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Atom Smashersrel
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit itvs.org/pressroom/photos/ For the program companion website, visit pbs.org/independentlens/atomsmashers “THE ATOM SMASHERS,” AN EXCITING INSIDE LOOK AT THE FRONTIER OF SCIENTIFIC RESEARCH, TO HAVE ITS BROADCAST PREMIERE ON THE EMMY ® AWARD–WINNING PBS SERIES INDEPENDENT LENS ON TUESDAY, NOVEMBER 25, AT 10 PM “Finding this Higgs particle will help scientists figure out why the universe is made of something instead of nothing, why there are atoms, people, planets, stars and galaxies. But it also will do much more than that. It will open a door to a hidden world of physics, where scientists hope to find unimagined wonders that will make relativity and quantum mechanics seem like Tinker Toys.” —Ronald Kotulak, Chicago Tribune (San Francisco, CA)—Physicists at Fermilab, the world’s most powerful particle accelerator laboratory, are closing in on one of the universe’s best-kept secrets, the Holy Grail of physics: why everything has mass. With the Tevatron, an underground particle accelerator buried deep beneath the Illinois prairie, Fermilab scientists smash matter together, accelerating protons and antiprotons in a four-mile-long ring at nearly the speed of light, to find a particle—the Higgs boson—whose existence was theorized nearly 40 years ago by Scottish scientist Peter Higgs. The physicists searching for the Higgs boson are excited; they may be approaching the discovery of a lifetime, and there’s almost certainly a Nobel Prize for whoever finally finds it. -
Biographie Détaillée En
PAUL-FRANÇOIS SYLVESTRE : MÉMOIRE VIVE DE L’ONTARIO FRANÇAIS par Jean Yves Pelletier 1. Naissance dans le sud, éveil dans l’est De Saint-Joachim à Ottawa Originaire de Saint-Joachim, dans le comté d’Essex, Joseph François Paul Sylvestre voit le jour le 30 décembre 1947 à l’Hôpital Hôtel-Dieu de Windsor. Son père, Francis Sylvestre, est issu d’une famille venue de Saint-Barthélemy (Québec) en 1867 pour s’installer à Saint- Joachim. Sa mère, Cécile Parent, est descendante d’une famille venue s’établir à Détroit vers 1730. Francis Sylvestre épouse Cécile Parent le 11 avril 1944. Ils ont quatre enfants : Fernande, Paulette, Paul et Jacqueline. Les trois filles deviendront institutrices. Paul et Paulette sont des jumeaux, « ou de bessons, comme disait le fils de notre voisin ». Le père est d’abord cultivateur, puis employé et contremaître à General Motors. Il travaille le plus souvent de quatre heures à minuit, donc absent lorsque les enfants reviennent de l’école. La mère veille à leur éducation et joue un rôle actif dans la vie francophone du petit village composé de deux cents familles à 99 % canadiennes-françaises. Elle est présidente de l’Association des parents et instituteurs de l’École Saint-Ambroise et cofondatrice de la section Sainte-Marguerite de la Fédération des femmes canadiennes-françaises. À l’école, on demande souvent à Paul1 si sa mère est une institutrice. Non, elle ne l’est pas, mais la tante de Paul, Elmira Sylvestre, lui enseigne en 1ère et 2e année. De la 3e à la 9e année inclusivement, ce sont les Sœurs Grises de la Croix (aujourd’hui connues sous le nom des Sœurs de la Charité d’Ottawa) qui forment les enfants d’un petit village francophone presque noyé dans une mer anglophone. -
The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
William Slade Stokes Magnolias Charleston, South Carolina *** Date
William Slade Stokes Magnolias Charleston, South Carolina *** Date: August 14, 2019 Location: Magnolias, Charleston SC Transcription: Technitype Transcripts Length: Forty nine minutes Project: Career Servers Slade Stokes— Charleston, SC |1 Annemarie Anderson: Today is August 14th [2019]. It is Wednesday. I’m at Magnolias with Mr. Slade Stokes, and this is Annemarie Anderson recording for the Southern Foodways Alliance Career Servers Project. Let’s start off and, Mr. Stokes, would you please introduce yourself to the recorder, tell us who you are and what you do. [0:00:20.5] Slade Stokes: Hi, my name is Slade Stokes. I am a server at Magnolias Restaurant in Charleston, South Carolina. October 12th will be my twentieth anniversary here and started here October of [19]99. I had worked at another restaurant before that, called Celia’s Porta Via’s, a small Italian restaurant, and she retired. A friend of mine who had worked here had set up employment with one of the managers, and at the time they said they weren’t hiring, but they liked me so much, they put me on the schedule. [0:01:00.2] Annemarie Anderson: That’s great. Well, tell me a little bit. Let’s start off and would you give your birth date for the record, please. [0:01:07.4] Slade Stokes: February 15th, 1960. [0:01:09.8] © Southern Foodways Alliance | www.southernfoodways.org Slade Stokes— Charleston, SC |2 Annemarie Anderson: Great. And tell me a little bit about your early life. Where were you born and raised? [0:01:15.0] Slade Stokes: I was born in Hickman, Kentucky, spent my first few years there in Kentucky with my brother and my two sisters and my mom. -
Official Program for Broadway in Detroit at The
OFFICIAL PROGRAM FOR BROADWAY IN DETROIT AT THE FISHER THEATRE The Whitney IFPublication: HE’S GOING TO INVENTBroadway in Detroit SOMETHING program for AMAZING20121–2013 season T he Whitney Run date: 9/25/12–5/19/13 Size: full page full bleed trim size: 5-3/8” x 8-3/8” bleed: 1/8” inside margin: 1/4” Proof: 9/12/12; 12:14PM For: Nederlander Detroit (Fisher Theatre & others) YOUDesign: FrankNEED Bach, ANBach & Associates;INVENTIVE WAY Phone 313-822-4303, [email protected] PAY FOR HIS EDUCATION Detroit’s Most Romantic Restaurant Now Serving Dinner Seven Nights A Week 4421 Woodward Ave. • Detroit, MI 48201 • 313.832.5700 • thewhitney.com Prix Fixe Theater Menu m $35 Available only Pre/Post Theatre First Course Signature Shrimp Bisque ♥ Chef’s Soup du jour Caesar Salad ♥ Organic Baby Greens Entree Course Baked Organic Orange Glazed Chicken White Garlic Polenta, Glazed Carrots, Organic Orange Marmalade Fresh Fish Entrée • changes nightly Pan-Roasted Tenderloin Tips over Exotic Mushroom & Asparagus Risotto Ricotta & Spinach-stuffed Shells in Creamy Tomato Broth Final course May be enjoyed post-event. To learn more, please visit us at WWW.MISAVES.COM/BID or call us at 866-475-3187 Housemade Ice Cream or Gelato ♥ Chocolate Mousse Most parents hope to see their child graduate from college someday, but it takes more than hope to get there. TIAA Cref Tuition Financing, Inc. can help you plan for your college savings goals by setting up and managing 529 College Savings Plans like Michigan Education Savings Program (MESP). Building Add Beverage Flight m $15/person a bright future for your child is easier than you think, let us help you get there. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
TCB Groove Program
www.piccolotheatre.com 224-420-2223 T-F 10A-5P 37 PLAYS IN 80-90 MINUTES! APRIL 7- MAY 14! SAVE THE DATE! NOVEMBER 10, 11, & 12 APRIL 21 7:30P APRIL 22 5:00P APRIL 23 2:00P NICHOLS CONCERT HALL BENITO JUAREZ ST. CHRYSOSTOM’S Join us for the powerful polyphony of MUSIC INSTITUTE OF CHICAGO COMMUNITY ACADEMY EPISCOPAL CHURCH G.F. Handel's As pants the hart, 1490 CHICAGO AVE PERFORMING ARTS CENTER 1424 N DEARBORN ST. EVANSTON, IL 60201 1450 W CERMAK RD CHICAGO, IL 60610 Domenico Scarlatti's Stabat mater, TICKETS $10-$40 CHICAGO, IL 60608 TICKETS $10-$40 and J.S. Bach's Singet dem Herrn. FREE ADMISSION Dear friends, Last fall, Third Coast Baroque’s debut series ¡Sarabanda! focused on examining the African and Latin American folk music roots of the sarabande. Today, we will be following the paths of the chaconne, passacaglia and other ostinato rhythms – with origins similar to the sarabande – as they spread across Europe during the 17th century. With this program that we are calling Groove!, we present those intoxicating rhythms in the fashion and flavor of the different countries where they gained popularity. The great European composers wrote masterpieces using the rhythms of these ancient dances to create immortal pieces of art, but their weight and significance is such that we tend to forget where their origins lie. Bach, Couperin, and Purcell – to name only a few – wrote music for highly sophisticated institutions. Still, through these dance rhythms, they were searching for something similar to what the more ancient civilizations had been striving to attain: a connection to the spiritual world. -
The Beverly Hillbillies: a Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968
Paul Henning; The Beverly Hillbillies: A Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968 The Beverly Hillbillies is an American situation comedy originally broadcast for nine seasons on CBS from 1962 to 1971, starring Buddy Ebsen, Irene Ryan, Donna Douglas, and Max Baer, Jr. The series is about a poor backwoods family transplanted to Beverly Hills, California, after striking oil on their land. A Filmways production created by writer Paul Henning, it is the first in a genre of "fish out of water" themed television shows, and was followed by other Henning-inspired country-cousin series on CBS. In 1963, Henning introduced Petticoat Junction, and in 1965 he reversed the rags The Beverly Hillbillies - Season 3 : A nouveau riche hillbilly family moves to Beverly Hills and shakes up the privileged society with their hayseed ways. The Beverly Hillbillies - Season 3 English Sub | Fmovies. Loading Turn off light Report. Loading ads You can also control the player by using these shortcuts Enter/Space M 0-9 F. Scroll down and click to choose episode/server you want to watch. - We apologize to all users; due to technical issues, several links on the website are not working at the moments, and re - work at some hours late. Watch The Beverly Hillbillies 3 Online. the beverly hillbillies 3 full movie with English subtitle. Stars: Buddy Ebsen, Donna Douglas, Raymond Bailey, Irene Ryan, Max Baer Jr, Nancy Kulp. "The Beverly Hillbillies" is a classic American comedy series that originally aired for nine seasons from 1962 to 1971 and was the first television series to feature a "fish out of water" genre. -
Musical! Theatre!
Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all. -
New Studio on Broadway: Music Theatre and Acting
® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004). -
LAURA GRIFFITH Resume 92114
LAURA GRIFFITH AEA/AFTRA www.lauragriffith.net Voice: Soprano & Belt BROADWAY South Pacific Janet MacGregor Broadway/ Dir. Bartlett Sher The Light in the Piazza Franca,Clara u/s performed Broadway/ Dir. Bartlett Sher Oklahoma! Aggie Broadway/ Dir. Trevor Nunn Sweet Smell of Success Susan u/s Broadway/ Dir. Nicholas Hytner TOURS The Light in the Piazza * Franca 1st National Tour/ Dir. Bartlett Sher West Side Story Maria European Tour/ Dir. Joey McKneely *Helen Hayes Award Nomination (Kennedy Center) REGIONAL THEATRE Medea/Macbeth/Cinderella Cinderella Oregon Shakespeare Festival/ Dir. Bill Rauch Animal Crackers Mary Oregon Shakespeare Festival/ Dir. Allison Narver Henry V Catherine of France u/s Oregon Shakespeare Festival/ Dir. Joseph Haj Amadeus Constanze Geva Theatre Center/ Dir. Paul Barnes Spamalot ** Lady of the Lake 5th Avenue Theatre/ Dir. Josh Rhodes A Room With A View Lucy 5th Avenue Theatre/ Dir. David Armstrong The Music Man ** Marian 5th Avenue Theatre/ Dir. Bill Berry Candide Cunegonde 5th Avenue Theatre/ Dir. David Armstrong 7 Brides For 7 Brothers Milly 5th Avenue Theatre/ Dir. Allison Narver Parade Lucille u/s performed Mark Taper Forum/ Dir. Rob Ashford Sunday in the Park... Dot/ Marie Short North Stage/ Dir. Sarna Lapine The Music Man Marian Utah Shakespeare Festival/ Dir. Jeremy Mann RIchard III Jane S/ Elizabeth u/s Utah Shakespeare Festival/ Dir. Kathleen Conlin Songs For A New World Woman 1 Signature Theatre/Dir. Michael Baron, Jason Robert Brown The Road to Hollywood Dorothy Goodspeed Opera House / Dir. Walter Bobbie Rocky Horror Show Janet 5th Avenue Theatre/ Dir. David Armstrong A Little Night Music Anne 5th Avenue Theatre, ACT Theatre/ Dir.