Film Guide June 2016
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Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Circus Friends Association Collection Finding Aid
Circus Friends Association Collection Finding Aid University of Sheffield - NFCA Contents Poster - 178R472 Business Records - 178H24 412 Maps, Plans and Charts - 178M16 413 Programmes - 178K43 414 Bibliographies and Catalogues - 178J9 564 Proclamations - 178S5 565 Handbills - 178T40 565 Obituaries, Births, Death and Marriage Certificates - 178Q6 585 Newspaper Cuttings and Scrapbooks - 178G21 585 Correspondence - 178F31 602 Photographs and Postcards - 178C108 604 Original Artwork - 178V11 608 Various - 178Z50 622 Monographs, Articles, Manuscripts and Research Material - 178B30633 Films - 178D13 640 Trade and Advertising Material - 178I22 649 Calendars and Almanacs - 178N5 655 1 Poster - 178R47 178R47.1 poster 30 November 1867 Birmingham, Saturday November 30th 1867, Monday 2 December and during the week Cattle and Dog Shows, Miss Adah Isaacs Menken, Paris & Back for £5, Mazeppa’s, equestrian act, Programme of Scenery and incidents, Sarah’s Young Man, Black type on off white background, Printed at the Theatre Royal Printing Office, Birmingham, 253mm x 753mm Circus Friends Association Collection 178R47.2 poster 1838 Madame Albertazzi, Mdlle. H. Elsler, Mr. Ducrow, Double stud of horses, Mr. Van Amburgh, animal trainer Grieve’s New Scenery, Charlemagne or the Fete of the Forest, Black type on off white backgound, W. Wright Printer, Theatre Royal, Drury Lane, 205mm x 335mm Circus Friends Association Collection 178R47.3 poster 19 October 1885 Berlin, Eln Mexikanermanöver, Mr. Charles Ducos, Horaz und Merkur, Mr. A. Wells, equestrian act, C. Godiewsky, clown, Borax, Mlle. Aguimoff, Das 3 fache Reck, gymnastics, Mlle. Anna Ducos, Damen-Jokey-Rennen, Kohinor, Mme. Bradbury, Adgar, 2 Black type on off white background with decorative border, Druck von H. G. -
How to Die in a Slasher Film: the Impact of Sexualization July, 2021, Vol
Journal of Criminal Justice and Popular Culture How to Die in a Slasher Film: The Impact of Sexualization July, 2021, Vol. 21 (Issue 1): pp. 128 – 146 Wellman, Meitl, & Kinkade Copyright © 2021 Journal of Criminal Justice and Popular Culture All rights reserved. ISSN: 1070-8286 How to Die in a Slasher Film: The Impact of Sexualization, Strength, and Flaws on Characters’ Mortality Ashley Wellman Texas Christian University & Michele Bisaccia Meitl Texas Christian University & Patrick Kinkade Texas Christian University 128 Journal of Criminal Justice and Popular Culture How to Die in a Slasher Film: The Impact of Sexualization July, 2021, Vol. 21 (Issue 1): pp. 128 – 146 Wellman, Meitl, & Kinkade Abstract Popular culture has often referenced formulaic ways to predict a character’s fate in slasher films. The cliché rules have noted only virgins live, black characters die first, and drinking and drugs nearly guarantee your death, but to what extent do characters’ basic demographics and portrayal determine whether a character lives or dies? A content analysis of forty-eight of the most influential slasher films from the 1960s – 2010s was conducted to measure factors related to character mortality. From these films, gender, race, sexualization (measured via specific acts and total sexualization), strength, and flaws were coded for 504 non killer characters. Results indicate that the factors predicting death vary by gender. For male characters, those appearing weak in terms of physical strength or courage and those males who appeared morally flawed were more likely to die than males that were strong and morally sound. Predictors of death for female characters included strength and the presence of sexual behavior (including dress, flirtatious attitude, foreplay/sex, nudity, and total sexualization). -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
Allah Elohim | Shye Ben Tzur, Jonny Greenwood and The
15/11/2016 libri – PROGETTO MARTE | Cristina Bellon - ArcipelagoMilano Storia di Uomini e di Astronavi edizione italiana e prefazione a cura di Giovanni Bignami UNA INTRODUZIONE A C40 - IN Edizioni Dedalo, 2016 BICICLETTA IN CINQUE METROPOLI 2+1 Ideas Agency pag. 264, euro 17,50 C40 è una rete delle più importanti città del mondo impegnate nella sfida del cambiamento climatico. "Le città si Voglia di volare, voglia di esplorare. Anche se scambiano buone pratiche, il lander Schiaparelli si è schiantato su Marte informazioni e suggerimenti, si associano in piccole cordate per scrivere o, come dice scherzosamente Giovanni progetti e cercare nuovi finanziamenti. Si Bignami è stato abbattuto dai marziani, il aiutano a vicenda nei momenti di desiderio di scoprire Marte è diventato un empasse, condividono documenti e soluzioni efficaci". obiettivo realizzabile. Tanto che Obama, agli inizi di ottobre, ha dichiarato: “Gli Stati Uniti Leggi l'articolo di Stefania Amato invieranno uomini su Marte entro il decennio Milano un nodo al centro delle reti di che inizia nel 2030”. Somiglia molto città per la Food Policy sul numero di oggi all’annuncio che John Kennedy fece nel 1962: portare l’uomo sulla Luna entro dieci anni. Lui ci riuscì. ALLAH ELOHIM | SHYE BEN TZUR, JONNY GREENWOOD AND THE RAJASTHAN L’idea di mettere piede sul quarto pianeta del EXPRESS Sistema Solare e di andarci per davvero non è una novità. Alla fine degli anni Quaranta, lo scienziato tedesco Wernher von Braun – pioniere dei programmi spaziali tedeschi e americani – aveva ideato un viaggio umano di andata e ritorno su Marte con navi spaziali d’avanguardia. -
La Notion ''D'habiter'' Ou Comment Aborder En Classe Les Spécificités
La notion ”d’habiter” ou comment aborder en classe les spécificités des occupations géographiques humaines à travers l’animation japonaise Audrey Jaux To cite this version: Audrey Jaux. La notion ”d’habiter” ou comment aborder en classe les spécificités des occupations géographiques humaines à travers l’animation japonaise. Education. 2017. hal-02386034 HAL Id: hal-02386034 https://hal-univ-fcomte.archives-ouvertes.fr/hal-02386034 Submitted on 29 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License Mémoire présenté pour l’obtention du Grade de MASTER “Métiers de l’Enseignement, de l’Education et de la Formation” Mention 1er Degré Professeur des Ecoles Sur le thème La notion « d’habiter », ou comment aborder en classe les spécificités des occupations géographiques humaines à travers l’animation Japonaise. Projet présenté par Audrey Jaux Directeur Professeur : Michel Vrac (Ecole supérieure du professorat et de l'éducation. ESPE Montjoux) Numéro CNU : 23 Année universitaire 2016-2017 1 Remerciements : A Michel VRAC pour la richesse de documentation qu’il m’a proposé et pour sa disponibilité et son aide. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
(WHEN MARNIE WAS THERE) Is a Fourth Quarter 2017 LVCA Dvd
OMOIDE NO MÂNÎ (WHEN MARNIE WAS THERE) is a Fourth Quarter 2017 LVCA dvd donation to the Hugh Stouppe Memorial Library of the Heritage United Methodist Church of Ligonier, Pennsylvania. Here’s Kino Ken’s review of that mystical animation from Japan. 16 of a possible 20 points **** of a possible ***** Japan 2014 color 103 minutes feature animation fantasy dubbed in English Studio Ghibli / Toho Company /Dentsu / Hakuhodo DY Media Partners Producers: Yoshiaki Nishimura, Koji Hoshino, Geoffrey Wexler (English version), Toshio Suzuki Key: *indicates outstanding technical achievement or performance (j) designates a juvenile performer Points: Direction: Hiromasa Yonebayashi 0 Editing: Rie Matsubara 2 Photography: Atsushi Okui 2 Lighting 2 Animation: Masashi Ando (Animation Director) 1 Screenplay: Keiko Niwa, Masashi Ando, and Hiromasa Yonebayashi based on the novel by Joan Robinson 2 Music: Takatsugu Muramatsu, Priscilla Ahn (theme music) Francisco Tarriega (“Valse in La Mayor” from Recuerdos de la Alhambra) 2 Production Design: Yohei Taneda Character Design: Masashi Ando 2 Sound: Eriko Kimura, Jamie Simone (English Version) Sound Direction: Koji Kasamatsu 1 Voices Acting 2 Creativity 16 total points English Voices Cast: Ava Acres (Sayaka), Kathy Bates (Mrs. Kadoya), Taylor Autumn Bertman (j) (Young Marnie), Mila Brener (j) (Young Hisako), Ellen Burstyn (Nan), Geena Davis (Yoriko Sasaki), Grey Griffin (Setsu Oiwa), Catherine O’Hara (Elderly Lady), Takuma Oroo (Neighborhood Association Officer), John Reilly (Kiyomasa Oiwa), Raini Rodriguez (Nobuko -
How the Filmography of Hayao Miyazaki Subverts Nation Branding and Soft Power
View metadata, citation and similarbrought COREpapers to youat core.ac.ukby provided by University of Tasmania Open Access Repository 1 Wings and Freedom, Spirit and Self: How the Filmography of Hayao Miyazaki Subverts Nation Branding and Soft Power Shadow (BA Hons) 195408 Submitted in fulfilment of the requirements for the Degree of Masters of Journalism, Media and Communications University of Tasmania June, 2015 2 Declaration of Originality: This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of the my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. X Shadow Date: 6/10/2015 Authority of Access: This thesis may be made available for loan and limited copying and communication in accordance with the Copyright Act 1968. X Shadow Date: 6/10/2015 3 Declaration of Copy Editing: Professional copy was provided by Walter Leggett to amend issues with consistency, spelling and grammar. No other content was altered by Mr Leggett and editing was undertaken under the consent and recommendation of candidate’s supervisors. X Shadow Date: 6/10/2015 4 Contents Abstract ...................................................................................................................................... 7 CHAPTER 1 ............................................................................................................................. -
AACTA Announces Return to Channel Seven, New Hair and Makeup Award for Sixth Awards Season
MEDIA RELEASE – STRICTLY EMBARGOED UNTIL 12:01AM THURSDAY 14 APRIL, 2016 AACTA Announces Return to Channel Seven, new Hair and Makeup Award for Sixth Awards Season • Film, Documentary and Short Film Entries Now Open • Applications for Juries Across All Categories Now Open The Australian Academy of Cinema and Television Arts (AACTA) today announced that it will return to Channel Seven in December, following record viewers for the nation’s top screen awards which moved to Seven last year. The 6th AACTA Awards Ceremony presented by Presto will be held on Wednesday 7 December at The Star Event Centre in Sydney, again capitalising on a primetime telecast and driving great awareness for Australia’s top film and television productions awarded ahead of the Christmas and holiday period. An extended version of the Ceremony will again encore on Foxtel. Launching its sixth awards season, AACTA today announced a new award - the AACTA Award for Best Hair and Makeup, which encompasses film and television - and said a host of new television awards will be announced next month as a result of its new partnership with ASTRA. AACTA today called for entries across feature film, documentary and short film award categories, and jurors across all awards categories, with this year seeing more than 45 peer-assessed awards presented, celebrating Australian stories, culture and creativity captured on the big and small screens. All television entries, as well as jurors for new television categories, will be called for when the newly- expanded television awards are announced in May. AACTA also today announced the date of the industry-exclusive 6th AACTA Awards presented by Presto Industry Luncheon, which will be held on Monday 5 December at The Star Event Centre in Sydney. -
4-15 Novembre 2016
UN PROGETTO IN COLLABORAZIONE CON 1 FESTIVAL 320 ARTISTI 80 CONCERTI 25 EVENTI 1 CITTÀ 4-15 NOVEMBRE 2016 INFO BIGLIETTERIA SOCIAL www.jazzmi.it facebook: JAZZMIMILANO INFORMAZIONI [email protected] spotify: JAZZMI infoline 345 5170594 instagram: JAZZMIMILANO dalle 14 alle 18 dal lunedì al venerdi #myjazzmi2016 dalle 10 alle 20 nei giorni del festival INDIRIZZI TEATRO DELL’ARTE CONSERVATORIO DI MILANO BASE MILANO viale Alemagna 6 via Conservatorio 12 via Bergognone 34 T 02 72434258 TEATRO NAZIONALE SALUMERIA DELLA MUSICA BLUE NOTE MILANO via Giordano Rota 1 via Pasinetti 2 via Borsieri 37 T 02 69016888 SANTERIA SOCIAL CLUB ANGURERIA CHIARAVALLE viale Toscana 31 via San Bernardo 17 TEATRO DAL VERME via S. Giovanni sul Muro 2 CIRCOLO MAGNOLIA TEATRO MANZONI via Circ. Idroscalo 41, Segrate via Manzoni 42 CREDITI UN PROGETTO UFFICIO STAMPA IN COLLABORAZIONE CON Teatro dell’Arte Sara Mehrjoei L’Assessorato alla Cultura Ponderosa Music & Art Fabio Vergani del Comune di Milano IN COLLABORAZIONE CON Alessia Bianchi La Direzione e lo staff del Teatro dell’Arte Blue Note Milano (Casta Diva Group) e Triennale Milano DIREZIONE ARTISTICA Parole e Dintorni Lo staff di Blue Note Milano (Blue Note Milano) e Casta Diva Group Luciano Linzi Titti Santini SOCIAL & WEB Enrico Intra, Maurizio Franco, Stefano Fileti Sarah Volpi - Associazione Culturale RELAZIONI ESTERNE E PROGETTI ARTISTICI Musica Oggi e Civici Corsi di Jazz Monica Vanini PARTNER & SUPPORTER Lo staff della Civica Scuola di Musica DIREZIONE ORGANIZZATIVA Monica Vanini e Lorenzo Carni Claudio Abbado (Ponderosa Music & Art) Lorenzo Carni Lo staff del Touring Club Italiano Fulvio Rossi e Maurizio Gallo e i volontari di Aperti per Voi BOOKING (Casta Diva Group) Giuseppe Ponti Paolo Caiani DIREZIONE ARTISTICA BLUE NOTE GRAZIE Nick The Nightfly A tutti i partner coinvolti nella rete di PRODUZIONE questa prima edizione di JAZZMI.