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The National, 1942
National Louis University Digital Commons@NLU Yearbooks Archives and Special Collections 1942 The aN tional, 1942 National College of Education Follow this and additional works at: https://digitalcommons.nl.edu/yearbooks Part of the Higher Education Commons Recommended Citation Education, National College of, "The aN tional, 1942" (1942). Yearbooks. 56. https://digitalcommons.nl.edu/yearbooks/56 This Book is brought to you for free and open access by the Archives and Special Collections at Digital Commons@NLU. It has been accepted for inclusion in Yearbooks by an authorized administrator of Digital Commons@NLU. For more information, please contact [email protected]. PRESENTING AN ALBUM OF THE YEAR'S ACTIVITIES AT NATIONAL COLLEGE OF EDUCATION. EVANSTON, ILLINOIS VOL. 27 1942 We present the 1942 National: an appropriately gay and poignant record of events, which were crammed into a year when the word "security" became obsolete and the word "courage" was recoined. As women, we marched not grimly, nor with guns, but steadily, humming a cheerful refrain to keep e times. ADMINISTRATION Edna Dean Baker, President Out of a fabulous stack of names, records, and financial reports, National's administration competently creates an amazing semblance of order to keep the wheels of the college speeding smoothly throughout the year. Daily, the office of administration is confronted with the usual queries regarding matriculation, course of study, and various permissions. In this capacity, the administrators have made National an outstanding school in the educational field and have aided in obtaining for the school the long desired accreditment by the American Associa- tion of Teachers' Colleges. -
Dream Cast Announced for Disney's Aladdin
DREAM CAST ANNOUNCED FOR DISNEY’S ALADDIN An exceptional group of Australia and New Zealand’s most outstanding musical theatre performers and exciting fresh faces has been announced for Disney’s new musical comedy, Aladdin. They will be joined by Broadway performer Michael James Scott in the role of the Genie. Based on the classic Academy Award®-winning animated film,Aladdin will open in Sydney at the Capitol Theatre in August 2016. Tickets go on sale to the GP 8th March 2016. The dream cast for Aladdin has been achieved after intense and competitive auditions throughout Australia. It will be one of the most diverse multi-cultural casts to appear on the Australian stage. American performer Michael James Scott will play the pivotal role of the Genie. Michael has performed in many Broadway shows including the original company of The Book of Mormon, the 2010 Broadway and London revival of Hair, as well as the standby Genie in the original Broadway cast of Aladdin. He was most recently seen in Casey Nicholaw’s third current Broadway hit, Something Rotten. Joining him will be the exciting new discovery Ainsley Melham making his mainstage debut in the title role of Aladdin. Ainsley is a graduate of the Western Australian Academy of Performing Arts (WAAPA). The principal cast features international musical theatre star Adam Jon Fiorentino (Saturday Night Fever, Mary Poppins) as Kassim, stage & television performer Adam Murphy as Jafar and Robert Tripolino in the role of Omar. Filling out the principal ranks is one of Australia’s most accomplished character actors and musical theatre stars Troy Sussman as Babkak and stage and television actor Aljin Abella as Iago. -
Dolphin Films Una Produzione Bieber Time Films & Scooter
DOLPHIN FILMS PRESENTA UNA PRODUZIONE BIEBER TIME FILMS & SCOOTER BRAUN FILMS IN ASSOCIAZIONE CON IM GLOBAL & ISLAND DEF JAM MUSIC GROUP DIRETTO DA JON M.CHU con JUSTIN BIEBER e la speciale partecipazione di SCOOTER BRAUN | USHER RAYMOND IV | JON M. CHU | PATTIE MALLETTE | JEREMY BIEBER | RYAN GOOD | MIKE POSNER | RODNEY JERKINS | ALFREDO FLORES | NICK DEMOURA ...e molti altri! Durata 92 minuti In Italia Believe è distribuito da Nexo Digital e Good Films in collaborazione con i media partner Sky Uno HD, Radio Kiss Kiss, MYmovies.it e Team World. SINOSSI BELIEVE di Justin Bieber regala una visione intima e profonda del tour mondiale dell’artista che ha registrato il tutto esaurito. Non solo vedrete le immagini sbalorditive delle performance dei suoi maggiori successi, ma avrete un biglietto personale per accedere al backstage e scoprire come l’intero tour è stato concepito. Believe garantisce una panoramica esclusiva sulla vita di Justin fuori dal palco ed è un viaggio che ne ripercorre la vita: dagli esordi da perdente che sognava di suonare al Madison Square Garden, fino a diventare la più grande pop star mondiale. “Believe” in Justin Bieber. NOTE DEL REGISTA Ho sempre saputo sin da quando finimmo “Never Say Never” nel 2011, che la storia di Justin Bieber non sarebbe finita. Avevo la sensazione che il capitolo successivo della sua vita sarebbe stato ancora più convincente dell’inizio della sua storia, ma non avrei mai pensato di essere di nuovo io a raccontarlo. Quando, qualche anno dopo, mi arrivò l’invito di Justin a seguirlo in tour per realizzarne un film, presi al volo questa opportunità. -
Chapter 6: Professional Foundations
135 Chapter 6: Professional Foundations Theory Becomes Practice I moved to New York and started a new life in a very strange city. Chappell Music secured an apartment for me in the London Terrace complex in Chelsea near the Hudson River. It was a monumental architectural structure with an indoor swimming pool, underground garage, and an observation deck on the roof overlooking the river. All of my energy was focused on getting Elizabeth I (Foster & Spangler, 1972) written and up and running off-Broadway by spring. When I was not working on the show, I went to theatre events and performances and tried to network with recent graduates of CMU seeking their fame and fortune in New York City. Elizabeth I (Foster & Spangler, 1972) was scheduled to open off-Broadway at the Sheridan Square Theatre the end of March. However, the production already running in that venue was extended, and suddenly this off-Broadway theatre for which our production was designed was not available. The backers came to a rehearsal and decided the show was so promising that we would take it directly to Broadway where the Lyceum Theatre was available. We opened for previews on March 28, 1972, and the pressure was on. The set and staging as designed for the thrust (three quarter in the round) stage at the intimate Sheridan Square was no longer feasible. How were we to fit that production into a large proscenium situation? We rehearsed long and hard to bring back the intimacy lost in the transfer. I was not responding well to the stress. -
Edition 2 | 2019-2020
WELCOME FROM THE OFFICE OF THE DIRECTORS elcome to Paper Mill Playhouse and to Rodgers + Hammerstein’s Cinderella. We’ve worked magic to bring you this delightful musical fairy tale complete Wwith dance, romance, laughs, and timeless tunes. Our fabulously talented cast features favorite Paper Mill alumni alongside some of the brightest newcomers; the design team is first-class; and Mark S. Hoebee is back in the director’s chair, thrilled as always to collaborate with choreographer JoAnn M. Hunter and music director Michael Borth. It’s not too late to secure your seats for the rest of our exciting 2019–2020 season by becoming a subscriber. Up next, we are proud to produce the world premiere of Unmasked: The Music of Andrew Lloyd Webber, celebrating the most prolific Broadway composer of our day. Then, the “divine” comedy smash Sister Act ushers in the spring and is guaranteed to make you sing praises. We close with The Wanderer, another world premiere, based on the life and music of rock and roll sensation Dion. It’s already selling like gangbusters, so don’t miss out. Subscribers should have received our “State of the Theater” newsletter, which highlights many of the accomplishments of the past year and demonstrates Paper Mill’s far-reaching impact across the state of New Jersey and around the world. You may also view it online at PaperMill.org/stateofthetheater. Paper Mill is stronger than ever, with great thanks to you, our audience, donors, and funders. And before the clock ticks down on another year, we hope you will renew your support or consider becoming a Member with a tax-deductible contribution (read more below). -
Corrects Himself, Didn't Meet Mexico Leader
LIFESTYLE THURSDAY, NOVEMBER 21, 2013 Music39 & Movies Spider-Man Broadway musical to close in January, move to Vegas Bieber corrects himself, didn’t meet Mexico leader File photo shows people line up to enter the Foxwoods Theatre for a matinee showing of “Spider-Man: Turn Off the Dark,” in New York.—AP pider-Man: Turn Off the Dark” will end its The show was also embroiled in legal disputes Broadway run in January, a spokesman said after Tony-winning director Julie Taymor, of “The “Son Monday, and the popular musical is set Lion King,” was fired from the production in March to move to Las Vegas. The show, the most expensive 2011. Taymor reached an agreement with the show’s staged on Broadway, had a rocky start in 2010 with producers this year. The musical, based on one of cast injuries during high-wire stunts and opening Marvel Comic’s most famous heroes, cost more than night delays. $70 million to bring to the stage and includes music “We are excited to report that the next destination by Bono and The Edge. It routinely brings in more for SPIDER-MAN will be the entertainment capital of than $1 million a week at the box office. However, the world: Las Vegas,” Rick Miramontez, a spokesman the Wall Street Journal reported on Monday that the for the show, said in an email to Reuters. The show has been running below its breakeven point Broadway show will close in January, he said, and for weeks, even though it is among the top shows in further details will be announced in the coming attendance figures.—Reuters weeks. -
Dissertation Final Corrected
FROM PENCIL TO PERFORMANCE: The creative nexus of arranging, orchestration and music direction in works of contemporary pop/rock musical theatre BRYAN SCHIMMEL 8300995 A thesis submitted to the Faculty of Humanities University of the Witwatersrand, Johannesburg in fulfilment of the requirements for the Degree of Master of Music Final Corrected Submission 22 September 2014 ABSTRACT In the art form of musical theatre, available literature on the creative musical aspects of musicals has focused primarily on the composers and/or lyricists; their works having been extensively analysed and documented. There is, however, comparatively less literature and documentation on the processes that guide the transformation of the theatre composer’s work to an eventual performance embracing arranging, orchestration and music direction. This dissertation explores these practices from two perspectives – the creative and the recreative. First, from the creative perspective, I challenge Joseph P. Swain who makes a compelling case for composition as a tool of dramaturgy in his book The Broadway Musical: A Critical and Musical Survey (2002). I contest that his argument cannot hold true for pop/rock musicals in which the scores are comprised of pre-existing popular music that was not originally or intentionally composed for the stage. In order to understand how music functions as a dramatic element in musical theatre, it must follow that all collaborative creative forces that contribute to this music must be evaluated in a holistic manner. Dramaturgy contextualises and elucidates storytelling and artistic vision. While Swain has postulated that composition is an element of dramaturgy, I offer the notion that since arranging and orchestration contextualise and elucidate the composition they therefore cannot be excluded as dramaturgical devices. -
Ebook Free Conversations with Choreographers
Ebook Free Conversations With Choreographers This book is ideal for directors and choreographers of all levels , musical theatre aficionados, dance and theatre students, and anyone involved in the creative process, with many interviews. Paperback: 236 pages Publisher: Heinemann Drama; F First Edition edition (June 3, 1996) Language: English ISBN-10: 0435086979 ISBN-13: 978-0435086978 Product Dimensions: 6.1 x 0.5 x 9 inches Shipping Weight: 13.1 ounces Average Customer Review: 5.0 out of 5 stars 3 customer reviews Best Sellers Rank: #2,105,276 in Books (See Top 100 in Books) #100 in Books > Arts & Photography > Performing Arts > Dance > Choreography #393 in Books > Textbooks > Humanities > Performing Arts > Dance #418 in Books > Biographies & Memoirs > Arts & Literature > Dancers The craft of choreography is somewhat mysterious. What is the source of inspiration? How does one prepare for the career? Anne Livet's conversations with modern- dance choreographers are recorded in Contemporary Dance (Abbeville, 1978), and interviews with well-known ballet choreographers have appeared in journals and newspapers, but Grody and Lister have focused on the overlooked venues of Broadway, film, and television. With a string of Broadway dance credits themselves, the authors are on familiar ground. Over a period of two decades they have interviewed 17 choreographers, including Hermes Pan, Ernest Flatt, Joe Layton, Michael Bennett, and Tommy Tune. Most have little formal music training, work best with time limitations, and made a transition from dancer to choreography as opportunity presented itself. But as each responded to a similar set of questions set forth by the authors, the choreographers reveal individual approaches to their work. -
Virtual Reality Tour
volume 5 issue 10 2012 BRADVirtual Reality PAISLEY Tour In the House with the Thin Lizzy Crew A Gig From Hell With the Twins of Evil: Rob Zombie and Marilyn Manson Warriors of the Road Reunion >>Plus Harness Inside Screens Knows Why Custom Projection Screens are Becoming Increasingly Popular in the USA I mobile production monthly II mobile production monthly “You guys saved the day…we couldn’t have WWW.AIRCHARTERSERVICE.COM done it without you! I’m sure thousands of fans are thanking you as I type” Use your smartphone to scan and watch our corporate video Air Charter Service (ACS) are longstanding experts providing aircraft charter solutions for artist HELICOPTERS management companies and tour managers worldwide - successfully flying equipment, crew TURBOPROPS and some of the world’s most renowned artists on large scale music tours. Our global network PRIVATE JETS of offices are able to provide flexible and bespoke solutions to meet your exact requirements, EXECUTIVE AIRLINERS whatever your aircraft charter needs. COMMERCIAL AIRLINERS Contact us today to see how we can look after your logistical requirements. CARGO AIRCRAFT A GLOBAL LEADER IN MUSIC INDUSTRY CHARTERS N.AMERICA | S.AMERICA | EUROPE | AFRICA | CIS | MIDDLE EAST | ASIA 1 mobile production monthly 2 mobile production monthly volume 5 issue 10 2012 contents IN THE NEWS 10 New Hires 6 Lighting 12 Harness Screens Bandit Clients Dominate at CMA 14 Warriors of the Road Awards Venues Reunion Venues Inside and Out, Harrah’s Sounds 18 BRAD PAISLEY VIRTUAL Good with Community REALITY TOUR: Well Planned and 7 Sound Even Better Executed DiGiCo is in Total Control of 23 Brad Paisley Crew Cirque du Soleil’s MJ World Tour 24 In the House with the Thin Workshops Lizzy Crew 2012 Milos Runs 2012 Safety Work- 28 A Gig from Hell with the shop in China Twins of Evil: Rob Zombie and 8 Special Effects Marilyn Manson Justin Beiber’s “Believe” Tour 32 Obituary Believes in Special Effects from Strictly FX mobile production monthly 3 FROM THE Publisher It is hard to believe that the Country Music Award shows are all here. -
Broadcast December 23 at 7 Pm & December 25 at 1 Pm on WOWT Channel 6
Broadcast December 23 at 7 pm & December 25 at 1 pm on WOWT Channel 6 Ernest Richardson, principal pops conductor Parker Esse, stage director/choreographer Maria Turnage, associate stage director ROBERT H. STORZ FOUNDATION PROGRAM The Most Wonderful Time of the Year/ Jingle Bells JAMES LORD PIERPONT/ARR. ELLIOTT Christmas Waltz VARIOUS/ARR. KESSLER Happy Holiday - The Holiday Season IRVING BERLIN/ARR. WHITFIELD Joy to the World TRADITIONAL/ARR. RICHARDSON Mother Ginger (La mère Gigogne et Danse russe Trepak from Suite No. 1, les polichinelles) from Nutcracker PIOTR ILYICH TCHAIKOVSKY from Nutcracker PIOTR ILYICH TCHAIKOVSKY We Are the Very Model of a God Bless Us Everyone from Modern Christmas Shopping Pair A Christmas Carol from Pirates of Penzance ALAN SILVESTRI/ARR. ROSS ARTHUR SULLIVAN/LYRICS BY RICHARDSON Silent Night My Favorite Things from FRANZ GRUBER/ARR. RICHARDSON The Sound of Music RICHARD RODGERS/ARR. WHITFIELD Snow/Jingle Bells IRVING BERLIN/ARR. BARKER O Holy Night ADOLPH-CHARLES ADAM/ARR. RICHARDSON Let It Snow, Let It Snow, Let It Snow JULE STYNE/ARR. SEBESKY We Need a Little Christmas JERRY HERMAN/ARR. WENDEL Frosty the Snowman WALTER ROLLINS/ARR. KATSAROS Hark All Ye Shepherds TRADITIONAL/ARR. RICHARDSON Sleigh Ride LEROY ANDERSON 2 ARTISTIC DIRECTION Ernest Richardson, principal pops conductor and resident conductor of the Omaha Symphony, is the artistic leader of the orchestra’s annual Christmas Celebration production and internationally performed “Only in Omaha” productions, and he leads the successful Symphony Pops, Symphony Rocks, and Movies Series. Since 1993, he has led in the development of the Omaha Symphony’s innovative education and community engagement programs. -
City Theatrical Talks with Eastern Lighting Design's Matt Gordon and Mick Smith
A Conversation With MATT GORDON & MICK SMITH Nexstar Media Group’s “NewsNation” on WGN America in Chicago, Illinois Set Design: Clickspring Design | Lighting Design: Eastern Lighting Design | Lighting Package: Barbizon Fabrication: Chicago Scenic Studios, Inc.; Showman Fabricators | Display Technology: AOTO BACKGROUND Eastern Lighting Design is a leading international design firm specializing in broadcast, location, and special events lighting. With a keen eye on the latest technology and industry trends, lighting designers and entrepreneurs Matt Gordon and Mick Smith have taken the industry by storm, designing innovative news studios in Dubai, Chicago, Beijing, and everywhere in between. City Theatrical talked with the team about the design and technology that has gone into some of the projects of this budding company’s past, present, and future, in this designer interview. Q&A: York at Purchase, which had a really great a story through lighting. If you flip through conservatory for theatre arts and film. At the television channels, you know what you’re City Theatrical (CTI): How did you get time, it had the highest turnout for Broadway looking at without stopping to read the guide. started in the world of professional lighting designers of any school in the country. Lighting helps you easily identify the content lighting design? Initially, that’s where I was headed. and aesthetic you’re looking for. Matt Gordon (Matt): For me, lighting really I graduated Purchase, and did a lot of theatre. Mick Smith (Mick): Funny enough, my story is the only thing I’ve ever done. I started I landed on one Broadway show as an is almost identical to Matt’s. -
Designedinthe
Designedinthe USA The United States of America Exhibition at the 1995 Prague Quadrennial Designed in the USA The United States of America Exhibition at the 1995 Prague Quadrennial Exhibit Producer Arnold Aronson Associate Producer Sarah ash Gates Exhibit Designer Eric Fielding Architecture Exhibit Coordinator Timothy Hartung Student Exhibit Coordinators Sarah ash Gates, Timothy Saternow, William Forrester U.S. Delegation Tour Coordinator Leon Brauner Ass~tanttotheProducer Patrick Kelsey Catalog Text Arnold Aronson Catalog Design Eric Fielding Exhibit Staff Timothy Saternow, Tee/mical Director Patrick Kelsey Judy Pfeifer MirenaRada Joan Schlafer Merope Vachliotif Steering Committee Richard Durst, Eric Fielding, Sarah ash Gates, Patricia MacKay, Dr. Joel E. Rubin, Samuel Scripps Our thanks and appreciation to the following for their help and support: Christine Kaiser, Debora Kingston, Dr. Joel E. Rubin, Valerie dilorenzo, ~onnand Bouchard, and Joan Vick (USITT), Rex loser (Arts America). Martha Coigney (ITUfiS), Barbara Stral}ner (Lincoln Center Libra/J'for tbe Pe/forming Arts), Roberta Fotia (Rosco Laboratories), Ralph Pine (Drama Book Specialists), WiLlianl Bent (U.S. Illformatioll r1geIlC)~, Deb Styer,Josh Rothenberg, Blake Seidel, and Ernie Barbarash (Columbia {;lIiL'ersiM. Chris Boneau (BolleaulBryan-Broll'lI), Marcia McDonald and Tom Reiter (Grace Cos/umes), Brigid Milchell (Dislley Art Editions), Joseph Clark (Metropolitall Opera). Susan lee (League ofProfessiollal Tbeatres), Paul Arianas, Vito Zingarelli and Anita Gaffney (Stratford FestiL'fll), Tanya Grubich, MaJ)' HUDter (Seattle Rep), Ruth Rorak (Zenitb Travel), PalIick Costin (RCLAgenC)~, Takashi Mizuta (.\'HK), Dan Kuchar, Joan Schlafer Galena Tsypin, Angela Wendt, and Joseph Yossoupoff Published bylilc "niled Slales lnSlilUlc for The,nrc Technology. Inc. 10 \\'CSI 191h Sl.