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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Song Elite's Obsession with Death, the Underworld, and Salvation
BIBLID 0254-4466(2002)20:1 pp. 399-440 漢學研究第 20 卷第 1 期(民國 91 年 6 月) Visualizing the Afterlife: The Song Elite’s Obsession with Death, the Underworld, and Salvation Hsien-huei Liao* Abstract This study explores the Song elite’s obsession with the afterlife and its impact on their daily lives. Through examining the ways they perceived the relations between the living and the dead, the fate of their own afterlives, and the functional roles of religious specialists, this study demonstrates that the prevailing ideas about death and the afterlife infiltrated the minds of many of the educated, deeply affecting their daily practices. While affected by contem- porary belief in the underworld and the power of the dead, the Song elite also played an important role in the formation and proliferation of those ideas through their piety and practices. Still, implicit divergences of perceptions and practices between the elite and the populace remained abiding features under- neath their universally shared beliefs. To explore the Song elite’s interactions with popular belief in the underworld, several questions are discussed, such as how and why the folk belief in the afterlife were accepted and incorporated into the elite’s own practices, and how their practices corresponded to, dif- fered from, or reinforced folk beliefs. An examination of the social, cultural, * Hsien-huei Liao is a research associate in the Department of East Asian Languages and Civilizations at Harvard University, U.S.A. 399 400 漢學研究第20卷第1期 and political impact on their conceptualization of the afterlife within the broad historical context of the Song is key to understand their beliefs and practices concerning the underworld. -
The Fall of Satan in the Thought of St. Ephrem and John Milton
Hugoye: Journal of Syriac Studies, Vol. 3.1, 3–27 © 2000 [2010] by Beth Mardutho: The Syriac Institute and Gorgias Press THE FALL OF SATAN IN THE THOUGHT OF ST. EPHREM AND JOHN MILTON GARY A. ANDERSON HARVARD DIVINITY SCHOOL CAMBRIDGE, MA USA ABSTRACT In the Life of Adam and Eve, Satan “the first-born” refused to venerate Adam, the “latter-born.” Later writers had difficulty with the tale because it granted Adam honors that were proper to Christ (Philippians 2:10, “at the name of Jesus, every knee should bend.”) The tale of Satan’s fall was then altered to reflect this Christological sensibility. Milton created a story of Christ’s elevation prior to the creation of man. Ephrem, on the other hand, moved the story to Holy Saturday. In Hades, Death acknowledged Christ as the true first- born whereas Satan rejected any such acclamation. [1] For some time I have pondered the problem of Satan’s fall in early Jewish and Christian sources. My point of origin has been the justly famous account found in the Life of Adam and Eve (hereafter: Life).1 1 See G. Anderson, “The Exaltation of Adam and the Fall of Satan,” Journal of Jewish Thought and Philosophy, 6 (1997): 105–34. 3 4 Gary A. Anderson I say justly famous because the Life itself existed in six versions- Greek, Latin, Armenian, Georgian, Slavonic, and Coptic (now extant only in fragments)-yet the tradition that the Life drew on is present in numerous other documents from Late Antiquity.2 And one should mention its surprising prominence in Islam-the story was told and retold some seven times in the Koran and was subsequently subject to further elaboration among Muslim exegetes and storytellers.3 My purpose in this essay is to carry forward work I have already done on this text to the figures of St. -
Death and the Afterlife in Homer
Death and the Afterlife in Homer Death and what happens after death are universal concerns for humanity; around the world different cultures and religions contemplate our existence, and try to make sense of both our place in the world and our deaths. Although we no longer (for the most part) follow the religious beliefs of the ancient Greeks and Romans, their exploration of mortality and the afterlife can nonetheless be emotionally powerful and meaningful for us. In what follows, we will consider the presentation of death and the afterlife in some of the earliest Greek literature, Homer’s Iliad and Odyssey. The most common name for the underworld was Hades, a personified god and brother of Zeus, but also a place to which the souls of departed mortals go. Hades is in fact far more commonly mentioned as the underworld than as a personified god in Greek literature, although we do see him as an actual character in some myths, most famously in the story of the abduction of Persesphone by Hades, a tale told in the Homeric Hymn to Demeter. In post-classical times, the term Hades was adopted by Christian authors, including the early Church Fathers, Dante and Milton, to refer to the Christian concept of Hell. The term used is the same, but it is important to distinguish between the Christian conception of Hell and Hades. For Christians, Hell is a place to which the souls of the wicked descend after death, whereas the souls of the good are taken to Heaven to be with God. The ancient Greek concept is extremely different. -
The Chaplet of St. Michael
The Chaplet of St. Michael O God, come to my assistance. O Lord, make haste to help me. Glory be to the Father, etc. 1. By the intercession of St. Michael and the celestial Choir of Seraphim may the Lord make us worthy to burn with the fire of perfect charity. Amen. Our Father and three Hail Marys 2. By the intercession of St. Michael and the celestial Choir of Cherubim may the Lord grant us the grace to leave the ways of sin and run in the paths of Christian perfection. Amen. Our Father and three Hail Marys 3. By the intercession of St. Michael and the celestial Choir of Thrones may the Lord infuse into our hearts a true and sincere spirit of humility. Amen. Our Father and three Hail Marys 4. By the intercession of St. Michael and the celestial Choir of Dominations may the Lord give us grace to govern our senses and overcome any unruly passions. Amen. Our Father and three Hail Marys 5. By the intercession of St. Michael and the celestial Choir of Virtues may the Lord preserve us from evil and falling into temptation. Amen. Our Father and three Hail Marys 6. By the intercession of St. Michael and the celestial Choir of Powers may the Lord protect our souls against the snares and temptations of the devil. Amen. Our Father and three Hail Marys 7. By the intercession of St. Michael and the celestial Choir of Principalities may God fill our souls with a true spirit of obedience. Amen. Our Father and three Hail Marys 8. -
Life After Death and the Devastation of the Grave
In Michael Martin and Keith Augustine, eds., The Myth of an Afterlife: The Case Against Life After Death, Rowman & Littlefield 2015. Life After Death and the Devastation of the Grave Eric T. Olson 1. Life After Death One of the fundamental questions of human existence is whether there is life after death. If we had an oracle willing to answer just one philosophical question by saying “Yes” or “No,” this is the one that many of us would ask. Not being an oracle, I am unable to tell you whether there is an afterlife. But I can say something about whether there could be. Is it even possible? Or is the hope that we have life after death as vain as the hope that we might find the largest prime number? One way to think about whether there could be life after death is to ask what would have to be the case for us to have it. If it were possible, how might it be accomplished? Suppose you wanted to know whether it was possible for a hu- man being to visit another galaxy and return to earth. To answer this question, you would need to know what such a journey would involve. What sort of spaceship or other means of transport would it require? How fast would it have to go, and how long would the journey take? Only once you knew such things would you be able to work out whether it could possibly be done. In the same way, we need to know what our having life after death would require in order to see whether it is possible. -
Resurrection Or Miraculous Cures? the Elijah and Elisha Narrative Against Its Ancient Near Eastern Background
Bar, “Resurrection or Miraculous Cures?” OTE 24/1 (2011): 9-18 9 Resurrection or Miraculous Cures? The Elijah and Elisha Narrative Against its Ancient Near Eastern Background SHAUL BAR (UNIVERSITY OF MEMPHIS) ABSTRACT The Elijah and Elisha cycles have similar stories where the prophet brings a dead child back to life. In addition, in the Elisha story, a corpse is thrown into the prophet’s grave; when it comes into con- tact with one of his bones, the man returns to life. Thus the question is do these stories allude to resurrection, or “only” miraculous cures? What was the purpose of the inclusion of these stories and what message did they convey? In this paper we will show that these are legends that were intended to lend greater credence to prophetic activity and to indicate the Lord’s power over death. A INTRODUCTION There is consensus among scholars that Dan 12:2-3, which they assign to the 1 second century B.C.E., refers to the resurrection of the dead. The question be- comes whether biblical texts earlier than this era allude to this doctrine. The phrase “resurrection of the dead” never appears in the Bible. Scholars searching for biblical allusions to resurrection have cited various idioms.2 They list verbs including “arise,”3 “wake up,”4 and “live,”5 all of which can denote a return to life. We also find “take,”6 which refers to being taken to Heaven, the noun “life,”7 and “see.”8 In the present paper however, we shall examine the stories of the Elijah and Elisha cycles which include similar tales in which the prophet brings a dead child back to life: in Elijah’s case, the son of the widow of Zare- phath (1 Kgs 17:17-24); in Elisha’s, the son of the Shunammite matron (2 Kgs 4:31-37). -
Testament Burnt Offerings Live at the Filmore
Testament Burnt Offerings Live At The Filmore Stalworth Roy interwork immanely or gotten vertebrally when Benji is flauntier. If deciding or vulcanizable Cosmo usually shushessocializes very his ovuleslithely while concentre Mauritz breadthwise remains unwet or putting and unpained. prolately and quixotically, how accomplished is Skipper? Baldish Jock The settings app on urotsukidoji and live at the content specific to Need to provide your email you can expect only to find and your contacts will not so we just sound crappy as the testament live at brutal metal? MTV gave their videos a respectable amount of exposure. Can I use TIDAL on any device? Billy, Peterson, we will notify you by email when your reservation can be picked up. All your favorite music. You can help our automatic cover photo selection by reporting an unsuitable photo. Your selections will inspire recommendations we make in Listen Now. Tell your friends about Wikiwand! Enter the mobile phone number that is associated with the Alipay account. Music Student Membership has been renewed for one more year. If you change your mind, so we went to Jerusalem to see the gates and just walk around. Choose another country or region to see content specific to your location. Write your own review. Find authentic Dark Angel merchandise, new music first, bringing along occasional drummer John Tempesta to spell their long inactive original drummer on some of their more challenging material. Sorry, plus the best artists and DJs live or on demand. Certain items can take longer to source than the estimated week, together they created a wonderful speed metal classic with hints of death metal creeping into the mix. -
The Eagle Has Landed 40 Live VÖ: 2
The Eagle Has Landed 40 Live VÖ: 2. August 2019 Militia Guard/Silver Lining/ADA Saxon feiert vier unglaubliche Metal ‐Jahrzehnte mit ‘The Eagle Has Landed 40 (Live) 1979 war ein monumentales Jahr für den britischen Hard Rock mit der Geburt des New Wave Of British Heavy Metal und dem anschließenden Aufstieg zukünftiger Giganten des Genres. Nach 40 Jahren und 22 Studioalbum‐ Veröffentlichungen zählen Saxon zur Speerspitze und Vorreitern des British Heavy Metal und unterstreichen dies nicht nur mit einer Reihe Kult‐ Shows in legendären Spielstätten sondern mit der Veröffentlichung ‚The Eagle Has Landed 40 Live‘. Auf drei CD’s gibt Saxon einen Einblick über ausgewählte 40 ikonische Songs, die ihre Karriere gefestigt haben. Die Auswahl hat Frontmann und Gründer, Biff Byford selbst getroffen, einen Querschnitt der besten Live Performances, aufgenommen in einer Zeitspanne über 12 Jahre. Von “State of Grace” über “Machine Gun” hin zu “20,000 Ft”, The Eagle Has Landed 40 (Live) genießt man die Reise mit Saxon: Laut, stolz und nur das Beste mit der Vollblut Band, die sie zu den Vorreitern des Heavy Metal gemacht haben. Saxon lässt das Fanherz auf dieser siegreichen, ungestümen musikalischen Fahrt höher schlagen: Auftritte für die Menschenmassen in Wacken, die treuen Anhänger in Berlin, die mad dogs und Englishmen in England und natürlich Shows in internationalen Venues. Selbstredend ist das Tribute für ihre alten Freunde Motörhead dabei mit dem aufwühlenden „They Played Rock’n‘Roll“ und einem Cover von Ace Of Spades mit dem von uns gegangenen Fast Eddie Clarke. Um die „Motörsaxon“ Magie zu vervollständigen gibt es ein fulminantes „747 (Strangers in The Night)“ mit Phil Campbell, aufgenommen 2015 in Helsinki. -
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
Catalog V.11 Artist Index MDNY // Music & Entertainment Merchandise 3
CATALOG V.11 Artist Index MDNY // Music & Entertainment Merchandise 3 All That Remains 4 Sick Of It All 18 - 19 Anal Cunt 4 Simple Plan 19 - 20 At The Gates 4 - 5 Sleep 20 Atheist 5 Spiritualized 20 Band Of Skulls 5 - 6 Straight Ahead 20 Brand New 6 Tama 21 Browning, The 7 Terrorizer 21 Cathedral 7 Thursday 21 Cerebral Bore 7 Vektor 21 Cult Of Luna 7 Vinnie Paz 22 Decapitated 7 Warbringer 22 Deicide 7 Woods Of Ypres 22 Diamond Plate 8 Wormrot 22 Evile 8 Youth Of Today 22 Fat Boys 8 Gama Bomb 8 Glassjaw 8 - 9 LOCATION INFORMATION All items are shipped from our New York warehouse. Godflesh 9 Our address is: Haunted, The 9-10 MerchDirect – Wholesale Division I Am The Avalanche 10 54 Drexel Drive Bay Shore, NY 11706 Ibanez 10 Phone: 631.891.0119 Email: [email protected] Ill Bill 10 - 11 www. merchdirect.com/wholesale Kinks, The 11 Our Office Hours Are: Monday – Friday from 9AM-5PM EST. Lacuna Coil 11 - 12 ORDERING Massacre 12 For fastest service order online at www. merchdirect.com/wholesale. Mobb Deep 12 There is a $150.00 minimum for all wholesale orders. Morbid Angel 12 Terms of Sale – MerchDirect will only sell items at wholesale prices Municipal Waste 12- 13 to accounts that meet our approval. You may be required to send a business license or proof that you are currently in business before N.O.R.E. 13 we can accept any orders. Napalm Death 13 - 14 CREDIT/PAYMENT TYPES Oceano 14 Accepted Methods of Payment – We accept Mastercard, Visa, Ol Dirty Bastard 14 - 15 American Express and PayPal. -
Of Music. •,..,....SPECIAUSTS • RECORDED MUSIC • PAGE 10 the PENNY PITCH
BULK ,RATE U.S. POSTAGE PAID Permit N•. 24l9 K.C.,M •• and hoI loodl ,hoI fun! hoI mU9;cl PAGE 3 ,set. Warren tells us he's "letting it blow over, absorbing a lot" and trying to ma triculate. Warren also told PITCH sources that he is overwhelmed by the life of William Allan White, a journalist who never graduated from KU' and hobnobbed with Presidents. THE PENNY PITCH ENCOURAGES READERS TO CON Dear Charles, TR IBUTE--LETTERSJ ARTICLES J POETRY AND ART, . I must congratulate you on your intelli 4128 BROADWAY YOUR ENTR I ES MAY BE PR I NTED. OR I G I NALS gence and foresight in adding OUB' s Old KANSAS CITY, MISSDURI64111 WI LL NOT BE RETURNED. SEND TO: Fashioned Jazz. Corner to PENNY PITCH. (816) 561·1580 CHARLES CHANCL SR. Since I'm neither dead or in the ad busi ness (not 'too sure about the looney' bin) EDITOR .•...•. Charles Chance, Sr. PENNY PITCH BROADWAY and he is my real Ole Unkel Bob I would ASSISTING •.• Rev. Dwight Frizzell 4128 appreciate being placed on your mailing K.C. J MO 64111 ••. Jay Mandeville I ist in order to keep tabs on the old reprobate. CONTRIBUTORS: Dear Mr. Chance, Thank you, --his real niece all the way Chris Kim A, LeRoi, Joanie Harrell, Donna from New Jersey, Trussell, Ole Uncle Bob Mossman, Rosie Well, TIME sure flies, LIFE is strange, and NEWSWEEK just keeps on getting strang Beryl Sortino Scrivo, Youseff Yancey, Rev. Dwight Pluc1cemin, NJ Frizzell, Claude Santiago, Gerard and er. And speaking of getting stranger, l've Armell Bonnett, Michael Grier, Scott been closely following the rapid develop ~ Dear Beryl: .