2017 Flippy Webversion.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

2017 Flippy Webversion.Pdf 2017 SEASON 2017 3 A message from Kip Williams 5 Top benefits of a Season Ticket 11 Insight Events 13 Enhance your Season Ticket experience THE PLAYS 16 The Testament of Mary 18 Away 20 Chimerica 22 The Bleeding Tree 24 Talk 26 The Popular Mechanicals 28 Black is the New White 30 1984 32 Cloud Nine 34 Australian Graffiti 36 The Father 38 Dinner 40 Three Sisters 42 Muriel’s Wedding SPECIAL OFFER 45 The Wharf Revue HOW TO BOOK AND USEFUL INFO 48 Podcast 49 How to book checklist 50 Let us help you choose 52 How to book your Season Ticket 53 New and improved features 54 Ticket prices 56 Venues and access 57 Key dates for your diary 58 STC and the community 59 Join our donor family 60 Walsh Bay Kitchen 61 The Theatre Bar at the End of The Wharf 62 Thank you 64 Contact details 1 Roslyn Packer Theatre A MESSAGE Drama Theatre The Wharf FROM KIP WILLIAMS A great piece of theatre is like a great Dinner. Lucy Kirkwood’s gripping Chimerica is conversation. It always involves a passionate a sensational text and I can’t wait to direct it, exchange of ideas, jokes, arguments and a along with two plays very close to my heart – sharing of deep-seated emotions. The same can Cloud Nine and Three Sisters. be said for putting together a season of plays. And, like any good conversation, you never quite Bringing this myriad of stories to life will be know to which exciting places it might lead. a fabulous roll call of acting talent, from the legendary John Bell to STC favourites including Here on The Wharf, the 2017 conversation Paula Arundell, Eryn Jean Norvill, Mark commenced during former Artistic Director Leonard Winter and Alison Whyte, to great Jonathan Church’s time with the company from young actors like Harry Greenwood, Rarriwuy September to May. Many of the thoughts, Hick, Shari Sebbens and Charles Wu. partnerships and aspirations he brought to the table will play out on our stages in 2017, 2017 is a year of ideas and energy, of political alongside contributions from STC’s artistic engagement, of laughter, reflection and team, all of which stem from conversations with revelation. We’ve had great conversations the broader Australian theatre community. bringing it together, and we look forward to Those conversations haven’t finished either you joining us as the – they continue with you in the theatre, they conversation continues. continue in the bar afterwards, they continue long into the night. Kip Williams Interim Artistic We have a lot to look forward to in 2017. From Director Mary to Muriel, from Beijing to Moscow, there’s a breadth and depth to the season that runs from the epic to the intimate, from the classic to the contemporary. Twentieth-century titans like Chekhov, Churchill and Orwell sit alongside superb new Australian voices like Angus Cerini, Nakkiah Lui and Disapol Savetsila, as well as new work from Jonathan Biggins and a new adaptation from Andrew Upton. I’m excited to see a classic like Michael Gow’s Away from a fresh perspective and it’s a thrill that Muriel’s Wedding, one of our country’s greatest gifts to the world, is finding a new life on stage. We welcome the wonderful Imara Savage as our new Resident Director, bringing us two very different shows – the beautifully crafted The Testament of Mary and the viciously funny 2 3 THE TOP BENEFITS OF A SEASON TICKET A Season Ticket is made up of 6 to 14 plays. Along with significant savings on tickets, Season Ticket Holders get many more benefits through the year. EXCLUSIVE RENEWAL WINDOW UNTIL 11 OCT Existing Season Ticket Holders get first choice on all plays during an exclusive renewal window from Tue 13 Sep to Tue 11 Oct. SAVE 20% ON TICKETS Your Season Ticket is the best value for money, saving you at least 20% on full-price single tickets. See all ticket prices in detail on pg 54–55. MORE SAVINGS ALL YEAR Season Ticket Holders get an exclusive year- round discount on tickets. Use your discount price to share the savings with family and friends – great for gifts! BEST AVAILABLE SEATS Get first access to the best available seats to all plays. Many of our plays sell out, so a Season Ticket guarantees your seats to the LOTS OF EXCLUSIVE most exciting and in-demand theatre of 2017. REWARDS Your Season Ticket Holder Benefits Card unlocks discounts on wine, SUSAN GEORGE cinemas, hotels, parking, cultural PLAN FOR GOOD TIMES AHEAD SEASON TICKET HOLDER outings and more. Additional Quality time with family and friends is one exclusive offers and invitations of the best things about a Season Ticket. are sent through the year in the Get your diary organised with plenty of monthly enewsletter. Visit outings to look forward to in 2017. sydneytheatre.com.au/benefits 5 MORE REASONS TO LOVE YOUR SEASON TICKET PURCHASE ALL PLAYS AND GET A FREE TICKET Book all 14 plays in our main season before 5 Dec, and get a free ticket so you can introduce a friend to a show of your choice. PRE-SALE WINDOW ON UNLIMITED FREE THE WHARF REVUE EXCHANGES Season Ticket Holders can purchase discounted We understand your plans may change. You tickets for one of the most in-demand shows of can swap to another date of the same show the year, The Wharf Revue, months before they fee-free, subject to availability. Some go on sale to the public. See pg 46 for details. conditions apply; check with Box Office. PAY IN INSTALMENTS NO EXTRA FEES Spread the cost of your Season Ticket across There are no transaction fees on any four instalments. Choose the deferred Season Ticket booking. payment option online or on your booking form before 30 Dec. Some conditions apply; see booking form or website. BOOK BY 5 DEC TO WIN A LUXURY WEEKEND AWAY Purchase your Season Ticket before 5 Dec winemaker, which includes a mixed case and you could win a luxurious weekend to take home. Dinner is a three-course for two to Orange FOOD Week (7–9 Apr). feast at Lolli Redini, featuring the best of local produce. Sunday is for relaxing – Travel to Orange in style in a enjoy a continental breakfast in your suite complimentary Audi, which will be yours and take in the sights of the area before for the weekend (Fri–Mon). On arrival, cruising home in your Audi. “There are always great quality, interesting, check into your luxurious Studio Suite thought-provoking productions. We always at the De Russie Boutique Hotel – your Thanks to our friends at Audi and home for two nights. On Saturday head Cumulus Estate Wines. See pg 64 enjoy the experience, especially local and to Cumulus Estate Wines’ pop-up Cellar for terms and Door for a full wine tasting with the conditions. diverse plays.” STEPHANIE KETTLER, SEASON TICKET HOLDER 6 7 LOYALTY BENEFITS FOR SEASON TICKET HOLDERS All Season Ticket Holders get a Benefits Card and other bonuses. In addition, we recognise the loyalty of those who have been with us for three or more consecutive years with tiered benefits. A lifetime of loyalty benefits Better still, we continue rewarding you for life. Once you’ve earned Star status (3–10 years) or Legend status (11+ years), you have access to those benefits every year that you are a Season Ticket Holder, even if you take a year or two off. * “I FEEL SO FORTUNATE TO BE A VETERAN STARS LEGENDS People who have been a Season Ticket Holder People who have been a Season Ticket Holder SEASON TICKET HOLDER – for 3–10 years receive: for 11 or more years receive the same benefits as our Stars, plus the following: THAT BIT EXTRA, ALWAYS!” The Theatre Bar at the End of The Wharf ANNE SAWSTUK, SEASON TICKET HOLDER A free glass of selected wine with any main Exclusive access to best available seats course purchased. We have reserved an exclusive allocation of best available seats during the priority renewal Walsh Bay Kitchen window for you to access as a thank you for your Reserve a table for any main meal and get a loyalty.** complimentary glass of sparkling wine on arrival. Includes pre-theatre specials Adina Apartment Hotels (see pg 60 for how to book). Receive a 10% discount from our accommodation partner Adina Apartment Hotels, plus the choice Sydney Festival of unlimited wifi, late check-out or room upgrade. Take advantage of three exclusive ticket offers from Sydney Festival, which you’ll hear about The Theatre Bar at the End of The Wharf after its program is announced. A free cheese platter for two with any wine purchase after a show. Walsh Bay Kitchen * The priority renewal window, exclusive seating allocation, and Reserve a table for any main meal and receive benefits are available to current Season Ticket Holders only and valid for the season to which you are subscribed. a complimentary antipasti plate. Includes ** Bookings are processed in order of receipt. Renew early to avoid pre-theatre specials (see pg 60 for how to book). disappointment. For full terms and conditions of the Season Ticket Holder Benefits Card, and the Stars and Legends program, visit sydneytheatre.com.au/benefits 9 “As a family we attended the pre-season briefing last night. E What a fantastic opportunity. YOU’RE INVIT D TO OUR Thank you for letting us into N the creative process, history and I SIGHT EVENTS inspiration for this play.
Recommended publications
  • Tickets You Can Either Subscribe with a Friend Or Buy Guest Tickets for Them to Join You (They’Ll Get Your Discount Too!)
    2020 WELCOME Photo: Alana Dimou THEJOAN.COM.AU 2 HOW TO SUBSCRIBE 6 PENRITH ARTS LOVER 8 SEASON AT A GLANCE 10 80S FILM FESTIVAL 12 SEASON 2020 14 – 60 KIDS & FAMILIES 20, 30, 44, 54, 58, 60 YOUNG ADULTS 26, 42 SPIEGELESQUE 14 GRACE UNDER PRESSURE 16 EASTER ORATORIO – BACH AKADEMIE AUSTRALIA 18 ANN-DROID THE WONDERFUL ADVENTURES OF A ROBOT GIRL 20 JEKYLL & HYDE 22 PLAYLIST 24 30 SOMETHING 26 MY ROBOT 28 THE SENTIMENTAL BLOKE 30 MICF ROADSHOW 32 THE SPOOKY MEN’S CHORALE 34 THE GOSPEL ACCORDING TO PAUL 36 THE MELL-O-TONES 38 THE WHARF REVUE 2020 40 LIGHTS IN THE PARK 42 BEEP 44 CARMEN 46 CONTENTS KANGAROO 48 DADS 50 30TH ANNIVERSARY CONCERT 52 LOOSE ENDS 54 LAMB 56 JUST LIVE ON STAGE! 58 EDWARD THE EMU 60 Q THEATRE 62 – 64 MORNING MELODIES 65 – 66 FOR SENIORS 67 – 68 ALSO AT THE JOAN 69 WHO WE ARE 70 IN RESIDENCE: 71 – 72 PENRITH SYMPHONY ORCHESTRA PENRITH MUSICAL COMEDY COMPANY SUPPORT US 73 ACKNOWLEDGEMENTS 74 – 76 ATTENDING THE JOAN 77 SEATING MAPS 78 SUBSCRIPTION STEPS 79 ORDER FORM 80 EASY WAYS TO BOOK 82 Penrith Performing & Visual Arts acknowledges the unique status of Aboriginal and Torres Strait Islander people as the original custodians of lands and waters, including the land and waters of Western Sydney. THEJOAN.COM.AU 4 ave your calendar handy and read through this guide. This year we’ve ordered it chronologically, so you can make it work for you: Hholidays first, shows next, everything else later. Some people like to bring friends and family together and make plans as a group, others prefer to make plans for themselves; and gifts and surprises are always good.
    [Show full text]
  • PAUL RANFORD Is a Producer with Over 30 Years Production Experience Across Film and Television. Recent Feature Film Credits
    PAUL RANFORD is a producer with over 30 years production experience across film and television. Recent feature film credits include True History of The Kelly Gang from director Justin Kurzel; Ambience Entertainment’s Storm Boy, directed by Shawn Seet; and Sony Pictures’ Will Gluck helmed Peter Rabbit. Recent television credits include the ABC-TV/Netflix six-part series Stateless, starring Cate Blanchett, Dominic West and Yvonne Strahovski and the award-winning series Secret City and Deadline Gallipoli, all in association with Matchbox Pictures and NBCUniversal. Production credits also include the international titles Mad Max: Fury Road, Matrix Revolutions and Matrix Reloaded. Selected Work History: Producer Stateless (TV series) Matchbox Pictures / NBCUniversal / Dirty Films Directors: Emma Freeman, Jocelyn Moorhouse Executive Producers: Cate Blanchett, Tony Ayres, Elise McCredie Producer True History of the Kelly Gang (Feature) Porchlight Films / Daybreak Films/ Film 4/ Memento Films Director: Justin Kurzel Producers: Liz Watts, Hal Vogel, Justin Kurzel Co-Producer Storm Boy (Feature) Ambience Entertainment/ Piccadilly Pictures Director: Shawn Seet Producers: Michael Boughen, Matthew Street Unit Production Manager Peter RaBBit (Feature) Sony Pictures / Animal Logic Director: Will Gluck Producers: Will Gluck, Zareh Nalbandian Line Producer Secret City (TV series) Matchbox Pictures/ NBCUniversal / Foxtel Director: Emma Freeman Producer: Joanna Werner Executive Producers: Penny Chapman, Penny Win Line Producer Deadline Gallipoli (TV series)
    [Show full text]
  • Simon Gleeson
    SIMON GLEESON TRAINING Western Australian Academy of Performing Arts – Graduate 1998 THEATRE Morning Melodies Simon Gleeson-Australia’s Leading Man Performer Arts Centre Australia Bring Him Home Performer Promac Productions Australia An Ideal Husband Sir Robert Chiltem Melbourne Theatre Company Dir : Dean Bryant Oklahoma! Curly McLain The Production Company Dir : Chris Parker Witches Performer Working Arts Productions The Classics : Broadway – Composers of the 21st Century Performer City of Stonnington APO NYE Concert 2017 Performer Australian Philharmonic Orchestra Spirit of Christmas 2017 Performer Queensland Performing Arts Centre Hay Fever Richard Greatham Melbourne Theatre Company Dir: Lee Lewis Les Misérables Jean Valjean Cameron Macintosh Ltd London Curtains Lieutenant Frank Cioffi The Production Company Dir: Roger Hodgman Les Misérables Jean Valjean Cameron Macintosh Australia Dir: Laurence Connor & James Powell Rupert Ensemble Kennedy Centre, Washington DC Rupert Ensemble Melbourne Theatre Co Dir: Lee Lewis Chess Anatoly (The Russian) The Production Company Dir: Gale Edwards Love Never Dies Raoul Gustave Stage Productions Dir: Simon Phillips Starting Here Starting Now Man Manilla Street Productions Dir: Andrew Macbean Imagine This Adam New London Theatre, West End Dir: Timothy Sheader Certified Male Howard Edinburgh Festival Dir: Glynn Nicholas The Silver Lake Severin Wexford Festival Dir: Keith Warner Southwark Fair Angus Royal National Theatre, London Dir: Nicholas Hytner lisa mann creative management pty ltd telephone: +61
    [Show full text]
  • David Stratton's Stories of Australian Cinema
    David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor
    [Show full text]
  • The Australian Theatre Family
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him.
    [Show full text]
  • 65Th Miff Announces Guest Line-Up
    65TH MIFF ANNOUNCES GUEST LINE-UP HUGO WEAVING, RACHEL GRIFFITHS, RACHEL WARD TERENCE DAVIES, CELIA ROWLSON-HALL, ROBERT GREENE ERIC DARNELL, JESSICA BRILLHART, OSCAR RABY + MANY MORE MELBOURNE, 13 JULY 2016 – Celebrating 65 years, the Melbourne International Film Festival (MIFF) is thrilled to reveal a line-up of special guests including the brightest names in feature- filmmaking, award-winning documentary makers, and a huge array of Australia’s finest acting and filmmaking talent – from 28 July – 14 August. MIFF will kick off the festival in style when it welcomes the team behind the MIFF Premiere Fund supported tale of time travel, The Death and Life of Otto Bloom. Melbourne director Cris Jones and cast members Xavier Samuel, Matilda Brown and Rachel Ward will hit the blue carpet for the festi- val’s glittering Opening Night celebrations, presented by Grey Goose Vodka. Plenty of guests will be in town for MIFF’s opening weekend with director Jocelyn Moorhouse and actor Hugo Weaving attending the 25th anniversary screening of the classic Australian film, Proof – presented in association with the National Film & Sound Archive. Also joining MIFF for its opening weekend will be film critic Margaret Pomeranz, who will host the special Talking Pictures event Breaking the Celluloid Ceiling – joined by some of Australia’s finest di- rectors including Gillian Armstrong and Jocelyn Moorhouse. Veteran UK director Terence Davies will be in town for the festival’s opening weekend on behalf of his long-awaited passion project Sunset Song, featuring a career-making performance from former model Agyness Deyn. He’ll be joined by film critic David Stratton, who will host the special Talking Pictures event In Conversation with Terence Davies.
    [Show full text]
  • The Fisher King
    Movies & Languages 2016-2017 The Dressmaker About the movie (subtitled version) DIRECTOR Jocelyn Moorhouse YEAR / COUNTRY 2015 / Australia GENRE Comedy / Drama ACTORS Kate Winslet, Judy Davis, Liam Hemsworth, Hugo Weaving PLOT After many years spent mastering the art of dressmaking at couture houses in Paris,Tilly Dunnage returns home in the tiny middle-of-nowhere town of Dungatar where she was banished from as a child after a tragic event. She plans to check on her ailing and mentally unstable mother and then leave. But Tilly decides to remain in order to reconnect with her mother and unravel the mystery of why she was banished and why she feels “cursed”... an obsession with the past that needs to be exorcised. However, though regarded as an outcast and even a “murderess” by the town gossips, Tilly's exquisite fashion dresses prove irresistible to the town's drab womenfolk. But as her dresses begin to arouse competition and envy in town, causing resentments to surface, it becomes clear that Tilly's mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion! LANGUAGE English (Australian accent). GRAMMAR WISHES A WISH states the opposite of reality. Therefore, use the same verb forms after the verb WISH as you use after clauses for unreal conditions. REAL SITUATION WISH Present Time I'm taking five courses. I wish (that) I weren't taking so many courses. I can't concentrate today! I wish (that) I could concentrate today! I have to write a paper. I wish (that) I didn't have to write a paper.
    [Show full text]
  • Poppie Nongena Enthralling Musical Theatre
    FEBRUARY,1985 Vol 9 No 1 ISSN 0314 - 0598 New David Williamson Play SONS OF KANE BY DAVID WILLIAMSON Directed by David Williamson Set and costume design by Shaun Gurton Cast: Noel Ferrier, John Gregg, Max Cullen, Sandy Gore, Libby Clark and Genevieve Picot Theatre Royal t is now almost four years since David I Williamson's last play THE PERFEC­ TIONIST was premiered and in that time he has been working in other media creating a screenplay of THE PERFEC­ TIONIST and writing THE LAST BASTION for television. But the attrac­ tion of the theatre was too great for him to stay away from live performance for long and a chance conversation with journalists in a pub one night provided the inspiration for a new play. SONS OF KANE is about crime and cor­ ruption, an issue on which David Williamson has not focused his attention since THE REMOVALISTS in 1981 Poppie Nongena (coincidentally to be remounted at Phillip Street Theatre later this month). The Enthralling Musical Theatre managing editor of a big newspaper em­ pire (played by John Gregg) uncovers Based on a novel by Elsa Joubert critic of The Guardian newspaper as one clear evidence that an honest cop has Written for the stage by Elsa Joubert and of the most impressive pieces of drama to been moved out of the force because he's Sandra Kotze emerge from South Africa in the past too much trouble. The idealism of youth Directed by Hilary Blecher decade, this production has taken Lon­ is rekindled and he brings in one of his Music by Sophie Mgcina don and New York by storm, collecting a friends (played by Max Cullen) whose Designed by Douglas Heap Lighting design by James Baird number of awards, including the career has taken a downturn to in­ Cast: Thulia Dumakude, Sophie Mgcina, prestigious Obie (for Outstanding vestigate the whole affair.
    [Show full text]
  • Download the Press
    Screen Australia and SBS present in association with Screen NSW, A Blackfella Films Production Media Kit as at 12.7.16 SBS Publicist Natalie Dubois T 02 9430 3824 M 0422 447 168 E [email protected] About the Production Two of Australia’s leading actors with international acclaim, Noah Taylor (Game of Thrones, Peaky Blinders) and Yael Stone (Orange is the New Black), star in SBS’s new Australian crime drama series, Deep Water. The four-hour crime thriller also stars William McInnes (The Time of Our Lives, The Slap), Danielle Cormack (Wentworth, Rake, Miss Fisher’s Murder Mysteries), Jeremy Lindsay Taylor (Gallipoli, Puberty Blues, Sea Patrol), Craig McLachlan (The Doctor Blake Mysteries), Dan Spielman (The Code, Accidental Soldier, Offspring), Ben Oxenbould (The Kettering Incident, Old School, Rake), Simon Burke (Devil’s Playground), John Brumpton (Catching Milat, Miss Fisher’s Murder Mysteries) and Victoria Haralabidou (The Code, East West 101, All Saints), Simon Elrahi (The Code), George H. Xanthis (The Principal) and Julian Maroun. From Blackfella Films, the producers of both the awarding-winning drama Redfern Now and factual program First Contact, Deep Water is SBS’s first cross-genre, cross-platform event which includes a four-part drama series, a feature documentary and unique online web series and content. The edge-of-your-seat drama was executive produced by SBS’s Sue Masters and produced by Blackfella Films’ Miranda Dear and Darren Dale (Redfern Now, Mabo, Ready For This) and written by Kris Wyld (East West 101) and Kym Goldsworthy (Love Child, Serangoon Road). SBS Director of Television and Online Content, Marshall Heald said: “SBS is proud that this important drama has attracted Australia’s finest creative professionals both in front – and behind the camera.
    [Show full text]
  • Keir Nuttall Thesis
    I’m With Muriel: Applying a Persona- Centred Songwriting Technique to the Creation of a New Australian Musical Keir Nuttall BMus Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Creative Practice Faculty of Creative Industries, Education and Social Justice QUT 2021 Table of Contents Table of Figures ......................................................................................................................... 5 Abstract ..................................................................................................................................... 6 Statement of Original Authorship .............................................................................................. 8 Acknowledgements ................................................................................................................... 9 Chapter 1: Introduction............................................................................................................ 11 Situating the Researcher ............................................................................................................................. 16 Chapter 2: Literature and Contextual Review ........................................................................... 24 Part One: Authenticity and the Music Business ........................................................................ 24 The Artist vs Culture and Society ................................................................................................................ 25
    [Show full text]
  • AR 2016 Webversion.Pdf
    ANNUAL REPORT 2016 Richard Higgins and Matt Kelly in Hamlet: Prince of Skidmark. Photo: Prudence Upton Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director Emma Harvie in A Midsummer Night’s Dream. Photo: Brett Boardman Strategic Plan PURPOSE Theatre is a place for ideas VISION Based in Sydney and reflecting our home’s distinctive personality, we will be one of the world’s most exciting and original theatre companies MISSION 1 To create distinctive theatre of vision and scale 2 To ensure a future for theatre 3 To assist building creative capacity in the community 4 To explore the issues of the day 6 Ursula Yovich in The Golden Age. Photo: Lisa Tomasetti 7 2016 in Numbers 136% 78,915 MORE THAN PEOPLE SAW AN 3 591 OF TICKET PRICE STC 856 SAVINGS PASSED ON TO SHOW 5,501 SUNCORP TWENTIES CUSTOMERS AND 133 382,576 NATIONALAND TIX TIX TEACHERS INTERNATIONAL PAID PERFORMANCES IN TOTAL TICKET INCOME OUTSIDE ATTENDEES OF SYDNEY MORE THAN TO STC’S 2016 PROGRAM 1,477 200,000 WEEKS O PEOPLE AVERAGE OF WORK W RLD CAPACITY PREMIERES ATTENDED 87% FOR ACTORS 6 THE 23 ROSLYN TEACHING PACKER ACTORS ARTISTS PLAYWRIGHTS THEATRE AND CREATIVES EMPLOYED 12 ON COMMISSION 331 EMPLOYED 8 9 Ian Narev CHAIR 2016 was another very successful year for Sydney Theatre Company.
    [Show full text]
  • Law & Disorder
    LAW & DISORDER RAKE LAW & DISORDER RAKE SERIES FOUR / 8 X ONE HOUR TV SERIES THURSDAY MAY 19 8.30PM STARRING RICHARD ROXBURGH WRITTEN BY PETER DUNCAN & ANDREW KNIGHT PRODUCED BY IAN COLLIE, PETER DUNCAN & RICHARD ROXBURGH ESSENTIAL MEDIA & BLOW BY BLOW MEDIA CONTACT Kristine Way / ABC TV Publicity T 02 8333 3844 M 0419 969 282 E [email protected] SERIES SYNOPSIS Last seen dangling from a balloon road leading straight to our dark drifting across the Sydney skyline, corridors of power. Cleaver Greene (Richard Roxburgh) Twisting and weaving the stories of crashes back to earth - literally and the ensemble of characters we’ve metaphorically, when he’s propelled grown to love over three stellar through a harbourside window into the seasons, Season 4 of Rake continues unwelcoming embrace of chaos past. the misadventures of dissolute Cleaver Fleeing certain revenge, Cleaver Greene and casts the fool’s gaze on all hightails it to a quiet country town, the levels of politics, the legal system, and reluctant member of a congregation our wider fears and obsessions. led by a stern, decent reverend and ALSO STARS Russell Dykstra, Danielle his flirtatious daughter. Before long Cormack, Matt Day, Adrienne Cleaver’s being chased back to Sin City. Pickering, Caroline Brazier, Kate Box, But Sydney has become a dark Keegan Joyce and Damien Garvey. place: terrorist threats and a loss of GUEST APPEARANCES from Miriam faith in authority have seen it take a Margolyes, Justine Clarke, Tasma turn towards the dystopian. When Walton, John Waters, Simon Burke, Cleaver finally emerges, he will be Rachael Blake, Rhys Muldoon, Louise accompanied by a Mistress of the Siversen and Sonia Todd.
    [Show full text]