Pushy Parents Who Pressurise Under-5S to Read
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HTL-Civilization & Writing TG
Civilization and Writing CL949-1CV CLEARVUE/eav THE MOST COMPLETE SOURCE FOR CURRICULUM-ORIENTED A-V MATERIALS History through Literature Civilization and Writing Program #CL949-1CV Running Time—???? Table of Contents Summary . .3 Intended Audience . 4 Presenting the Program . 4 Learning Objectives . 4 History in the Program . 5 Literature in the Program . 5 Key Words and Concepts . 6 Pre-Viewing Suggestions . 7 Discussion: Linking Parts of the Series . 7 Discussion: Introducing the Program and Its Key Words and Concepts . 7 Post-Viewing Suggestions . 8 Content Questions: History . 8 H.O.T. Topics: History . 8 Content Questions: Literature . 9 H.O.T. Topics: Literature . 9 Discussion: Linking Parts of the Series . 11 In-Depth Research . 12 Extra History Study . 12 Extra Literature Study . 12 Chronologies: Class Discussion and Extra Study . 13 Chronology of History Chart: Ancient Civilizations . 14 Chronology of Literature Chart: Ancient Civilizations . 15 Cross-Curricular Explorations . 16 Transcript . 16 Consultants for the Series . 23 Credits . .23 Intended for students in junior high school and above. This program is closed captioned. © CLEARVUE/eav (1-800-253-2788) TEACHER’S GUIDE Summary Civilization and Writing is part of a 12-video History ken traditions, including sacred epics such as the through Literature series that examines the Vedas and philosophical traditions such as the Book connections between historical events and the literary of Changes. The program also briefly describes the figures and works of each era. Other titles in the series Olmecs and other early civilizations of the Americas. are listed on the back of this Teacher’s Guide. Then the program examines several “crossroads civi- The opening scene of Civilization and Writing is a lizations” that arose because of long-distance trade tale from oral tradition that was first written down between other highly organized societies. -
September Is College Savings Month “Girlfriends Rising Together” at 9Th
September 2019 “Girlfriends Rising Together” at 9th Annual Women of Color Empowerment Conference Yvette Miley Evelyn D’An Jocelyn Carter-Miller Susie Levan Kim Hawthorne Golden Brooks Karen Hunter Regina Belle Girlfriends have an unbreakable bond that gets TranSync, an entrepreneurial venture specializing in stronger day by day, as they encourage each other the development and marketing of high performance along the way. “Girlfriends Rising Together” is fittingly educational personal and community programming; the theme of the 9th Annual Women of Color and Susie Levan, former Executive Vice President Empowerment Conference. The event takes place and Chief Operating Officer and Founder of The from September 13-15, 2019 at the Fort Lauderdale Work-Life Balance Institute for Women. Marriott Harbor Beach and Spa in Fort Lauderdale, The Women of Color Empowerment Conference Florida. also features noted guests including Kim Hawthorne, The conference offers attendees an opportunity Actress from OWN’s Greenleaf; Golden Brooks, to get empowered by prolific leaders during the Award Winning Actress and Motivational Speaker, Leadership Master Class and learn from experts on known for her role as Maya on the hit TV show, how to constructively leverage influence, navigate Girlfriends; Karen Hunter, Radio Host, Journalist, workplace conflict and drive change when change is Author and Publisher; and Regina Belle, Grammy needed. Master Class experts include Yvette Miley, Award Winning singer and songwriter. Senior Vice President of NBC News & MSNBC; For more information and to register for the 9th Evelyn D’An, President of D’An Financial Services Annual Women of Color Empowerment Conference, and Former Big 4 Audit Partner; Jocelyn Carter- visit www.nationalwomenofcolor.com or call 954- Miller, President of TechEdVentures and Soul 900-3494. -
Curriculum Vitae
CURRICULUM VITAE ANGEL ANGEL MONTAGUE SAYERS SESSION STYLIST Freelance session stylist, represented by aart London Educator L’Oreal Professionnel and Cloud Nine Cloud Nine Global Ambassador ADVERTISING CAMPAIGNS QVC, L’Oreal Professional, Cloud Nine, FireTrap, INDU, New Look, Henri Lloyd Boots No7, Olay, very.co.uk, T-Mobile, Wolford, Boden, Johnnie Walker Whiskey Baileys, Dorothy Perkins EDITORIAL Vogue UK, GQ, Glamour, Oyster, Metal Magazine, DISORDER MORE, ELLE UK, Italian Vogue PHOTOGRAPHERS Franck Sauvaire, David Dunan, Uzo Oleh, Rene Habermacher, Kevin Mackintosh Nathalie Gordon, Equa King, David Zanes, Jack Eames, Elizabeth Hoff & Paul Gill PRODUCTION COMPANIES Diamond Dogs,We are Video, Riff Raff, Lesley Goring Productions FASHION WEEK SHOWS New York, London, Milan and Paris Fashion Week shows: Alice Temperley TELEPHONE Richard Sorger, DAKS, Bstore, Saloni London, Chloe, Peter Pilloto, JW Anderson 07850 152340 Roksanda Illinic, Marios Schwab, Felder Felder, Richard Nicoll, PPQ, Emilio De La EMAIL Morena, Hannah Marshall, Fulguny and Shane Peacock, Caroline Charles [email protected] Charles Anastase, Rag and Bone, Charlotte Olympia, Stephane Rolland, Forever 21 WEBSITE St Martins, Penkov, Fashion Fringe, KTZ, RAKE, Alviero Martini, Houghton, angelmontaguesayers.co.uk Sass and Bide, Moschino cheap and chic, Topshop Unique, Philip Treacy London, Giles Zac Posen, Jill Stuart and Aminaka Wilmot PRESENTING & PLATFORM WORK Effortless extensions at the Clothes Show Live, Fellowship of British Hairdressing L’Oréal Professional, -
Marzieh Gail Dawn Over Mount Hira and Other Essays
MARZIEH GAIL DAWN OVER MOUNT HIRA AND OTHER ESSAYS GR GEORGE RONALD OXFORD George Ronald 46 High Street, Kidlington, Oxford Introduction, selection and notes © George Ronald 1976 ISBN 0 85398 0632 Cased 0 85398 0640 Paper SET IN GREAT BRITAIN BY W & J MACKAY LIMITED AND PRINTED IN THE U.S.A. ii Contents FOREWORD vii I Paradise Brought Near Dawn Over Mount Hira 1 From Sa‘dí’s Garden of Roses 9 ‘Alí 12 From the Sayings of ‘Alí 14 II Take the Gentle Path There Was Wine 19 ‘For Love of Me …’ 29 Notes on Persian Love Poems 33 Current Mythology 43 III Headlines Tomorrow The Carmel Monks 49 Headlines Tomorrow 50 IV Bright Day of the Soul That Day in Tabríz 57 Bright Day of the Soul 62 The White Silk Dress 80 The Poet Laureate 91 Mírzá Abu’l-Faḍl in America 105 iii V Age of All Truth The Goal of a Liberated Mind 117 This Handful of Dust 121 The Rise of Women 128 Till Death Do Us Part 137 Atomic Mandate 145 VI The Divine Encounter Echoes of the Heroic Age 153 Millennium 165 Easter Sunday 170 Bahá’u’lláh’s Epistle to the Son of the Wolf 176 ‘Abdu’l-Bahá in America 184 ‘Abdu’l-Bahá: Portrayals from East and West 194 VII Where’er You Walk In the High Sierras 219 Midnight Oil 222 Will and Testament 226 Where’er You Walk 232 NOTES AND REFERENCES 237 iv Foreword THE UNION OF EAST AND WEST has been and is the dream of many. -
The Paley Center for Media Announces the 8Th Annual Paleyfest Ny
THE PALEY CENTER FOR MEDIA ANNOUNCES THE 8TH ANNUAL PALEYFEST NY The 2020 Schedule to Showcase Cast and Creative Team Discussions from Television’s Most Acclaimed and Hottest Shows Including: All American, The Boys, Eli Roth’s History of Horror, Full Frontal with Samantha Bee, 20th Anniversary of Girlfriends, A Million Little Things, Rick and Morty, Supernatural, and The Undoing Talent Lineup Includes: Jensen Ackles, Samantha Bee, Susanne Bier, Alexander Calvert, Sarah Chalke, Misha Collins, Chace Crawford, Taye Diggs, Tracee Ellis Ross, Daniel Ezra, Karen Fukuhara, Hugh Grant, Dan Harmon, Nicole Kidman, Romany Malco, Allison Miller, Jared Padalecki, Chris Parnell, Eli Roth, Quentin Tarantino, Karl Urban, and Persia White Citi Returns as the Official Card and an Official Sponsor and Verizon Joins as an Official Sponsor Initial Slate of Programming Premieres on the Paley Channel on Verizon Media’s Yahoo Entertainment this Friday, October 23 at 8:00 pm EST/5:00 pm PST, with Additional Releases on Monday, October 26 at 8:00 pm EST/5:00 pm PST, and Tuesday, October 27 at 8:00 pm EST/5:00 pm PST Citi Cardmembers and Paley Center Members Can Preview Programs Beginning Today at 10:00 am EST/7:00 am PST Paley Center Members Have the Opportunity to Preview the Premiere Episode of The Undoing, a New Episode from Eli Roth’s History of Horror, and a Special Teaser from an Upcoming Episode of Supernatural New York, NY, October 20, 2020 – The Paley Center for Media announced today the start of the 8th annual PaleyFest NY. The premier television festival features some of the most acclaimed and hottest television shows and biggest stars, delighting fans with exclusive behind-the-scenes scoops, hilarious anecdotes, and breaking news stories. -
OBJ (Application/Pdf)
ABTRACT AFRICANA WOMEN'S STUDIES WILBURN, SHENETHA L. B.A. HAMPTON UNIVERSITY, 1997 DECONSTRUCTION OF STEREOTYPES AND MEDIATED MESSAGES IN AFRICAN-AMERICAN SITCOMS Advisor: Dr. Josephine Bradley Thesis dated May, 2002 This study examines the images of African Americans in black-themed sitcoms and mediated messages presented here. The study was based on the premise that the images of African Americans on television sitcoms are one dimensional and comedic. A content analysis approach was used to analyze various television sitcoms. Definitions were used to determine what type of image existed using the foundation provided by Donald Bogle and Stewart Hall. The researcher found that although many of the African-American-themed sitcoms investigated represented traditional stereotypical images, there were mediated messages in these sitcoms, which offered a new and different perspective on African Americans. This suggests that African-American images on black-themed sitcoms are moving forward. Additionally, the researcher found that sitcoms depicting African-American life from a comedic point-of-view seem to be more acceptable in popular culture than those which depict life from a dramatic and/or realistic point-of-view. DECONSTRUCTION OF STEREOTYPICAL IMAGES AND MEDIATED MESSAGES IN AFRICAN-AMERICAN SITCOMS A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERISTY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY SHENETHA L. WILBURN DEPARTMENT OF AFRICANA WOMEN'S STUDIES ATLANTA, GEORGIA MAY 2002 "■V. ©2002 SHENETHA L. WILBURN All Rights Reserved ACKNOWLEDGEMENTS I would like to thank and acknowledge the following people for their dedication and commitment to my research: Dr. -
The Case of Peaches Geldof. Diane Charl
Performing celebrity motherhood on Twitter: Courting homage and [momentary] disaster – the case of Peaches Geldof. Diane Charlesworth: University of Lincoln, UK. Email: [email protected] @peaches-g ‘Just how far the cult of celebrity and super fandom has come when grown women are passing their own kids round. I hate the world sometimes’. The above was part of a Twitter message that Peaches Geldof published in November 2013. In it she also named the two women who had allowed the Lost Prophets’ singer Ian Watkins to abuse their babies. What became key elements focused upon by journalists in the newspaper debate that followed, her subsequent deletion of the message and apology, was the purpose of Twitter as a form of communication, and the celebritisation of public discourse. This tweet was constructed as an empty-headed, gossipy, childish and hence feminised intervention into the public sphere.i Also tied up with this debate was the on-going narrative of the ‘non-functionality’ of celebrity culture and its ‘reflexive exhibitionism’ (Hyde 2013). Yet Geldof had, until this point, used a combination of Twitter and Instagram to enact a self- transformation from girlhood to motherhood that had drawn critical affirmation from both media pundits and female followers via the social media sites. It is this image of motherhood that has informed the reporting of her sudden death of a heroin overdose at the age of 25 on 7 April 2014. Geldof’s intervention and comment on the failure of mothers to protect their children in the above cited tweet, should be analysed in the context of her own very serious performance of that identity. -
FLICKERS RI INTERNATIONAL HORROR FILM FESTIVAL ANNOUNCES FILM AWARDS for 14TH SEASON 56 Films from Across the Globe Vied for Adjudicated Genre Awards
For details, art or photos about FLICKERS media releases, contact Nick Palermo, [email protected] ⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯ FLICKERS RI INTERNATIONAL HORROR FILM FESTIVAL ANNOUNCES FILM AWARDS FOR 14TH SEASON 56 films from across the globe vied for adjudicated genre awards PROVIDENCE, RI (October 20, 2013) – The eerie, macabre and bizarre in the world of cinema were given their due with the wrap of the 14th Annual Flickers RI International Horror Film Festival through adjudicated awards. From an entry base of 521 submissions featuring work from 19 countries, including the United Kingdom, Australia, Ireland, Belgium, Canada, Germany, Italy, Poland, Spain, Japan, Chile, Switzerland, and the United States. 56 films were screened during the cinematic symphony of horror, October 17-20th at Roger Williams University, the Paff Theatre at the URI Feinstein College of Continuing Education, the Bell Street Chapel Theatre, the Jamestown Arts Center, and the Providence Public Library. “New benchmarks were set with this year’s programming,” said Shawn Quirk, Program Director of the Rhode Island International Film Festival producers of the Horror Festival sidebar. “From our expanded educational outreach with the University of Rhode Island and Roger Williams University that tied the event to film and marketing classes, to a master class on directing the horror film, to a Forum on production.” “Behind the Camera Lens,” showcased Steven Feinberg (“Fortress,” “Peter York,” “Pell Grants: A Passion for Education,) Executive Director -
Downloaded More Than 212,000 Times Since the Ipad's April 3Rd Launch,” the Futon Critic, 14 Apr
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature _____________________________ ______________ Nicholas Bestor Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor Master of Arts Film Studies Michele Schreiber, Ph.D. Advisor Eddy Von Mueller, Ph.D. Committee Member Karla Oeler, Ph.D. Committee Member Accepted: Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor B.A., Middlebury College, 2005 Advisor: Michele Schreiber, Ph.D. An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2012 Abstract TV to Talk About: The CW and Post-Network Television By Nicholas Bestor The CW is the smallest of the American broadcast networks, but it has made the most of its marginal position by committing itself wholly to servicing a niche demographic. -
A Weekly Global Watch Media Publica On( May 9Th, 2014
A Weekly Global Watch Media Publicaon (www.globalreport2010.com) May 9th, 2014 The Global Watch Weekly Report is a publication of Rema Marketing (www.remamarketing.com) and is published every Friday. For any queries regarding this service please contact us at [email protected]. ©Rema Marketing 2014. All Rights Reserved. “The Number one weekly report which provides concrete evidence of a New World Order & One World Government agenda” www.globalreport2010.com This is a FREE report. Please pass this on to others who you may feel would benefit from this information. Web site owners please feel free to give this away to your site visitors or email lists Not yet on our mailing list? Then visit the web site link below and sign up to ensure you don't miss out on these free weekly reports www.globalreport2010.com Welcome to the Global Watch Weekly Report To say that Satanist Aleister Crowley was an evil man would be an understatement. But before we get to who this man was and why even in 2014 his name still has influence, let us tell you a little bit about just where this guy stood morally. He was quoted as saying “I simply went over to Satan's side and I do not know why.” Crowley also said “I was not content to just believe in Satan, I wanted to be his chief of staff.” During the early 1900s One of Crowley's creations was a secret sect known as Ordo Templi Orienti (OTO), which was originally set up to teach sex magic (called magick by Crowley). -
Peaches Geldof- Otwarte Drzwi I Szukanie Tam Gdzie Nie Trzeba
Peaches Geldof- Otwarte drzwi i szukanie tam gdzie nie trzeba „Bojaźń Pana przedłuża życie, lecz lata bezbożnego skracają się. (28) Oczekiwanie sprawiedliwych przynosi radość, lecz nadzieja bezbożnych wniwecz się obraca. (29) Pan jest twierdzą dla tego, kto postępuje nienagannie, lecz zgubą dla tych, którzy czynią nieprawość. (30) Sprawiedliwy nigdy się nie zachwieje, lecz bezbożni nie będą mieszkali na ziemi. (31) Usta sprawiedliwego tryskają mądrością, lecz język przewrotny będzie wyrwany. (32) Wargi sprawiedliwego wypowiadają to, co jest miłe, lecz usta bezbożnych tylko to, co jest przewrotne. ”Ks. Przysłów 10 Spis treści Wstęp....................................................................................................................................................3 Rodzina.................................................................................................................................................4 Szukanie u szatana, czyli magia...........................................................................................................5 Promowanie zboczenia oraz lesbijskie zapędy.....................................................................................6 Judaizm.................................................................................................................................................7 Scjentologia..........................................................................................................................................8 Tatuaże..................................................................................................................................................9 -
Etd Nbm5.Pdf (457Kb)
JUST FOR LAUGHS: AN ANALYSIS OF 21ST CENTURY AFRICAN AMERICAN SITUATIONAL COMEDIES A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture and Technology By Natanya Bobbie Mitchell, B.A. Washington, DC May 2, 2005 JUST FOR LAUGHS: AN ANALYSIS OF 21ST CENTURY AFRICAN AMERICAN SITUATIONAL COMEDIES Natanya Bobbie Mitchell, B.A. Thesis Advisors: Diana Owen, PhD and Matthew Tinkcom, PhD ABSTRACT There have been studies regarding the roles and stereotypes of African Americans in the American entertainment industry. Most of these studies have been expository pieces, stating the stereotypes portrayed and adopted by actors and actresses. It has been reasoned that the cause of stereotyping within the entertainment industry is the underlying, and sometimes blatant, racism of American society. This theory definitely has been corroborated, but there is more that needs to be analyzed. Besides the reasoning behind the stereotypes, this thesis plans to look at the evolution of the stereotypes in African American situational comedies as well as the ideological institutions and theories that help to maintain the status quo of the entertainment industry. Mass media is one of the many reflections of the culture and society in which it is located. This statement is no less true for American society. Throughout American society’s transformations and revolutions, its’ media has also gone through ii an evolution of its’ own. African Americans’ trials and tribulations in discovering not only themselves, but also their place in the world of American entertainment is one that was mirrored on the television screen.