The Ad-Man As Narrative Negotiation Between Art, Desire, and Consumer
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Plattner Story and Others
THE PLATTNER STORY AND OTHERS Downloaded from https://www.holybooks.com BY THE SAME AUTHOR THE STOLEN BACILLUS THE WONDERFUL VISIT THE WHEELS OF CHANCE THE ISLAND OF DOCTOR MOREAU THE TIME MACHINE THE PLATTNER STORY AND OTHERS BY H. G. WELLS METHUEN & CO. 36 ESSEX STREET, W.C. LONDON 1897 TO MY FATHER Downloaded from https://www.holybooks.com CONTENTS PAGE THE PLATTNER STORY 2 THE ARGONAUTS OF THE AIR 29 THE STORY OF THE LATE MR. ELVESHAM 47 IN THE ABYSS 71 THE APPLE 94 UNDER THE KNIFE 106 THE SEA-RAIDERS 126 POLLOCK AND THE PORROH MAN 142 THE RED ROOM 165 THE CONE 179 THE PURPLE PILEUS 196 THE JILTING OF JANE 213 IN THE MODERN VEIN 224 A CATASTROPHE 239 THE LOST INHERITANCE 252 THE SAD STORY OF A DRAMATIC CRITIC 262 A SLIP UNDER THE MICROSCOPE 274 THE PLATTNER STORY HETHER the story of Gottfried Plattner is to be credited or not, is a pretty question in the value of W evidence. On the one hand, we have seven witnessesto be perfectly exact, we have six and a half pairs of eyes, and one undeniable fact; and on the other we havewhat is it?prejudice, common sense, the inertia of opinion. Never were there seven more honest-seeming witnesses; never was there a more undeniable fact than the inversion of Gottfried Plattners anatomical structure, andnever was there a more preposterous story than the one they have to tell! The most preposterous part of the story is the worthy Gottfrieds contribution (for I count him as one of the seven). -
Ann Veronica a Modern Love Story by H
ANN VERONICA A MODERN LOVE STORY BY H. G. WELLS CONTENTS CHAP. I. ANN VERONICA TALKS TO HER FATHER II. ANN VERONICA GATHERS POINTS OF VIEW III. THE MORNING OF THE CRISIS IV. THE CRISIS V. THE FLIGHT TO LONDON VI. EXPOSTULATIONS VII. IDEALS AND A REALITY VIII. BIOLOGY IX. DISCORDS X. THE SUFFRAGETTES XI. THOUGHTS IN PRISON XII. ANN VERONICA PUTS THINGS IN ORDER XIII. THE SAPPHIRE RING XIV. THE COLLAPSE OF THE PENITENT XV. THE LAST DAYS AT HOME XVI. IN THE MOUNTAINS XVII. IN PERSPECTIVE "The art of ignoring is one of the accomplishments of every well-bred girl, so carefully instilled that at last she can even ignore her own thoughts and her own knowledge." ANN VERONICA CHAPTER THE FIRST ANN VERONICA TALKS TO HER FATHER Part 1 One Wednesday afternoon in late September, Ann Veronica Stanley came down from London in a state of solemn excitement and quite resolved to have things out with her father that very evening. She had trembled on the verge of such a resolution before, but this time quite definitely she made it. A crisis had been reached, and she was almost glad it had been reached. She made up her mind in the train home that it should be a decisive crisis. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell. She had a compartment to herself in the train from London to Morningside Park, and she sat with both her feet on the seat in an attitude that would certainly have distressed her mother to see, and horrified her grandmother beyond measure; she sat with her knees up to her chin and her hands clasped before them, and she was so lost in thought that she discovered with a start, from a lettered lamp, that she was at Morningside Park, and thought she was moving out of the station, whereas she was only moving in. -
The Research Magnificent by H. G. Wells
The Research Magnificent By H. G. Wells CONTENTS THE PRELUDE ON FEAR AND ARISTOCRACY THE STORY I. THE BOY GROWS UP II. THE YOUNG MAN ABOUT TOWN III. AMANDA IV. THE SPIRITED HONEYMOON V. THE ASSIZE OF JEALOUSY VI. THE NEW HAROUN AL RASCHID THE RESEARCH MAGNIFICENT THE PRELUDE ON FEAR AND ARISTOCRACY 1 The story of William Porphyry Benham is the story of a man who was led into adventure by an idea. It was an idea that took possession of his imagination quite early in life, it grew with him and changed with him, it interwove at last completely with his being. His story is its story. It was traceably germinating in the schoolboy; it was manifestly present in his mind at the very last moment of his adventurous life. He belonged to that fortunate minority who are independent of daily necessities, so that he was free to go about the world under its direction. It led him far. It led him into situations that bordered upon the fantastic, it made him ridiculous, it came near to making him sublime. And this idea of his was of such a nature that in several aspects he could document it. Its logic forced him to introspection and to the making of a record. An idea that can play so large a part in a life must necessarily have something of the complication and protean quality of life itself. It is not to be stated justly in any formula, it is not to be rendered by an epigram. As well one might show a man's skeleton for his portrait. -
Bealby; a Holiday
HANDBOUND AT THE UNIVERSITY OF TORONTO PRESS BE ALBY BY THE SAME AUTHOR THE TIME MACHINE THE WONDERFUL VISIT THE WHEELS OF CHANCE THE ISLAND OF DOCTOR MOREAU THE COUNTRY OF THE BLIND (Short Stories) THE INVISIBLE MAN THE WAR OF THE WORLDS LOVE AND MR. LEWISHAM THE FIRST MEN IN THE MOON THE SEA LADY ANTICIPATIONS THE FOOD OF THE GODS IN THE DAYS OF THE COMET A MODERN UTOPIA KIPPS NEW WORLDS FOR OLD THE FUTURE IN AMERICA THE WAR IN THE AIR TONO BUNGAY ANN VERONICA THE HISTORY OF MR. POLLY THE NEW MACHIAVELLI MARRIAGE THE PASSIONATE FRIENDS THE WIFE OF SIR ISAAC HARMAN AN ENGLISHMAN LOOKS AT THE WORLD THE WORLD SET FREE B E A LB Y A HOLI'DAY ,X BY H. G. WELLS METHUEN & GO. LTD. 36 ESSEX STREET W.G. LONDON First Published in 1915 PR 5774 DEDICATION AND NOTE TO THE READER irresistible impulse made me give a lead- to a Lord Chancellor ANing part in this story who delighted in Hegel. I fought against in the it, in vain. Well I knew that there was world a Lord Chancellor who read Hegel and was in no other respect like my Lord Chancellor. No one who knows the real man will for a moment is meant for imagine that my figure him, are physically, temperamentally they absolutely unlike. But there is always that provincial " " fool who reads behind the lines and who and "cari- is always detecting "portraits" catures" in innocently creative work. Him, " not take I warn. You may say, But why it Lord Chief out the figure, alter it, make other mental Justice for example, give it some " habit than the Hegelian ? That shows you know nothing of the art of fiction. -
Tono Bungay by H. G. Wells
Tono Bungay By H. G. Wells 1 BOOK THE FIRST THE DAYS BEFORE TONO-BUNGAY WAS INVENTED CHAPTER THE FIRST OF BLADESOVER HOUSE, AND MY MOTHER; AND THE CONSTITUTION OF SOCIETY I Most people in this world seem to live "in character"; they have a beginning, a middle and an end, and the three are congruous one with another and true to the rules of their type. You can speak of them as being of this sort of people or that. They are, as theatrical people say, no more (and no less) than "character actors." They have a class, they have a place, they know what is becoming in them and what is due to them, and their proper size of tombstone tells at last how properly they have played the part. But there is also another kind of life that is not so much living as a miscellaneous tasting of life. One gets hit by some unusual transverse force, one is jerked out of one's stratum and lives crosswise for the rest of the time, and, as it were, in a succession 2 of samples. That has been my lot, and that is what has set me at last writing something in the nature of a novel. I have got an unusual series of impressions that I want very urgently to tell. I have seen life at very different levels, and at all these levels I have seen it with a sort of intimacy and in good faith. I have been a native in many social countries. I have been the unwelcome guest of a working baker, my cousin, who has since died in the Chatham infirmary; I have eaten illegal snacks--the unjustifiable gifts of footmen--in pantries, and been despised for my want of style (and subsequently married and divorced) by the daughter of a gasworks clerk; and--to go to my other extreme--I was once--oh, glittering days!--an item in the house-party of a countess. -
HG Wells and Dystopian Science Fiction by Gareth Davies-Morris
The Sleeper Stories: H. G. Wells and Dystopian Science Fiction by Gareth Davies-Morris • Project (book) timeline, Fall 2017 • Wells biography • Definitions: SF, structuralism, dystopia • “Days to Come” (models phys. opps.) • “Dream of Arm.” (models int. opps.) • When the Sleeper Wakes • Intertextuality: Sleeper vs. Zemiatin’s We • Chapter excerpt Herbert George Wells (1866-1946) The legendary Frank R. Paul rendered several H. G. Wells narratives as covers for Hugo Gernsback’s influential pulp magazine Amazing Stories, which reprinted many of Wells’s early SF works. Clockwise from top: “The Crystal Egg” (1926), “In the Abyss” (1926), The War of the Worlds (1927), and When the Sleeper Wakes (1928) Frank R. Paul, cover paintings for Amazing Stories, 1926-1928. “Socialism & the Irrational” -- Wells-Shaw Conference, London School of Economics Fall 2017 Keynote: Michael Cox Sci-Fi artwork exhibit at the Royal Albert Hall! Fabian stained -glass window in LSE “Pray devoutly, hammer stoutly” Gareth with Professor Patrick Parrinder of England’s U. of Reading • Studied at the Normal School (now Imperial College London) with T.H. Huxley. • Schoolteacher, minor journalist until publication of The Time Machine (1895). • By 1910, known worldwide for his “scientific romances” and sociological forecasting. • By the 1920s, syndicated journalist moving in the highest social circles in England and USA. • Met Lenin, Stalin, and several US Presidents. • Outline of History (1920) a massive best-seller. • World State his philosophical goal; Sankey Declaration/UN -
The New Machiavelli
THE NEW MACHIAVELLI by H. G. Wells CONTENTS BOOK THE FIRST: THE MAKING OF A MAN CHAPTER THE FIRST ~~ CONCERNING A BOOK THAT WAS NEVER WRITTEN CHAPTER THE SECOND ~~ BROMSTEAD AND MY FATHER CHAPTER THE THIRD ~~ SCHOLASTIC CHAPTER THE FOURTH ~~ ADOLESCENCE BOOK THE SECOND: MARGARET CHAPTER THE FIRST ~~ MARGARET IN STAFFORDSHIRE CHAPTER THE SECOND ~~ MARGARET IN LONDON CHAPTER THE THIRD ~~ MARGARET IN VENICE CHAPTER THE FOURTH ~~ THE HOUSE IN WESTMINSTER BOOK THE THIRD: THE HEART OF POLITICS CHAPTER THE FIRST ~~ THE RIDDLE FOR THE STATESMAN CHAPTER THE SECOND ~~ SEEKING ASSOCIATES CHAPTER THE THIRD ~~ SECESSION CHAPTER THE FOURTH ~~ THE BESETTING OF SEX BOOK THE FOURTH: ISABEL CHAPTER THE FIRST ~~ LOVE AND SUCCESS CHAPTER THE SECOND ~~ THE IMPOSSIBLE POSITION CHAPTER THE THIRD ~~ THE BREAKING POINT Downloaded from https://www.holybooks.com Downloaded from https://www.holybooks.com BOOK THE FIRST: THE MAKING OF A MAN Downloaded from https://www.holybooks.com CHAPTER THE FIRST ~~ CONCERNING A BOOK THAT WAS NEVER WRITTEN 1 Since I came to this place I have been very restless, wasting my energies in the futile beginning of ill- conceived books. One does not settle down very readily at two and forty to a new way of living, and I have found myself with the teeming interests of the life I have abandoned still buzzing like a swarm of homeless bees in my head. My mind has been full of confused protests and justifications. In any case I should have found difficulties enough in expressing the complex thing I have to tell, but it has added greatly to my trouble that I have a great analogue, that a certain Niccolo Machiavelli chanced to fall out of politics at very much the age I have reached, and wrote a book to engage the restlessness of his mind, very much as I have wanted to do. -
Florida Units 7–12
Level 1 Florida Units 7–12 STUDENT BOOK Lesson 1 | Reading Louisa Moats, Ed.D., Author REVIEWER’S DRAFT Through the glass bottom of my tourist boat I see the dolphin pod afloat. I hear whistles as high as the Empire State And know they are trying to communicate. 5 Each dolphin has a unique sound That it wears like a name tag, while swimming around. Now I hear the sound of a quickly spinning wheel. It must be a dolphin trying to find its next meal. In murky water the dolphin’s as blind as a bat. 10 It uses clicks to “see” where it is at. Using sonar, the sounds bounce off what’s near. Distance, depth, and size are what the dolphin can hear. Moans and squeaks echo in the abyss. Dolphins alert each other of danger in their midst. 15 Atop their heads, the blowholes emit sound As if beautifully played instruments abound. In the boat I can hear many sounds from the sea. The music of the dolphin is like a song written for me. Unit 7 7 Level 1 Fl ida Units 7–12 STUDENT BOOK Louisa Moats, Ed.D., Author Lesson 1 | Reading Through the glass bottom of my tourist boat I see the dolphin pod afloat. I hear whistles as high as the Empire State And know they are trying to communicate. 5 Each dolphin has a unique sound That it wears like a name tag, while swimming around. Now I hear the sound of a quickly spinning wheel. It must be a dolphin trying to find its next meal. -
Renderings of the Abyss: Some Changing Nineteenth-Century Literary Perceptions of the Animal / Human Divide
Tabitha Kan 1 Renderings of the Abyss: some changing nineteenth-century literary perceptions of the animal / human divide. Tabitha Kan A thesis submitted for the degree of PhD Literature Department of LiFTs University of Essex Date of Submission: November 2016 Tabitha Kan 2 Tabitha Kan 3 Contents Abstract 7 Introduction 9 Yawning Chasms 14 Minding The Gap 18 Theseus and the Minotaur 28 Previous Work in This Field 31 Structure of the Thesis 34 Chapter 1: ‘… an animal as complex and wonderful as man’ How Shelley uses Frankenstein’s creature to explore humanity, animality, and the in between 37 Evolution, Galvanism and Vitalism; Mary Shelley and the Principles of Life 44 Shelley’s Presentation of the Abyssal Divide in Frankenstein 54 The Monster of the Abyss; Shelley’s Liminal Creation 54 The Significance of the Monster as an Abyssal Resident 70 The Monstrous Body: Matter without Meaning 71 The Social Monstrosity 82 The Monster of the Mind 94 Conclusion 103 Tabitha Kan 4 Chapter 2: “I grin at thee, thou grinning whale” the blurring of boundaries and animal will in Moby Dick 107 Eons of Doubt; Melville living on the brink of scientific revolution 110 Whaling and the Objectification of the Animal Body 127 The Blurring of Boundaries and the Integration of Bodies 135 Schopenhauer and the struggle of Wills: Ahab’s contrary beasts 144 The Noble Savage: the optimistic portrayal of human nature in Moby Dick 154 Conclusion 159 Chapter 3: Super or Superfluous Men; Dostoevsky’s spiritual approach to the animal/human divide in Crime and Punishment 161 The Explosion: Dostoevsky and the Effects of Darwinism 162 Science at War: The Immediate consequences of Origin of Species 162 Dostoevsky: Life, Inspirations and the Miraculous Years 173 Svidrigailov: The Human Beast 180 The Superfluous Man: Humanity Without Purpose 194 Dostoevsky and the “Pochvennichestvo” Principles 207 Conclusion 215 Chapter 4: “They may once have been animals. -
The Plattner Story and Others by the Same Author
/ELLS IERKEIEY OF CALIFORNIA THE PLATTNER STORY AND OTHERS BY THE SAME AUTHOR THE STOLEN BACILLUS THE WONDERFUL VISIT THE WHEELS OF CHANCE THE ISLAND OF DOCTOR MOREAU THE TIME MACHINE THE PLATTNER STORY AND OTHERS BY H. G. WELLS METHUEN & CO. 36 ESSEX STREET, W.C. LONDON 1897 TO MY FATHER 864 CONTENTS PAGE THE PLATTNER STORY ...... 2 THE ARGONAUTS OF THE AIR . .29 THE STORY OF THE LATE MR. ELVESHAM . .47 IN THE ABYSS ........ 71 THE APPLE ....... 94 UNDER THE KNIFE ...... IO6 THE SEA-RAIDERS ...... 126 POLLOCK AND THE PORROH MAN . .142 THE RED ROOM . .165 THE CONE ....... 179 THE PURPLE PILEUS ...... 196 THE JILTING OF JANE ...... 213 IN THE MODERN VEIN . .224 A CATASTROPHE ...... 239 THE LOST INHERITANCE . 252 THE SAD STORY OF A DRAMATIC CRITIC . 262 A SLIP UNDER THE MICROSCOPE .... 274 THE PLATTNER STORY the story of Gottfried Plattner is WHETHERto be credited or not, is a pretty question in the value of evidence. On the one hand, we have seven witnesses to be perfectly exact, we have six and a half pairs of eyes, and one undeniable fact; and on the other we have what is it? prejudice, common sense, the inertia of opinion. Never were there seven more honest-seeming wit- nesses ; never was there a more undeniable fact than the inversion of Gottfried Plattner's anatomical struc- ture, and never was there a more preposterous story than the one they have to tell ! The most preposterous part of the story is the worthy Gott- fried's contribution (for I count him as one of the seven). -
Love Needs As the Obstruction of Mr
LOVE NEEDS AS THE OBSTRUCTION OF MR. LEWISHAM’S ACHIEVEMENT MOTIVATION IN H. G. WELLS’ LOVE AND MR. LEWISHAM AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By IKA CHRISNAWATI KURNIADI Student Number: 034214019 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 LOVE NEEDS AS THE OBSTRUCTION OF MR. LEWISHAM’S ACHIEVEMENT MOTIVATION IN H. G. WELLS’ LOVE AND MR. LEWISHAM AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By IKA CHRISNAWATI KURNIADI Student Number: 034214019 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 i ii A Sarjana Sastra Undergraduate Thesis LOVE NEEDS AS THE OBSTRUCTION OF MR. LEWISHAM’S ACHIEVEMENT MOTIVATION IN H. G. WELLS’ LOVE AND MR. LEWISHAM By IKA CHRISNAWATI KURNIADI Student Number: 034214019 Yogyakarta, June 30, 2007. Faculty of Letters Sanata Dharma University Dean iii Rejoicing in hope, patient in tribulation, continuing steadfastly in prayer Romans 12 : 12 iv Dedicated to Papa JC, my beloved parents, my brothers, and the ‘golden dragons’. v ACKNOWLEDGEMENTS First of all, I would like to thank God because of His guidance during my thesis writing. I am so grateful that Jesus Christ always strengthens me when I am weak and never leaves me alone when I need ideas and encouragement. I would like to express my gratitude to my advisor, Dra. Th. Enny Anggraini, M. A., for the precious times, ideas, supports, and suggestions during the consultation, and for her patience in reading and putting right the mistakes in my undergraduate thesis. -
The Theme of Man's Instinctual Life in Selected
by Roger Bowon B.A. (~ons) Cambridge University, 1965 A TICSIS Srn~E'l'Trn IN PttPTIAL mmmn OF THE REQUIR@~I~SFOX TEE DEGREE OF NASTER OF iL9TS in the Department 0 f %lish 0 Roger Sowen 1968 SIMON FRASER UITIVXRSITY July 1968 Senior Supervisor &mining Connittee Wining Coimittoe PARTTAL COPYRIGIIT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Sttldies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Title of Thesis/~issertation: Author: (signature ) (name ) (date) In the General Introduction to the Atlantic Edition Wells defines his work as %xperinents in statementtt. This study works forward from a consideration of Wells as a tlphilosophe of the Darwinian &gelt (H.G. Wells and the World State, agar) and of his concept of the temporary texperimentt of evolution to a textual analysis of his literary experiment, which he assumed was doomed to a similar impermanence. The primary metaphysic which emerges from Wellsts scientific background, the philosophical meat and drink" (Magar) derived from Darwin and Hdey, is a recognition of the vulnerability of human nature, composed as it is of an acquired %oral senseI1, and a recognition also of an inbred instinctual life, a kind of biological stain with its source in mants animal origins.