​Saxon Headlining Lemmy 500 in Sweden

Total Page:16

File Type:pdf, Size:1020Kb

​Saxon Headlining Lemmy 500 in Sweden 2016-03-23 13:49 CET Saxon headlining Lemmy 500 in Sweden The British world-renowned rock band Saxon will headline the Swedish racingseries V8 Thunder Cars final, the Lemmy 500 at Ljungbyhed in September 24. Saxon will give the Swedish audience a full concert and to honour the legendary frontman of Motorhead, Lemmy Kilmister who passed away recently, Saxon will also team up with the former members of Motorhead, Mikkey Dee and Phil Campbell to make a one-off musical tribute to Lemmy performing some of Motorheads greatest hits. ”It´s going to be great to come back and see all our Swedish fans! This event is something special an unique. We have never before made a concert at a racetrack on a raceday and also to do a tribute to our long time friend and rock icon Lemmy along with Mikkey Dee and Phil Campbell”, says Biff Byford, the lead singer of Saxon, whose latest album Battering Ram reached number 13 on the Swedish charts. ”This is going to be a night to remember! Playing some of Motorheads greatest hits together with our friends Saxon is going to be a great tribute to our former friend and band member. The Lemmy 500 will go down in history as the rockiest race championship final ever!”, says former drummer of Motorhead, Mikkey Dee. The Swedish national championship racing series V8 Thunder Cars has been given the go-ahead to name its final race in honour of Lemmy – the winner of the Lemmy 500 and the championship will be crowned on stage before the concert starts. ”There will be no other race more prestigious to win than the Lemmy 500 in Sweden,” says Alexander Graff, runner up in the championship last year and one of the favorites for the title this year. ”It will be one hell of a final, a true party of rock ’n roll and racing mixed together. Both Saxon and Motorhead are huge here in Sweden and we will make sure the spectators will feel right at home in our paddock – we are quite a rowdy but friendly bunch and definitely more rock ’n’ roll than the glamour that is so often associated with motorsports.” Tickets will go on sale in May on ticketmaster.se For more information, please contact: Joakim Tarnstrom Media Officer V8 Thunder Cars +47(0)72-503 96 36 [email protected] Mer om V8 Thunder Cars V8 Thunder Cars är en racingklass med sina rötter i amerikanska racingtraditioner – det handlar om muskler under huven och tät racing. För att hålla ned driftkostnaderna och skapa sportsligt rättvisa förhållanden används enhetschassin och enhetsmotorer i V8 Thunder Cars. Motorerna, V8:or på 450 hästkrafter, tillverkas av General Motors racingavdelning och chassit är framtaget och utvecklat av Howe Racing Enterprises USA och Performance Automotive Scandinavia. Deltagarna kan välja mellan tre olika karosser, Ford Mustang, Chevrolet Camaro och Dodge Challenger. V8 Thunder Cars har i sin nuvarande form existerat sedan 1987 (fram till 2012 under namnet Camaro Cup) men klassens anor sträcker sig ända tillbaka till 1975 då Superstar Cup, en klass för enbart Chevrolet Camaro-bilar hade premiär. V8 Thunder Cars fick RM-status 2008 och samma år gick man också över till miljöanpassat bränsle från Aspen. Från och med 2013 har V8 Thunder Cars SM-status i banracing. För mer information, kontakta: Joakim Tärnström Media Officer V8 Thunder Cars Tel: +46(0)72-503 96 36 Mail: [email protected] Tony Bryntesson VD Performance Automotive Scandinavia AB Tel: 0705-55 33 08 Mail: [email protected] Kontaktpersoner Joakim Tärnström Presskontakt Media Officer PR- och kommunikation [email protected] 072-503 96 36.
Recommended publications
  • Razorcake Issue #09
    PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask.
    [Show full text]
  • Wydawnictwo UP
    FOLIA 287 Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura 11(3) 2019 ISSN 2083-7275 DOI 10.24917/20837275.11.3.3 Jakub Kosek Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie ORCID 0000-0001-7664-4599 Tanatoekshibicjonizm medialny w perspektywie (metal) music studies. Rekonesans Słowie wstępnym - Wymiary śmierci Stanisław Rosiek w do antologii francuskich tekstów dotyczą cych tanatologii zatytułowanej stwierdza: „Cóż można powiedzieć o śmierci, prócz tego, że jest – i że jest nieuchronna? Niewiele więcej. A jednak mówi się o niej i pisze ciągle od nowa” (Rosiek 2002: 6). Badacz dostrzega dewaluację słów o śmierci, zauważa, że „jako kategoria ogólna – zniknęła, tak samo jak kiedyś- rozpadła się jako persona” (Rosiek 2002: 6). Historyk literatury podkreśla jednak- wartość i potrzebę mówienia o zmarłych, a także o „żywych, którzy się obok umar- łych pojawiają jako uczestnicy zbiorowych rytuałów żałobnych lub jako rozpacza jący wedle prywatnej reguły” (Rosiek 2002: 6). Celem artykułu będzie próba scha rakteryzowania wybranych zjawisk związanych ze śmiercią muzyków metalowych- i wskazania specyficznych osadzonych w kontekście metakultury symultaniczności (Burszta 2007: 37) aspektów ogniskujących się przede wszystkim wokół medial nych reprezentacji o charakterze (tanato)ekshibicjonistycznym. Jeden z najważniejszych francuskich prekursorów studiów tanatologicznych,- socjolog Louis-Vincent Thomas, zauważał poszerzenie zakresu badań dotyczących tanatologii jako szczególnej refleksji o życiu i śmierci, służącej życiu i upamiętnia jącej tych, którzy od nas odeszli (Thomas 2002: 11). Badacz wskazuje wybrane- dziedziny współtworzące tę wiedzę: filozofię i teologię, sztukę (malarstwo, rzeźbę,- architekturę, muzykę, komiks, fotografię, sztukę filmową) i literaturę, nauki biolo giczno-medyczne, nauki humanistyczne i społeczne (lingwistykę i semiologię, histo- rię, antropologię społeczną i kulturową, psychologię, ekonomię śmierci).
    [Show full text]
  • The Eagle Has Landed 40 Live VÖ: 2
    The Eagle Has Landed 40 Live VÖ: 2. August 2019 Militia Guard/Silver Lining/ADA Saxon feiert vier unglaubliche Metal ‐Jahrzehnte mit ‘The Eagle Has Landed 40 (Live) 1979 war ein monumentales Jahr für den britischen Hard Rock mit der Geburt des New Wave Of British Heavy Metal und dem anschließenden Aufstieg zukünftiger Giganten des Genres. Nach 40 Jahren und 22 Studioalbum‐ Veröffentlichungen zählen Saxon zur Speerspitze und Vorreitern des British Heavy Metal und unterstreichen dies nicht nur mit einer Reihe Kult‐ Shows in legendären Spielstätten sondern mit der Veröffentlichung ‚The Eagle Has Landed 40 Live‘. Auf drei CD’s gibt Saxon einen Einblick über ausgewählte 40 ikonische Songs, die ihre Karriere gefestigt haben. Die Auswahl hat Frontmann und Gründer, Biff Byford selbst getroffen, einen Querschnitt der besten Live Performances, aufgenommen in einer Zeitspanne über 12 Jahre. Von “State of Grace” über “Machine Gun” hin zu “20,000 Ft”, The Eagle Has Landed 40 (Live) genießt man die Reise mit Saxon: Laut, stolz und nur das Beste mit der Vollblut Band, die sie zu den Vorreitern des Heavy Metal gemacht haben. Saxon lässt das Fanherz auf dieser siegreichen, ungestümen musikalischen Fahrt höher schlagen: Auftritte für die Menschenmassen in Wacken, die treuen Anhänger in Berlin, die mad dogs und Englishmen in England und natürlich Shows in internationalen Venues. Selbstredend ist das Tribute für ihre alten Freunde Motörhead dabei mit dem aufwühlenden „They Played Rock’n‘Roll“ und einem Cover von Ace Of Spades mit dem von uns gegangenen Fast Eddie Clarke. Um die „Motörsaxon“ Magie zu vervollständigen gibt es ein fulminantes „747 (Strangers in The Night)“ mit Phil Campbell, aufgenommen 2015 in Helsinki.
    [Show full text]
  • EDITORIAL BLITZ! Numéro 17
    EDITORIALEDITORIAL BLITZ!BLITZ! numéronuméro 1717 La transition entre les années 2015 et 2016 a été marquée par deux décès majeurs dans le monde de la musique moderne et populaire que nous aimons : Ian « Lemmy » Frazer Kilmister, fondateur de Motörhead, et David Bowie, artiste aux talents multiples, ont pris le grand départ pour l’au-delà. Nous avons décidé de consacrer notre dossier à Motörhead, projet musical dont nous admirons la constance affichée pendant quarante ans, et qu’il serait très réducteur d’affubler de la seule étiquette heavy metal. Quant à David Bowie, l’influence qu’il a exercée sur beaucoup d’artistes que nous aimons, parmi lesquels Ian Curtis, le rend forcément incontournable dans un très prochain numéro de BLITZ! Fort heureusement, le présent numéro de votre webzine n’est pas qu’une rubrique nécrologique : vous y trouverez aussi des interviews et des articles consacrés à des artistes bien vivants, dont les têtes fourmillent de projets. Bonne lecture et merci pour votre fidélité ! Général Hiver BLITZ! numéro 17 – 1er trimestre 2016 1 TELEX – BLITZ! numéro 17 – Par le Général Hiver Le label français Unknown Pleasures propose une compilation hommage au duo new-yorkais Suicide, pionner de la musique électronique et incarnation du slogan do it yourself cher aux punks. La setlist rassemble des noms prestigieux : Gabi Delgado s’associe à Adan & Ilse dans une cover très réussie de « Girl ».Les reprises les plus remarquables sont, à notre avis, celles de Distel (qui offre une version funèbre de « Che »), et de Laag, dont le « Rain of Ruin » très new wave nous a ravis, Le morceau « Ghostrider » est quant à lui présent trois fois, la version d’In Death It Ends, quoique réussie, n’a pas l’intensité urbaine de son homologue, proposée par..
    [Show full text]
  • Of Music. •,..,....SPECIAUSTS • RECORDED MUSIC • PAGE 10 the PENNY PITCH
    BULK ,RATE U.S. POSTAGE PAID Permit N•. 24l9 K.C.,M •• and hoI loodl ,hoI fun! hoI mU9;cl PAGE 3 ,set. Warren tells us he's "letting it blow over, absorbing a lot" and trying to ma­ triculate. Warren also told PITCH sources that he is overwhelmed by the life of William Allan White, a journalist who never graduated from KU' and hobnobbed with Presidents. THE PENNY PITCH ENCOURAGES READERS TO CON­ Dear Charles, TR IBUTE--LETTERSJ ARTICLES J POETRY AND ART, . I must congratulate you on your intelli­ 4128 BROADWAY YOUR ENTR I ES MAY BE PR I NTED. OR I G I NALS gence and foresight in adding OUB' s Old­ KANSAS CITY, MISSDURI64111 WI LL NOT BE RETURNED. SEND TO: Fashioned Jazz. Corner to PENNY PITCH. (816) 561·1580 CHARLES CHANCL SR. Since I'm neither dead or in the ad busi­ ness (not 'too sure about the looney' bin) EDITOR .•...•. Charles Chance, Sr. PENNY PITCH BROADWAY and he is my real Ole Unkel Bob I would ASSISTING •.• Rev. Dwight Frizzell 4128 appreciate being placed on your mailing K.C. J MO 64111 ••. Jay Mandeville I ist in order to keep tabs on the old reprobate. CONTRIBUTORS: Dear Mr. Chance, Thank you, --his real niece all the way Chris Kim A, LeRoi, Joanie Harrell, Donna from New Jersey, Trussell, Ole Uncle Bob Mossman, Rosie Well, TIME sure flies, LIFE is strange, and NEWSWEEK just keeps on getting strang­ Beryl Sortino Scrivo, Youseff Yancey, Rev. Dwight Pluc1cemin, NJ Frizzell, Claude Santiago, Gerard and er. And speaking of getting stranger, l've Armell Bonnett, Michael Grier, Scott been closely following the rapid develop­ ~ Dear Beryl: .
    [Show full text]
  • NEW RELEASE GUIDE March 19 March 26 ORDERS DUE FEBRUARY 12 ORDERS DUE FEBRUARY 19
    ada–music.com @ada_music NEW RELEASE GUIDE March 19 March 26 ORDERS DUE FEBRUARY 12 ORDERS DUE FEBRUARY 19 2021 ISSUE 7 March 19 ORDERS DUE FEBRUARY 12 NEW EP ELASTICITY FROM SERJ TANKIAN TRACKLISTING 1. ELASTICITY 2. YOUR MOM 3. HOW MANY TIMES? 4. RUMI 5.ELECTRIC YEREVAN • New EP “ELASTICITY” from Serj Tankian (System Of A Down) out on 3/19/21. UPC: 4050538653694 Returnable: Yes CAT: 538653692 Explicit: Yes • First Instant Grat track “ELASTICITY” out Box Lot: 30 CD File Under: Rock SRP: $9.98 on 2/5/21 together with a video and EP Packaging: Digipack Release Date: 3/19/21 4 050538 653694 pre-order. • “ELECTRIC YEREVAN” will be the focus track and comes out alongside the EP on 3/19/21. It’s will also be featured in a trailer and end credits for the upcoming Serj Tankian directed documentary TRUTH IS POWER out on 4/27/21. Artist: Saxon Release date: 19th March 2021 Title: Inspirations Territory: World Ex. Japan Genre: Metal FORMAT 1: CD Album (Digipack) Cat no: SLM106P01 / UPC: 190296800504 SPR: $13.99 - 3% Discount applicable till Street Date FORMAT 2: Vinyl Album Cat no: SLM106P42 / UPC: 190296800481 SPR: $34.98 SAXON PROUDLY DISPLAY THEIR “INSPIRATIONS” WITH NEW CLASSIC COVERS RELEASE British Heavy Metal legends Saxon will deliver a full-roar-fun-down set of covers on March 19th 2021 (Silver Lining Music), with their latest album Inspirations, which drops a brand new 11 track release featuring some of the superb classic rock songs that influenced Biff Byford & the band. From the crunching take on The Rolling Stones’ ‘Paint It Black’ and the super-charged melodic romp of The Beatles’ ‘Paperback Writer’ to their freeway mad take on Jimi Hendrix’s ‘Stone Free’, Saxon show their love and appreciation with a series of faithful, raw and ready tributes.
    [Show full text]
  • Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
    COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4.
    [Show full text]
  • Doningtonno Rock Festival in the UK Is Held in Such Affection by Fans and Bands Alike As Castle Donington Monsters of Rock
    FEATURE UNCOVERED DONINGTONNo rock festival in the UK is held in such affection by fans and bands alike as Castle Donington Monsters Of Rock. Not only did it define the ’80s metal scene, but it also created an environment where rock fans could be loud, proud, and more often than not incredibly muddy! John Nicholson brings you a heartfelt appreciation of why - A CELEBRATION Donington was so very special… “We parked up and walked over the hill and looked down into the bowl for the first time. There, spread out before us, were thousands and thousands of rock fans from all over the country. And the great thing was, they all looked just like us! It was such a great spirit.” Andy Copping, Live Nation executive president of UK touring WHEN PROMOTERS PAUL LOASBY and Maurice BACK IN the late ’70s there simply was no festival heavy rock was mutating into heavy metal, and when Loasby and Jones set a date for the inaugural Monsters Jones of Midland Concert Promotions (MCP) sat down dedicated to rock and metal in the UK. Yes, you could NWOBHM acts were pulling the music into a new decade of Rock – 16 August 1980. Tickets cost £7.50. Some together in a pub somewhere in the East Midlands in go to Knebworth to see the likes of Led Zeppelin. But with a speedier, more aggressive, reinvented brand of estimates put the attendance at 35,000, others at nearer 1979 and discussed the idea of putting on a one-day you’d have to sit through Chas and Dave, Fairport bludgeon riffola.
    [Show full text]
  • Lemmy Kilmister Was Born in Stoke-On-Trent
    Lemmy Kilmister was born in Stoke-on-Trent. Having been a member of the Rocking Vicars, Opal Butterflies and Hawkwind, Lemmy formed his own band, Motörhead. The band recently celebrated their twenty-fifth anniversary in the business. Lemmy currently lives in Los Angeles, just a short walk away from the Rainbow, the oldest rock ’n’ roll bar in Hollywood. Since 1987, Janiss Garza has been writing about very loud rock and alternative music. From 1989 to1996 she was senior editor at RIP, at the time the World’s premier hard music magazine. She has also written for Los Angeles Times, Entertainment Weekly, and New York Times, Los Angeles. ‘From heaving burning caravans into lakes at 1970s Finnish festivals to passing out in Stafford after three consecutive blowjobs, the Motörhead man proves a mean raconteur as he gabbles through his addled heavy metal career résumé’ Guardian ‘As a rock autobiography, White Line Fever is a keeper’ Big Issue ‘White Line Fever really is the ultimate rock & roll autobiography . Turn it up to 11 and read on!’ Skin Deep Magazine First published in Great Britain by Simon & Schuster UK Ltd, 2002 This edition first published by Pocket, 2003 An imprint of Simon & Schuster UK Ltd A Viacom Company Copyright © Ian Kilmister and Janiss Garza, 2002 This book is copyright under the Berne Convention. No reproduction without permission. All rights reserved. The right of Ian Kilmister to be identified as author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act, 1988. Simon & Schuster UK Ltd Africa House 64-78 Kingsway London WC2B 6AH www.simonsays.co.uk Simon & Schuster Australia Sydney A CIP catalogue record for this book is available from British Library Paperback ISBN 0-671-03331-X eBook ISBN 978-1-47111-271-3 Typeset by M Rules Printed and bound in Great Britain by Cox & W yman Ltd, Reading, Berks PICTURE CREDITS The publishers have used their best endeavours to contact all copyright holders.
    [Show full text]
  • Hellfest 2017 – Saturday
    Hellfest 2017 – Saturday After a dozen of fresh croissants with a addition of a cup of coffee, I started to plan my second day in hell, and I realized few things. Firstly, yesterday I decided I crossed the healthy limit of “seen” bands. Secondly, If I try to beat yesterday’s record, then the third day I can easily spend in emergency department. Thirdly, getting the overwhelming heat coming from above, I surely should cover my head. I promised myself that today won’t be only a battle for entry on the most viewed concerts, but also an escape from daily life. For good starters I planned to verify the good reputation of The Dead Daisies. Their members are a mix of musicians from bands like Motley Crue, Thin Lizzy, Whitesnake and even Billy Idol and Dio. Well, my a bit fatigued colleagues managed to get ready shortly before Phill Campbell and The Bastard Sons performance. Scene veteran Phill, with a company of youngsters played a sentimental but good, strong rock-and-roll concert. Campbell was a guitarist in Motorhead since 1984, until the death of Lemmy’s, so “using” his repertoire is a serious commercial move. The heritage of Motorhead will surely catch the attention of their long die-hard fans, but nonetheless it was an honest and true concert. Besides Campbell, his three sons are playing – Todd, Dane and Tyla. The vocalist of the band, Neil Starr, who was clearly under the jitters, still managed to convincingly play hits like “Killed By Death” and “Ace Of Spades”. There were also few surprises.
    [Show full text]
  • Elements of the Gothic in Heavy Metal: a Match Made in Hell Bryan Bardine University of Dayton, [email protected]
    University of Dayton eCommons English Faculty Publications Department of English 2009 Elements of the Gothic in Heavy Metal: A Match Made in Hell Bryan Bardine University of Dayton, [email protected] Follow this and additional works at: http://ecommons.udayton.edu/eng_fac_pub Part of the Digital Humanities Commons, and the Modern Literature Commons eCommons Citation Bardine, Bryan, "Elements of the Gothic in Heavy Metal: A Match Made in Hell" (2009). English Faculty Publications. Paper 68. http://ecommons.udayton.edu/eng_fac_pub/68 This Book Chapter is brought to you for free and open access by the Department of English at eCommons. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Chapter 7 Elements of the Gothic in Heavy Metal: A Match Made in Hell Bryan A. Bardine Since the first heavy metal album, Black Sabbath ( 1970) by Black Sabbath, elements of the Gothic have pervaded the genre, whether in the lyri cs, the dress of both the bands and the fans, the album covers, the sound or th e cul ture itself. Bands du ring the period 1970- 83 (roughl y), including Black Sabbath, Iron Maiden, Judas Priest, Saxon and MotOrhead, to name a few, incorporated vari ous aspects of the Gothi c in to their lyri cs, dress, stage shows and alb ums, and in doing so helped to give heavy metal a stronger, more powerful image with fa ns and medi a alike. More im porta nt than the im age is the power and fee ling that the music generates with the audience, be they in a packed concert hall or headbanging with an iPod in their room.
    [Show full text]
  • LINKS: Uu Nuclear Blast Video Clips · Nuclear Blast Bands on Tour · Nuclear Blast Albums in the Charts · New Songs on Spotify Uu
    New Release Information uu January PHIL CAMPBELL AND Price Code: CD04 Release Date Pre-Order Start NB 4251-2 CD THE BASTARD SONS (incl. bonus track) The Age Of Absurdity uu 26/01/2018 uu 17/11/2017 uu available as CD Jewelcase incl. 1 bonus track uu available as LP black vinyl in Gatefold + 12page booklet uu advertising in many important music magazines DEC 2017/ JAN 2018 uu album reviews, interviews in all important Metal magazines in Europe’s DEC 2017/JAN 2018 issues uu song placements in European magazine compilations Price Code: LP16 uu spotify playlists in all European territories NB 4251-1 LP uu retail marketing campaigns (black incl. 12p booklet) uu instore decoration: flyers, poster A1 uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads (tbc) Style: Rock/Metal uu Banner advertising on more than 60 most important Metal & Rock Territory: World websites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in uu Tracklists: the Fixion network (mainly Blabbermouth) CD: uu video and pre-roll ads on You tube 01. Ringleader uu ad campaigns on iPhones for iTunes and Google Play for Androids 02. Freak Show uu 03. Skin and Bones banners, featured items at the shop, header images and a back- 04. Gypsy Kiss ground on nuclearblast.de and nuclearblast.com 05. Welcome To Hell uu features and banners in newsletters, as well as special mailings 06. Dark Days 07. Dropping The Needle to targeted audiences in support of the release 08.
    [Show full text]