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JWCP Volume 10 Editors Editorial Board Mike Punt Journal of Writing in Creative Practice Journal Editors Craig Batty University of Plymouth, UK Julia Lockheart RMIT University, Australia Maziar Raein Erik Borg Kunsthogskolen, Oslo, Norway Volume 10 Number 2 2018 (2017) Swansea College of Art, UWTSD, UK Centre for Academic Writing, Coventry University, UK Terry Rosenberg Goldsmiths, University of London, UK Richard Buchanan Goldsmiths, University of London, UK Case Western Reserve University, Ohio, USA Heather Symonds Emeritus Professor Jonathan Chapman London College of Communications, University of the Arts, Aims and Scope John Wood School of Design, Carnegie Mellon, USA London, UK Welcome to the official organ of Writing-PAD (Writing Purposefully in Art and Design), a Network founded Goldsmiths, University of London, UK Rachel Cooper Cameron Tonkinwise in 2002 (http://www.writing-pad.ac.uk and http://www.writing-pad.org/wiki). This Journal is designed University of Lancaster, UK University of New South Wales Art and Design, Australia Clive Dilnot Joan Turner to help it foster new relations, to strengthen existing ones, and to offer a new space in which received Guest Editors models of writing in creative practice can be explored and surpassed. By questioning the purposes of LtdParsons, The New School for Design, New York, USA Goldsmiths, University of London, UK Jaspar Joseph-Lester Jerome Fletcher Martin Woolley writing in creative practice we invite a rich variety of aims and approaches and styles. Hence, where Royal College of Art, UK University College Falmouth, UK Coventry University, UK some journal issues are likely to be characterized by images, rather than words, others may adopt a Tony Fry Jane Cooksey strongly practice-oriented, philosophical, critical, or even fiction-based approach. Whether you are a lone Norman M. Klein Griffith University, Australia Wolverhampton University, UK practitioner, a theorist, or a conference organizer wishing to guest-edit a special edition, make us an California Institute of the Arts, USA Elisa Giaccardi Gavin Melles offer. Ultimately, we are interested in all writing that functions ‘as’, or that operates ‘for’, or ‘in’ practice, Universidad Carlos III de Madrid, Spain Swinburne University of Technology, Australia whether this practice is art, craft, designing, or performance. This raises issues of procedure. Each issue Claire Hind is the result of a traditional double-blind reviewing system. As academics, we are accustomed to an Simon King York St John University, UK Editorial Advisory Board individual-centred assessment system designed to monitor and uphold ‘standards’, rather than one that Royal College of Art, UK Janis Jefferies Margo Blythman helps us to co-create a better world. We welcome good writers, but we also wish to support practitioners Goldsmiths, University of London, UK Former LCC Director of Teaching and Learning, University Wolfgang Jonas of the Arts, London, UK whose quality of thought surpasses their current skills as authors. In the future, in order to achieve both Harriet Edwards Intellect Central Saint Martins, UK Braunschweig University of Arts, Germany Linda Drew aims, we may replace blind reviewers with a network of co-authors. Please let us know what you think at John Chris Jones Ravensbourne, UK [email protected]. The Imaginary Rock Foundation, London, UK Harriet Edwards Administrator Sarat Maharaj University of the Arts, London, UK Ann Schlachter Goldsmiths, University of London, UK Susan Orr Attainable Utopias Ltd, UK Hisham Matar University of the Arts, London, UK The Journal of Writing in Creative Practice is published twice a year by Intellect, The Mill, Parnall Road, Bristol, BS16 E-mail: [email protected] Novelist, Poet & Essayist, London, UK Nancy Roth 3JG, UK. The current subscription rates are £38 (personal), £197 (institutional [online]) and £240 (institutional [print and Blake Morrison University College, Falmouth, UK online]). Postage within the UK is free whereas it is £10 within the EU and £14 elsewhere. Advertising enquiries should Production Editor Goldsmiths, University of London, UK be addressed to: [email protected]. Sally Mitchell Articles appearing in this journal are abstracted and indexed Katie Evans Queen Mary, University of London, UK in the following databases: British Humanities Index; COAD; © 2017 Intellect Ltd. Authorisation to photocopy items for internal or personal use or the internal or personal use of E-mail: [email protected] Joan Mullin Current Abstracts; Communication & Mass Media Complete; specific clients is granted by Intellect Ltd for libraries and other users registered with the Copyright Licensing Agency Illinois State University, USA Communication Source; MLA; Scopus; TOC Premier (CLA) in the UK or the Copyright Clearance Center (CCC) Transactional Reporting ServiceCopyright in the USA provided that the Please see inside back cover Denis O’Brien base fee is paid directly to the relevant organization. distributionOpen University Business School, UK for Board details. Niamh O’Sullivan Image: © Vanessa Wei National College of Art and Design, Dublin, Ireland Mike Press Printed and bound in Great Britain by TJ International, UK. for Duncan of Jordanstone College, University of Dundee, UK intellect journals ISSN 1753-5190 not JWCP_10_2_IFC&IBC.indd 4 12-Apr-18 8:46:35 PM.
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