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PAUL RANFORD Is a Producer with Over 30 Years Production Experience Across Film and Television. Recent Feature Film Credits
PAUL RANFORD is a producer with over 30 years production experience across film and television. Recent feature film credits include True History of The Kelly Gang from director Justin Kurzel; Ambience Entertainment’s Storm Boy, directed by Shawn Seet; and Sony Pictures’ Will Gluck helmed Peter Rabbit. Recent television credits include the ABC-TV/Netflix six-part series Stateless, starring Cate Blanchett, Dominic West and Yvonne Strahovski and the award-winning series Secret City and Deadline Gallipoli, all in association with Matchbox Pictures and NBCUniversal. Production credits also include the international titles Mad Max: Fury Road, Matrix Revolutions and Matrix Reloaded. Selected Work History: Producer Stateless (TV series) Matchbox Pictures / NBCUniversal / Dirty Films Directors: Emma Freeman, Jocelyn Moorhouse Executive Producers: Cate Blanchett, Tony Ayres, Elise McCredie Producer True History of the Kelly Gang (Feature) Porchlight Films / Daybreak Films/ Film 4/ Memento Films Director: Justin Kurzel Producers: Liz Watts, Hal Vogel, Justin Kurzel Co-Producer Storm Boy (Feature) Ambience Entertainment/ Piccadilly Pictures Director: Shawn Seet Producers: Michael Boughen, Matthew Street Unit Production Manager Peter RaBBit (Feature) Sony Pictures / Animal Logic Director: Will Gluck Producers: Will Gluck, Zareh Nalbandian Line Producer Secret City (TV series) Matchbox Pictures/ NBCUniversal / Foxtel Director: Emma Freeman Producer: Joanna Werner Executive Producers: Penny Chapman, Penny Win Line Producer Deadline Gallipoli (TV series) -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
65Th Miff Announces Guest Line-Up
65TH MIFF ANNOUNCES GUEST LINE-UP HUGO WEAVING, RACHEL GRIFFITHS, RACHEL WARD TERENCE DAVIES, CELIA ROWLSON-HALL, ROBERT GREENE ERIC DARNELL, JESSICA BRILLHART, OSCAR RABY + MANY MORE MELBOURNE, 13 JULY 2016 – Celebrating 65 years, the Melbourne International Film Festival (MIFF) is thrilled to reveal a line-up of special guests including the brightest names in feature- filmmaking, award-winning documentary makers, and a huge array of Australia’s finest acting and filmmaking talent – from 28 July – 14 August. MIFF will kick off the festival in style when it welcomes the team behind the MIFF Premiere Fund supported tale of time travel, The Death and Life of Otto Bloom. Melbourne director Cris Jones and cast members Xavier Samuel, Matilda Brown and Rachel Ward will hit the blue carpet for the festi- val’s glittering Opening Night celebrations, presented by Grey Goose Vodka. Plenty of guests will be in town for MIFF’s opening weekend with director Jocelyn Moorhouse and actor Hugo Weaving attending the 25th anniversary screening of the classic Australian film, Proof – presented in association with the National Film & Sound Archive. Also joining MIFF for its opening weekend will be film critic Margaret Pomeranz, who will host the special Talking Pictures event Breaking the Celluloid Ceiling – joined by some of Australia’s finest di- rectors including Gillian Armstrong and Jocelyn Moorhouse. Veteran UK director Terence Davies will be in town for the festival’s opening weekend on behalf of his long-awaited passion project Sunset Song, featuring a career-making performance from former model Agyness Deyn. He’ll be joined by film critic David Stratton, who will host the special Talking Pictures event In Conversation with Terence Davies. -
The Fisher King
Movies & Languages 2016-2017 The Dressmaker About the movie (subtitled version) DIRECTOR Jocelyn Moorhouse YEAR / COUNTRY 2015 / Australia GENRE Comedy / Drama ACTORS Kate Winslet, Judy Davis, Liam Hemsworth, Hugo Weaving PLOT After many years spent mastering the art of dressmaking at couture houses in Paris,Tilly Dunnage returns home in the tiny middle-of-nowhere town of Dungatar where she was banished from as a child after a tragic event. She plans to check on her ailing and mentally unstable mother and then leave. But Tilly decides to remain in order to reconnect with her mother and unravel the mystery of why she was banished and why she feels “cursed”... an obsession with the past that needs to be exorcised. However, though regarded as an outcast and even a “murderess” by the town gossips, Tilly's exquisite fashion dresses prove irresistible to the town's drab womenfolk. But as her dresses begin to arouse competition and envy in town, causing resentments to surface, it becomes clear that Tilly's mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion! LANGUAGE English (Australian accent). GRAMMAR WISHES A WISH states the opposite of reality. Therefore, use the same verb forms after the verb WISH as you use after clauses for unreal conditions. REAL SITUATION WISH Present Time I'm taking five courses. I wish (that) I weren't taking so many courses. I can't concentrate today! I wish (that) I could concentrate today! I have to write a paper. I wish (that) I didn't have to write a paper. -
Aesthetics of the Motion Picture Soundtrack Columbia College, Chicago Spring 2014 – Section 01 – Pantelis N
Aesthetics of the Motion Picture Soundtrack Columbia College, Chicago Spring 2014 – Section 01 – Pantelis N. Vassilakis Ph.D. http://lms.colum.edu Course # / Section 43-2410 / 01 Credits 3 hours Class time / place Thursday 12:30 – 3:20 p.m. 33 E. Congress Ave., Room LL18 (Lower Level – Control Room C) Course Site On MOODLE http://lms.colum.edu Instructor Pantelis N. Vassilakis, Ph.D. Phone Office: 312-369-8821 – Cell: 773-750-4874 e-mail / web [email protected] / http://www.acousticslab.org Office hours By appointment; Preferred mode of Communication: email Pre-requisites 52-1152 “Writing and Rhetoric II” (C or better) AND 43-2420 “Audio for Visual Media I” OR 24-2101 “Post Production Audio I” OR 43-2310 “Psychoacoustics” INTRODUCTION During the filming of Lifeboat, composer David Raksin was told that Hitchcock had decided against using any music. Since the action took place in a boat on the open sea, where would the music come from? Raksin reportedly responded by asking Hitchcock where the cameras came from. This course examines film sound practices, focusing on cross-modal perception and cognition: on ways in which sounds influence what we “see” and images influence what we “hear.” Classes are conducted in a lecture format and involve multimedia demonstrations. We will be tackling the following questions: • How and why does music and sound effects work in films? • How did they come to be paired with the motion picture? • How did film sound conventions develop and what are their theoretical, socio-cultural, and cognitive bases? • How does non-speech sound contribute to a film’s narrative and how can such contribution be creatively explored? Aesthetics of the Motion Picture Soundtrack – Spring 2014 – Section 01 Page 1 of 12 COURSE DESCRIPTION & OBJECTIVES Course examines Classical Hollywood as well as more recent film soundtrack practices, focusing on the interpretation of film sound relative to ‘expectancy’ theories of meaning and emotion. -
Rewriting Shakespeare's Plays for and by the Contemporary Stage 3 Becomes the Constant Object of Actors’ Investigation
Rewriting Shakespeare’s Plays For and By the Contemporary Stage Rewriting Shakespeare’s Plays For and By the Contemporary Stage Edited by Michael Dobson and Estelle Rivier-Arnaud Rewriting Shakespeare’s Plays For and By the Contemporary Stage Edited by Michael Dobson and Estelle Rivier-Arnaud This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Michael Dobson, Estelle Rivier-Arnaud and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8280-1 ISBN (13): 978-1-4438-8280-4 TABLE OF CONTENTS Acknowledgements ................................................................................... vii Introduction ................................................................................................. 1 Meaning and Motivations for a Contemporary Appropriation of Shakespeare’s Drama PART ONE: The Rewriting Process under Scrutiny and its Stakes Chapter One ............................................................................................... 11 Unlearning Tradition: William Shakespeare’s King Lear, Jane Smiley’s and Jocelyn Moorhouse’s A Thousand Acres Anne-Kathrin Marquardt Chapter Two ............................................................................................. -
Academy Invites 774 to Membership
MEDIA CONTACT [email protected] June 28, 2017 FOR IMMEDIATE RELEASE ACADEMY INVITES 774 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 774 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2017. 30 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2017 invitees are: Actors Riz Ahmed – “Rogue One: A Star Wars Story,” “Nightcrawler” Debbie Allen – “Fame,” “Ragtime” Elena Anaya – “Wonder Woman,” “The Skin I Live In” Aishwarya Rai Bachchan – “Jodhaa Akbar,” “Devdas” Amitabh Bachchan – “The Great Gatsby,” “Kabhi Khushi Kabhie Gham…” Monica Bellucci – “Spectre,” “Bram Stoker’s Dracula” Gil Birmingham – “Hell or High Water,” “Twilight” series Nazanin Boniadi – “Ben-Hur,” “Iron Man” Daniel Brühl – “The Zookeeper’s Wife,” “Inglourious Basterds” Maggie Cheung – “Hero,” “In the Mood for Love” John Cho – “Star Trek” series, “Harold & Kumar” series Priyanka Chopra – “Baywatch,” “Barfi!” Matt Craven – “X-Men: First Class,” “A Few Good Men” Terry Crews – “The Expendables” series, “Draft Day” Warwick Davis – “Rogue One: A Star Wars Story,” “Harry Potter” series Colman Domingo – “The Birth of a Nation,” “Selma” Adam -
TFM Silvia Vilarelle
METAMORFOSIS Una colección de Silvia Vilarelle ÍNDICE Trabajo Fin de Máster INTRODUCCIÓN /11 Silvia Vilarelle Fernández DESARROLLO DE LA COLECCIÓN: REFERENTES La indumentaria de trabajo /16 Equipo tutorial: Libertad y opresión /20 Metamorfosis: Género e identidad sexual /23 Lola Dopico Volúmenes /24 Charo Froján Alfredo Olmedo Oscuridad /26 Patricia Dopico Fernando Suárez METODOLOGÍA Eduardo Outeiro Tejidos y paleta de color /30 Máster Universitario en Diseño y Dirección Creativa de Moda Bocetos e inspiración /32 Curso académico 2018/2019 6 Procesos de trabajo 7 Firmado: Hannibal Lecter /36 Desde mi celda /38 Complementos /40 RESULTADOS Editorial /42 Lookbook /68 CONCLUSIONES /77 FUENTES DOCUMENTALES /78 TRANSLATIONS /82 metamorfosis Tb. metamorfosi, desus. Del lat. metamorphōsis. 1. f. Transformación de algo en otra cosa. 2. f. Mudanza que hace alguien o algo de un estado a otro, como de la avaricia a la liberalidad o de la pobreza a la riqueza. 3. f. Zool. Cambio que experimentan muchos animales durante su desarrollo, y que se manifiesta no solo en la variación de forma, sino también en las funciones y en el género de vida. (Real Academia Española [RAE], 2019) METAMORFOSIS INTRODUCCIÓN El cine como fuente de inspiración y material de investigación conforma, sin duda, un elemento recurrente en el ámbito de la moda. Citar ejemplos resultaría inabarcable, pero, tal y como señala Leach (2012), existen ciertas colecciones fruto de inspiración directa en películas difíciles de olvidar. La reconstrucción llevada a cabo por Marc Jacobs basándose en la interpretación de Jodie Foster en Taxi Driver de Scorsese de 1976, para su colección primavera/ verano de 2011, es una de esas claras encarnaciones de un personaje fílmico. -
Gerard Lee Thesis
i SWELL: A feature-length screenplay set in the world of Australian surfing, and an accompanying exegesis on three-act structure. By Gerard Lee B.A. (University of Queensland), Dip T. (North Brisbane College of Advanced Education), Writing Certificate (Australian Film and Television School). Submitted to Faculty of Creative Industries, Queensland University of Technology Presented for the Master of Arts Degree (by Research) 2003 ii Keywords: Screenplay, surfing, Australian cinema, international cinema, three-act structure in screenplay, one-act structure, post- modern cinema, Field, Aronson, McKee, Dancyger and Rush iii Abstract: Despite many arguments to the contrary, the three-act story structure, as propounded and refined by Hollywood continues to dominate the blockbuster and independent film markets. Recent successes in post- modern cinema could indicate new directions and opportunities for low-budget national cinemas. iv TABLE OF CONTENTS Swell, a feature length screenplay…………… 1 Exegesis……………………………………… 118 Introduction………………………………….. 119 The National Cinema………………………… 122 Structure in the Screenplay…………………... 127 The Structure of Swell………………………... 133 Act I…………………………………………... 137 Act II………………………………………….. 140 Act III…………………………………………. 147 Coda…………………………………………... 149 List of Films Cited…………………………….. 155 List of Works Cited……………………………. 157 (The pages of the screenplay—page 1A to page 117—are exempted from inclusion in the Australian Digital Thesis collection for commercial-in-confidence reasons) v Authorship: The work contained in this thesis has not been previously submitted for a degree or diploma at any other institution. The thesis contains no material previously published or written by another person except where due reference is made. Signed:……………….. Dated:……………….. 1 SWELL (The pages of the screenplay—page 1A to page 117— are exempted from inclusion in the Australian Digital Thesis collection for commercial-in-confidence reasons) Copyright: Gerard Lee. -
JANA CARBONI Make-Up Artist and Designer Available to Work As a UK and Italian Local
JANA CARBONI Make-Up Artist and Designer Available to work as a UK and Italian Local AWARDS AND NOMINATIONS Guild Awards - Nominee - Best Special Makeup Effects – Motion Picture or Special Made for Television – 6 UNDERGROUND FILM AND TELEVISION GUCCI Make-Up and Prosthetics Designer MGM Director: Ridley Scott Shooting March 2021 INFINITE Make-Up and Prosthetics Designer Paramount Director: Antoine Fuqua THE HITMAN’S WIFE’S BODYGUARD Personal Make-Up and Prosthetic Designer to Millennium Mr. Reynolds Director: Patrick Hughes SIX UNDERGROUND Make-Up and Prosthetics Designer Netflix Director: Michael Bay ALL THE MONEY IN THE WORLD Key Make-Up and Prosthetic Artist Imperative Entertainment Director: Ridley Scott Cast: Mark Wahlberg & Charlie Plummer MONOLITH aka THE GREAT WALL Personal Prosthetic Designer and Make-Up Artist to Matt Monolith Industries HK, LLC/Universal Damon Pictures Director: Yimou Zhang THE MARTIAN Key Make-Up Artist 20th Century Fox Director: Ridley Scott Cast: Matt Damon EXODUS: GODS AND KINGS Key Make-Up Artist Scott Free Productions/Chernin Entertainment Director: Ridley Scott Cast: Christian Bale ROMEO AND JULIET Key Make-Up Artist Amber Entertainment Director: Carlo Carlei PROMETHEUS Make-Up Artist Scott Free Productions/Brandywine Director: Ridley Scott Productions THE MILTON AGENCY Jana Carboni 1st Floor Electra House, 93a Rivington Street, London EC2A 3AY Make-Up Artist Telephone: +44 (0) 207 729 9226 Page 1 of 3 [email protected] www.miltonagency.com THE ENTREPRENEUR (L’INDUSTRIALE) Make-Up Designer BiBi Film Director: Giuliano Montaldo UNA CANZONE PER TE Make-Up Designer Cattleya Director: Herbert Simone Paragnani UN ALTRO MONDO Key Make-Up Artist Universal Pictures Director: Silvio Muccino CENTURION Key Make-Up Artist Pathé Pictures International Director: Neil Marshall Cast: Michael Fassbender AGORA Make-Up Artist Mod Producctiones/Newmarket Films Director: Alejandro Amenábar THE DEMONS OF ST. -
New Feature from Scott Hicks Leads the Best of Australian Film at Adelaide Film Festival 2015 Highlights Announced Today
Wednesday August 12, 2015 NEW FEATURE FROM SCOTT HICKS LEADS THE BEST OF AUSTRALIAN FILM AT ADELAIDE FILM FESTIVAL 2015 HIGHLIGHTS ANNOUNCED TODAY A premiere feature documentary from Academy Award-winning director Scott Hicks, a new Australian film starring Anthony LaPaglia, Justine Clarke and John Clarke, directorial feature debuts from Bangarra Dance Theatre’s Stephen Page and Windmill Theatre Company’s Rosemary Myers and the red carpet screening of Jocelyn Moorhouse’s anticipated Australian film The Dressmaker are just some of the highlights that will feature at this year’s Adelaide Film Festival. Festival Creative Director Amanda Duthie today announced key highlights, ahead of the full program reveal next month and was thrilled to announce that Hicks’ documentary Highly Strung will have its world premiere and open the Festival, when it returns to Adelaide October 15-25. Highly Strung will screen at Her Majesty’s Theatre with a red carpet event, with Hicks in attendance. It joins the Adelaide-made dramedy feature A Month of Sundays, starring LaPaglia and directed by Matt Saville; Spear, a new work from Bangarra’s Stephen Page; Girl Asleep, filmed in Adelaide from director Rosemary Myers and featuring rising star Tilda Cobham-Hervey; and the Sundance Film Festival hit, Sam Klemke’s Time Machine, from Adelaide director Matthew Bate. Ms Duthie was also pleased to announce the Adelaide Film Festival red carpet screening of The Dressmaker, from director Jocelyn Moorhouse, and starring Kate Winslet, Judy Davis, Liam Hemsworth and Adelaide’s Sarah Snook – on October 16, at Her Majesty’s Theatre. Ticketing is now open for all titles released today. -
Stars to Shine on Seven, Birds of Tokyo to Perform at Australia's Top
Media Alert – Wednesday 25 November, 2015 Stars to Shine on Seven, Birds of Tokyo to Perform at Australia’s Top Film and Television Awards The countdown to Australia’s biggest celebration of screen is on, with the Australian Academy of Cinema and Television Arts (AACTA) today announcing top film and television artists to present at its star- studded Awards Ceremony, held in Sydney and broadcast on Channel Seven. The 5th AACTA Awards Ceremony presented by Presto will see Radha Mitchell, Daniel MacPherson, Elizabeth Debicki, Stephen Curry, Miranda Tapsell, Courtney Eaton and Stephen Peacocke present AACTA Awards to outstanding screen practitioners and performers. Presenters also include Patrick Brammall, whose performance in RUBEN GUTHRIE has earned him an AACTA Award nomination for Best Lead Actor, and HOME AND AWAY’s Georgie Parker and Bonnie Sveen. Joining their fellow HOME AND AWAY cast members as guests at the Ceremony will be Kyle Pryor, Nic Westaway, George Mason, Isabella Giovinazzo, Pia Miller, Kassandra Clementi, Dan Ewing, Lisa Gormley and Will McDonald, alongside model Samantha Harris and a number of Australian screen stars including Danielle Cormack, Natalie Bassingthwaighte and Abby Earl, to name a few. Nominees attending include Ryan Corr, nominated for Best Lead Actor (HOLDING THE MAN), Hugo Weaving who is nominated for his performance in THE DRESSMAKER alongside director and fellow nominee Jocelyn Moorhouse, and Joel Jackson, who is nominated for his performances in PETER ALLEN – NOT THE BOY NEXT DOOR and DEADLINE GALLIPOLI. Guests and broadcast viewers will also enjoy a live performance by top Australian band, Birds of Tokyo, whose bittersweet rock sounds have resonated with critics and fans alike.