Oriented Strand Board: Opportunities and Potential Products in China
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Utrecht Art Supplies What Not to Use As Varnish
Utrecht Art Supplies What Not to Use as Varnish • Removable with light solvents and gentle manipulation (should not require strong solvents or hard scrubbing) • Should not fuse with, soften or dissolve completely dry paint • Resin content should be documented to aid in later cleaning and care Alkyd Alkyd-based painting mediums are great for improving paint flow, imparting gloss, increasing transparency, and promoting a tough, flexible Ask the Expert: "Lately I've been finishing my paint film, but as a top-coat, they aren't oil paintings with a coat of alkyd medium to give reversible with even very harsh solvents. A coat a shiny finish. My friend says this might not be a of alkyd is permanent, for better or worse. Also, good idea. If I can coat an acrylic painting with some alkyd mediums impart harsh glare, making gloss medium, what's the problem with using it difficult to install and light the finished work. alkyd medium on oils?" Wax A: Artists sometimes make the mistake of top- coating a painting with a medium or other Wax is sometimes used as a top-coat over material which gives a good appearance in the paintings, but it has some significant short term, but which causes problems later. shortcomings for this application. Wax remains Alkyd-based painting mediums are great for their soft indefinitely, so it doesn't impart protection intended purpose, but alkyds don't meet the against mechanical damage from handling and requirements of a picture varnish. casual contact. Wax also tends to attract and hold dust. Cold wax medium has an attractive A picture varnish should satisfy these appearance when first applied, especially when functions: buffed to a shine, but can later become • Permanently neutral in color and lackluster. -
Varnishing Than with Any Other Stage of the Painting Process
INFO SHEET 301 UPDATED JULY 2016 VA R NISHING We get more questions about varnishing than with any other stage of the painting process. Varnishing should be an almost mechanical process undertaken to give your painting a protective coating with the surface quality you prefer (gloss, satin, etc.) and possibly an enhancement of colour contrast. But, if you leave it till the last moment and use a varnish you are not used to, you can ruin the work you are trying to protect. Anxiety and disappointment can be avoided easily if you do sample pieces using the same materials as the painting and varnish them, not the painting, until you get the effect you wanted. Water-based varnishes are tricky to apply and not removable if you dislike the effect, so we suggest they should only be used by artists who have already tried the above experiment. CHROMA SOLVENT FINISHING VARNISHES We recommend and prefer our Chroma Solvent Finishing Varnishes, because they can be used on all our Chroma paint brands, Atelier Interactive, Jo Sonja’s or Archival Oils. Application of all these varnishes is by brush (a broad house paint brush), and clean up is with mineral spirits. If applying multiple coats, allow 24 hours drying time between applications. Choose from these finishes: Gloss Solvent Finishing Varnish • Apply as is for a full gloss, usually one coat. To reduce gloss add Invisible Varnish to your taste. Try 2 parts varnish to 1 part Invisible Varnish, up to 1:1 for less sheen. NOTE: The new varnishes have an anti-mould additive which is diluted if you add turpentine, so to maintain the mould protection for tropical conditions dilute with Invisible Varnish instead. -
Engineered Wood Installation 3/8” Or 1/2” Tongue & Groove: Float, Nail/Staple & Full Spread Gluedown Read These Instructions Completely Before Beginning Installation
ENGINEERED WOOD INSTALLATION 3/8” OR 1/2” TONGUE & GROOVE: FLOAT, NAIL/STAPLE & FULL SPREAD GLUEDOWN READ THESE INSTRUCTIONS COMPLETELY BEFORE BEGINNING INSTALLATION. GENERAL INFORMATION Smoking by individuals exposed to asbestos fibers greatly increases the risk of serious ATTENTION INSTALLERS bodily harm. Unless positively certain that the existing in-place product is a non- asbestos-containing material, you must presume it contains asbestos. Regulations WARNING: Installation of wood product may create wood dust, which is may require that the material be tested to determine asbestos content and may known to the state of California to cause cancer. Avoid inhaling wood dust or govern removal and disposal of material. See current edition of the Resilient Floor use a dust mask or other safeguards for personal protection. Covering Institute (RFCI) publication Recommended Work Practices for Removal Sawing, sanding and machining wood products can produce of Resilient Floor Coverings for instructions on removing all resilient floor covering wood dust. Airborne wood dust can cause respiratory, eye and structures. skin irritation. The International Agency for Research on Cancer If you have technical or installation questions please call 1-800-258-5758 (IARC) has classified wood dust as a nasal carcinogen in humans. IMPORTANT HEALTH NOTICE FOR RESIDENTS OF MINNESOTA ONLY: Precautionary Measures: If power tools are used, they should be equipped THESE BUILDING MATERIALS EMIT FORMALDEHYDE. EYE, NOSE, AND with a dust collector. If high dust levels are encountered, use an appropriate THROAT IRRITATION, HEADACHE, NAUSEA AND A VARIETY OF ASTHMA- NIOSH-designated dust mask. Avoid dust contact with eye and skin. LIKE SYMPTOMS, INCLUDING SHORTNESS OF BREATH, HAVE BEEN First Aid Measures in Case of Irritation: In case of irritation, flush eyes REPORTED AS A RESULT OF FORMALDEHYDE EXPOSURE. -
Nwfa Ornamental Floors (Pdf)
NATIONAL WOOD FLOORING ASSOCIATION TECHNICAL PUBLICATION No. B300 Price: $30 R ORNAMENTAL FLOORS DESIGN & INSTALLATION 2nd Edition © 2011 NATIONAL WOOD FLOORING ASSOCIATION NATIONAL WOOD FLOORING ASSOCIATION TECHNICAL PUBLICATION No. B300 ORNAMENTAL FLOORS DESIGN & INSTALLATION INTRODUCTION Care with leather and stone 3 Design considerations Installing brass, copper and aluminum DESIGN AND LAYOUT Installing stone inlays 4 Common guidelines Light SANDING AND FINISHING Selecting materials 21 Have a game plan Parquet patterns Charge appropriately Choosing borders Safety first! Ordering materials Sanding ornamental floors Dry-laying the border Varying grain direction, hardness Measure twice, cut once and density Laying out working lines Sanding metals Perimeter working lines Stone inlays Parallel layout Finishing ornamental floors The trammel point method The 3-4-5 method HAND-SCRAPING AND Using a laser to determine working 24 DISTRESSING lines Hand-scraping and distressing The trammel point method for techniques diagonal layout Diagonal layout PAINTING AND STENCILING Extending working lines to other 26 Preparing the floor rooms Tape method Herringbone layout Self-adhering stencil method INSTALLING ORNAMENTAL Exotic species technique 12 FLOORS Marbling & stone technique Importance of subfloor flatness SPECIALTY INSTALLATIONS Installation methods 29 Bending wood Installing the field Making and using eccentric cams Parquet installation Making and using wedges Herringbone installation Making and using a sliver template Building up the subfloor Installing slivers Installing the border Building stairs Procedure for building stairs INSTALLING INLAYS Enhancing existing floors 16 Manufactured inlays Being creative with factory-finished flooring INSTALLING MIXED MEDIA 18 Installing metal, stone, glass and INDEX, SOURCES AND leather 37 CREDITS, RESOURCES NO GUARANTEE OR WARRANTY The information contained in this publication represents widely accepted industry practices. -
The Number One Wood Floor for Concrete Installation the TOUGH QUESTIONS
Questions? 800.595.9663 or wideplankflooring.com The Number One Wood Floor for Concrete Installation THE TOUGH QUESTIONS Don’t be afraid to ask us or any other Myths & Misconceptions flooring provider: • Can you install your floors direct to a Concrete slabs are one of the most common subfloor systems used today for residential and concrete slab? commercial construction. Unfortunately, it is a common misconception that you cannot install • Do I have to use a floating floor a wood floor on top of a concrete slab. This can be discouraging if you've had your heart set when installing to a concrete slab? on the look of wide plank floors. • Am I limited to a certain species The good news is Carlisle has been installing wide plank floors in conjunction with a concrete if I install your wood floors on a slab for over 45 years. Our floors exhibit the highest level of quality in the industry, which concrete slab? means they outperform other wood flooring available on the market. So you can get a floor • Do I have to use quartersawn wood that looks beautiful, and performs the best when installed with a concrete slab. when I install your wood floors on a Don't compromise the look of your floor because of industry myths and misconceptions. concrete slab? Learn more about what makes Carlisle wood floors more stable and get the look you have • Do I have to use an engineered been dreaming of for your project. floor if I install your wood floors on a concrete slab? Hundreds of Floors and Counting • Can I use a solid wood if I install your From Texas ranches, luxury retail stores, and boutique hotels, Carlisle floors have been wood floors on a concrete slab? installed direct to a concrete slab in hundreds of projects all over the worlds. -
TECO Design and Application Guide Is Divided Into Four Sections
Structural Design and Plywood Application Guide INTRODUCTION Plywood as we know it has been produced since early in the 20th century. It has been in widespread use as sheathing in residential and commercial construction for well over 50 years and has developed a reputation as a premium panel product for both commodity and specialty applications. Structural plywood products give architects, engineers, designers, and builders a broad array of choices for use as subfloors, combination floors (i.e. subfloor and underlayment), wall and roof sheathing. Besides the very important function of supporting, resisting and transferring loads to the main force resisting elements of the building, plywood panels provide an excellent base for many types of finished flooring and provide a flat, solid base upon which the exterior wall cladding and roofing can be applied. This TECO Design and Application Guide is divided into four sections. Section 1 identifies some of the basics in selecting, handling, and storing plywood. Section 2 provides specific details regarding the application of plywood in single or multilayer floor systems, while Section 3 provides similar information for plywood used as wall and roof sheathing. Section 4 provides information on various performance issues concerning plywood. The information provided in this guide is based on standard industry practice. Users of structural-use panels should always consult the local building code and information provided by the panel manufacturer for more specific requirements and recommendations. -
Weathering Test of Coatings for Wood Panel Boards
Proceedings of the 51st International Convention of Society of Wood Science and Technology November 10-12, 2008 Concepción, CHILE Weathering Test of Coatings for Wood Panel Boards . Rose Marie M GARAY Depto. Ingeniería de la Madera Universidad de Chile Sta. Rosa 11315,Casilla 9206 Santiago Chile ABSTRACT Protection that coating gives to wood based boards exposed to weathering, depends on multiple factors such as: substratum, application, properties of the product and conditions of weathering. The decision on the utilization of a given protector is based on requirements of use and durability. The evolution through time of the substratum- protector system is studied in long-term experimental weathering test field. Coatings in service are submitted to high and low temperatures, rain effect, solar radiation and wind, which are variable in different climatic zones, causing different effects when dampness is excessive or dryness is extreme. They are formulated for particular end-use conditions and, it is necessary to check their efficiency for the conditions that the manufacturer stipulates. In this work the behaviour in service of pigmented varnish, varnish with filter UV, insecticides and fungicides, paintings and stains, solvent-borne and water-borne, is studied These products were tested to weathering in the Metropolitan Region, Santiago, La Pintana. Tests were made according to the ASTM D D1006-73 standard. Materials for test were oriented strand board (OSB) and plywood. Evaluations are realized until 24 months of weathering. cracks, spots, erosion, discoloration, sheen, shelling, humidity absorption, and swelling in thickness were evaluated. Results indicate that none of the superficial protectors offers a completely efficient protection due to the severity of the exposition which caused visual unsightly effects such as loss of color, sheen, and fluctuations in the evaluated properties. -
Wood Flooring
DESIGN AND CONSTRUCTION GUIDELINES AND STANDARDS DIVISION 9 WOOD AND PLASTIC 09 64 00 • WOOD FLOORING SECTION INCLUDES Wood Flooring Bamboo Flooring RELATED SECTIONS 06 10 00 Rough Carpentry 06 20 00 Finish Carpentry 09 90 00 Painting TECHNICAL STANDARDS National Wood Flooring Association NWFA http://www.woodfloors.org Forest Stewardship Council http://fscus.org MATERIALS Solid hardwood flooring has great longevity, is very durable, can be re- sanded up to three times and can be re-finished many times over. The lifespan of solid hardwood flooring is fifty years plus, far above the life span of other interior floor finishes. Specify FSC Certified solid hardwood flooring from North American sources. Maple is very durable, better than oak which is not as impact resistant; oak strip flooring, however, is very acceptable. Under certain situations where the building’s conditioning varies greatly, maple is known to shrink and leave gaps between boards. High and medium grades are to be specified over lower grades of #2 common or 3rd grade which tend to have open knots and shorter lengths. High and medium grades are to be selected based on desired style, color variation and cost effectiveness. Engineered wood flooring which is assembled from thin layers of hardwood and a plywood backing for stability should be limited to conditions where moisture is of particular concern. The top layer must be a minimum ¼” thick, solid hardwood. Parquet flooring is not acceptable because it is too vulnerable to damage. Laminate, veneer and bamboo flooring are not acceptable because they cannot be re-sanded and have a limited life span. -
The Dirty History of Portland Harbor
Reprinted from a 1994 publication The Dirty History of Portland Harbor hen scientists began looking closely at the sediments and at W the bottom of Casco Bay beginning in the early 1980s, they confronted a pollution puzzle. Sediments taken from various locations throughout the Bay, and especially in Portland Harbor, held a wide variety of potentially toxic chemicals. Until we know more about how these heavy metals, pesticides and other compounds affect marine life, it’s hard to know what lasting impact the pollution in Casco Bay may have. But it was decided that the more we know about where those pollutants came from, the better chances we will have in preventing future problems. The Casco Bay Estuary Project (now Casco Bay Early industry was limited by natural energy sources, like this tidal mill at Estuary Partnership) commissioned environmental Stroudwater. (courtesy: Sullivan Train & Photo) historian Edward Hawes to do some detective work, hoping that he could turn up some puzzle pieces from the Casco Bay. Lead, cadmium and mercury concentrations were watersheds that feed the Bay. The industrial legacy he found comparatively high in Back Cove, as were lead and mercury was a surprise to almost anyone who thinks they know the in the inner Fore River. Lead was also relatively high in the Portland area. Presumpscot River estuary. Additional metals — nickel, silver, arsenic, chromium A Pollution Problem and zinc — were evident in lesser concentrations. This widespread contamination was a little mystifying. In this age hen investigators began sampling Casco Bay’s of environmental regulation, how could so much pollution sediments in the 1980s, levels of pollution have landed in the Bay? W were found that merited additional attention. -
Printing AMAZING COATING EFFECTS LOOK MA! ONLY 2 COLOURS! STOP the MADNESS the DEVIL in the DETAILS
VOLUME 3.2 Innovative Printing AMAZING COATING EFFECTS LOOK MA! ONLY 2 COLOURS! STOP THE MADNESS THE DEVIL IN THE DETAILS , Publisher Jeff Ekstein Contents Editor Ian Broomhead Contents Volume 3.2 Art Director Ian Broomhead Visualizing Varnish? Contributing Editors This simple cost effective Patrick White method of protecting your Ian Broomhead piece can also add a creative Jeff Ekstein POP! 4 Production Yuval Gurr Duotone's Bill Wright It's an age old technique with breathtaking results. Beyond Print is published four times a year. It is designed to serve the interests 6 of the clients and prospective clients of Willow Printing Group Ltd. Every effort has been made to ensure Crossover Chaos that the content of this publication is Spanning images across accurate, however, errors and omissions are not the responsibility of Willow Printing pages is a great technique to Group Ltd. draw the reader in, but beware! YOU’RE DIFFERENT 8 Email Contacts Printing Pitfalls So are we. Jeff Ekstein [email protected] Some practical tips to save time and money on your next print We're the Ian Broomhead project. Integrated Marketing…Design…Printing…Finishing… [email protected] 10 Mailing…Distribution…Analysis… Company © 2012 Willow Printing Group Ltd. @ Willow Innovation with purpose WHAT DIFFERENCE DOES THAT MAKE? helps create positive change Privacy Policy for your business this year. Go to www.willowprint.com to find out. Any personal information you provide to us including and similar to your name, address, 15 telephone number and e-mail address will not be released, sold, or rented to any entities or individuals outside of Willow Printing Group Ltd. -
09-2Nd AWS Section 05
Architectural Woodwork Standards finishing 5s e c t i o n section 5 Finishing table of contents Introductory InformatIon complIance requIrements Introduction ......................................................................................... 110 General Purpose ............................................................................................... 110 Basic Considerations .................................................................... 117 Factory / Field Finishing ...................................................................... 110 Grade ..................................................................................... 117 Important Considerations .................................................................... 110 Classifications ................................................................. 117 Specifications ............................................................................... 110 Compliance Requirements .................................................... 117 Varying Costs ............................................................................... 110 Contract Documents .............................................................. 117 Intermixing Systems ..................................................................... 110 Aesthetic Compliance ............................................................ 117 Application .................................................................................... 110 Listing ................................................................................... -
APA Engineered Wood Construction Guide
Engineered Wood CONSTRUCTION GUIDE Engineered Wood Construction Guide 2 WOOD The Natural Choice Engineered wood products are a good choice for the environment. They are manufactured for years of trouble-free, dependable use. They help reduce waste by decreasing disposal costs and product damage. Wood is a renewable, recyclable, biodegradable resource that is easily manufactured into a variety of viable products. A few facts about wood. ■ We’re growing more wood every day. Forests fully cover one-third of the United States’ and one-half of Canada’s land mass. American landowners plant more than two billion trees every year. In addition, millions of trees seed naturally. The forest products industry, which comprises about 15 percent of forestland ownership, is responsible for 41 percent of replanted forest acreage. That works out to more than one billion trees a year, or about three million trees planted every day. This high rate of replanting accounts for the fact that each year, 27 percent more timber is grown than is harvested. Canada’s replanting record shows a fourfold increase in the number of trees planted between 1975 and 1990. ■ Life Cycle Assessment shows wood is the greenest building product. A 2004 Consortium for Research on Renewable Industrial Materials (CORRIM) study gave scientific validation to the strength of wood as a green building product. In examining building products’ life cycles – from extraction of the raw material to demolition of the building at the end of its long lifespan – CORRIM found that wood was better for the environment than steel or concrete in terms of embodied energy, global warming potential, air emissions, water emissions and solid waste production.