Woman Are Rising & Making History Woman Are

Total Page:16

File Type:pdf, Size:1020Kb

Woman Are Rising & Making History Woman Are R.E.G. NEWS® Volume 1 Number 5 September 2020 02020 Woman Are Rising & Joan Meyers Brown is the founder of Woman Are Rising & Making History The Philadelphia Dance Company Making History cont. Joseph R. Biden, Jr. and Kamala Harris (PHILADANCO) and The Philadelphia are running mates on the Democratic ticket for this November Presidential Election. Now, we are ready to move forward and get this job done. We, the people want change and the way to implement change is by casting our votes. It can be by mail or by going out School of Dance Arts. to the polls. The Philadelphia Dance Company is a Catherine Liggins Hughes is an nonprofit organization that presents the American entrepreneur, radio highest quality of professional dancers and television personality and and dance performances on stages all business executive. WOL-AM, over the world. which stands for We Offer PHILADANCO was founded in 1970 and Love, is the flagship station of has a legacy of breaking barriers and Radio One, Inc. After being The bridges across cultural differences, while rejected for a business loan 32 Biden-Harris ticket is providing people performing for audiences representing times, Cathy Hughes’ the opportunity to see and experience citizens from diverse communities. The persistence paid off, and she the truth regarding our current purchased the station in 1980. President. They are pointing out how he National Medal of Arts is the highest award given to artists’ and art patrons has handled the Coronavirus pandemic, In the 1970s, Hughes created by the United States government. In immigrants, foreign policies, and the urban radio format called healthcare issues. What do you think and 2012 Joan Meyers Brown received the "The Quiet Storm" on Howard what change do you want to see in the nation’s highest civic honor for University's radio station United States? We do have a voice. Let excellence in the arts. WHUR with disc jockey and our actions speak louder in this election. fellow Howard student Melvin Just remember, we now have additional Lindsey. When the company options which include earlier voting, went public in 1999, she mail-in ballots, walk-ins, and online became the first African registration. Remember, you must American woman to head a register by 10/19/20 to participant in the publicly traded corporation. coming Presidential Election which will The National change our lives for the next four years. Medal of Arts is presented to her by Today, Radio One is a multi- Why not cast your vote and make that President Barack Obama. media conglomerate with change? A Little Piece of History… Remember When! Grover Washington, Jr. was an American jazz-funk / soul- jazz saxophonist. He was an influential musician, producer, singer, songwriter, and arranger. He is considered by many to be one of the founders of the smooth jazz genre. In the 1970s and 1980s, Washington made some of the genre's most memorable hits, including "Mister Magic", "Reed Seed", "Black Frost", "Winelight", "Inner City Blues" and "The Best is Yet to Come". Woman Are Grover Washington, Jr. enjoyed collaborating and performing Rising & with other artists which includes Bill Withers on “Just the Two of Us”, Patti Labelle on “The Best Is Yet To Come”, and Phyllis Making Hyman on “A Sa cr e d Kind of Love ” . He is also remembered for History cont. his take on the Dave Brubeck classic "Take Five", and for his 1996 version of "Soulful Strut". After the Winelight project more than 56 radio Washington was credited for giving rise to a new group of stations across the talent that would make their mark in the late 1980’s and early country comprised of 1990’s. talk/news, gospel, R&B, and hip-hop Washington is known for bringing Kenny G to the forefront. formats. Also, including the talented artistry of Walter Beasley, Steve Cole, Pamela Williams, Najee, Boney James, and George Howard. Washington's love of basketball, especially the Philadelphia 76ers, led him to dedicate the second track, "Let It Flow", to Julius Erving (Dr. J). What a remarkable legacy to leave and share with world. The New Norm Ed Bradley Broadcaster PBS Travel Show Afro- R.E.G. New Publication One more outstanding and Latino Culture R.E.G. will be publishing a new talented Philadelphia native son, quarterly magazine entitled “The Philadelphia Girls High School Ed Bradley. He was a nineteen- Alfa Report” which will be forth graduate Kim Haas launches a PBS time Emmy Award winning coming this September 2020. Afro-Latino Culture Travel Show broadcast journalist. He was best Subscribe at which made its debut this month known for his 26-year career as www.regentgroup.net/magazines on numerous PBS stations the anchor and reporter of 60 nationally. This show is a two- The introductory edition of The Alfa minutes news magazine, Bradley episode special that highlights the Report will contain articles and began his career as an intern contributions of Black people to commentary on Artists, Music, under the mentorship of Georgie the culture and history of Costa Songwriters, Musicians, Virtual Woods at WDAS-FM radio station. Rica. The show airs at 8 p.m. Events, and In-house Production. Wednesday, PBS’s NJTV 23 will air the second episode. A former marketing director for Telemundo’s Philadelphia station who now runs her own communications firm in Northern New Jersey, Haas is fluent in Italian as well as Spanish. The daughter of Rose and Spencer Lewis graduated from Philadelphia High School for Girls and majored in Spanish at the University of Pittsburgh, earning Bradley started as a full time DJ her master’s in Spanish from La at WDAS-FM in the early 1960’s. Salle University. Bradley has covered more than As a producer herself, starting a 500 stories throughout his career travel show from scratch, “you just including the Vietnam War to an put one foot in front of the other, exclusive interview with Michael and make it happen. The PBS Jackson, he also won the Peabody This digital magazine can be producers “have to come up with Award and was honored with a delivered right to our subscriber’s the funding” for their projects. lifetime achievement award from inbox quarterly. Our magazine is Costa Rica’s tourism board the National Association of Black geared to keeping the independent provided in-kind services — Journalists. artist informed and updated on the including travel and hotel — and a various changes and current grant from the Ford Foundation events in the entertainment helped fund postproduction costs, industry. The Alfa Report will be a for the PBS Afro-Latino Culture game changer for the indie artist special. today. The Alfa Report is designed When you travel to Latin to level the playing field and America, there are an awful lot of provide more exposure for indie In 1981, Honorable Philadelphia people who look like me. And their talent and veteran talent. From the Mayor William Green presented contributions are integral to the desk of Dee Wellmon, Editor & Bradley with a city citation and a development of so many Chief. Patriot’s Bowl, given for countries.” extraordinary public service. R.E.G. New Video A Singing Legend Coronavirus and The Releases Gone… Changes in Education Public Pamela Hutchinson of the vocal The Institute of Health Metrics group “The Emotions”, has died at and Evaluation indicate that deaths age 61 on September 18th from the coronavirus could reach according to her Facebook page. 415,000 by January 2021. We need The iconic R&B sisterly vocal to remember fall is here and the flu group were one of the leading season is upon us. Cases are being 9/14/20 female groups of the 1970’s. They tracked and expected to surge by crashed the soul charts in 1969 December, with both the flu and the That’s The Only Way with the tune “So I Can Love You” coronavirus. which reached #43 on the https://youtu.be/rWC8Jt0wJrI Temple University’s faculty Billboard Top Album charts. The union wants the school to keep Emotions are an American Grammy Award winning soul/R&B classes online in the spring. The vocal group from the windy city of union said nearly 80 percent of Chicago, Illinois. members polled believe classes should remain online in the spring. More than 201,000 people in the United States have died of 9/15/20 coronavirus, according to Johns Hopkins University. Over 6.9 million One Thousand Miles Americans have tested positive. https://youtu.be/SyKDm5PIit8 In the Philadelphia area, public health experts have said they believe college students returning to school have contributed to an uptick in cases among young adults. We now know adults between ages 20 and 29 accounted for the greatest portion of new coronavirus These sisters started out as a cases - just over 20% between June 9/14/20 Gospel group but quickly and August, according to a report released Wednesday by the U.S. The People transitioned to performing R&B and disco music. known for their Centers for Disease Control and https://youtu.be/AaYUsk_v6Cw hits “Don’t Ask My Neighbor”, “I Prevention. The report of findings Don’t Wanna Lose Your Love”, suggest young adults are likely “Flowers”, “Show Me How”, “My contributing to community Honey & Me”, “Best of My Love” spread of the virus and are not as and so many others. The protected as previously believed. Emotions appeared in the 1973 R.E.G. NEWS – Volume 1 Number 5 documentary featured film Produced and published by: Roebuck “Wattstax”, they performed the Entertainment Group. LLC ©2020 song “Peace Be Still”.
Recommended publications
  • Adult Contemporary Radio at the End of the Twentieth Century
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Emotions That Facilitate Language Learning: the Positive-Broadening Power of the Imagination1
    Studies in Second Language Learning and Teaching Department of English Studies, Faculty of Pedagogy and Fine Arts, Adam Mickiewicz University, Kalisz SSLLT 2 (2). 193-213 http://www.ssllt.amu.edu.pl Emotions that facilitate language learning: The positive-broadening power 1 of the imagination Peter MacIntyre Cape Breton University, Sydney, Nova Scotia, Canada [email protected] Tammy Gregersen University of Northern Iowa, Cedar Falls, USA [email protected] Abstract The imagination is powerful, in part, because of the emotions that can be activated by imagining future states. Imagined future states are a key fea- ture of the L2 self-system proposed by Dƅrnyei, and emotion may be the key to the motivational quality of the imagined future self. In particular, this pa- per focuses on positive anticipated and anticipatory emotions related to language learning. It is argued that, in general, positive emotion has a dif- ferent function from negative emotion; they are not opposite ends of the same spectrum. Based on the work of Fredrickson, we argue that positive emotion facilitates the building of resources because positive emotion tends to broaden a person’s perspective, opening the individual to absorb the lan- guage. In contrast, negative emotion produces the opposite tendency, a nar- rowing of focus and a restriction of the range of potential language input. This article draws a framework for finding a balance between the positive- broadening and negative-narrowing emotions in the language classroom, 1 Authors’ note: This research was facilitated by a grant from Cape Breton University. We would like to thank Jillian Burns for comments on an earlier draft of the manuscript.
    [Show full text]
  • AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
    AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s.
    [Show full text]
  • September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (Guest Post)*
    “September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (guest post)* “Do you remember, the 21st night of September…?” those were the opening lyrics to one of the biggest hits of 1978, and still one of the most entertaining pop songs over the decades. It is a song about memory, memories that have happened, and memories yet to come. A contagious joy emanates from the song, with lyrics that tease with importance, yet captivate with a repeating “ba-de-ya” refrain that is as memorable as any lyrical phrase. The song is a staple of movie soundtracks (such as “Ted 2,” “Barbershop--The Next Cut,” and “Night at the Museum”), commercial jingles, and family gatherings everywhere. With music providing tickles of percussion, soaring yet comforting horn lines, and the breathtaking harmonies, “September” is one of Earth Wind & Fires’ most catchy sing- along favorites. The lyrics spoke of dancing under the stars, and of celebrating moments in our lives. The words captured ideas that seemed so meaningful, yet really were not. The 21st night of September? What date was that? Was it someone’s birthday? How could a song tug at one’s memories, and yet refer to so little? Co-writer Allee Willis has said the date was used simply because it “sounded right when sung.” The irony was that Earth Wind & Fire had had a run of some of the most thought- provoking and inspiring messages in their catalogue of hit songs, from “Keep Your Head To the Sky” to “Shining Star” and “That’s the Way of the World,” there was an expectation of something deeper underpinning the uplifting experience.
    [Show full text]
  • Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
    Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory.
    [Show full text]
  • Visualizing the Novel Clinton Mullins Connecticut College, [email protected]
    Connecticut College Digital Commons @ Connecticut College Computer Science Honors Papers Computer Science Department 2013 Visualizing the Novel Clinton Mullins Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/comscihp Part of the Computer Sciences Commons Recommended Citation Mullins, Clinton, "Visualizing the Novel" (2013). Computer Science Honors Papers. 4. http://digitalcommons.conncoll.edu/comscihp/4 This Honors Paper is brought to you for free and open access by the Computer Science Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Computer Science Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Visualizing Novelthe kiss me please Thesis and code written by Clint Mullins with Professor Bridget Baird as the project's faculty advisor. 1. Data Visualization Discussion of data visualization. 2. Visualizing the Novel Introduction to our problem and execution overview. 3. Related Works Technologies and libraries used for the project. .1 Semantic Meaning .2 Parsing Text .3 Topic Modeling .4 Other Visualizations 4. Methods Specific algorithms and execution details. .1 Gunning FOG Index .2 Character Extraction .3 Character Shaping .4 Gender Detection .5 Related Word Extraction .6 Moments / Emotion Spectrum / DISCO 5. The Visual Our visual model from conception to completion. .1 Concept Process .2 Current Visual Model .3 Java2D .4 Generalizing the Visual Model 6. Results Judging output on known texts. .1 Text One – Eternally .2 Text Two – Love is Better the Second Time Around .3 How Successful is This? 7.
    [Show full text]
  • Three Levels of Product Emotion P.M.A
    KEER2010, PARIS | MARCH 2-4 2010 INTERNATIONAL CONFERENCE ON KANSEI ENGINEERING AND EMOTION RESEARCH 2010 THREE LEVELS OF PRODUCT EMOTION P.M.A. Desmet Delft University of Technology, Faculty of Industrial Design Engineering Landbergstraat 15, 2628 CE Delft, The Netherlands. [email protected] ABSTRACT This paper introduces an approach to emotion driven design that was based on the process that underlies emotional responses to consumer products. Three levels, and nine associated classes of product-evoked emotions are discussed, which are each the outcome of a unique pattern of eliciting conditions. The approach is based on two main propositions. The first is that all emotional reactions result from an appraisal process in which the individual appraises the product as (potentially) harming or favoring his or her wellbeing. This appraisal is a non- rational sense-evaluation of the product’s relational meaning. In this perspective, the appraisal is considered a key-parameter that determines if a product evokes an emotion, and if so, what emotion is evoked. Three main appraisal types are identified: an usefulness appraisal, a pleasantness appraisal, and a rightfulness appraisal. The second proposition is that products can generate at least three classes of emotional stimuli: stimuli with a product-focus (i.e. the qualities and properties of the product); with an activity-focus (i.e. when using the product), and with a self-focus (i.e. consequences of using the product). The three appraisals and three levels of person-product relationships combine to a framework of nine sources of product emotions. The framework is used as the basis for an approach to design that aims for three levels of emotional product appeal.
    [Show full text]
  • Various Music from the Wattstax Festival & Film
    Various Music From The Wattstax Festival & Film mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Blues Album: Music From The Wattstax Festival & Film Country: Europe Released: 2007 Style: Gospel, Rhythm & Blues, Soul, Funk MP3 version RAR size: 1998 mb FLAC version RAR size: 1723 mb WMA version RAR size: 1712 mb Rating: 4.3 Votes: 970 Other Formats: AC3 DXD VQF AU XM FLAC ADX Tracklist Hide Credits –Dale Warren & The Wattstax Salvation Symphony 1-1 7:56 '72 Orchestra Written-By – Dale O. Warren* 1-2 –Rev. Jesse Jackson Introduction 5:50 Lift Every Voice And Sing 1-3 –Kim Weston 3:39 Written-By – Johnson* Heavy Makes You Happy (Sha-Na-Boom-Boom) 1-4 –The Staple Singers 3:39 Written-By – Barry-Bloom* Are You Sure 1-5 –The Staple Singers 4:03 Written-By – Banks*, Jackson* I Like The Things About Me 1-6 –The Staple Singers 5:55 Written-By – Stubbs*, Staples* Respect Yourself 1-7 –The Staple Singers 4:37 Written-By – Ingram*, Rice* I'll Take You There 1-8 –The Staple Singers 5:16 Written-By – Alvertis* Precious Lord, Take My Hand 1-9 –Deborah Manning 4:25 Written-By – Thomas A. Dorsey Better Get A Move On 1-10 –Louise McCord 4:01 Written-By – Bettye Crutcher Them Hot Pants 1-11 –Lee Sain 4:11 Written-By – Leon Moore Wade In The Water 1-12 –Little Sonny 4:21 Written-By – Traditional I Forgot To Be Your Lover 1-13 –William Bell 2:35 Written-By – Jones*, Bell* Explain It To Her Mama 1-14 –The Temprees 2:50 Written-By – Fultz*, Moore* I've Been Lonely (For So Long) 1-15 –Frederick Knight 3:54 Written-By – Weaver*, Knight* Pin The
    [Show full text]
  • Infusion (Faxable).Pub
    Song List CURRENT/CLUB AIN’T IT FUN—Paramore HEY YA—Outkast AIN’T NO OTHER MAN - Christina Aguilera HOLD IT AGAINST ME—Britney Spears ALL THIS TIME—One Republic I FEEL LIKE BUSTIN’ LOOSE—Chuck Brown ALL TIED UP—Robin Thicke I GOTTA FEELIN’ - Black Eyed Peas APPLAUSE—Lady Gaga I KNEW YOU WERE TROUBLE—Taylor Swift ATMOSPHERE—Kaskade I KNOW YOU WANT ME—Pitbull BAD ROMANCE - Lady Gaga I LIKE IT LIKE THAT - Hot Chelle Rae BEAUTIFUL—Akon I NEED YOUR LOVE—Clavin Harris & Ellie Goulding BLOW ME ONE LAST KISS - Pink I WANNA DANCE WITH SOMEBODY—Whitney Houston BLURRED LINES—Robin Thicke & Pharrell I WANT YOU BACK—Cher Lloyd BORN THIS WAY—Lady Gaga INTERNATIONAL LOVE—Pitbull/Chris Brown CALIFORNIA GURLS - Katy Perry JUMP AROUND—House of Payne CALL ME MAYBE - Carly Rae Jepsen JUST DANCE - Lady Gaga CLARITY—Zedd JUST FINE—Mary J. Blige COMPASS—Lady Antebellum LADIES NIGHT - Kool & The Gang CRAZY IN LOVE - Beyonce’ LE FREAK—Chic DA BUTT—E.U. LET’S GET IT STARTED - Black Eye Peas DÉJÀ VU—Beyonce LET’S GO - Neyo DISCO INFERNO - The Trammps LOCKED OUT OF HEAVEN—Bruno Mars DJ GOT US FALLING IN LOVE—Usher/Pitbull LOVE ON TOP—Beyonce DOMINO—Jessie J LOVE SHACK—The B 52’s DRIVE BY - Train LOVE YOU LIKE A SONG—Selena Gomez DYNAMITE—Taio Cruz MO MONEY MO PROBLEMS—Notorious BIG EDGE OF GLORY - Lady Gaga MONSTER—Eminem & Rihanna EMPIRE STATE OF MIND—Alicia Keys & Jay Z MORE - Usher EVERY LITTLE STEP - Bobby Brown MOVES LIKE JAGGER - Maroon 5 FEELS SO CLOSE—Calvin Harris OMG - Usher FINALLY—CeCe Peniston ON THE FLOOR—Jennifer Lopez FIREWORK - Katy Perry ONE MORE
    [Show full text]
  • Sensational Soul Cruisers Song List the Tramps
    Sensational Soul Cruisers Song List The Tramps - Disco Inferno - Hold Back The Night KC and the Sunshine Band - Sound Your Funky Horn - Get Down Tonight - I‛m Your Boogie Man - Shake Your Booty - That‛s The Way I Like It - Baby Give It Up - Please Don‛t Go The Moments - Love On A Two Way Street The Bee Gees - You Should Be Dancin - Night Fever Harold Melvin & The Blue Notes - The Love I Lost - If You Don‛t Know Me By Now - Bad Luck - I Don‛t Love You Anymore The O‛Jays - Love Train - I Love Music - Back Stabbers - Used To Be My Girl The ChiLites - Have You Seen Her - Oh Girl Gladys Knight - The Best Thing That Ever Happened To Me - Midnight Train To Georgia Earth, Wind & Fire - September - Sing a Song - Shining Star - Let‛s Groove Main Ingredient - Everybody Plays The Fool Johnny Nash - I Can See Clearly Now Isley Brothers - Work To Do - It‛s Your Thing - Shout - Twist & Shout Tavares - It Only Takes a Minute - Free Ride - Heaven Must Be Missing an Angel - Don‛t Take Away The Music The Foundations - Now That I‛ve Found You Barry White - Can‛t Get Enough of You Babe - You‛re My First My Last My Everything - What Am I Gonna Do - Ecstasy (When You Lay Down Next To Me) Edwin Starr - 25 Miles The Platters - Only You Soul Survivors - Expressway Billy Ocean - Are You Ready George Benson - Turn Your Love Around Billy Ocean - Are You Ready Heat Wave - Boogie Nights - Always and Forever - Groove Line Bell & James - Livin It Up (Friday Night) Peter Brown - Dance With Me Jigsaw - Skyhigh Tyrone Davis - Turn Back the Hands of Time The Stylistics -
    [Show full text]
  • Funk Legend Maurice White of Earth, Wind & Fire Dead at 74
    SATURDAY, FEBRUARY 6, 2016 Funk legend Maurice White of Earth, Wind & Fire dead at 74 arth, Wind & Fire founder Maurice White, whose disease, forcing him to stop touring, died Wednesday ‘Voice of my generation’ feel-good funk anthems packed arenas, broke at his home in Los Angeles, his brother and a repre- Maurice White formed Earth, Wind & Fire in Edown racial barriers and made him among his sentative for the band said. “My brother, hero and Chicago in 1969 and quickly became known for his generation’s best-selling artists, has died. He was 74. best friend Maurice White passed away peacefully skill at songwriting as he crafted readily danceable Brought up in Chicago, White saw himself as an heir last night in his sleep,” his brother and bandmate tunes that borrowed heavily from the city’s R&B to the jazz greats but developed a fresh sound of Verdine White wrote Thursday on Facebook. scene, but kept a concise structure in line with pop. tight pop tunes that brought in elements of R&B, “While the world has lost another great musician While never disappearing completely, Earth, rock, soul and funk. and legend, our family asks that our privacy is Wind & Fire enjoyed a career resurgence after the The band sold close to 100 million albums, respected as we start what will be a very difficult and election of President Barack Obama, who invited ranking among the most successful acts of the life-changing transition in our lives.” The band was the band as one of the first entertainers when he 1970s, on the back of hits such as “September,” one of the early acts to break the color barrier in pop entered the White House in 2009.
    [Show full text]
  • Taiwanese Buddhism and the Problem of Emotions
    Linfield University DigitalCommons@Linfield Faculty Publications Faculty Scholarship & Creative Works 2006 The Stoic Monastic: Taiwanese Buddhism and the Problem of Emotions Hillary Crane Linfield College Follow this and additional works at: https://digitalcommons.linfield.edu/soanfac_pubs Part of the Social and Cultural Anthropology Commons DigitalCommons@Linfield Citation Crane, Hillary, "The Stoic Monastic: Taiwanese Buddhism and the Problem of Emotions" (2006). Faculty Publications. Published Version. Submission 3. https://digitalcommons.linfield.edu/soanfac_pubs/3 This Published Version is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Published Version must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. The China Review, Vol. 1, No. 2 (Spring 2002), 1–28 The Stoic Monastic: Taiwanese Buddhism and the Problem of Emotions Hillary CRANE Abstract This paper explores the stoicism of Taiwanese monastics and argues that, in this context, emotions are believed to be dangerous in part because they interfere with spiritual cultivation. A stoic exterior further represents an inner state of calm and a lack of emotionality. Since women are believed to have more emotional problems than men, nuns in particular seek to control their emotions, in part by studying the example of monks. Women’s emotions are contrasted with the trait of compassion, which is associated with men and thought to be selfless.
    [Show full text]