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Curtis Mayfield Diamond in the Back Free Download Youtube-Download.Sk
curtis mayfield diamond in the back free download YouTube-Download.sk. Download "Curtis Mayfield - Diamond in the Back" Stiahnite si video "Curtis Mayfield - Diamond in the Back" priamo z youtube. Stačí zvoliť požadovaný formát a po kliknutí na tlačidlo "Download" bude vygenerovaný odkaz na stiahnutie videa "Curtis Mayfield - Diamond in the Back" . Chcete stiahnúť len zvuk z videa vo formáte mp3? Pre stiahnutie zvuku z videa "Curtis Mayfield - Diamond in the Back" vo formáte MP3 jednoducho zvoľte formát MP3 a počkajte, kým sa vygeneruje odkaz. Diamond In The Back Lyrics. Curtis Mayfield – Diamond In The Back Lyrics. Though you may not drive a great big Cadillac Gangsta whitewalls TV antennas in the back You may not have a car at all But remember brothers and sisters You can still stand tall Just be thankful for what you've got Though you may not drive a great big Cadillac Diamond in the back, sunroof top, diggin' the scene with a gangsta lean Gangsta whitewalls, TV antennas in the back. You may not have a car at all But remember, brothers and sisters You can still stand tall Just be thankful, for what you've got Diamond in the back, sunroof top, diggin' the scene with a gangsta lean woo Hoo ooh (x3) Though you may not drive a great big Cadillac Gangsta whitewalls, TV antennas in the back You may not have a car at all But remember brothers and sisters You can still stand tall Just be thankful, for what you've got Diamond in the back, sunroof top, diggin' the scene with a gangsta lean. -
Clarky List 50 31/07/2012 13:06 Page 1
Clarky List 51_Clarky List 50 31/07/2012 13:06 Page 1 JULY 2012 PHONE RESERVATIONS ESSENTIAL : 8am – 9pm OVERSEAS ORDERS PLEASE WRITE FIRST. Postage & Packing Rates (all recorded delivery): LP’s/12"s: £6.00 for the first, £1.00 each thereafter 45’s: £2.50 for the first, 50p each thereafter Special Delivery on 45s – £7.50 to be paid on all orders over £30 ALL BIDS MUST BE IN WRITING All Mint/VG+ unless indicated otherwise. Discs held for 7 days. Any returns within 7 days. No responsibility for Post Office mis han dling The Coach House, Cromer Road, North Walsham, Norfolk, NR28 0HA, England Tel: 01692 403158 / ianclarkmusic.com 24 HOUR AUTO FAX! Fax in your requests - just let the phone ring! (same number as above) NORTHERN SOUL US ORIGINALS 1) Jackie Ross I Got the Skill Chess £8 2) Jackie Wilson Sweetest Feeling/Nothing But Heartaches Brunswick (DJ) £30 3) Jackie Wilson I Don’t Want to Lose/Just Be Sincere Brunswick (DJ £35 4) Jackie Wilson Who Who Song Brunswick (DJ) £30 Three rare promos of these soul classics 5) Young Holt Unlimited California Montage Brunswick (DJ) £25 6) Linda Lloyd Breakaway (swol) Columbia (WDJ) £175 7) James Carr A Losing Game Goldwax £25 8) Icemen How Can I Get Over? (brilliant) ABC £40 9) Volumes You Got it Baby/A Way to Love Inferno (WDJ) £40 10) Chessmen Why Can’t I Be Your Man? Chess (WDJ) £50 11) Jimmy Norman Love Sick Raystar £20 12) Nancy Wilcox Coming On Strong RCA (WDJ) (SWOL) £70 13) Herb Ward Honest to Goodness RCA (DJ) £200 14) Johnny Bartel If This Isn’t Love (WDJ) Solid State VG++ £100 15) Twilights -
Finding Aid to the Historymakers ® Video Oral History with Johnny Pate
Finding Aid to The HistoryMakers ® Video Oral History with Johnny Pate Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Pate, Johnny Title: The HistoryMakers® Video Oral History Interview with Johnny Pate, Dates: September 30, 2004 Bulk Dates: 2004 Physical 5 Betacame SP videocasettes (2:29:11). Description: Abstract: Jazz bassist and music arranger Johnny Pate (1923 - ) formed the Johnny Pate Trio and Combo, and was house bassist for Chicago’s The Blue Note. Johnny Pate’s bass solo on “Satin Doll” is featured on the album "Duke Ellington Live at The Blue Note," and he has collaborated with Curtis Mayfield, produced the Impressions’s hits “Amen,” “We’re A Winner” and “Keep On Pushin’.” and arranged for B.B. King, Gene Chandler and Jerry Butler. Pate was interviewed by The HistoryMakers® on September 30, 2004, in Las Vegas, Nevada. This collection is comprised of the original video footage of the interview. Identification: A2004_188 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Jazz bassist, rhythm and blues arranger John W. Pate, Sr., “Johnny Pate,” was born December 5, 1923 in blue collar Chicago Heights, Illinois. Pate took an interest in the family’s upright piano and learned from the church organist who boarded with them. He attended Lincoln Elementary School, Washington Junior High and graduated from Bloom Township High School in 1942. Drafted into the United graduated from Bloom Township High School in 1942. Drafted into the United States Army, Pate joined the 218th AGF Army Band where he took up the tuba and played the upright bass in the jazz orchestra. -
The Impressions, Circa 1960: Clockwise from Top: Fred Cash, Richard Brooks> Curtis Mayfield, Arthur Brooks, and Sam (Pooden
The Impressions, circa 1960: Clockwise from top: Fred Cash, Richard Brooks> Curtis Mayfield, Arthur Brooks, and Sam (Pooden. Inset: Original lead singer Jerry Butler. PERFORMERS Curtis Mayfield and the Impressions BY J O E M cE W E N from the union of two friends, Jerry Butler and Curtis Mayfield of Chicago, Illinois. The two had sung together in church as adolescents, and had traveled with the Northern Jubilee Gospel Singers and the Traveling Souls Spiritual Church. It was Butler who con vinced his friend Mayfield to leave his own struggling group, the Alfatones, and join him, Sam Gooden, and brothers Richard and Arthur Brooks— the remnants of another strug gling vocal group called the Roosters. According to legend, an impressive performance at Major Lance, Walter Jackson, and Jan Bradley; he also a Chicago fashion show brought the quintet to the at wrote music that seemed to speak for the entire civil tention of Falcon Records, and their debut single was rights movement. A succession of singles that began in recorded shortly thereafter. “For Your 1964 with “Keep On Pushing” and Precious Love” by “The Impressions SELECTED the moody masterpiece “People Get featuring Jerry Butler” (as the label DISCOGRAPHY Ready” stretched through such exu read) was dominated by Butler’s reso berant wellsprings of inspiration as nant baritone lead, while Mayfield’s For Your Precious Love.......................... Impressions “We’re A Winner” and Mayfield solo (July 1958, Falcon-Abner) fragile tenor wailed innocently in the recordings like “(Don’t Worry) If background. Several follow-ups He Will Break Your Heart......................Jerry Butler There’s A Hell Below We’re All Going (October 1960, Veejay) failed, Butler left to pursue a solo ca To Go” and “Move On Up,” placing reer, and the Impressions floundered. -
Trade Moving to Same Col Tops Hot 100 Chart
OCTOBER 25, 1969 $1.00 SEVENTY-FIFTH YEAR The International Music -Record Tape Newsweekly COIN MACHINE Bi oa PAGES 41 TO 48 Trade Moving to Same Col Tops Hot 100 Chart 8 -Track, Cassette Price By BRUCE WEBUR Report; Keeps LP Lead LOS ANGELES - Industry The tape duplicator joins By FRED KIRBY trends point to a $6.98 stand- Columbia, RCA and Capitol, NEW YORK - Columbia Columbia also led for the Seven Arts complex, which also ard for both 8 -track and cas- among the major record manu- maintained its leading position third quarter on the Top LP's includes that label, which was by 1 sette, and Jan. an indus- facturers to establish a cassette in percentage of spots on Bill- Chart, but the top quarter Hot ninth with 23 titles for 3.6 per- try -wide price is ex- posture standard equal to that of its board's Top LP's Chart for the 100 scorer was RCA with 16 cent. Columbia's leading posi- pected. 8 -track cartridge product. first nine months of the year titles and 8.4 percent of the tion for last year's first three today's markups Many of in If traditional record labels, and gained the top position on chart, compared to Columbia's quarters was only supported by price tags as an come after- (Continued on page 14) Hot 100 percentage. 16 titles for 6.9 percent. 65 titles. math to rising costs at the man- ufacturing and distribution The nine -month Top's LP's RCA rose from its sixth spot leaders were points. -
In the Middle of 1970, Curtis Mayfield Quit the Impressions and Began One of the Most Groundbreaking and Successful Solo Careers in History
In the middle of 1970, Curtis Mayfield quit the Impressions and began one of the most groundbreaking and successful solo careers in history. Nothing happened to force his hand—no dramatic falling out or heated argument. In his customary seat-of-the-pants way, he simply picked up the phone one evening, called fellow Impression Fred Cash, and said, “Fred, I’m going to try to go on my own and see what I can do. You and Sam [Gooden] can do the same thing. Y’all go on your own and see what you can do.” Fred called Sam and told him the news, and that was it. My father left the group. Fred, Sam, and the Impressions, three of the most important forces in my father’s life for more than a decade, no longer occupied his mind. The boyhood dreams, the endless miles traveled on tour, the lonely nights trying to steal sleep in motel beds, the harmonizing and fraternizing all came to an end. Dad struggled with the decision. For years, the three Impressions were so close that if you saw one of them, you usually saw the other two. They spent more time with each other than they did with their own wives. Yet, my father had the ability to turn off his emotions and make cold, calculated business decisions when he felt it necessary. Recalling this side of him, my brother Tracy says, “You saw a good and evil. The evil part came out when it was about business. I always separated the parent from the businessperson. -
Chicago Was a Key R&B and Blues
By Harry Weinger h e g r e a te st h a r m o n y g r o u p o p ment,” “Pain in My Heart” and original all time, the Dells thrilled au versions of “Oh W hat a Nile” and “Stay diences with their amazing in My Comer.” After the Dells survived vocal interplay, between the a nasty car accident in 1958, their perse gruff, exp lore voice of Mar verance became a trademark. During vin Junior and the keening their early down periods, they carried on high tenor of Johnny Carter, thatwith sweet- innumerable gigs that connected T the dots of postwar black American- homeChicago blend mediated by Mickey McGill and Veme Allison, and music history: schooling from Harvey the talking bass voice from Chuck Fuqua, studio direction from Willie Barksdale. Their style formed the tem Dixon and Quincy Jones, singing back plate for every singing group that came grounds for Dinah Washington and Bar after them. They’ve been recording and bara Lewis (“Hello Stranger”) and tours touring together for more than fifty with Ray Charles. years, with merely one lineup change: A faithful Phil Chess helped the Dells Carter, formerly ©f the Flamingos reinvigorate their career in 1967. By the (t ool Hall of Fame inductees), replaced end of the sixties, they had enough clas Johnny Funches in i960. sics on Cadet/Chess - including “There Patience and camaraderie helped the Is,” “Always Together,” “I Can Sing a Dills stay the course. Starting out in the Rainbow/Love Is Blue” and brilliant Chicago suburb of Harvey, Illinois, in remakes of “Stay in My Comer” and “Oh, 1953, recording for Chess subsidiaries What a Night” (with a slight variation in Checker and Cadet and then Vee-Jay, the its title) - to make them R&B chart leg Dells had attained Hall of Fame merit by ends. -
SALES LIST #738 – Monday 28Th JANUARY 2019
!"#$%&!'()*+!"&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&!!!!!!!!!!!!!!!!!!!!!!!!!!!,($-&./0.1&2/21.3! 4%&5%6&3&7&,%8'%)8("!!!!!!!!!!!!!!!!!!!!!!!!!!!!!"#$%&!'!($()*+,&-%./&0123+..)3243+#! $!"+97&%$/3&:9;4!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!5$/5$&'!(%360($()*+,&-%./&43+4,6! <"*,(8&=*"#8%'!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!7)1*%2)'8884($()*+,&-%./&43+4,6!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! & 9!$(9&$*9,&>0?2&@&'ABCDE&F2GH&I!"<!)J&F./K& & I!"<!)J&F./K&)!)(&9%<$&!<+,*%"& !LMGNAB&ONBNPHQP&1R..ST&U/2R..HVPW&,HLVPCDE&?/PG&IDBLDVER& !P&QXQV7&NGYP&D&MDPQ&AO&GHQ&HNZHQPG&[NC&DG&GHQ&ONBNPHNBZ&GNTQ&\HA& \NBPR&"A&Q]GQBPNAB7&SVA]E&[NCP&AV&CVAS^CA\BP&@&EAL&SDE&GHQ&SVNMQ& EAL&AOOQVQCR&_ASQ&GHDGYP&M`QDVR&'DBE&GHDBaP&OAV&EALV&DGGQBGNABR& !& MIN. BID JANUARY RARE SOUL AUCTION & A EARL JACKSON SOUL SELF SATISFACTION ABC 11142 WD VG++ 559 After all these years, Jackson is still a mystery man, a singer called Larry Marks recorded the flipside ‘Looking Thru The Eyes Of Love’, but it’s a different version and we are fairly sure its not him. Whatever the truth, this is mighty, mighty Northern Soul from the pen, producing and arranging skills of the legendary Johnny Pate. Just one small mark on this one, other than that, a minter! B LIFE TELL ME WHY REPRISE 1185 WD M- 150 It’s a while since we had an original copy of this, one of the first modern spins on the scene and virtually unobtainable even as a new 1974, release. Quite easy to tell the original from the bootie – the original is truly stereo/mono on each side whereas the boot says such but is actually, mono both sides. You’ll get this in an original sleeve; don’t you just hate the pretentious term “birth-sleeve” as used by a certain crazed East Midlands record dealer? C MARY LOU WILLIAMS YOU KNOW BABY MARY 1976 M- 450 AND GROUP Featuring the vocals of Leon Thomas who had a few good 45s to his name on Flying Dutchman, Don King and Now Sound, this must be his first recording and its solid sixties all the way. -
Biographical Description for the Historymakers® Video Oral History with Carl Davis
Biographical Description for The HistoryMakers® Video Oral History with Carl Davis PERSON Davis, Carl, 1934-2012 Alternative Names: Carl Davis; Life Dates: September 19, 1934-August 9, 2012 Place of Birth: Chicago, Illinois, USA Residence: Summerville, SC Occupations: Music Producer Biographical Note Successful record producer Carl H. Davis was born September 19, 1934, in Chicago, Illinois, where his father was a postal worker. He attended McCosh Elementary School and Englewood High School. He later earned a GED in 1954 and an associate’s degree from Cortez College of Business in 1957. Davis began his radio career typing play-lists for popular Chicago disc jockey Al Benson on WGES Radio in 1955. He quickly earned a reputation as a “hitpicker.” His success allowed him to join the “hitpicker.” His success allowed him to join the marketing department of Arnold Distributors. In the early 1960s, Davis managed the Nat label and had a minor hit with “Nite Owl” by the DuKays. In 1962, he became a producer for Okeh Records. There, Davis discovered the legendary Gene Chandler and produced and co-wrote the “Duke of Earl” in 1962 and Major Lance’s “Monkey Time” in 1963. Through his work, Davis created a Chicago sound with upbeat arrangements backed by musicians and arrangers like Johnny Pate and Sonny Sanders. A partnership with Curtis Mayfield resulted in hits for Major Lance, Billy Butler (Jerry’s brother) and Walter Jackson. Meanwhile, Gene Chandler’s “Rainbow,” “Just Be True,” and “Man’s Temptation” were all hits. Davis produced the hit “Dear Lover” for Mary Wells and often hired Motown’s Funk Brothers band. -
CONGRESSIONAL RECORD— Extensions of Remarks E1459 HON
July 29, 2002 CONGRESSIONAL RECORD — Extensions of Remarks E1459 America, Junior Achievement reaches more This man dedicated his life to ameliorating map in the soul music industry said W.L. than four million students in grades K–12 per human rights in our country. In the 50s and Lilliard a television talk show host/producer year. JA International takes the free enterprise 60s, when minorities were given little to no re- and businessman, as well as a close fhend of message of hope and opportunity even further spect or rights, Cesar Chavez cleared the path Mr. Leavill’s. to nearly two million students in 113 countries. for equality. Bob Pruter, the author of the book, ‘‘Chi- Junior Achievement has been an influential In the early 50s, after fighting in World War cago Soul,’’ said, when I was doing research part of many of today’s successful entre- II, Chavez began his involvement in battling for my book, I went to him because he knew preneurs and business leaders. Junior racial and economic discrimination against everybody, Achievement’s success is truly the story of Chicanos. His passion and commitment to this Mr. (Leavill) Cobb wrote dozens of songs, America—the fact that one idea can influence cause led him to serve as the national director and gained National attention in 1964 for sing- and benefit many lives. of the Community Service Organization. But ing, ‘‘Let her Love Me,’’ written by Billy Butler Mr. Speaker, I wish to extend my heartfelt as his attention and personal interest focused and produced by Major Lance, himself a noted congratulations to Bill Laird of Franklin for his on the poor working conditions of farm work- recording artist. -
Finding Aid to the Historymakers ® Video Oral History with Carl Davis
Finding Aid to The HistoryMakers ® Video Oral History with Carl Davis Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Davis, Carl, 1934-2012 Title: The HistoryMakers® Video Oral History Interview with Carl Davis, Dates: December 19, 2003 Bulk Dates: 2003 Physical 5 Betacame SP videocasettes (2:31:55). Description: Abstract: Music producer Carl Davis (1934 - 2012 ) produced a number of hits starting in the '60s, earning his reputation as a "hitpicker." Davis was interviewed by The HistoryMakers® on December 19, 2003, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2003_306 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Successful record producer Carl H. Davis was born September 19, 1934, in Chicago, Illinois, where his father was a postal worker. He attended McCosh Elementary School and Englewood High School. He later earned a GED in 1954 and an associate’s degree from Cortez College of Business in 1957. Davis began his radio career typing play-lists for popular Chicago disc jockey Al Benson on WGES Radio in 1955. He quickly earned a reputation as a “hitpicker.” His success allowed him to join the marketing department of Arnold Distributors. In the early 1960s, Davis managed the Nat label and had a minor hit with “Nite Owl” by the DuKays. In 1962, he became a producer for Okeh Records. There, Owl” by the DuKays. In 1962, he became a producer for Okeh Records. There, Davis discovered the legendary Gene Chandler and produced and co-wrote the “Duke of Earl” in 1962 and Major Lance’s “Monkey Time” in 1963. -
With the Sonnets Now Solved... 1601
Vol.3:no.4 "Let me not to the marriage of true minds admit impediments..." Summer 2004 A year in the life With the Sonnets 1601: “authorize now solved... thy trespass is the debate resolved? with compare...” By William Boyle By Hank Whittemore n the 395 years since the 1609 his column ordinarily looks at quarto of Shake-speares Son- contemporary events of a given I nets was published more than T year in the life of Edward de 1,800 books have been written about Vere, 17th Earl of Oxford, and the them. The biggest problem in present chapter focusing on 1601 is achieving an understanding has no exception. This time, however, been that most of the authors have we also draw upon the collection had the wrong Shakespeare, which entitled Shake-Speares Sonnets, first immediately precluded ever deter- printed in 1609, as a genuine his- mining the actual circumstances torical and political document that under which they were written. complements and supplements the Even among Oxfordians (who as- official record. In doing so the col- sume of course that they do have umn introduces some of the themes the correct author) the Sonnets The most famous title page in and data compiled in my forthcom- have been a contentious conun- The notoriously enigmatic literary history, announcing ing book The Monument, a new dedication seems to cry out drum, with various Oxfordian au- to the world the poetry with edition of the Sonnets that sets cipher (and there is one there), thors over the years going in vari- which Shakespeare both un- forth (for the first time, we believe) but in the end the Sonnet ous directions searching for the locked his heart and told his solution is revealed only when ever-elusive “correct” answer to story.