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The Grave Goods of Roman Hierapolis
THE GRAVE GOODS OF ROMAN HIERAPOLIS AN ANALYSIS OF THE FINDS FROM FOUR MULTIPLE BURIAL TOMBS Hallvard Indgjerd Department of Archaeology, Conservation and History University of Oslo This thesis is submitted for the degree of Master of Arts June 2014 The Grave Goods of Roman Hierapolis ABSTRACT The Hellenistic and Roman city of Hierapolis in Phrygia, South-Western Asia Minor, boasts one of the largest necropoleis known from the Roman world. While the grave monuments have seen long-lasting interest, few funerary contexts have been subject to excavation and publication. The present study analyses the artefact finds from four tombs, investigating the context of grave gifts and funerary practices with focus on the Roman imperial period. It considers to what extent the finds influence and reflect varying identities of Hierapolitan individuals over time. Combined, the tombs use cover more than 1500 years, paralleling the life-span of the city itself. Although the material is far too small to give a conclusive view of funerary assem- blages in Hierapolis, the attempted close study and contextual integration of the objects does yield some results with implications for further studies of funerary contexts on the site and in the wider region. The use of standard grave goods items, such as unguentaria, lamps and coins, is found to peak in the 1st and 2nd centuries AD. Clay unguentaria were used alongside glass ones more than a century longer than what is usually seen outside of Asia Minor, and this period saw the development of new forms, partially resembling Hellenistic types. Some burials did not include any grave gifts, and none were extraordinarily rich, pointing towards a standardised, minimalistic set of funerary objects. -
Gladiator Politics from Cicero to the White House
Gladiator Politics from Cicero to the White House The gladiator has become a popular icon. He is the hero fighting against the forces of oppression, a Spartacus or a Maximus. He is the "gridiron gladiator" of Monday night football. But he is also the politician on the campaign trail. The casting of the modern politician as gladiator both appropriates and transforms ancient Roman attitudes about gladiators. Ancient gladiators had a certain celebrity, but they were generally identified as infames and antithetical to the behavior and values of Roman citizens. Gladiatorial associations were cast as slurs against one's political opponents. For example, Cicero repeatedly identifies his nemesis P. Clodius Pulcher as a gladiator and accuses him of using gladiators to compel political support in the forum by means of violence and bloodshed in the Pro Sestio. In the 2008 and 2012 presidential campaigns the identification of candidates as gladiators reflects a greater complexity of the gladiator as a modern cultural symbol than is reflected by popular film portrayals and sports references. Obama and Clinton were compared positively to "two gladiators who have been at it, both admired for sticking at it" in their "spectacle" of a debate on February 26, 2008 by Tom Ashbrook and Mike McIntyre on NPR's On Point. Romney and Gingrich appeared on the cover of the February 6, 2012 issue of Newsweek as gladiators engaged in combat, Gingrich preparing to stab Romney in the back. These and other examples of political gladiators serve, when compared to texts such as Cicero's Pro Sestio, as a means to examine an ancient cultural phenomenon and modern, popularizing appropriations of that phenomenon. -
Reading Death in Ancient Rome
Reading Death in Ancient Rome Reading Death in Ancient Rome Mario Erasmo The Ohio State University Press • Columbus Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Erasmo, Mario. Reading death in ancient Rome / Mario Erasmo. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1092-5 (cloth : alk. paper) ISBN-10: 0-8142-1092-9 (cloth : alk. paper) 1. Death in literature. 2. Funeral rites and ceremonies—Rome. 3. Mourning cus- toms—Rome. 4. Latin literature—History and criticism. I. Title. PA6029.D43E73 2008 870.9'3548—dc22 2008002873 This book is available in the following editions: Cloth (ISBN 978-0-8142-1092-5) CD-ROM (978-0-8142-9172-6) Cover design by DesignSmith Type set in Adobe Garamond Pro by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI 39.48-1992. 9 8 7 6 5 4 3 2 1 Contents List of Figures vii Preface and Acknowledgments ix INTRODUCTION Reading Death CHAPTER 1 Playing Dead CHAPTER 2 Staging Death CHAPTER 3 Disposing the Dead 5 CHAPTER 4 Disposing the Dead? CHAPTER 5 Animating the Dead 5 CONCLUSION 205 Notes 29 Works Cited 24 Index 25 List of Figures 1. Funerary altar of Cornelia Glyce. Vatican Museums. Rome. 2. Sarcophagus of Scipio Barbatus. Vatican Museums. Rome. 7 3. Sarcophagus of Scipio Barbatus (background). Vatican Museums. Rome. 68 4. Epitaph of Rufus. -
Mohawk District Gladiator's Challenge
Mohawk District Gladiator’s Challenge Spring 2019 Camporee Ed Bryant Scout Reservation N6960 County Rd G Mauston, WI 53948 April 26, 27, 28 2019 Cost: $35 Youth / $30 Adult ($10 discount if registered before April 5, 2019) Contact Information B. Andrew Price 608.509.8506 Camp-O-Ree Chair [email protected] Margaret Williams 608.273.1005 District Director [email protected] Dear Scouts and Scouters, Your Legionary (Troop) is invited to attend the annual Mohawk District Spring Camporee. This year’s theme is “GLADIATOR CHALLENGE ”. Have you ever watched movies or read books based on gladiator warriors of the ancient Roman Empire? If so, then you might have a fairly good idea of what is in store for you at the 2019 Mohawk District Spring Camporee. If not, allow me to enlighten you on what it means to be a gladiator. In ancient Rome, contestants would compete in combat inside large arenas called coliseums. These contestants were called gladiators and were usually of great skill and strength. These gladiatorial competitions were not only physical challenges, but battles of will and sheer determination. Competitions would normally last until only one gladiator or group of gladiators remained. The victor or victors would then compete in numerous other competitions, becoming more skilled and knowledgeable with each consecutive battle. Beloved by the masses, Roman gladiators were the working-class heroes of antiquity. The victorious gladiators would gain wealth and glory for their efforts, and a lucky few were event granted “A wooden sword” and along with it, their freedom. The Mohawk Gladiator’s Challenge will offer the same opportunities for competition and perhaps event victory to a chosen few. -
Animals in Human Situations in Ancient Egyptian Ostraca and Papyri
arts Article Animals in Human Situations in Ancient Egyptian Ostraca and Papyri Azza Ezzat Writing and Scripts Center, Bibliotheca Alexandrina, Alexandria Governorate 21526, Egypt; [email protected] Abstract: It has been said that the ancient Egyptians were raised to tolerate all kinds of toil and hardship; they nevertheless also liked to amuse themselves with comic relief in their everyday life. For example, ancient Egyptian drawing can be quite accurate and at times even spirited. What scholars have described as caricatures are as informative and artistic as supposed serious works of art. Ancient Egyptians have left countless images representing religious, political, economic, and/or social aspects of their life. Scenes in Egyptian tombs could be imitated on ostraca (potsherds) that portray animals as characters performing what would normally be human roles, behaviors, or occupations. These scenes reveal the artists’ sense of comedy and humor and demonstrate their freedom of thought and expression to reproduce such lighthearted imitations of religious or funeral scenes. This paper will focus on a selection of drawings on ostraca as well as three papyri that show animals—often dressed in human garb and posing with human gestures—performing parodies of Citation: Ezzat, Azza. 2021. Animals human pursuits (such as scribes, servants, musicians, dancers, leaders, and herdsmen). in Human Situations in Ancient Egyptian Ostraca and Papyri. Arts 10: Keywords: animals; anthropomorphism; humor; parody; satire; ostraca; papyri; ancient Egypt 40. https://doi.org/10.3390/ arts10030040 Academic Editors: Branko F. van 1. Introduction Oppen de Ruiter, Chiara Cavallo and Depictions of animals in scenes of daily life are commonly found in ancient Egyptian Annetta Alexandridis tombs, mainly the Old Kingdom mastabas and the rock cut tombs of the New Kingdom Received: 14 April 2020 (Evans 2000, p. -
The Alleged Persecution of the Roman Christians by the Emperor Domitian
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-2005 The alleged persecution of the Roman Christians by the emperor Domitian Ken Laffer Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Religion Commons Recommended Citation Laffer, K. (2005). The alleged persecution of the Roman Christians by the emperor Domitian. https://ro.ecu.edu.au/theses/639 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/639 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
Informational Writing Prompt
Grade 9 Informational/Expository Writing Prompt- "Gladiators" Using evidence from the passages,write a 2-3 paragraph explanation for your social studies class explaining how recent archeological developments have changed the ways we understand how gladiators lived. Your explanation must be based on ideas, concepts, and information from the "Gladiators" text set. Manage your time carefully so you can • Plan your explanation • ·write your explanation • Revise and edit your explanation Be sure to • Use evidence from multiple sources • Do not over rely on one source • Type your answer in a new Word document Gladiator University? Buried beneath the earth near Vienna, Austria, archaeologists have made a big discovery- the nearly complete remains of an ancient Roman gladiator school. The massive school, built during the 2nd centu ry A.D, includes cellblocks, a training arena, and a bath complex. It is the first gladiator school, or ludus (plural: "l udi"), found outside Rome, Italy. "Alth ough some 100 Judi are thou ght to have existed in the Roman Empire, almost all have been destroyed or built over," the team from Austri a, Belgium, and Germany said in a statemen t. The researchers discovered the school in 2011 at the site of the ancient city of Carnuntum . They found it not by digging, but by using noninvasive techniques such as aerial (taken from an aircraft) photography and ground -penetratin g radar. They also attached an electromagnetic sensor to a four-wheel all-terrain vehicle that allowed them to locate hidden bricks underground. The researchers then re-created the site in virt ual 3-D models. -
Vivid Gladiator Fresco Discovered at Pompeii 11 October 2019, by Ella Ide
Vivid gladiator fresco discovered at Pompeii 11 October 2019, by Ella Ide realistic representation of the wounds, such as the one on the wrist and chest of the unsuccessful gladiator, from which the blood runs, wetting his leggings," Osanna said. "The Thraex is gesturing with his hand, possibly asking for mercy," he said. The fresco—which measures 1.12 metres by 1.5 metres—was found in what excavators believe was a basement room, as the imprint of a wooden staircase can be seen above it. The fresco was uncovered in what experts think was a tavern frequented by gladiators A vivid fresco depicting an armour-clad gladiator standing victorious as his wounded opponent stumbles gushing blood has been discovered in the ancient Roman city of Pompeii, Italy's culture ministry said Friday. The striking scene in gold, blue and red was uncovered in what experts think was a tavern frequented by gladiators, who fought each other, prisoners and wild animals for the public's It was found in what excavators believe was a basement entertainment. room "We do not know how this fight ended. Gladiators were killed or shown mercy," Pompeii's director Massimo Osanna said. Treasures of a ruined city A "Murmillo" fighter wearing a plumed, wide- The building was situated not far from the brimmed helmet with visor, holds aloft his large gladiators' barracks in Regio V, an entire quarter of rectangular shield in his left hand, as he grips his the site that has recently offered up several short sword in the right. impressive archaeological finds but is yet to open to the public. -
Paleoindian Period Archaeology of Georgia
University of Georgia Laboratory of Archaeology Series Report No. 28 Georgia Archaeological Research Design Paper No.6 PALEOINDIAN PERIOD ARCHAEOLOGY OF GEORGIA By David G. Anderson National Park Service, Interagency Archaeological Services Division R. Jerald Ledbetter Southeastern Archeological Services and Lisa O'Steen Watkinsville October, 1990 I I I I i I, ...------------------------------- TABLE OF CONTENTS FIGURES ..................................................................................................... .iii TABLES ....................................................................................................... iv ACKNOWLEDGEMENTS .................................................................................. v I. INTRODUCTION ...................................................................................... 1 Purpose and Organization of this Plan ........................................................... 1 Environmental Conditions During the PaleoIndian Period .................................... 3 Chronological Considerations ..................................................................... 6 II. PREVIOUS PALEOINDIAN ARCHAEOLOGICAL RESEARCH IN GEORGIA. ......... 10 Introduction ........................................................................................ 10 Initial PaleoIndian Research in Georgia ........................................................ 10 The Early Flint Industry at Macon .......................................................... l0 Early Efforts With Private Collections -
Stone Age “Chewing Gum” Yields 5,700 YearOld Human Genome and Oral Microbiome
bioRxiv preprint doi: https://doi.org/10.1101/493882; this version posted December 13, 2018. The copyright holder for this preprint (which was not certified by peer review) is the author/funder. All rights reserved. No reuse allowed without permission. Stone Age “chewing gum” yields 5,700 yearold human genome and oral microbiome T. Z. T. Jensen 1,2* , J. Niemann 1,2* , K. Højholt Iversen 3 , A.K. Fotakis 1 , S. Gopalakrishnan 1 , M.H. S. Sinding 1 , M. R. Ellegaard 1 , M. E. Allentoft 4 , L. T. Lanigan 1 , A. J. Taurozzi 1 , S. Holtsmark Nielsen 4 , M.W. Dee 5 , M. N. Mortensen 6 , M. C. Christensen 6 , S. A. Sørensen 7 , M. J. Collins 1,8 , M.T.P. Gilbert 1 , M. Sikora 4 , S. Rasmussen 9 , H. Schroeder 1† 1 Section for Evolutionary Genomics, Natural History Museum of Denmark, Øster Farimagsgade 5, Copenhagen 1353, Denmark 2 BioArch, Department of Archaeology, University of York, YO10 5DD York, UK 3 Department of Bio and Health Informatics, Technical University of Denmark, Kemitorvet, Building 208, 2800 Kgs Lyngby, Denmark 4 Center for GeoGenetics, Natural History Museum of Denmark, Øster Voldgade 57, 1350 Copenhagen, Denmark 5 Centre for Isotope Research, University of Groningen, 9747 AG Groningen, The Netherlands 6 The National Museum of Denmark, I.C. Modewegs Vej, 2800 Kongens Lyngby, Denmark 7 Museum LollandFalster, Frisegade 40, 4800 Nykøbing Falster, Denmark 8 McDonald Institute for Archaeological Research, University of Cambridge, West Tower, Downing St, Cambridge CB2 3ER, UK 9 Novo Nordisk Foundation Center for Protein Research, Faculty of Health and Medical Sciences, University of Copenhagen, Blegdamsvej 3B, 2200 Copenhagen, Denmark * These authors contributed equally to this work. -
A Study of Moundville Copper Gorgets
A STUDY OF MOUNDVILLE COPPER GORGETS By Jonathan J. Branch A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of a Bachelor of Arts with honors in the Department of Archaeology. 2013 Approved By: ________________________ Advisor: Vincas P. Steponaitis ________________________ Donald C. Haggis ________________________ John F. Scarry 1 ABSTRACT Jonathan J. Branch A STUDY OF MOUNDVILLE COPPER GORGETS (Under the direction of Vincas P. Steponaitis) The topic of Native American copper working during Mississippian times has been included in research into regional iconographic similarities, once interpreted as the Southeastern Ceremonial Complex, as well as investigations into the changing procurement patterns that prehistoric miners and metalsmiths employed when sourcing the metal. Beyond this research that has pointed out iconographic and chemical similarities in copper artifacts, less work has been conducted to compare manufacturing evidence on artifacts from different sites. One exception is Jon M. Leader’s research at Etowah which revealed distinct patterns of copper manufacturing, the most striking of which was the use of templates to construct certain types of ornaments. Using Dr. Leader’s research as a reference point, I conducted an investigation of Moundville’s copper gorgets to discover the manufacturing processes that went into their creation and to test the hypothesis that their similarities in design could be explained by the use of templates. After intensive study, a precise manufacturing sequence was determined for the gorgets but little evidence suggests that they were made with templates. i ACKNOWLEDGEMENTS I extend my gratitude to Dr. -
Gladiators in Rome and the Western Provinces of the Roman Empire
Gladiators in Rome and the western provinces of the Roman Empire Advanced Seminar 600. Spring semester 2006. In Rome women dipped a spear into the blood of a killed gladiator and used it to part their hair in preparation for the marriage ceremony. The ritual was supposed to bestow magic and charismatic powers. At least one senatorial woman left her husband and children, and her very elegant life-style, in order to elope to Egypt with her gladiator- lover. According to the writer who reports on this famous scandal, the gladiator had a series of unsightly lesions on his face and in the middle of his nose a massive wart. It was not beauty that women fell in love with but the cold steel. In legal terms, however, gladiators in Roman society were regarded as the lowest of the lowest. They were usually slaves, and when they were not slaves when they became gladiators they had to swear an oath that technically made them the equivalent of slaves. Gladiators were excluded from the most prestigious positions in society. This paradox will be the key theme of this seminar, but we will also look into a number of other topics, such as recruitment, training, different types of gladiators, fan clubs, family life, emperors as gladiators. Lecture room: Greek and Latin Reading Room (Memorial Library, 4th floor). In order to access the room you need a key. You need to pay a deposit of $10.00 on the third floor of Memorial Library. Time: Wednesday 11:00 AM – 1:00 PM. Instructor: Marc Kleijwegt, Humanities 5219; tel.: 263 2528; email: [email protected] Required books: Eckart Köhne and Cornelia Ewigleben (eds.), Gladiators and Caesars: The Power of Spectacle in Ancient Rome, trans.