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Taylor Doctoralthesis Complete
21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies. The cinema, and the cinematic text, is a complex performance whose individual components combine to produce a sum greater than the total of its parts. The cinema itself is a performance—not just the acting—participating in a cultural dialogue, continually reshaping and challenging notions of liveness, made more urgent with the ever-increasing use of digital technologies that seem to further segregate what is generally considered real performance from the final, constructed cinematic text. -
Slither - Voll Auf Den 67,652 This Schleim Gegangen (2006) Slither (Original Title) R | 1H 35Min | Comedy, Horror, Sci-Fi | 31 March 2006 (USA)
Find Movies, TV shows, Celebrities and more... All | Help IMDb Movies, TV Celebs, Events News & & Showtimes & Photos Community Watchlist Sign in with Facebook Other Sign in options FULL CAST AND CREW | TRIVIA | USER REVIEWS | IMDbPro | MORE SHARE Watch This Week's Trailer Trailer 6.5/10 Rate Slither - Voll auf den 67,652 This Schleim gegangen (2006) Slither (original title) R | 1h 35min | Comedy, Horror, Sci-Fi | 31 March 2006 (USA) Check out highlights from some of the best recent trailers including "Disenchantment," Mile 22, and "Shameless." Watch now » 1:33 | Trailer 7 VIDEOS | 23 IMAGES Related News Watch Now James Gunn's Top 5 Movies at the Box From EUR2.99 (SD) on Prime Video ON DISC Office 3 hours ago | IMDb News A small town is taken over by an alien plague, turning residents into zombies and all forms of Disney Unlikely to Rehire ‘Guardians of mutant monsters. the Galaxy’ Director James Gunn (Exclusive) Director: James Gunn 4 days ago | Variety - Film News Writer: James Gunn Disney Unlikely to Rehire ‘Guardians of Stars: Nathan Fillion, Elizabeth Banks, Michael Rooker | See full cast & crew » the Galaxy’ Director James Gunn (Exclusive) Metascore Reviews Popularity 4 days ago | Variety 69 From metacritic.com 368 user | 263 critic 1,741 ( 546) 2 wins & 5 nominations. See more awards » See all related articles » Videos Around The Web Powered by ZergNet The Original Cast of 'Baywatch' Has Changed a Lot Since 1990 NickiSwift.com Reactions to Disney Firing 'GOTG' Director James Gunn NickiSwift.com See all 7 videos » What New 'Terminator' Image Gets Right About the Franchise Photos Hollywoodreporter.com Movies Too Uncomfortable to Watch With Your Partner Looper.com See all 23 photos » User Lists Create a list » Related lists from IMDb users People who liked this also liked.. -
Zombies: New Media, Cinema, and Performance
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title 21st Century Zombies: New Media, Cinema, and Performance Permalink https://escholarship.org/uc/item/9hq1z1t7 Author Taylor, Joanne Marie Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California 21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies. -
An Interview with Dustin Mills, Director of the Puppet Monster Massacre
(re)search my Trash Page 1 of 3 Articles and Interviews An Interview with Dustin Mills, Director of The Advanced Search Puppet Monster Massacre Wishlists by Mike Haberfelner Support July 2011 this Site F.A.Q.s Films directed by Dustin Mills on (re)Search my Trash Contact Associated Your film The Puppet Monster Massacre - in a few words, what is it about? Stores Books The Puppet Monster Massacre is sort of a send up or homage to the films I grew up Links watching on cable late at night. Movies like Killer Klowns from Outer Space , HOME Puppet Master , Aliens , Pumpkinhead , Ghoulies , Return of the Living Dead , Night of the Creeps , The Deadly Spawn , The Thing , Fright Night etc. Mostly 80's My Facebook horror, but there are a few nods to classics like House on Haunted Hill and Night of My Twitter the Living Dead . It's a basic horror premise with all the trimmings executed with a Hot Picks cast of Henson style puppets. - Ratline 2011 - The Puppet The first question that I think pops to pretty much everyone's mind even by Monster only hearing the title of your movie: Why puppets? Massacre 2010 Why not? I don't think anyone has really done a horror film quite this way before. - Paranormal Meet the Feebles is the closest thing, but I don't consider it a horror film. Doing a Haunting 2011 - Order of One puppet film was just something that seemed fun and original. 2006 - Muckman What can you tell us about the creation of your puppets, 2009 and to what extent where you involved in that process, - Lewis 2011 creatively? - Bunnyman 2010 - The Sad Café The Rabbits and Mr. -
An Examination of Human Monstrosity in Fiction and Film of the United States
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2012 Monsters in our Midst: An Examination of Human Monstrosity in Fiction and Film of the United States Michelle Kay Hansen University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, and the Film and Media Studies Commons Repository Citation Hansen, Michelle Kay, "Monsters in our Midst: An Examination of Human Monstrosity in Fiction and Film of the United States" (2012). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1572. http://dx.doi.org/10.34917/4332553 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. MONSTERS IN OUR MIDST: AN EXAMINATION OF HUMAN MONSTROSITY IN FICTION AND FILM OF THE UNITED STATES By Michelle Kay Hansen Bachelor of Arts in Humanities Brigham Young -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly fi'om the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 Nortfi Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9211203 Horror in the 1980’s: A comparative analysis of violent content in independent studio and major studio horror movies Porco, James Franklin, Ph.D. -
Off the Beaten Path
Off the Beaten Path A Comprehensive List of the Horror Community’s Favorite Overlooked Films Tomatometer Audience Score Mentions Logline [Rec] (2007) 89% 82% Reporter Angela (Manuela Velasco) and her trusty cameraman Pablo are following a local fire crew for a segment of their reality television series "When You're Asleep" when the firefighters receive a distress call from a nearby apartment building. An elderly woman has become locked in her apartment; a routine call by any account. The police are already on the scene, so now it's up to firemen Manu (Ferran Terraza) and Alex (David Vert) to break down the door and ensure that no harm has come to her. Upon arriving at the building, everything appears normal. But the calm atmosphere at the moment betrays the horrors that begin to unfold after the firemen break down the tenant's door and experience something that no one would believe had it not been captured on camera. Later, as the building is surrounded and quarantined, Pablo continues to roll tape to ensure that whatever the outcome of this terrifying situation may be, there will be some evidence to ensure that the truth gets out. [Rec] 2 (2010) 68% 60% The highly anticipated sequel to one of the scariest films of all time, "[REC] 2" picks up 15 minutes from where we left off, taking us back into the quarantined apartment building where a terrifying virus has run rampant, turning the occupants into mindlessly violent, raging beasts. A heavily armed SWAT team and a mysterious government official are sent in to assess and attempt to neutralize the situation. -
Horrorhound.Com MOVIE NEWS; 30 Days of Night, Resident Evil 3, DVD NEWS: Halloween, Etc
Winter 2007/2008 $6.95 A 25 Year BetrespectlMe BE A MONSTER! • MAKE A MONSTER! • ENLIST & UPLOAD! m MONSTERSTV.COM TO ENTER! WINTER 2007/08iiitineiR- www.horrorhound.com MOVIE NEWS; 30 Days of Night, Resident Evil 3, DVD NEWS: Halloween, etc. Featuring Grlndhouse, Tales from the Crypt, ' etc. SAN DIEGO COMIC-CON Coverage TOY NEWS: 30 Days of Night, Child's Play, Saw, Hezco Toys, etc. MUSICIANS in Horror! HALLOWEEN III Pull-Out Poster! HALLOWEEN III A HorrorHound Retrospective The History of HORROR ROCK COMIC BOOKS: Strangeland, Bump, of Army Darkness, Artist Spotlight: ON THE COVER: 30 Days of Nights makes Vampires scary again! Chucky, etc. MONTE WARD THIS ISSUE: The San Diego Comic-Con is the biggest geek- Horror’s fest of the year, and "horror geeks” luckily receive as much news and Hallowed suiprises from this annual event as anyone else: from revelations of Grounds: upcoming films to new comic announcements and video game titles. Halloween GOREHOUND; The most significant news from this year’s event is the onslaught of new action figure and collectibles due in stores over the next several Wizard of Gore months! Mezco Toys continues their line of “Cinema of Fear’ action fig- FANtasoi; ures with new additions: Leatherface from Texas Chainsaw Massacre Fan Art, Freddy 2, (based on his first film appearance) and Jason Voorhees Collector's from Frfc/ay fhe 13th Parts. On top of this. Gentle Giant has announced Spotlight Serial Killers: 2, a number of resin products from ‘Chainsaw ' 30 Days of Night and a RICHARD SPECK number of other horror comic titles! Check out page 21 for all the infor- mation concerning these announcements and many more! ROADKILL: Movie news this issue features our cover story; 30 Days of Night, HorrorHound in which we speak with Sam Raimi (producer), Josh Hartnett (star), Weekend November Steve Niles (creator) and David Slade (director): see page 8. -
Bibliography
Bibliography Literature262 Allen, Robert C. (1999). “Home Alone Together: Hollywood and the ‘Family Film’.” In: Maltby, Richard/Strokes, Melvin (eds.). Identifying Hollywood’s Audiences. Cultural Identity and the Movies. London: BFI. 109-131. Althusser, Louis. (2001 [1970]). “Ideology and Ideological State Apparatuses (Notes Towards an Investigation).” In: Leitch, Vincent (ed.). The Norton Anthology of Theory and Criticism. New York: W.W. Norton & Company. 1483-1509. Altman, Rick (ed.). (1981). Genre: The Musical. London: Routledge. Altman, Rick. (1999 [1984]). “A Semantic/Syntactic Approach to Film Genre.” In: Altman, Rick. Film/Genre. London: BFI. 216-226. Altman, Rick. (1987). The American Film Musical. Bloomington: Indiana University Press. Altman, Rick. (1999). Film/Genre. London: BFI. Ames, Christopher. (1992). “Restoring the Black Man’s Lethal Weapon. Race & Sexuality in Contemporary Cop Films.” In: Journal of Popular Film & Television. Volume 20, Issue 3. 52-60. Ames, Christopher. (1997). Movies about the Movies. Hollywood Reflected. Lexington: The University Press of Kentucky. Appiah, K. Anthony. (1993). ““No Bad Nigger”: Blacks as the Ethical Principle in the Movies.” In: Garber, Marjorie/Matlock, Jann/Walkowitz, Rebecca L. (eds.). Media Spectacles. London/New York: Routledge. 77-90. Arroyo, José. (2000 [1996]). “Mission: Sublime.” In: Arroyo, José (ed.). Action/Spectacle Cinema. A Sight and Sound Reader. London: BFI. 21-25. Arroyo, José (ed.). Action/Spectacle Cinema. A Sight and Sound Reader. London: BFI 262 Whenever possible a text’s original date of publication is given. If the original date could not be found, the date of the publication the text appeared in is given. © Springer Fachmedien Wiesbaden GmbH, part of Springer Nature 2018 N. -
A Strange Body of Work: the Cinematic Zombie Emma Dyson Ph
A Strange Body of Work: The Cinematic Zombie Emma Dyson Ph.D. 2009 Total number of pages: 325 1 Declaration While registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in the thesis are the work of the named candidate and have not been submitted for any other academic award. Signed……………….. Date…………. 2 Abstract A Strange Body of Work: The Cinematic Zombie This thesis investigates the changing cinematic representations of a particular figure in horror culture: the Zombie. Current critical perspectives on the figure of the Zombie have yet to establish literary and cultural antecedents to the cinematic portrayal of the Zombie, preferring to position it as a mere product of American horror films of the 1930s. This study critiques this standpoint, arguing that global uses of the Zombie in differing media indicate a symbolic figure attuned to changing cultural contexts. The thesis therefore combines cultural and historical analysis with close textual readings of visual and written sources, paying close attention to the changing contexts of global film production and distribution. In order to present the cinematic Zombie as a product of historical, geographical and cultural shifts in horror film production, the thesis begins by critiquing existing accounts of Zombie film, drawing attention to the notion of generic canons of film as determined by both popular and academic film critics and draws attention to the fractured nature of genre as a method of positioning and critiquing film texts. In this, an interdisciplinary approach, drawing on the methods of cultural-historical and psycho-analytical critiques of horror film, is appraised and then applied to the texts under discussion. -
My Bloody Valentine the Ring the Ring 2
DEALER GUIDE SEPTEMBER 2019 THE MONSTER SQUAD APRIL FOOLS DAY MY BLOODY VALENTINE THE RING THE RING 2 DEALER GUIDE CONTENTS 03 THE MONSTER SQUAD 04 APRIL FOOLS DAY 05 MY BLOODY VALENTINE 06 THE RING 07 THE RING 2 08 INVASION OF THE BODY SNATCHERS 09 FATAL ATTRACTION 10 THE TENANT 11 LONG DAY'S JOURNEY INTO NIGHT 12 HUD 13 ASSAULT ON A QUEEN 14 CAPE FEAR 15 CAPTAIN NEWMAN, M.D. 16 THE PERFECT FURLOUGH 17 TARGETS 18 THE MEN 19 PAINT YOUR WAGON 20 WAKE OF DEATH 21 KICKBOXER 22 JET LI'S FEARLESS CATPLBD02PS_FRT WWW.SHOCK.COM.AU THE MONSTER SQUAD RELEASE DATE 04.09.19 THE MONSTER SQUAD THE END OF THE WORLD STARTS AT MIDNIGHT. Dracula is alive. In fact, he plans to rule the world and that is why he seeks the help of other legendary monsters. However, a bunch of kids regarded by their peers as losers uncover the devious plan and prepare for a counter strike. SALES & MARKETING KEY SELLING POINTS • The films written by Shane Black (Kiss Kiss Bang Bang, Iron Man 3) and Fred Dekker (Night of the Creeps) who is also director. ARTWORK TBC • Stars Andre Gower and Tom Noonan (RoboCop 2). SPECS • The classic cult film has a rating of 7.1 from over 24.5k votes on IMDB and an audience score of 78% on Rotten LABEL: SHOCK Tomatoes. RATING: M DISCS: 1 DVD / 1 BLU MARKETING POINTS RUN TIME: 89 MINS • Extensive marketing and promotional campaign across key dailies, magazines, online, entertainment columns SOUND: DOLBY DIGITAL 5.1 and radio. -
Proquest Dissertations
Sociology of the Living Dead by Andrea Subissati, B.A. Hon. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts Department of Sociology and Anthropology Carleton University OTTAWA, Ontario July 29th 2008 © 2008, Andrea Subissati Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-47644-4 Our file Notre reference ISBN: 978-0-494-47644-4 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.