The Research Magnificent by H. G. Wells
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Ann Veronica a Modern Love Story by H
ANN VERONICA A MODERN LOVE STORY BY H. G. WELLS CONTENTS CHAP. I. ANN VERONICA TALKS TO HER FATHER II. ANN VERONICA GATHERS POINTS OF VIEW III. THE MORNING OF THE CRISIS IV. THE CRISIS V. THE FLIGHT TO LONDON VI. EXPOSTULATIONS VII. IDEALS AND A REALITY VIII. BIOLOGY IX. DISCORDS X. THE SUFFRAGETTES XI. THOUGHTS IN PRISON XII. ANN VERONICA PUTS THINGS IN ORDER XIII. THE SAPPHIRE RING XIV. THE COLLAPSE OF THE PENITENT XV. THE LAST DAYS AT HOME XVI. IN THE MOUNTAINS XVII. IN PERSPECTIVE "The art of ignoring is one of the accomplishments of every well-bred girl, so carefully instilled that at last she can even ignore her own thoughts and her own knowledge." ANN VERONICA CHAPTER THE FIRST ANN VERONICA TALKS TO HER FATHER Part 1 One Wednesday afternoon in late September, Ann Veronica Stanley came down from London in a state of solemn excitement and quite resolved to have things out with her father that very evening. She had trembled on the verge of such a resolution before, but this time quite definitely she made it. A crisis had been reached, and she was almost glad it had been reached. She made up her mind in the train home that it should be a decisive crisis. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell. She had a compartment to herself in the train from London to Morningside Park, and she sat with both her feet on the seat in an attitude that would certainly have distressed her mother to see, and horrified her grandmother beyond measure; she sat with her knees up to her chin and her hands clasped before them, and she was so lost in thought that she discovered with a start, from a lettered lamp, that she was at Morningside Park, and thought she was moving out of the station, whereas she was only moving in. -
Bealby; a Holiday
HANDBOUND AT THE UNIVERSITY OF TORONTO PRESS BE ALBY BY THE SAME AUTHOR THE TIME MACHINE THE WONDERFUL VISIT THE WHEELS OF CHANCE THE ISLAND OF DOCTOR MOREAU THE COUNTRY OF THE BLIND (Short Stories) THE INVISIBLE MAN THE WAR OF THE WORLDS LOVE AND MR. LEWISHAM THE FIRST MEN IN THE MOON THE SEA LADY ANTICIPATIONS THE FOOD OF THE GODS IN THE DAYS OF THE COMET A MODERN UTOPIA KIPPS NEW WORLDS FOR OLD THE FUTURE IN AMERICA THE WAR IN THE AIR TONO BUNGAY ANN VERONICA THE HISTORY OF MR. POLLY THE NEW MACHIAVELLI MARRIAGE THE PASSIONATE FRIENDS THE WIFE OF SIR ISAAC HARMAN AN ENGLISHMAN LOOKS AT THE WORLD THE WORLD SET FREE B E A LB Y A HOLI'DAY ,X BY H. G. WELLS METHUEN & GO. LTD. 36 ESSEX STREET W.G. LONDON First Published in 1915 PR 5774 DEDICATION AND NOTE TO THE READER irresistible impulse made me give a lead- to a Lord Chancellor ANing part in this story who delighted in Hegel. I fought against in the it, in vain. Well I knew that there was world a Lord Chancellor who read Hegel and was in no other respect like my Lord Chancellor. No one who knows the real man will for a moment is meant for imagine that my figure him, are physically, temperamentally they absolutely unlike. But there is always that provincial " " fool who reads behind the lines and who and "cari- is always detecting "portraits" catures" in innocently creative work. Him, " not take I warn. You may say, But why it Lord Chief out the figure, alter it, make other mental Justice for example, give it some " habit than the Hegelian ? That shows you know nothing of the art of fiction. -
Tono Bungay by H. G. Wells
Tono Bungay By H. G. Wells 1 BOOK THE FIRST THE DAYS BEFORE TONO-BUNGAY WAS INVENTED CHAPTER THE FIRST OF BLADESOVER HOUSE, AND MY MOTHER; AND THE CONSTITUTION OF SOCIETY I Most people in this world seem to live "in character"; they have a beginning, a middle and an end, and the three are congruous one with another and true to the rules of their type. You can speak of them as being of this sort of people or that. They are, as theatrical people say, no more (and no less) than "character actors." They have a class, they have a place, they know what is becoming in them and what is due to them, and their proper size of tombstone tells at last how properly they have played the part. But there is also another kind of life that is not so much living as a miscellaneous tasting of life. One gets hit by some unusual transverse force, one is jerked out of one's stratum and lives crosswise for the rest of the time, and, as it were, in a succession 2 of samples. That has been my lot, and that is what has set me at last writing something in the nature of a novel. I have got an unusual series of impressions that I want very urgently to tell. I have seen life at very different levels, and at all these levels I have seen it with a sort of intimacy and in good faith. I have been a native in many social countries. I have been the unwelcome guest of a working baker, my cousin, who has since died in the Chatham infirmary; I have eaten illegal snacks--the unjustifiable gifts of footmen--in pantries, and been despised for my want of style (and subsequently married and divorced) by the daughter of a gasworks clerk; and--to go to my other extreme--I was once--oh, glittering days!--an item in the house-party of a countess. -
The New Machiavelli
THE NEW MACHIAVELLI by H. G. Wells CONTENTS BOOK THE FIRST: THE MAKING OF A MAN CHAPTER THE FIRST ~~ CONCERNING A BOOK THAT WAS NEVER WRITTEN CHAPTER THE SECOND ~~ BROMSTEAD AND MY FATHER CHAPTER THE THIRD ~~ SCHOLASTIC CHAPTER THE FOURTH ~~ ADOLESCENCE BOOK THE SECOND: MARGARET CHAPTER THE FIRST ~~ MARGARET IN STAFFORDSHIRE CHAPTER THE SECOND ~~ MARGARET IN LONDON CHAPTER THE THIRD ~~ MARGARET IN VENICE CHAPTER THE FOURTH ~~ THE HOUSE IN WESTMINSTER BOOK THE THIRD: THE HEART OF POLITICS CHAPTER THE FIRST ~~ THE RIDDLE FOR THE STATESMAN CHAPTER THE SECOND ~~ SEEKING ASSOCIATES CHAPTER THE THIRD ~~ SECESSION CHAPTER THE FOURTH ~~ THE BESETTING OF SEX BOOK THE FOURTH: ISABEL CHAPTER THE FIRST ~~ LOVE AND SUCCESS CHAPTER THE SECOND ~~ THE IMPOSSIBLE POSITION CHAPTER THE THIRD ~~ THE BREAKING POINT Downloaded from https://www.holybooks.com Downloaded from https://www.holybooks.com BOOK THE FIRST: THE MAKING OF A MAN Downloaded from https://www.holybooks.com CHAPTER THE FIRST ~~ CONCERNING A BOOK THAT WAS NEVER WRITTEN 1 Since I came to this place I have been very restless, wasting my energies in the futile beginning of ill- conceived books. One does not settle down very readily at two and forty to a new way of living, and I have found myself with the teeming interests of the life I have abandoned still buzzing like a swarm of homeless bees in my head. My mind has been full of confused protests and justifications. In any case I should have found difficulties enough in expressing the complex thing I have to tell, but it has added greatly to my trouble that I have a great analogue, that a certain Niccolo Machiavelli chanced to fall out of politics at very much the age I have reached, and wrote a book to engage the restlessness of his mind, very much as I have wanted to do. -
The Ad-Man As Narrative Negotiation Between Art, Desire, and Consumer
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2007 Soliciting desire: the ad-man as narrative negotiation between art, desire, and consumer capitalism in twentieth-century novels Jessica McKelvie Kemp Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Kemp, Jessica McKelvie, "Soliciting desire: the ad-man as narrative negotiation between art, desire, and consumer capitalism in twentieth-century novels" (2007). LSU Doctoral Dissertations. 1486. https://digitalcommons.lsu.edu/gradschool_dissertations/1486 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SOLICITING DESIRE: THE AD-MAN AS NARRATIVE NEGOTIATION BETWEEN ART, DESIRE, AND CONSUMER CAPITALISM IN TWENTIETH-CENTURY NOVELS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Jessica McKelvie Kemp B.A., Drury University, 1998 M.A., University of Rochester, 2000 May 2007 Acknowledgements I would never have thought to embark upon a Ph.D. without the encouragement and support I received from Dr. Peter Meidlinger and Dr. Thomas Austenfeld at Drury College; I give great thanks to both of them for getting me started. Additional thanks are due to Dr. -
Love Needs As the Obstruction of Mr
LOVE NEEDS AS THE OBSTRUCTION OF MR. LEWISHAM’S ACHIEVEMENT MOTIVATION IN H. G. WELLS’ LOVE AND MR. LEWISHAM AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By IKA CHRISNAWATI KURNIADI Student Number: 034214019 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 LOVE NEEDS AS THE OBSTRUCTION OF MR. LEWISHAM’S ACHIEVEMENT MOTIVATION IN H. G. WELLS’ LOVE AND MR. LEWISHAM AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By IKA CHRISNAWATI KURNIADI Student Number: 034214019 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 i ii A Sarjana Sastra Undergraduate Thesis LOVE NEEDS AS THE OBSTRUCTION OF MR. LEWISHAM’S ACHIEVEMENT MOTIVATION IN H. G. WELLS’ LOVE AND MR. LEWISHAM By IKA CHRISNAWATI KURNIADI Student Number: 034214019 Yogyakarta, June 30, 2007. Faculty of Letters Sanata Dharma University Dean iii Rejoicing in hope, patient in tribulation, continuing steadfastly in prayer Romans 12 : 12 iv Dedicated to Papa JC, my beloved parents, my brothers, and the ‘golden dragons’. v ACKNOWLEDGEMENTS First of all, I would like to thank God because of His guidance during my thesis writing. I am so grateful that Jesus Christ always strengthens me when I am weak and never leaves me alone when I need ideas and encouragement. I would like to express my gratitude to my advisor, Dra. Th. Enny Anggraini, M. A., for the precious times, ideas, supports, and suggestions during the consultation, and for her patience in reading and putting right the mistakes in my undergraduate thesis. -
72 H. G. Wells Wrote to Frederick Macmillan That Ann Veronica Was
RE-READING H. G. WELLS ’S SOCIAL AGENDA IN ANN VERONICA THROUGH A. S. BYATT ’S THE CHILDREN ’S BOOK : MALE FANTASY OR FEMINIST REVOLUTIONARY ? EMMA V. MILLER H. G. Wells wrote to Frederick Macmillan that Ann Veronica was ‘the best love story I have ever done’. 1 Perhaps this comment can help solve one of the most evident problems of this novel: whether it is as it first appears a social novel designed to aid the cause of women’s suffrage, or as it seems on further investigation, a means for Wells to address his feelings on his own complicated and, by the standards of the day, morally dubious love life. The latter view has been expressed by amongst others, Victoria Glendinning in her biography of Rebecca West, and Patricia Stubbs in Women and Fiction: Feminism and the Novel. 2 Yet interpretation of fiction does not just come from outside of the novel, it also comes from within the form itself. Much has been written on the filmic versions of Wells’s science fiction but the twenty-first century literary afterlife of Wells’s views on ‘the woman question’ has been strangely neglected. Most recently Wells himself has been drawn upon in A. S. Byatt’s Booker shortlisted neo-Victorian epic, The Children’s Book, as the partial inspiration behind the sexually dissolute Herbert Methley, who is also a controversial writer and social activist. 3 This metafictional interpretation of Wells signalled by Byatt herself in recent interviews and drawn attention to by a succession of reviews; provides a reading of not only Wells’s biography but also his literary legacy. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Development of H. G. Wells’s Conception of the Novel, 1895 to 1911 Andrew Court PhD University of Edinburgh 2013 Abstract In his writing on the nature and purpose of the novel between 1895 and 1911, Wells endorses artistic principles for their social effects. His public lecture on “The Contemporary Novel,” written in 1911 in response to a debate with Henry James, is the most lucid articulation of his artistic principles, and his later autobiographical reflections on the debate obscure the clarity of the earlier version. Wells’s artistic principles emerge in his reviews of contemporary fiction for the Saturday Review (1895–1897), where he extends Poe’s concept of “unity of effect” to the novel and justifies his preference for social realism with a theory of cultural evolution. -
Social Order and Women's Roles in the Utopian Novels
SOCIAL ORDER AND WOMEN’S ROLES IN THE UTOPIAN NOVELS OF EDWARD BELLAMY, H.G. WELLS, AND CHARLOTTE PERKINS GILMAN Stephanee Andraea Ruiz B.A., California State University, Sacramento, 2009 THESIS Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in HISTORY at CALIFORNIA STATE UNIVERSITY, SACRAMENTO FALL 2009 SOCIAL ORDER AND WOMEN’S ROLES IN THE UTOPIAN NOVELS OF EDWARD BELLAMY, H.G. WELLS, AND CHARLOTTE PERKINS GILMAN A Thesis by Stephanee Andraea Ruiz Approved by: __________________________________, Committee Chair Chloe S. Burke __________________________________, Second Reader Rebecca M. Kluchin ____________________________ Date ii Student: Stephanee Andraea Ruiz I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________, Graduate Coordinator ___________________ Mona L. Siegel Date Department of History iii Abstract of SOCIAL ORDER AND WOMEN’S ROLES IN THE UTOPIAN NOVELS OF EDWARD BELLAMY, H.G. WELLS, AND CHARLOTTE PERKINS GILMAN by Stephanee Andraea Ruiz In Looking Backward, A Modern Utopia, and Moving the Mountain, Edward Bellamy, H.G. Wells, and Charlotte Perkins Gilman, respectively, refashioned conceptions of women’s roles as the basis for their visions of economic and social order. Although each of these authors offered his or her own method for creating new forms of social order, all started from the premise that order will follow from universal access to education, satisfying work, and a high quality of food, clothing and shelter because these provisions will allow women to fulfill their highest duty: they can become mothers to children who are healthier in mind, body, and spirit that they otherwise would be, and so continuously improve the physical, mental, and moral health of humanity. -
67 Book Review: Harold Bloom, Ed., H. G. Wells ['Bloom's Modern
The Wellsian, 28 (2005) Book Review: Harold Bloom, ed., H. G. Wells [‘Bloom’s Modern Critical Views’] (Philadelphia: Chelsea House, 2005). xii, 245 pp. ISBN 0-7910-8130-3. US $38.95. / £22.40 (approx.) / €33 (approx.). [By John S. Partington] This collection of previously-published essays, edited by the distinguished literary scholar Harold Bloom, is an excellent addition to the Wells critical canon. And, for a change, this attractive hardback is not exuberantly priced! The volume begins with an introductory essay by Bloom himself which, inspired by Italo Calvino, compares Wells’s ‘The Country of the Blind’ to the work of Jorge Luis Borges. While Calvino, in Fantastic Tales: Visionary and Everyday (1983; trans. 1997), argues that Wells’s story is ‘a meditation on cultural diversity’, Bloom claims it shows Wells as an ‘heroic individualist but burgeoning Fascist’, with Nunez ending the story equally unsympathetic as when it opens, with his visions of lording it over the blind inhabitants of the mountain community into which he falls. To me, Bloom’s claim that Wells was a ‘burgeoning Fascist’ is extreme and unfair, but he uses the turn of phrase as a reference to the penultimate essay in the anthology, Philip Coupland’s ‘H. G. Wells’s “Liberal Fascism”’ (2000). Coupland, a scholar of British far-right ideology and utopianism, finds in Wells a thinker who (consciously or not) combines the traits of both of these interwar thought patterns. By presenting his own band of world order in such works as A Modern Utopia (1905), The Shape of Things to Come (1933) and The Holy Terror (1939), Coupland maintains that Wells simultaneously rejected contemporary fascism while creating his own totalitarian (fascistic) elite to sweep in the liberal world order presented in those works (the samurai, the airmen, the ‘Purple Shirts’). -
Ann Veronica by H. G. Wells
Ann Veronica By H. G. Wells 1 CONTENTSCHAP. I. ANN VERONICA TALKS TO HER FATHER II. ANN VERONICA GATHERS POINTS OF VIEW III. THE MORNING OF THE CRISIS IV. THE CRISIS V. THE FLIGHT TO LONDON VI. EXPOSTULATIONS VII. IDEALS AND A REALITY VIII. BIOLOGY IX. DISCORDS X. THE SUFFRAGETTES XI. THOUGHTS IN PRISON XII. ANN VERONICA PUTS THINGS IN ORDER XIII. THE SAPPHIRE RING XIV. THE COLLAPSE OF THE PENITENT XV. THE LAST DAYS AT HOME XVI. IN THE MOUNTAINS XVII. IN PERSPECTIVE "The art of ignoring is one of the accomplishments of every well-bred girl, so carefully instilled that at last she can even ignore her own thoughts and her own knowledge." 2 ANN VERONICA CHAPTER THE FIRST ANN VERONICA TALKS TO HER FATHER Part 1 One Wednesday afternoon in late September, Ann Veronica Stanley came down from London in a state of solemn excitement and quite resolved to have things out with her father that very evening. She had trembled on the verge of such a resolution before, but this time quite definitely she made it. A crisis had been reached, and she was almost glad it had been reached. She made up her mind in the train home that it should be a decisive crisis. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell. She had a compartment to herself in the train from London to Morningside Park, and she sat with both her feet on the seat in an attitude that would certainly have distressed her mother to see, and horrified her 3 grandmother beyond measure; she sat with her knees up to her chin and her hands clasped before them, and she was so lost in thought that she discovered with a start, from a lettered lamp, that she was at Morningside Park, and thought she was moving out of the station, whereas she was only moving in. -
In the Fourth Year
Mr. WELLS has also written the following novels: LOVE AND MR. LEWISHAM KIPPS MR. POLLY THE WHEELS OF CHANCE THE NEW MACHIAVELLI ANN VERONICA TONO BUNGAY MARRIAGE BEALBY THE PASSIONATE FRIENDS THE WIFE OF SIR ISAAC HARMAN THE RESEARCH MAGNIFICENT MR. BRITLING SEES IT THROUGH THE SOUL OF A BISHOP The following fantastic and imaginative romances: THE WAR OF THE WORLDS THE TIME MACHINE THE WONDERFUL VISIT THE ISLAND OF DR. MOREAU THE SEA LADY THE SLEEPER AWAKES THE FOOD OF THE GODS THE WAR IN THE AIR THE FIRST MEN IN THE MOON IN THE DAYS OF THE COMET THE WORLD SET FREE And numerous Short Stories now collected in One Volume under the title of THE COUNTRY OF THE BLIND A Series of books upon Social, Religious and Political questions: ANTICIPATIONS (1900) MANKIND IN THE MAKING FIRST AND LAST THINGS NEW WORLDS FOR OLD A MODERN UTOPIA THE FUTURE IN AMERICA AN ENGLISHMAN LOOKS AT THE WORLD WHAT IS COMING? WAR AND THE FUTURE GOD THE INVISIBLE KING And two little books about children's play, called: FLOOR GAMES and LITTLE WARS IN THE FOURTH YEAR ANTICIPATIONS OF A WORLD PEACE BY H. G. WELLS AUTHOR OF "MR. BRITLING SEES IT THROUGH," "THE WAR AND THE FUTURE," "WHAT IS COMING?" "THE WAR THAT WILL END WAR," "THE WORLD SET FREE," "IN THE DAYS OF THE COMET," AND "A MODERN UTOPIA" 1918 PREFACE In the latter half of 1914 a few of us were writing that this war was a "War of Ideas." A phrase, "The War to end War," got into circulation, amidst much sceptical comment.