serving the College Today, I promise to honor our community of diverse for the next two professionals and set in motion planning for the Fellows years and for your th 50 Anniversary celebration in 2015. Please mark your confidence that I will calendars. serve you well. Thank you, again. ■ Since receiving the invitation to become your Dean, I’ve thought a great deal about this assembly where I was invested in 1984 (twenty-six years ago!). Many of you here today have enabled my personal journey through a very rewarding career. I’ve also worked closely with a number of you in other professional associations. So, we are not strangers. As I look around this room, I see a group that defines the scope, and brilliance, and eclecticism of our profession.
    [Show full text]
  • Entire Catalog
    Page Page Custom Gobos Glass Color 54 Online Catalog 3 Abstract 54 Breakup 55 Effects Glass 4 Rotation 55 Colorizers 4 Scene 56 Prismatics 4 ImageGlass 5 Sizes, Holders, ColorWaves 6 Tech Info 59 Details for choosing the right gobo size, type Steel 7 and holder for the fixtures you’re using. Breakups 7 Custom Gobos 61 able Of Contents Foliage Breakups 11 T Trees & Flowers 14 Tips and details for ordering a custom-made gobo. Abstract 16 Graphics 19 Gobo Rotators 63 Graphics & Grills 22 Rotation 23 iPro Image Projector 64 Symbols & Signs 27 World Around Us 28 X24 X-Effects Projector 65 Churches & Heraldics 32 Windows, Doors & Blinds 33 Equipment 66 Boundaries & Wildlife 36 Rosco’s Infinity and I-Cue Intelligent Mirror Clouds & Sky 37 Water & Sky 38 Creative Combinations 67-68 Combining gobos and rotating them can Fire & Ice 40 create stunning effects. Architectural & Retails 41 Occasions & Holidays 42 Index, Numerical 69-74 Text 47 Index, Alphabetical 75-79 Glass B/W 48 Abstract 48 Breakup 50 Rotation 51 Scene 52 Rosco Gobo Number 77785 Rosco DHA 238-285 Gobo Number Gobo Name Sharp Breakup (Medium) Tom Skelton Gobo Designer 2 Custom Gobos Custom gobos can be made to fit virtually any stationary or moving light. Your artwork may be a logo, text, a photo or any image. But the critical decision is choosing the right vendor. When you place your order with a dealer, the dealer will prob- ably recommend that your custom gobo be manufactured at Rosco. Here’s why: Rosco manufactures its own dichroic glass in its purpose-built facility in Round Rock, Texas.
    [Show full text]
  • Paul D. Miller U.S.A.A
    Paul D. Miller U.S.A.A. Lighting Designer BROADWAY Amazing Grace Nederlander Theatre, NYC Lighting Designer The Illusionists Marquis Theatre, NYC Lighting Designer Legally Blonde Palace Theatre, NYC Lighting Designer Freshly Squeezed Helen Hayes Theatre, NYC Lighting Designer Laughing Room Only Brooks Atkinson Theatre, NYC Lighting Designer MacBeth Lyceum Theatre, NYC Associate LD Company Barrymore Theatre, NYC Associate LD Hairspray Luxor Hotel, Las Vegas Associate LD Sweeney Todd Eugene O’Neil Theatre, NYC Associate LD Little Women Virginia Theatre, NYC Associate LD Life x3 Circle in the Square, NYC Associate LD Hairspray Neil Simon Theatre, NYC Associate LD The Producers St. James Theatre, NYC Associate LD The Price Royale Theatre, NYC Associate LD The Music Man Neil Simon Theatre, NYC Assistant LD Civil War St. James Theatre, NYC Assistant LD Saturday Night Fever Minskoff Theatre, NYC Assistant LD On The Town Gershwin Theatre, NYC Assistant LD Sound of Music Martin Beck Theatre, NYC Assistant LD Titanic Lunt-Fontanne Theatre, NYC Assistant LD NATIONAL TOURS Elf National Tour (2 comPanies) & The Theatre at MSG, NYC Lighting Designer Shrek National Tour Lighting Designer Saturday Night Fever Manilla, The PhilipPines & Asian/Australian Tour Lighting Designer Legally Blonde 1st National Broadway Tour Lighting Designer Rent National Tour (Michael Greif, Dir.) Lighting Designer Wizard of OZ NETworks National Tour Lighting Designer Sweeney Todd NETworks National Tour Lighting Designer The Producers NETworks National Tour Lighting Designer Hairspray NETworks International Tour Lighting Designer Nunsense 20th Anniversary All-Star Tour NunRun Prods., and Gindi Theatrical Lighting Designer Blast II – Shockwave Star of Indianna and Big League Theatrical Lighting Designer The Presidents (w/Rich Little) Columbia Artists Lighting Designer ScooBy Doo in Stage Fright Clear Channel and Warner Bros.
    [Show full text]
  • Spoleto Festival Usa Program History 2013–1977
    SPOLETO FESTIVAL USA PROGRAM HISTORY 2013–1977 Spoleto Festival USA Program History Page 2 2013 Opera *Matsukaze, music by Toshio Hosokawa; libretto by Hannah Dübgen; conductor, John Kennedy; director, Chen Shi-Zheng; set designer, Chris Barreca; costume designer, Elizabeth Caitlin Ward; lighting designer, Scott Zielinski; video designer, Olivier Roset; Cast: Gary Simpson, Thomas Meglioranza, Pureum Jo, Jihee Kim; Dock Street Theatre Mese Mariano/Le Villi; Mese Mariano, music by Umberto Giordano; libretto by Salvatore Giacomo; Le Villi, music by Giacomo Puccini, libretto by Ferdinando Fontana; conductor, Maurizio Barbacini; director, Stefano Vizioli; set designer, Neil Patel; costume designer, Roberta Guidi di Bagno; lighting designer, Matt Frey; choreographer, Pierluigi Vanelli; Cast Mese Mariano: Linda Roark-Strummer, Ann McMahon Quintero, Jennifer Rowley, Yanzelmalee Rivera, Allison Faulkner, Nicole Fregala, Shari Perman, Anne Marie Stanley, Justin Su’esu’e; Cast Le Villi: Levi Hernandez, Jennifer Rowley, Dinyar Vania; Sottile Theatre Dance Jared Grimes; dancers, Jared Grimes, Robyn Baltzer, Dewitt Fleming Jr, Karida Griffith, Tony Mayes; Emmett Robinson Theatre Compagnie Käfig; artistic director and main choreographer, Mourad Merzouki; programs, Correria and Agwa; TD Arena Ballet Flamenco de Andalucía; artistic director and choreographer, Rubén Olmo; guest soloist, Pastora Galván; program, Noche Andaluza; TD Arena Lucky Plush Productions, creators/directors, Leslie Buxbaum Danzig and Julia Rhoads; original script, Leslie Buxbaum Danzig,
    [Show full text]
  • PAUL TOBEN Lighting Designer Selected Credits: Company Director Year the Mystery of Love and Sex Writers Theatre
    PAUL TOBEN Lighting Designer Selected Credits: Company Director Year The Mystery of Love and Sex Writers Theatre (Chicago, Ill.) Marti Lyons 2017 The Firebirds Take the Field Rivendell Theatre Ensemble (Chicago, Ill.) Jessica Fisch 2017 Airness Actors Theatre of Louisville Meredith McDonough 2017 The Book of Will Denver Center Theatre Davis McCallum 2017 Lady Day at Emerson’s Bar & Grill Actors Theatre of Louisville Bill Fennelly 2017 Electra Court Theatre (Chicago, Ill.) Seret Scott 2016 Wondrous Strange Actors Theatre of Louisville Marti Lyons 2016 Residence Actors Theatre of Louisville Hal Brooks 2016 Peter and the Starcatcher Actors Theatre of Louisville Meredith McDonough 2016 4000 Miles Actors Theatre of Louisville Mike Donahue 2016 Triangle (Theatre Bay Area Award) TheatreWorks (Palo Alto, CaliF.) Meredith McDonough 2015 NSFW Round House Theatre (Bethesda, Md.) Meredith McDonough 2015 The Roommate Actors Theatre of Louisville Mike Donahue 2015 I Will Be Gone Actors Theatre of Louisville Kip Fagan 2015 The School for Wives & Medea Dallas Theater Center Kevin Moriarty 2015 Daddy Long Legs Davenport Theatre (New York), et al John Caird 2009–2015 The Who and the What Kansas City Repertory Theatre Eric Rosen 2014 Nice Work If You Can Get It First National Tour Kathleen Marshall 2014 Partners Actors Theatre of Louisville Lila Neugebauer 2014 The Grown-Up Actors Theatre of Louisville Ken Rus Schmoll 2014 The Great Pretender TheatreWorks Stephen Brackett 2014 Noises Off Actors Theatre of Louisville Meredith McDonough 2013 Fly by Night
    [Show full text]
  • JEREMY CUNNINGHAM Resume 08.28.2016
    Jeremy Cunningham Lighting Designer 614.325.1695 165 Audubon Ave. - Apt. 52 [email protected] New York, NY 10033 LD 8589 – United Scenic Artists – Local 829 Lighting Designer Production Director/Client Theater/ Company City Date Voices For The Voiceless Joey Monda Al Hirschfeld Theater New York, NY 2016 Norwegian Spirit Robert Hertenstein Norwegian Cruise Lines Barcelona, Spain 2015 God’s Love We Deliver – Benefit IMCD Lighitng Spring Studios New York, NY 2015 Maiyet – Spring 2016 IMCD Lighting Palmer Schwartz Agency New York, NY 2015 Cristian Siriano – Spring 2016 IMCD Lighting LDJ Productions New York, NY 2015 Yigal Azrouel – Fall 2014 IMCD Lighting MHT Productions New York, NY 2014 Jason Wu – Fall 2014 IMCD Lighting Buerau Betak New York, NY 2014 Narciso Rodriguez – Fall 2014 IMCD Lighting KCD Productions New York, NY 2014 Pure Variety Bree Delgado Norwegian Cruise Lines – Gem New York, NY 2013 Narciso Rodriguez – Spring 2014 IMCD Lighting KCD Productions New York, NY 2013 Jonathan Altuzarra – Spring 2014 IMCD Lighting Prodject New York, NY 2013 Narciso Rodriguez – Fall 2013 IMCD Lighting KCD Productions New York, NY 2013 Jonathan Altuzarra – Fall 2013 IMCD Lighting Prodject New York, NY 2013 “End Of The World Party” The Floorwalkers Newport Music Hall Columbus, OH 2012 Narcisso Rodriguez – Spring 2013 IMCD Lighting KCD Productions New York, NY 2012 Jonathan Altuzarra – Spring 2013 IMCD Lighting Prodject New York, NY 2012 The Row – Spring 2013 IMCD Lighting Prodject New York, NY 2012 The Floorwalkers 2012 Spring Tour The Floorwalkers
    [Show full text]
  • A History of Light and Lighting Página 1 De 90
    A History of Light and Lighting Página 1 de 90 A History of Light and Lighting Edition: 2.2 - (1999) Copyright (c) 1990-1999 by Bill Williams IN THE BEGINNING - (c 4.5 Billion BC) Let There Be Light! In the beginning it was dark and cold. There was no sun, no light, no earth, no solar system. There was nothing, just the empty void of space. Then slowly, about 4.5 billion years ago, a swirling nebula, - a huge cloud of gas and dust was formed. Eventually this cloud contracted and grew into a central molten mass that became our sun. At first the sun was a molten glow. As the core pressure increased, and the temperature rose to millions of degrees - a star was born. Through the process of thermonuclear hydrogen fusion, the sun began to shine. This was the nebular hypothesis, first proposed in 1755 by the great German philosopher, Immanuel Kant. THE SUN - (c 4 Billion BC) Our sun is an atomic furnace that turns mass into energy. Every second it converts over 657 million tons of hydrogen into 653 tons of helium. The missing 4 million tons of mass are discharged into space as energy. The earth receives only about one two-billionths of this. Scientists calculate that the sun should keep burning for another 10 to 30 billion years. It has been estimated that in 15 minutes our sun radiates as much energy as mankind consumes in all forms, during an entire year. The sun is approximately 93,000,000 miles from the earth, 864,000 miles in diameter, and is only an 'average' star in size, brilliance and age.
    [Show full text]
  • Craig Stelzenmuller Lighting Design Curriculum Vitae Total Productions: 237 1998 - 2020
    CRAIG STELZENMULLER LIGHTING DESIGN CURRICULUM VITAE TOTAL PRODUCTIONS: 237 1998 - 2020 INDUSTRIAL, DIRECTOR LD, OPENING YEAR PRODUCTION COMPANY VENUE OOB, OB, CHOREOGRAPHER ASSC, DATE BWAY, STATE LD ASST ALD & 1998 3/10/1998 CAUSING A COMMOTION HIGH POINT BALLET HIGH POINT THEATER NC GARY TAYLOR (ANDREW PACK) PROG 1999 3/10/1999 CIRQUE DU BALLET HIGH POINT BALLET HIGH POINT THEATER NC GARY TAYLOR ASSC LD 1999 6/2/1999 JUNE SHOW HIGH POINT BALLET HIGH POINT THEATER NC GARY TAYLOR LD 1999 12/19/1999 A CHRISTMAS PAST SANDHILLS BALLET THEATRE SUNRISE THEATER NC GARY TAYLOR LD ALD & 2000 3/10/2000 ALICE IN WONDERLAND HIGH POINT BALLET HIGH POINT THEATER NC GARY TAYLOR (AL CRAWFORD) PROG 2000 4/26/2000 HAG SALES MEETING HAG FURNITURE HAG WAREHOUSE, GREENSBORO INDUSTRIAL LD 2000 5/2/2000 CIRQUE 2000 SANDHILLS BALLET THEATRE OWENS AUD., SOUTHERN PINES NC GARY TAYLOR LD 2000 5/30/2000 WEDDING PATTY BROWN WINSTON-SALEM, NC INDUSTRIAL LD 2000 6/5/2000 PHANTOMS, FAIRIES AND ANGELS HIGH POINT BALLET HIGH POINT THEATER NC GARY TAYLOR LD 2000 6/8/2000 NEO-CON BOOTH HAG FURNITURE MERCHANDISE MART, CHICAGO IL INDUSTRIAL LD 2000 6/25/2000 GRACE & GLORY WINSTON-SALEM LITTLE THEATRE WINSTON-SALEM LITTLE THEATRE NC LD 2000 7/12/2000 CUBAN CHALK CIRCLE NCSA PERF. PLACE THRUST THEATER EDU MIKE LUBARIS LD 2000 7/16/2000 NCSA SUMMER DANCE CONCERT NCSA STEVENS CENTER EDU LD 2000 9/11/2000 SALES MEETING CHESAPEAKE DISPLAY STEVENS CENTER INDUSTRIAL LD 2000 10/26/2000 CAUSING A COMMOTION SANDHILLS BALLET THEATRE OWENS AUD., SOUTHERN PINES NC GARY TAYLOR LD 2000 12/16/2000 THE NUTCRACKER HIGH POINT BALLET HIGH POINT THEATER NC GARY TAYLOR LD 2001 1/8/2001 GYPSY ------------------ -------------------- ---------- LD: NORMAN COATES ASST.
    [Show full text]