JANA CARBONI Make-Up Artist and Designer Available to Work As a UK and Italian Local

Total Page:16

File Type:pdf, Size:1020Kb

JANA CARBONI Make-Up Artist and Designer Available to Work As a UK and Italian Local JANA CARBONI Make-Up Artist and Designer Available to work as a UK and Italian Local AWARDS AND NOMINATIONS Guild Awards - Nominee - Best Special Makeup Effects – Motion Picture or Special Made for Television – 6 UNDERGROUND FILM AND TELEVISION GUCCI Make-Up and Prosthetics Designer MGM Director: Ridley Scott Shooting March 2021 INFINITE Make-Up and Prosthetics Designer Paramount Director: Antoine Fuqua THE HITMAN’S WIFE’S BODYGUARD Personal Make-Up and Prosthetic Designer to Millennium Mr. Reynolds Director: Patrick Hughes SIX UNDERGROUND Make-Up and Prosthetics Designer Netflix Director: Michael Bay ALL THE MONEY IN THE WORLD Key Make-Up and Prosthetic Artist Imperative Entertainment Director: Ridley Scott Cast: Mark Wahlberg & Charlie Plummer MONOLITH aka THE GREAT WALL Personal Prosthetic Designer and Make-Up Artist to Matt Monolith Industries HK, LLC/Universal Damon Pictures Director: Yimou Zhang THE MARTIAN Key Make-Up Artist 20th Century Fox Director: Ridley Scott Cast: Matt Damon EXODUS: GODS AND KINGS Key Make-Up Artist Scott Free Productions/Chernin Entertainment Director: Ridley Scott Cast: Christian Bale ROMEO AND JULIET Key Make-Up Artist Amber Entertainment Director: Carlo Carlei PROMETHEUS Make-Up Artist Scott Free Productions/Brandywine Director: Ridley Scott Productions THE MILTON AGENCY Jana Carboni 1st Floor Electra House, 93a Rivington Street, London EC2A 3AY Make-Up Artist Telephone: +44 (0) 207 729 9226 Page 1 of 3 [email protected] www.miltonagency.com THE ENTREPRENEUR (L’INDUSTRIALE) Make-Up Designer BiBi Film Director: Giuliano Montaldo UNA CANZONE PER TE Make-Up Designer Cattleya Director: Herbert Simone Paragnani UN ALTRO MONDO Key Make-Up Artist Universal Pictures Director: Silvio Muccino CENTURION Key Make-Up Artist Pathé Pictures International Director: Neil Marshall Cast: Michael Fassbender AGORA Make-Up Artist Mod Producctiones/Newmarket Films Director: Alejandro Amenábar THE DEMONS OF ST. PETERSBURG (I Key Make-Up Artist DEMONI DO SAN PIETROBURGO) Director: Giuliano Montaldo Jean Vigo Italia THE SEEKER: THE DARK IS RISING Make-Up Artist 20th Century Fox Director: David L. Cunningham THE LAST LEGION Make-Up Artist Dino De Laurenriis Company Director: Doug Lefier APOCALYPTO Make-Up Artist Icon Entertainment International Director: Mel Gibson NATIVITY STORY Make-Up Artist New Line Cinema Director: Catherine Hardwicke Ô JERUSALEM Make-Up Artist Samuel Goldwyn Films Director: Éllie Chouraqui DON’T TELL Make-Up Artist Lions gate Films/Cattleya Director: Christina Comencini CASANOVA Make-Up Artist Touchstone Pictures/Buena Vista Pictures Director: Lasse Hallström ROME (TV) Make-Up Artist (2nd Unit Supervisor) HBO Director: Various THE LIFE AQUATIC WITH STEVE ZISSOU Make-Up Artist Touchstone Pictures/Buena Vista Pictures Director: Wes Anderson PONTORMO: A HERETICAL LOVE Make-Up Artist Eagle Pictures/Palamo Films Director: Giovanni Fago THE MOTORCYCLE DIARIES Make-Up Artist FilmFour/Focus Features Director: Walter Salles THE MILTON AGENCY Jana Carboni 1st Floor Electra House, 93a Rivington Street, London EC2A 3AY Make-Up Artist Telephone: +44 (0) 207 729 9226 Page 2 of 3 [email protected] www.miltonagency.com SECRET PASSAGE Make-Up Artist C.R.G International/Starmedia Director: Ademir Kenovic IMPERIUM: AUGUSTUS (TV) Make-Up Artist EOS Entertainment Director: Roger Young MOTHER TERESA OF CALCUTTA (TV) Make-Up Artist Blue Star Movies Director: Fabrizio Costa FERRARI (TV) Make-Up Assistant Victory Media Group Director: Carlo Carlei GANGS OF NEW YORK Make-Up Artist Miramax Director: Martin Scorsese THE AFFAIR OF THE NECKLACE Make-Up Assistant Alcon Entertainment Director: Charles Shyer VIPER Make-Up Assistant Cosmo Director: Sergio Citti PROOF OF LIFE Make-Up Assistant Castle Rock Entertainment Director: Taylor Hackford PADRE PIO (TV) Make-Up Assistant Videotrade S.R.L Director: Carlo Carlei TITUS Make-Up Assistant Clear Blue Sky Productions Director: Julie Taymor THE MILTON AGENCY Jana Carboni 1st Floor Electra House, 93a Rivington Street, London EC2A 3AY Make-Up Artist Telephone: +44 (0) 207 729 9226 Page 3 of 3 [email protected] www.miltonagency.com .
Recommended publications
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • Lean on Pete (La Route Sauvage)
    PRESENTE / PRESENTEERT LEAN ON PETE (LA ROUTE SAUVAGE) un film de / een film van Andrew HAIGH avec / met Charlie PLUMMER, Chloë SEVIGNY, Travis FIMMEL, Steve BUSCEMI D’après le roman Lean on Pete de Willy Vlautin (La Route sauvage, Éditions Albin, 2018) MOSTRA DI VENEZIA 2017 - MARCELLO MASTROIANNI AWARD : CHARLIE PLUMMER FESTIVAL DU CINEMA EUROPEEN DES ARCS 2017 - QUATRE PRIX dont MEILLEUR FILM & MEILLEUR ACTEUR : CHARLIE PLUMMER LUX FILM FEST 2018 – PRIX DU JURY JEUNE UK – 2017 – DCP – Couleur/Kleur – VO ST BIL / OV FR/NL OT – 121’ Distribution / Distributie : IMAGINE SORTIE BRUXELLES, WALLONIE ET LUXEMBOURG 18/04/2018 RELEASE VLAANDEREN 25/04/2018 T : 02 331 64 31 / M Tinne Bral : 0499 25 25 43 photos / foto's : http://press.imaginefilm.be SYNOPSIS FR Charley Tompson a quinze ans et a appris à vivre seul avec un père inconstant. Tout juste arrivé dans l’Oregon, le garçon se trouve un petit boulot chez un entraineur de chevaux et se prend d’affection pour Lean on Pete, un pur-sang en fin de carrière. Le jour où Charley se retrouve totalement livré à lui-même, il décide de s’enfuir avec Lean on Pete, à la recherche de sa tante dont il n’a qu’un lointain souvenir. Dans l’espoir de trouver enfin un foyer, ils entament ensemble un long voyage... NL De introverte tiener Charley (Charlie Plummer) kent weinig vastigheid; zijn moeder is niet in beeld, zijn jonge vader heeft al moeite genoeg zijn eigen leven op de rails te houden. Geen wonder dat Charley de kans om op eigen benen te staan met beide handen aangrijpt.
    [Show full text]
  • CHARLEY THOMPSON (Lean on Pete)
    CHARLEY THOMPSON (Lean on Pete) un film di ANDREW HAIGH con CHARLIE PLUMMER, STEVE BUSCEMI, CHLOË SEVIGNY, TRAVIS FIMMEL uscita: 5 aprile 2018 ufficio stampa Nicoletta Billi 333 2432777 [email protected] Gabriele Barcaro 340 5538425 [email protected] ufficio stampa Teodora Film Stefano Finesi 333 4482025 [email protected] scarica i materiali stampa CAST TECNICO Regia Andrew Haigh Sceneggiatura Andrew Haigh (dal romanzo La ballata di Charley Thompson di Willy Vlautin, edito in Italia da Mondadori) Fotografia Magnus Jønck Scenografia Ryan Warren Smith Costumi Julie Carnahan Musica James Edward Barker Supervisione suono Joakim Sundström Montaggio Jonathan Alberts Casting Carmen Cuba, CSA Prodotto da Tristan Goligher Produttori esecutivi Ben Roberts, Lizzie Francke, Daniel Battsek, Sam Lavender, David Kosse, Vincent Gadelle, Darren Demetre Direttore di produzione Darren Demetre Un film prodotto da The Bureau Una presentazione Film4 e BFI Origine Gran Bretagna 2017 Titolo originale e durata Lean On Pete, 121 minuti Aspect ratio 1.85: 1 CAST ARTISTICO Charley Thompson Charlie Plummer Del Montgomery Steve Buscemi Bonnie Chloë Sevigny Ray Travis Fimmel Silver Steve Zahn IL FILM Dopo lo straordinario successo di Weekend e il trionfo mondiale di 45 anni, che ha portato Charlotte Rampling a un passo dall’Oscar, Andrew Haigh torna dietro la cinepresa con Charley Thompson, un intenso e appassionante road movie accolto con entusiasmo all’ultima Mostra di Venezia, dove il protagonista Charlie Plummer ha conquistato il Premio Mastroianni come attore rivelazione. Tratto dal romanzo La ballata di Charley Thompson di Willy Vlautin (edito in Italia da Mondadori), il film narra le vicende del giovane Charley, abbandonato dalla madre e cresciuto da un padre disattento e sempre nei guai.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Amongst Friends: the Australian Cult Film Experience Renee Michelle Middlemost University of Wollongong
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2013 Amongst friends: the Australian cult film experience Renee Michelle Middlemost University of Wollongong Recommended Citation Middlemost, Renee Michelle, Amongst friends: the Australian cult film experience, Doctor of Philosophy thesis, School of Social Sciences, Media and Communication, University of Wollongong, 2013. http://ro.uow.edu.au/theses/4063 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Amongst Friends: The Australian Cult Film Experience A thesis submitted in fulfillment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY From UNIVERSITY OF WOLLONGONG By Renee Michelle MIDDLEMOST (B Arts (Honours) School of Social Sciences, Media and Communications Faculty of Law, Humanities and The Arts 2013 1 Certification I, Renee Michelle Middlemost, declare that this thesis, submitted in fulfillment of the requirements for the award of Doctor of Philosophy, in the Department of Social Sciences, Media and Communications, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Renee Middlemost December 2013 2 Table of Contents Title 1 Certification 2 Table of Contents 3 List of Special Names or Abbreviations 6 Abstract 7 Acknowledgements 8 Introduction
    [Show full text]
  • STORY MAPS: the Films of Christopher Nolan by Daniel P
    Excerpt ii STORY MAPS: The Films of Christopher Nolan by Daniel P. Calvisi & William Robert Rich A C T F O U R S C R E E N P L A Y S S C R E E N P L A Y H O W TO iii Copyright © Daniel P. Calvisi and William Robert Rich 2013 Published by Act Four Screenplays and Screenplay How To actfourscreenplays.com | screenplayhowto.com All rights reserved. No part of this book may be reproduced in any form or by any means without permission in writing from the publisher, except for the inclusion of brief quotations in a review. ISBN-10: 0983626650 ISBN-13: 978-0-9836266-5-7 Cover Design: Colin Spain Memento copyright © 2000 Newmarket Films. Batman Begins copyright © 2005 Warner Bros. Pictures. The Prestige copyright © 2006 Touchstone Pictures & Warner Bros. Pictures. The Dark Knight copyright © 2008 Warner Bros. Pictures. Inception copyright © 2010 Warner Bros. Pictures. The Dark Knight Rises copyright © 2012 Warner Bros. Pictures. All DC Comics characters and the distinctive likeness(es) thereof are Trademarks & Copyright © 2013 DC Comics, Inc. ALL RIGHTS RESERVED. iv Every film should have its own world, a logic and feel to it that expands beyond the exact image that the audience is seeing. -Christopher Nolan v About the Authors Daniel P. Calvisi is a story analyst, screenwriter and the author of Story Maps: How to Write a GREAT Screenplay and Story Maps: Booster Pack #1. He lives in Los Angeles. See ActFourScreenplays.com for more about Story Maps and how you can work with Dan.
    [Show full text]
  • Open Pbaxter Thesis Final110308.Pdf
    The Pennsylvania State University The Graduate School College of Communications A COMPARATIVE STUDY OF THE U.S. AND KOREAN FILM INDUSTRIES: HISTORY, STRUCTURE, AND FINANCE A Thesis in Media Studies by Patrick D. Baxter © 2008 Patrick D. Baxter Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2008 This thesis of Patrick D. Baxter was reviewed and approved* by the following: Krishna Jayakar Associate Professor of the Department of Telecommunications Thesis Adviser Amit Schejter Assistant Professor of the Department of Telecommunications C. Michael Elavsky Assistant Professor of the Department of Film-Video and Media Studies John S. Nichols Professor of the Department of Film-Video and Media Studies Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School iii ABSTRACT This project is a comparative case-study of the U.S. and Korean (South Korea) film industries along historical, structural, and financial dimensions. The genesis of this thesis came through an overall fascination with the film industry globally as nations compete and cooperate with each other, as well as contend with the dominance of the U.S. film industry. It uses the industrial organization model focusing primarily on "market structure." Further, it applies A.J. Scott’s bipartite (major, independent) and tripartite (major, subsidiary, independent) models of the U.S. film industry. The analysis is mainly descriptive being informed by historical development. To elaborate on market structure, samples of studio/mainstream and independent films were collected in both the U.S. and Korean film industries. The samples were analyzed along production company affiliation, distribution affiliation, sources of funding, and other elements.
    [Show full text]
  • Aesthetics of the Motion Picture Soundtrack Columbia College, Chicago Spring 2014 – Section 01 – Pantelis N
    Aesthetics of the Motion Picture Soundtrack Columbia College, Chicago Spring 2014 – Section 01 – Pantelis N. Vassilakis Ph.D. http://lms.colum.edu Course # / Section 43-2410 / 01 Credits 3 hours Class time / place Thursday 12:30 – 3:20 p.m. 33 E. Congress Ave., Room LL18 (Lower Level – Control Room C) Course Site On MOODLE http://lms.colum.edu Instructor Pantelis N. Vassilakis, Ph.D. Phone Office: 312-369-8821 – Cell: 773-750-4874 e-mail / web [email protected] / http://www.acousticslab.org Office hours By appointment; Preferred mode of Communication: email Pre-requisites 52-1152 “Writing and Rhetoric II” (C or better) AND 43-2420 “Audio for Visual Media I” OR 24-2101 “Post Production Audio I” OR 43-2310 “Psychoacoustics” INTRODUCTION During the filming of Lifeboat, composer David Raksin was told that Hitchcock had decided against using any music. Since the action took place in a boat on the open sea, where would the music come from? Raksin reportedly responded by asking Hitchcock where the cameras came from. This course examines film sound practices, focusing on cross-modal perception and cognition: on ways in which sounds influence what we “see” and images influence what we “hear.” Classes are conducted in a lecture format and involve multimedia demonstrations. We will be tackling the following questions: • How and why does music and sound effects work in films? • How did they come to be paired with the motion picture? • How did film sound conventions develop and what are their theoretical, socio-cultural, and cognitive bases? • How does non-speech sound contribute to a film’s narrative and how can such contribution be creatively explored? Aesthetics of the Motion Picture Soundtrack – Spring 2014 – Section 01 Page 1 of 12 COURSE DESCRIPTION & OBJECTIVES Course examines Classical Hollywood as well as more recent film soundtrack practices, focusing on the interpretation of film sound relative to ‘expectancy’ theories of meaning and emotion.
    [Show full text]
  • Cold Spring's New Officer-In-Charge Beacon Democrats Back Council
    [FREE] Serving Philipstown and Beacon A Craftsman at Work Page 9 MAY 19, 2017 161 MAIN ST., COLD SPRING, N.Y. | highlandscurrent.com Cold Spring’s New Officer-in-Charge NYPD veteran says he likes to walk the beat By Michael Turton n April, the Cold Spring Board of Trustees appointed Larry Burke as Iofficer-in-charge of the village police department, succeeding George Kane. Burke, 51, who lives in North Highlands with his wife, joined the force in 2014 and now oversees 12 officers (all village offi- cers, including Burke, are part-time). We spoke with him at the Cold Spring Police Department office on Main Street. His re- sponses have been edited for brevity. Where did you grow up? In Inwood, on the northern tip of Man- hattan, just north of the Bronx and south of Marble Hill. As a youngster, what did you dream of becoming? I didn’t know what I wanted to do. Haldane kindergarteners sit with their new elm. See story on Page 19. Photo by Anita Peltonen I had always seen the officer walking around our neighborhood, keeping us in line when we needed it. He knew our par- Roger Ailes Dies at 77 ents and everyone in the neighborhood. I Fox News founder was former Garrison resident band to me, to his son Zachary, thought it would be a great job. You could and a loyal friend to many. He take the police test when you were 16-and- By Chip Rowe was also a patriot, profoundly a-half years of age.
    [Show full text]
  • Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode.
    [Show full text]
  • TFM Silvia Vilarelle
    METAMORFOSIS Una colección de Silvia Vilarelle ÍNDICE Trabajo Fin de Máster INTRODUCCIÓN /11 Silvia Vilarelle Fernández DESARROLLO DE LA COLECCIÓN: REFERENTES La indumentaria de trabajo /16 Equipo tutorial: Libertad y opresión /20 Metamorfosis: Género e identidad sexual /23 Lola Dopico Volúmenes /24 Charo Froján Alfredo Olmedo Oscuridad /26 Patricia Dopico Fernando Suárez METODOLOGÍA Eduardo Outeiro Tejidos y paleta de color /30 Máster Universitario en Diseño y Dirección Creativa de Moda Bocetos e inspiración /32 Curso académico 2018/2019 6 Procesos de trabajo 7 Firmado: Hannibal Lecter /36 Desde mi celda /38 Complementos /40 RESULTADOS Editorial /42 Lookbook /68 CONCLUSIONES /77 FUENTES DOCUMENTALES /78 TRANSLATIONS /82 metamorfosis Tb. metamorfosi, desus. Del lat. metamorphōsis. 1. f. Transformación de algo en otra cosa. 2. f. Mudanza que hace alguien o algo de un estado a otro, como de la avaricia a la liberalidad o de la pobreza a la riqueza. 3. f. Zool. Cambio que experimentan muchos animales durante su desarrollo, y que se manifiesta no solo en la variación de forma, sino también en las funciones y en el género de vida. (Real Academia Española [RAE], 2019) METAMORFOSIS INTRODUCCIÓN El cine como fuente de inspiración y material de investigación conforma, sin duda, un elemento recurrente en el ámbito de la moda. Citar ejemplos resultaría inabarcable, pero, tal y como señala Leach (2012), existen ciertas colecciones fruto de inspiración directa en películas difíciles de olvidar. La reconstrucción llevada a cabo por Marc Jacobs basándose en la interpretación de Jodie Foster en Taxi Driver de Scorsese de 1976, para su colección primavera/ verano de 2011, es una de esas claras encarnaciones de un personaje fílmico.
    [Show full text]
  • Media Release
    Screen Australia announces $800,000 in development funding Embargoed until 8AM Tuesday 31 July 2018: Screen Australia has announced Story Development funding for 20 feature films, 10 online series, one television drama and four talent development placements, totalling over $800,000. Highlights include an adaptation of Charlotte Wood’s critically acclaimed novel The Natural Way of Things into a feature film; a family film Monster Nanny with Ridley Scott attached to co-produce; an absurdist New Zealand co-production Nude Tuesday written by Jackie van Beek (The Breaker Upperers); and feature film Agaat set in the apartheid era, helmed by acclaimed writer and director, Jocelyn Moorhouse (The Dressmaker). Development funds allow works to continue through the creative process, such as allowing the writer to work on further drafts, with the aim to get the title ready for production. This is the last slate of Story Development projects to receive funding under Screen Australia’s previous development guidelines which were replaced on 1 July 2018. “This slate encompasses a wide range of genres, from comedy to family drama, featuring both adaptations and originals. It’s great to see popular Australian children’s and fiction novels being adapted for the screen and some excellent comedies emerging from online creatives including Bin Chickens centred on Sydney’s ibis community and The Racka from renowned YouTubers Danny and Michael Philippou,” said Nerida Moore, MEDIARELEASE Senior Development Manager at Screen Australia. “The new story development guidelines have opened up funding opportunities to creators across all platforms with a more streamlined application process and flexible eligibility requirements.
    [Show full text]