A Stodgy Ride in Shallow Waters Remembering Judge Sahib Ravi Rohmetra Ious Places in the State in Quick
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Research Paper Impact Factor
Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s. -
Gangs of Wasseypur As an Active Archive of Popular Cinema
M A D H U J A M U K H E R J E E Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema This paper studies Gangs of Wasseypur (Parts 1 and 2, 2012) as a definitive text via which Anurag Kashyap’s style became particularly provocative and pointed. While a range of films (both directed and produced by Kashyap) seemingly bear a certain ‘Kashyap mark’ in the manner in which they tackle subjects of violence and belligerent speech with an unpredictable comic sense, I argue that, more importantly, these films work within a particular visual framework with regard to its mise-en- scène (including the play of light, camera movement, modes of performance), as well as produce recognisable plot structures (involving capricious and realistic events), settings and locations (like the city’s underbelly, police stations, etc.), and so on. Indeed, Kashyap has made a set of films—including Paanch (unreleased), No Smoking (2007) and Ugly (2014)—which deal with similar issues, and explore contemporary cityscapes, especially Mumbai, with fervidness, thereby commenting on urban dystopia.1 Furthermore, these films speak to what has been analysed as the ‘Bombay noir’ mode by Lalitha Gopalan, by means of thoughtful art and set design, engaging (and often hand-held) camera movements and swish-pans, uses of blue or yellow filters, character prototypes, and reflective performances, which generate a world that is engulfed by a deep sense of disquiet and distress. This paper draws attention to such stylistic explorations, especially JOURNAL OF THE MOVING IMAGE 91 to the ways in which it has developed through Kashyap’s recent films. -
A Grown up Bromance
12 Friday 26th August, 2011 Now at Savoy (2) -(Dts) Zindagi Na Milegi Dobara A grown up bromance okes about teachers. Fights over make a bromance as beautifully as a little contrived—three girlfriends. Silly word games. Bare woman. adventure sports to test Jchests. Rippling muscles. Streaked The film is gentle, taking time out to your courage—but the story hair. Sigh. Glossy looking and beautiful- look at horses running in the meadows, keeps you engaged. ly written. I must confess by the time I feel the wind the air, swim with the fish A meditative take on finished watching Zindagi Na Milegi underwater. All that male beauty may growing up, becoming a Dobara I was convinced that no one can be a little manipulative and the plot is a man, taking responsibility Congratulations for one’s actions, it has the courage to ly posed performance as a spolit little Coupon No. 141 (Daily Island) go for long periods with no dialogue. A madam. The correct answer is ’25th August’ scene where Hrithik Roshan does a My favourite moment of the film? Finding Nemo and another where the Not the showy moment when Hrithik 1. Ms. Kavindya Colombo 3 boys discover the joys of sky diving is discovers the meaning of life with one 2. H. S. Caldera Kadawatha all about just being. Seizing the deep sea dive with Katrina Kaif. Or 3. Kumara Colombo 15 moment. Living for the day. Yes, yes, when Farhan confronts his pot smoking 4. Lakmali Wathsala Boralesgamuwa cliches all, but shot with such sisterly ageing painter dad-can’t tell you who he 5. -
Shah Jahan Movie Love Dialogue Download Moviesl
Shah Jahan Movie Love Dialogue Download Moviesl 1 / 4 2 / 4 Shah Jahan Movie Love Dialogue Download Moviesl 3 / 4 Shah Jahan:Thanks Jahangir:No,onlyarrangedmarriagesare allowedinthisfamily.Thistraditionhasbeeninthe family for generations! Shah .... Rudranil Ghosh. Actor, Writer, Screenplay, Dialogue Writer. Born: Jan 23, 1973, Howrah, West Bengal, India .... Idhayangale Jathi Matham Dialogue | Shajahan Movie Status ... #idhayangale jathi matham dialogue free download ... Emotional - Tamil | Love BGM | Shahjahan | Sad BGM | Tamil | Vijay | Whatsapp Status Video - ASR ... Shajahan Romance Scene Tamil film whatsapp Status Vijay Richa pallod.. Starring Anil Kapoor, Shefali Shah, Priyanka Chopra Jonas, Ranveer Singh, ... The film depicts the tale of Ayesha (Priyanka Chopra), who has always ... Directed by Zoya Akhtar, this romantic comedy-drama is filled with ... Agar Shah Jahan practical hota toh Taj Mahal kaun banata ... DOWNLOAD THE APP.. Vijay Shajahan Bgm Ringtone Download Shajahan BGM RingTone ... Ringtone Shahjahan Climax Bgm Ringtone Sad Love Bgm Ringtone .... Much like Aishwarya Rai Bachchan in Mohabbatein, the dialogues of the film live on long after they're gone. We bring you the top ten dialogues of the film.. Parambrata Chatterjee in Shah Jahan Regency | SVF/Match Cut Productions ... novel is the fictional Shah Jahan Hotel, Mukherjee's Bengali-language film ... Sata Bose and airhostess Sujata Mitra, with whom Sata falls in love. Directed by K.S. Ravi. With Joseph Vijay, Balaji, Banu Balasubramaniam, Chaplin Balu. Ashok is the guy people turn to for love advice. He helps Raja succeed .... Mar 2, 2015 - Vijay Shahjahan dialogue Vijay love dialogue, Vijay shajahan dialogue, Shajahan movie dialogue, Shajahan greeting card, Shajahan love proposal dialogue, Vijay ... Download maari 2 wallpapers hd wallpaper fast and easy. -
Women in Higher Education in India
Women in Higher Education in India Women in Higher Education in India: Perspectives and Challenges Edited by Hari Ponnamma Rani and Madhavi Kesari Women in Higher Education in India: Perspectives and Challenges Edited by Hari Ponnamma Rani and Madhavi Kesari This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Hari Ponnamma Rani, Madhavi Kesari and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0854-4 ISBN (13): 978-1-5275-0854-5 CONTENTS Chapter One ................................................................................................ 1 Streeling-Punling-Samething H.P. Rani, G. Siranjeevi, B. Sai Krishna Chapter Two ................................................................................................ 8 Transforming the Identity of Women—From Tradition to Modernity— Through Cinema: Towards Gender Equality Madhavi Kesari Chapter Three ............................................................................................ 14 Gender Discrimination in India: A Fly in the Ointment Suneetha Yedla, Sailaja Mukku Chapter Four ............................................................................................. -
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, More Entertaining Content
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, more Entertaining Content INDIAN TRENDS 2018-19 Relevant Statistics & Insights from an Indian Perspective. Prologue Digital technology has steered the third industrial revolution and influenced human civilization as a whole. A number of industries such as Media, Telecom, Retail and Technology have witnessed unprecedented disruptions and continue to evolve their existing infrastructure to meet the challenge. The telecom explosion in India has percolated to every corner of the country resulting in easy access to data, with Over-The-Top (OTT) media services changing how people watch television. The Digital Media revolution has globalized the world with 50% of the world’s population going online and around two-thirds possessing a mobile phone. Social media has penetrated into our day-to-day life with nearly three billion people accessing it in some form. India has the world’s second highest number of internet users after China and is fully digitally connected with the world. There is a constant engagement and formation of like-minded digital communities. Limited and focused content is the key for engaging with the audience, thereby tapping into the opportunities present, leading to volumes of content creation and bigger budgets. MICA, The School of Ideas, is a premier Management Institute that integrates Marketing, Branding, Design, Digital, Innovation and Creative Communication. MICA offers specializations in Digital Communication Management as well as Media & Entertainment Management as a part of its Two Year Post Graduate Diploma in Management. In addition to this, MICA offers an online Post-Graduate Certificate Programme in Digital Marketing and Communication. -
Social Science TABLE of CONTENTS
2015 Social Science TABLE OF CONTENTS Academic Tools 79 Labour Economics 71 Agrarian Studies & Agriculture 60 Law & Justice 53 Communication & Media Studies 74-78 Literature 13-14 Counselling & Psychotherapy 84 7LHJL *VUÅPJ[:[\KPLZ 44-48 Criminology 49 Philosophy 24 Cultural Studies 9-13 Policy Studies 43 Dalit Sociology 8 Politics & International Relations 31-42 Development Communication 78 Psychology 80-84 Development Studies 69-70 Research Methods 94-95 Economic & Development Studies 61-69 SAGE Classics 22-23 Education 89-92 SAGE Impact 72-74 Environment Studies 58-59 SAGE Law 51-53 Family Studies 88 SAGE Studies in India’s North East 54-55 Film & Theatre Studies 15-18 Social Work 92-93 Gender Studies 19-21 Sociology & Social Theory 1-7 Governance 50 Special Education 88 Health & Nursing 85-87 Sport Studies 71 History 25-30 Urban Studies 56-57 Information Security Management 71 Water Management 59 Journalism 79 Index 96-100 SOCIOLOGY & SOCIAL THEORY HINDUISM IN INDIA A MOVING FAITH Modern and Contemporary Movements Mega Churches Go South Edited by Will Sweetman and Aditya Malik Edited by Jonathan D James Edith Cowan University, Perth Hinduism in India is a major contribution towards ongoing debates on the nature and history of the religion In A Moving Faith by Dr Jonathan James, we see for in India. Taking into account the global impact and the first time in a single coherent volume, not only that influence of Hindu movements, gathering momentum global Christianity in the mega church is on the rise, even outside of India, the emphasis is on Hinduism but in a concrete way, we are able to observe in detail as it arose and developed in sub-continent itself – an what this looks like across a wide variety of locations, approach which facilitates greater attention to detail cultures, and habitus. -
Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the 'Muslim' Courtesan (Tawaif) in Hindustani Cinema
DOCTORAL DISSERTATIO Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the ‘Muslim’ Courtesan (tawaif) in Hindustani cinema Farhad Khoyratty Supervised by Dr. Felicity Hand Departament de Filologia Anglesa i Germanística Universitat Autònoma de Barcelona 2015 Table of Contents Acknowledgements iv 1. Introduction 1 2. Methodology & Literature Review 5 2.1 Methodology 5 2.2 Towards Defining Hindustani Cinema and Bollywood 9 2.3 Gender 23 2.3.1 Feminism: the Three Waves 23 2.4 Feminist Film Theory and Laura Mulvey 30 2.5 Queer Theory and Judith Butler 41 2.6 Discursive Models for the Tawaif 46 2.7 Conclusion 55 3. The Becoming of the Tawaif 59 3.1 The Argument 59 3.2 The Red Dupatta 59 3.3 The Historical Tawaif – the Past’s Present and the Present’s Past 72 3.4 Geisha and Tawaif 91 4. The Courtesan in the Popular Hindustani cinema: Mapping the Ethico-Ideological and Mythopoeic Space She Occupies 103 4.1 The Argument 103 4.2 Mythopoeic Functions of the Tawaif 103 4.3 The ‘Muslim’ Courtesan 120 4.4 Agency of the Tawaif 133 ii 4.5 Conclusion 147 5. Hindustani cinema Herself: the Protean Body of Hindustani cinema 151 5.1 The Argument 151 5.2 Binary Narratives 151 5.3 The Politics of Kissing in Hindustani Cinema 187 5.4 Hindustani Cinema, the Tawaif Who Seeks Respectability 197 Conclusion 209 Bibliography 223 Filmography 249 Webography 257 Photography 261 iii Dedicated to My Late Father Sulliman For his unwavering faith in all my endeavours It is customary to thank one’s supervisor and sadly this has become such an automatic tradition that I am lost for words fit enough to thank Dr. -
A Descriptive Study of the Content Orientation of Selected Contemporary Indian Short Films
Global Media Journal-Indian Edition; Volume 12 Issue1; June 2020. ISSN:2249-5835 A descriptive study of the Content Orientation of Selected Contemporary Indian Short Films Dr Reema Roy Assistant Professor Journalism & Mass Communication Department Asutosh College Kolkata, West Bengal- 700026 (A Govt. aided college, affiliated to University of Calcutta) Email: [email protected] Phone no. 9830518183 Abstract The digital revolution is coming up almost every day with some new surprises in the lives of ordinary people. That wonder is imprinted in daily life, mind, culture, professional field and the trade as well. Every day millions of Indian internet users find their entertainment or necessities on YouTube. One such entertainment content or text on YouTube is short Films. There are still a total of 13 production companies in India. Two notable producers are ‘Barrel Select Large Short Films’ and ‘Pocket Films’. Ideological Approach is being to analyse the content and genre of a total of 10 short films of the two production companies mentioned in the present discussion. This descriptive study will explore the culture, social message, alternative thinking displayed in short films. Keywords: Short films, YouTube, Social message, Social conflicts, Barrel Select Large Short Films, Pocket Films Introduction The digital revolution is coming up almost every day with some new surprises in the lives of ordinary people. That wonder is making an impression in daily life, mind, culture, trade and the professional field as well. According to Omnicore, there were 265 million active YouTube users who found their entertainment or necessities on YouTube in India until February 2020 (https://www.omnicoreagency.com/youtube-statistics, 2020). -
9-11 February 2014-Lao Pdr
9-11 FEBRUARY 2014-LAO PDR MINISTRY OF CULTURE, GOVERNMENT OF INDIA MINISTRY OF CULTURE, GOVERNMENT OF INDIA Design: [email protected] MESSAGE Festivals of India abroad give wonderful opportunities for the Indian Diaspora to rejuvenate their hereditary cultural inclinations. I am glad that Festival of India is happening in Lao PDR where large number of artists and artisans are participating. I take this opportunity to compliment the officials of Ministry of Culture and its various participating organisations that have made lot of efforts in putting together this colourful extravaganza. I extend a very warm invitation to the people of Lao PDR to come in large numbers and enjoy the cultural feast being organised for them. I wish the Festival of India in Lao PDR a grand success. 13 January, 2014 (CHANDRESH KUMARI KATOCH) Buddh Mahotsava, Sand Mandala organised as part of A Mandala is a cosmic diagram that represents the dwelling place or celestial mansion of this, will witness the a deity. Both the deity, who reside in the mandala and the mandala itself, are recognized as construction of Sand pure expressions of Buddha’s fully enlightened mind. Mandala can be visualized, painted or Mandala, Butter Sculpture, constructed with wood, precious jewels, rice, flower and the like. Sand is considered to be Sacred Dance and Lama a superb medium because of its number and the great skill required to create the Mandala’s Dhamma Talks, Meditation, Chant by the monks from exquisite details. The artist will chant before starting the Mandala creation. Then the blue the Himalayan region. -
A Universe of Irresistible Indian Stories
Coming Soon: A Universe Of Irresistible Indian Stories Link (YouTube) to the key asset Film AV Link (YouTube) Series AV Link (YouTube) Unscripted AV Link (YouTube) Monika Shergill, VP-Content, Netflix India (Download Image) Srishti Behl Arya, Director-International Original Film, Netflix India (Download Image) Link to event photos ( to follow) Link to B-roll videos ( to follow) FILMS (A-Z) ● Ajeeb Daastaans ● Bulbul Tarang ● Dhamaka ● Haseen Dillruba ● Jaadugar ● Jagame Thandhiram ● Meenakshi Sundareshwar ● Milestone ● Navarasa ● Pagglait ● Penthouse ● Sardar Ka Grandson ● The Disciple SERIES (A-Z) ● Aranyak ● Bombay Begums ● Decoupled ● Delhi Crime S2 ● Feels Like Ishq ● Finding Anamika ● Jamtara - Sabka Number Ayega S2 ● Kota Factory S2 ● Little Things S4 ● Mai ● Masaba Masaba S2 ● Mismatched S2 ● Ray ● She S2 ● Yeh Kaali Kaali Ankhein COMEDY ● Comedy Premium League ● Kapil Sharma Special ● Sumukhi Suresh Special ● Aakash Gupta Special ● Rahul Dua Special ● Prashasti Singh Special DOCUMENTARIES (A-Z) ● Crime Stories: India Detectives (Docu-Series) ● House of Secrets: The Burari Deaths (Docu-Series) ● Indian Predator (Docu-Series) ● Searching for Sheela (Docu-Film) REALITY SERIES (A-Z) ● Fabulous Lives of Bollywood Wives S2 ● Social Currency ● The Big Day Collection S2 FILMS (A-Z) A jeeb Daastaans Producer: Karan Johar, Apoorva Mehta, Somen Mishra, Dharmatic Entertainment Director: Shashank Khaitan, Raj Mehta, Neeraj Ghaywan, Kayoze Irani Writer: Shashank Khaitan, Sumit Saxena, Neeraj Ghaywan, Uzma Khan Cast: Fatima Sana Shaikh, Jaideep Ahlawat, Armaan Ralhan, Nushrratt Bharuccha, Abhishek Banerjee, Inayat Verma, Konkona Sen Sharma, Aditi Rao Hydari, Shefali Shah, Manav Kaul, Tota Roy Chowdhury Ajeeb Daastaans is an anthology of four strangely contrasting stories which delves into fractured relationships and unexplored spaces. -
Festival of Indian Film at WIPO
Centenary of Indian Cinema A Festival of Indian Films Geneva, December 4-7, 2012 A GOVERNMENT OF INDIA B Centenary of Indian Cinema A Festival of Indian Films Geneva, December 4-7, 2012 Co-Organized by: World Intellectual Property Organization (WIPO) Ministry of Information and Broadcasting, Government of India Permanent Mission of India to the United Nations and other international organizations in Geneva 1 at WIPO (main building) 34 chemin des Colombettes, Geneva GOVERNMENT OF INDIA 100 Years Indian Cinema A Century of Creativity India’s Permanent Representative to the United Nations in Geneva Dilip Sinha said “India is proud of its film industry. It not only The World Intellectual Property entertains, but is a massive Organization (WIPO) is pleased source of employment and wealth to host a festival of Indian films generation, largely because of from December 3 to 7, 2012 at its a robust copyright system that Geneva headquarters to mark 100 encourages creativity.” This, he years of Indian cinema. added, is the main reason that 2 WIPO was chosen as a venue India is the world’s largest producer to host the 100 hundred year of feature films with over 1200 celebration of Indian cinema. releases a year, in more than 25 languages. Indian films entertain “The Indian Government has well beyond the country’s borders, consistently supported and finding acclaim at international film facilitated the development of festivals and pleasing audiences the film industry to ensure that it around the world. continues to flourish and expand,” said Secretary, Ministry of “From the black and white silent Information and Broadcasting, Uday animations of the early 20th Kumar Varma.