2020 BA/FLTTA Memorandum of Agreement (PDF 400KB)
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PARAMOUNT PICTURES and ICON PRODUCTIONS Present 61.02 SCENE 4 - MT
PARAMOUNT PICTURES and ICON PRODUCTIONS PRESENT COMBINED CONTINUITY AND SPOTTING LIST FOR "WHAT WOMEN WANT" December 22, 2000 13.07 SCENE 1 - PARAMOUNT ANIMATED LOGO FADES IN/OUT. (MUSIC IN) 37.02 SCENE 2 - ICON PRODUCTIONS ANIMATED LOGO FADES IN/OUT. 55.00 SCENE 3 - MT. GRAPHIC #1 FADES IN/OUT OVER BLACK: PARAMOUNT PICTURES and ICON PRODUCTIONS present 61.02 SCENE 4 - MT. GRAPHIC #2 FADES IN/OUT OVER BLACK: an ICON / WIND DANCER production MT. GRAPHIC #4 FADES IN/OUT OVER BLACK: a film by NANCY MEYERS MT. GRAPHIC #5 FADES IN/OUT OVER BLACK: MEL GIBSON MT. GRAPHIC #6 FADES IN/OUT OVER BLACK: HELEN HUNT MT. GRAPHIC #7 FADES IN/OUT OVER BLACK: WHAT WOMEN WANT 91.10 SCENE 5 - EXT. STREET - DAY 1 GRAPHIC ON BLACK RISES AS IF PAINTED ON INTERIOR OF DELIVERY TRUCK DOOR AS IT IS OPENED REVEALING CITY AS DELIVERY MAN REACHES IN AND GRABS STACKS OF NEWSPAPERS. (NEW MUSIC IN) GIGI (V.O.): You know the expression, "A man's man"? 108.13 SCENE 6 - EXT. STREET - NIGHT TILT DOWN FROM MARQUEE LIGHTS TO MFS ON GROUP OF MEN FAVORING ONE WITH CIGAR IN CENTER. GIGI (V.O.): A man's man is the leader of the pack. The kind of man other men look up to, admire and emulate. MT. GRAPHIC #8 OVER ACTION: MARISA TOMEI 121.02 SCENE 7 - EXT. STREET - DAY FS ON MAN CROSSING STREET INTO BG AND TURNING TO ADDRESS TWO WOMEN WALKING TO FG. GIGI V.O.: A man's man is the kind of man who just doesn't get what women are about. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Ryan D. Austin
Ryan D. Austin Representative Experience Ryan’s practice focuses on general litigation in federal and state courts, including complex commercial litigation involving media and entertainment, real estate, finance, corporate and securities, financial restructuring, and intellectual property. Among his clients are Fortune 500 companies, production companies, financial institutions, insurance companies, private equity funds, technology companies, music rights organizations, Chapter 11 debtors and creditors, and individual executives and officers. Selected representative matters include: Senior Counsel • Represented Voltage Pictures in a high-profile lawsuit brought by Mel Gibson’s company, Icon Productions, LLC in connection with the yet-to-be-released movie, “The Professor and the Madman,” and another lawsuit brought by the film’s [email protected] director, Farhad Safinia. T 310.855.3200 • Represented Gere Productions, Inc. in breach of contract action against co- producers. • Currently represents production company in arbitration against distributor for Practice Focus audit-related claims. Litigation • Currently represents fashion designer and entertainment personality client bringing fraud and related claims against her former business partner. Education • Currently represents biopharmaceutical company bringing securities fraud and University of Southern California, J.D. lender liability claims against a group of its lenders in the United States District Court for the Southern District of New York. Duke University, B.A. • Represented -
PRODUCTION NOTES for Additional Publicity Materials and Artwork, Please Visit
PRODUCTION NOTES For additional publicity materials and artwork, please visit: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity Run Time: 158 minutes U.S. Release Date: March 22, 2019 (In Theaters and On Demand) For more information, please contact: Liz Berger Lionsgate 2700 Colorado Avenue Santa Monica, CA 90404 P: 310-255-3092 E: [email protected] DRAGGED ACROSS CONCRETE SUMMIT ENTERTAINMENT Publicity Materials: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Hashtag: #DraggedAcrossConcrete Genre: Action Thriller Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity U.S. Release Date: March 22, 2019 (In Theaters and On Demand) Run Time: 158 minutes Cast: Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, Jennifer Carpenter, Laurie Holden, Fred Melamed, with Thomas Kretschmann, and Don Johnson Written and Directed by: S. Craig Zahler Produced by: Keith Kjarval, p.g.a., Dallas Sonnier, p.g.a., Jack Heller, Tyler Jackson, Sefton Fincham SYNOPSIS: DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. With little money and no options, the embittered policemen descend into the criminal underworld and find more than they wanted waiting in the shadows. Summit Entertainment presents, a Unified Pictures production, a Cinestate production, in association with Look to the Sky Films and The Fyzz Facility, in association with Realmbuilder Productions. Synopsis DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. -
The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
2013 Movie Catalog © Warner Bros
1-800-876-5577 www.swank.com Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © Warner Bros. © 2013 Disney © TriStar Pictures © Warner Bros. © NBC Universal © Columbia Pictures Industries, ©Inc. Summit Entertainment 2013 Movie Catalog Movie 2013 Inc. Pictures, Motion Swank 1-800-876-5577 www.swank.com MOVIES Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © New Line Cinema © 2013 Disney © Columbia Pictures Industries, Inc. © Warner Bros. © 2013 Disney/Pixar © Summit Entertainment Promote Your movie event! Ask about FREE promotional materials to help make your next movie event a success! 2013 Movie Catalog 2013 Movie Catalog TABLE OF CONTENTS New Releases ......................................................... 1-34 Swank has rights to the largest collection of movies from the top Coming Soon .............................................................35 Hollywood & independent studios. Whether it’s blockbuster movies, All Time Favorites .............................................36-39 action and suspense, comedies or classic films,Swank has them all! Event Calendar .........................................................40 Sat., June 16th - 8:00pm Classics ...................................................................41-42 Disney 2012 © Date Night ........................................................... 43-44 TABLE TENT Sat., June 16th - 8:00pm TM & © Marvel & Subs 1-800-876-5577 | www.swank.com Environmental Films .............................................. 45 FLYER Faith-Based -
2020-22 GRADUATE CATALOG | Eastern New Mexico University
2020-22 TABLE OF CONTENTS University Notices..................................................................................................................2 About Eastern New Mexico University ...........................................................................3 About the Graduate School of ENMU ...............................................................................4 ENMU Academic Regulations And Procedures ........................................................... 5 Program Admission .............................................................................................................7 International Student Admission ...............................................................................8 Degree and Non-Degree Classification ......................................................................9 FERPA ................................................................................................................................. 10 Graduate Catalog Graduate Program Academic Regulations and Procedures ......................................................11 Thesis and Non-Thesis Plan of Study ......................................................................11 Graduation ..........................................................................................................................17 Graduate Assistantships ...............................................................................................17 Tuition and Fees ................................................................................................................... -
ALDO SIGNORETTI Hair and Wig Designer Fluent in Italian and English
ALDO SIGNORETTI Hair and Wig Designer Fluent in Italian and English FILM AND TELEVISION THE YOUNG POPE Wig/Hair Designer Wildside, Indigo Film Director: Paolo Sorrentino ZOOLANDER 2 Department Head of Hair / Hair Stylist & Wig Designer Paramount Director: Ben Stiller CAESAR Department Head of Hair and Make-Up Kallope Films Director: Tiago Mesquita Cast: Sean Bean, Isaac Hempstead Wright, Mackenzie Crook THE EARLY YEARS Wig/Hair Designer Indigo Film Director: Paolo Sorrentino Cast: Rachel Weisz, Michael Cane, Jane Fonda HERCULES: THE THRACIAN WARS Wig/Hair Designer Film 44, MGM, Paramount, Radical Pictures Director: Brett Ratner Cast: Dwayne Johnson, Ian Mcshane, John Hurt LA GRANDE BELEZZA (THE GREAT BEAUTY) Wig/Hair Designer Indigo Film, Medusa Film, Babe Film, Pathé Director: Paolo Sorrentino Cast: Toni Servillo, Carlo Verdone, Sabrina Ferilli David di Donatello Award - Won - Best Hair Design/Styling BORGIA (SERIES 1,2 & 3) Co-Designer: Wig/Hair ETIC Films Directors: Philippe Haim, Oliver Hirschbiegel CONAN THE BARBARIAN Wig/Hair Designer Lionsgate Director: Marcus Nispel WE BELIEVED Hair Designer Palomar Director: Mario Martone David di Donatello Award - Won - Best Hair Design/Styling VEDA – ATATÜRK Wig/Hair Designer Kamera Film Director: Zülfü Livaneli IO, DON GIOVANNI Wig/Hair Designer Edelweiss Cinematografica, Lucky Red Director: Carlos Saura IL DIVO Wig/Hair Designer Indigo Film, Lucky Red Director: Paulo Sorrentino Academy Award - Nominee - Best Achievement In Make-Up David di Donatello Award - Best Hair Design/Styling 2061 Wig/Hair -
TODD TUCKER Special Make-Up Effects Illusion Industries
TODD TUCKER Special Make-Up Effects Illusion Industries FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS COOTIES Honest Glacier Films / Universal 2nd Unit Director / 2nd Unit Makeup Artist SMURFS 2 Raja Gosnell Columbia Pictures Special Make-Up Effects Department Head Hank Azaria Personal GI JOE 2: RETALLIATION Jon Chu Paramount Pictures Special Make-Up Effects Department Head THE SMURFS Raja Gosnell Columbia Pictures Special Make-Up Effects / Creative Director TRANSFORMERS 3: DARK OF THE MOON Michael Bay Paramount Pictures Special Make-Up Effects Supervisor NIGHT OF THE DEMONS Adam Gierasch 7 Arts Pictures Special Make-Up Effects Supervisor DYLAN DOG: DEAD OF NIGHT Kevin Munroe Hyde Park Films Special Make-Up Effects Supervisor WATCHMEN Zack Snyder Warner Brothers Special Make-Up Effects / Creative Director THE CURIOUS CASE OF BENJAMIN BUTTON David Fincher Paramount Pictures Special Make-Up Effects / Prosthetics Shop Supervisor LEONIE Hisako Matsui Overture Films / Hyde Park Films Special Make-Up Effects / Creative Director SAAT KHOON MAAF Vishal Bhardwaj Vishal Bhardwaj Pictures Special Make-Up Effects / Creative Director MOSTLY GHOSTLY Richard Correll Universal Pictures Special Make-Up Effects Supervisor / Creative Director SOCCER MOM Gregory McClatchy Anchorbay Entertainment Special Make-Up Effects Supervisor Producer / 2nd Unit Dir. TRAILER PARK OF TERROR Steven Goldmann Summit Entertainment Special Make-Up Effects Supervisor / 2nd Unit Dir. Producer / Creative Director CREATURE PEOPLE Scott Essman Visionary Cinema APOCALYPTO Mel Gibson Icon / Buena Vista Pictures Special Make-Up Effects Supervisor BIG BAD WOLF Lance W. Dreesen Screen Media Ventures Stunt Performer LITTLE MAN Keenan Ivory Wayans Revolution Studios Special Make-Up Effects Supervisor SCARY MOVIE 4 David Zucker The Weinstein Company THE EXORCISM OF EMILY ROSE Scott Derrickson Screen Gems FARM HOUSE George Bessudo Alliance Group Ent. -
Redbeds of the Upper Entrada Sandstone, Central Utah
Brigham Young University BYU ScholarsArchive All Theses and Dissertations 2016-12-01 Redbeds of the Upper Entrada Sandstone, Central Utah: Facies Analysis and Regional Implications of Interfingered Sabkha and Fluvial Terminal Splay Sediments Jeffery Michael Valenza Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Geology Commons BYU ScholarsArchive Citation Valenza, Jeffery Michael, "Redbeds of the Upper Entrada Sandstone, Central Utah: Facies Analysis and Regional Implications of Interfingered Sabkha and Fluvial Terminal Splay Sediments" (2016). All Theses and Dissertations. 6112. https://scholarsarchive.byu.edu/etd/6112 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in All Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Redbeds of the Upper Entrada Sandstone, Central Utah: Facies Analysis and Regional Implications of Interfingered Sabkha and Fluvial Terminal Splay Sediments Jeffery Michael Valenza A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Science Thomas H. Morris, Chair Jani Radebaugh Sam Hudson Scott M. Ritter Department of Geological Sciences Brigham Young University Copyright © 2016 Jeffery Michael Valenza All Rights Reserved ABSTRACT Redbeds of the Upper Entrada Sandstone, Central Utah: Facies Analysis and Regional Implications of Interfingered Sabkha and Fluvial Terminal Splay Sediments Jeffery Michael Valenza Department of Geological Sciences, BYU Master of Science First distinguished from other sedimentary successions in 1928, the Entrada Sandstone has been the subject of numerous studies. -
Whitepaper Ph: +1.210.828.8300 Doug Donahue VP, Business Development
Entrada Group whitepaper www.entradagroup.com Ph: +1.210.828.8300 Doug Donahue VP, Business Development White Paper - Why An Accurate Cost Model Could be the Difference between Success and Failure in Mexico Every time we are in contact with a manufacturer considering Mexico, one of the first exercises we conduct with them is a cost model. It occurs early in the site selection process and is, understandably, one of the most important questions to answer – How much does everything cost? Unfortunately, many companies contemplating a new manufacturing location (particularly in a foreign country) either don’t run through a sufficiently comprehensive cost model or they lack insight into all the costs they will encounter in an unfamiliar location. This can lead to hidden costs that will only be identified further down the road, after it is too late. Entrada Group has compiled this FAQ to help manufacturers who are considering their first step toward Mexican manufacturing and need some insight into how to best complete a cost model. We added some typical questions at the end about growth, as we hear these a lot. Manufacturing Cost Models – Frequently asked questions Q: What does Entrada Group include in a manufacturing cost model? A: A thorough cost model must include all costs associated with doing business in Mexico, except for raw materials. It’s important to remember that a cost model is not a startup model; a cost model must include all ongoing Mexican costs. A startup model is useful, but only for the initial phase. To be accurate, the cost model must include complete operational costs the manufacturer incurs in the course of production. -
Costume Designer
LINDSAY PUGH - Costume Designer https://cargocollective.com/lindsaypugh SENSE8 (Series 2) Directors: Andy Wachowski and Lana Wachowski. Producers: Marcus Loges, Alex Boden and L. Dean Jones Jr. Starring: Tuppence Middleton, Jamie Clayton, Freema Agyeman and Naveen Andrews. Georgeville Television / Netflix. AND THEN THERE WERE NONE Director: Craig Viveiros. Producer: Abi Bach. Starring: Charles Dance, Toby Stephens, Miranda Richardson and Sam Neill. Mammoth Screen. SENSE8 (Series 1) Directors: Andy Wachowski, Lana Wachowski, James McTeigue, Tom Twyker and Dan Glass. Producers: Marcus Loges, Alex Boden and L. Dean Jones Jr. Starring: Daryl Hannah, Jamie Clayton, Freema Agyeman and Naveen Andrews. Georgeville Television / Netflix. THE SUSPICIONS OF MR WHICHER: “BEYOND THE PALE” / “THE TIES THAT BIND” Directors: Geoff Sax and David Blair. Producer: David Boulter. Starring: Paddy Considine, Helen Bradbury, Alex Robertson, John Heffernan and Adrian Quinton. Hat Trick Productions. SUPERBOB Director: Jon Drever. Producers: Robert Jones and Wayne Marc Godfrey. Starring: Brett Goldstein, Catherine Tate and Laura Haddock. The Fyzz Facility. LUCKY 13 (Musical Circus) Writer/Director: Cal McCrystal. Producer: Nell Gifford. PRESSURE Director: Ron Scalpello. Producer: Jason Newmark. Starring: Matthew Goode, Danny Huston, Joe Cole and Alan McKenna. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] LINDSAY PUGH - Costume Designer Pinewood Films No 8 Ltd. ENDEAVOUR Directors: Ed Bazalgette, Tom Vaughan, Craig Viveiros and Colm McCarthy. Producer: Dan McCulloch. Starring: Shaun Evans, Roger Allam, Patrick Malahide, Flora Montgomery, John Light, Jack Ashton and Daisy Head. Mammoth Screen. DANCING ON THE EDGE Director: Stephen Poliakoff. Producer: Nicky Kentish-Barnes. Starring: John Goodman, Chiwetel Ejiofor, and Matthew Goode.