CV Zoe Marshall

Total Page：16

File Type：pdf, Size：1020Kb

CIRRICULUM VITAE Zoë Marshall – Circus Artist ABN: 41 793 810 275 Name: Zoë Marshall Nationality: Australian Born: Australia Speaks: English, basic French Height: 163cm Weight: 57kg Passports: -Australian -British Contact Email: [email protected] Phone: UK: +44 539 217 125 AU+61 458 279 905 Instagram: zoe.marshall.circus Website: zoe-marshall.com “..something out of the ordinary..” “Marshall’s performance was completely beautiful, and showcased both her poise and unique skill” Skills: • Hair Hanging • Chinese Contortion Carpet-Spinning – Including Marinelli stand (Mouth balancing) • Tumbling (Level 8/10 gymnastics) • Dance (Contemporary, commercial, salsa/bachata +) • Aerial Hoop • Group Acrobatics (fly/middle/base) • Basic Head-balancing • Basic Pass juggling (Clubs, balls) Performance Experience: • 2019/20: La Clique, Underbelly UK Christmas tour (London, Leicester Square) • 2019: Circus OZ, Colombia tour “Model Citizens” • 2019: Strut & Fret - Deluxe DELUXE (Hobart, Wollongong, Newcastle) • 2018/19: Circus OZ/The 7 Fingers - "Fibonacci Project” (Rob Tannion/Samual Tétreault) • 2018/19: “Matador” Burlesque/dance/circus for Bass Fam Creative (Melbourne, Sydney Opera house, Adelaide, Brisbane) • 2018: Stunt Role in the Movie Production of “The Whistleblower” • 2018: Solos for MJC Gala show, NYX Cosmetics Make-up competition • 2018: Stand Here by Tons of Sense, Testing Grounds - Melbourne. • 2017/18: Season of “Spectrum” with Uncovered Circus for MIDSUMMA 2018 • 2017: Season for Director Priscilla Jackman’s “Eurydike + Orpheus”, at National Institute of Dramatic Arts, Sydney – collaboration performance as Circus Artist with Circus Director Zebastian Hunter • 2017: Performing solo acts including at Spin Circus Festival and corporate events. • 2016: National Institute of Circus Arts Australia, ensemble show ‘Flight’, Directed by Carita Spencer • 2015: Contemporary Dance at Heath Ledger Theatre, Perth with Co:3 • 2013-2019: Various performances (dance, roving, solo, partner acrobatics acts) for corporate/private events including NYX cosmetics Annual competition Training: • 2018: Graduated 3 year Bachelor program at the National Institute of Circus Arts Australia, Melbourne – Specialising in Aerial Hoop, Carpet-Spinning Contortion, Hair hang and Group Acrobatics. • 2017: Private Aerial Hoop with Rachel Walker, Montreal • 2015-2017: Workshop in physical arts, movement • 2015: Contemporary Senior dance with Co:3, Perth AUS • 2010-2015: Aerial, floor and improvisation training through Perth Circus School, Fremantle AUS with trainers including Bruno Michel and Chris Mayhew • 2009: Artistic Gymnastics at High Flyers, Perth AUS (Level 10) • 2007-2009:Acrobatics and dance (ballet, tap, jazz, hip-hop) at Gail Meade Dance (Perth) References: Rob Tannion Email: [email protected] Ph: + 61 439 831 892 Bass G Fam Email: [email protected] Ph: +61 423 587 690 .

Copy Link

Recommended publications

8 Places to Run Away with the Circus
chicagoparent.com http://www.chicagoparent.com/magazines/going-places/2016-spring/circus 8 places to run away with the circus The Actors Gymnasium Run away with the circus without leaving Chicago! If your child prefers to hang upside down while swinging from the monkey bars or tries to jump off a kitchen cabinet to reach the kitchen fan, he belongs in the circus. He’ll be able to squeeze out every last ounce of that energy, and it’s the one place where jumping, swinging, swirling and balancing on one foot is encouraged. Here are some fabulous places where your child can juggle, balance and hang upside down. MSA & Circus Arts 1934 N. Campbell Ave., Chicago; (773) 687-8840 Ages: 3 and up What it offers: Learn skills such as juggling, clowning, rolling globe, sports acrobatics, trampoline, stilts, unicycle 1/4 and stage presentation. The founder of the circus arts program, Nourbol Meirmanov, is a graduate of the Moscow State Circus school, and has recruited trained circus performers and teachers to work here. Price starts: $210 for an eight-week class. The Actors Gymnasium 927 Noyes St., Evanston; (847) 328-2795 Ages: 3 through adult (their oldest student at the moment is 76) What it offers: Kids can try everything from gymnastics-based circus classes to the real thing: stilt walking, juggling, trapeze, Spanish web, lyra, contortion and silk knot. Classes are taught by teachers who graduated from theater, musical theater and circus schools. They also offer programs for kids with disabilities and special needs. Price starts: $165 for an 8-10 week class.
[Show full text]
National Circus and Acrobats of the People's Republic of China
Friday, September 11, 2015, 8pm Saturday, September 12, 2015, 2pm & 8pm Zellerbach Hall National Circus and Acrobats of the People’s Republic of China Peking Dreams Cal Performances’ $"#%–$"#& season is sponsored by Wells Fargo. PROGRAM Peking Dreams EKING (known today as Beijing), the capital of the People’s Republic of China, is a Pfamous historical and cultural city with a history spanning 1,000 years and a wealth of precious Chinese cultural heritage, including the Great Wall, the Forbidden City, the Summer Palace, and the Temple of Heaven. Acrobatic art, Chinese circus, and Peking opera are Chinese cultural treasures and are beloved among the people of Peking. These art forms combine music, acrobatics, performance, mime, and dance and share many similarities with Western culture. Foreign tourists walking along the streets or strolling through the parks of Peking can often hear natives sing beautiful Peking opera, see them play diabolo or perform other acrobatics. Peking Dreams , incorporating elements of acrobatics, Chinese circus, and Peking opera, invites audiences into an artistic world full of history and wonder. The actors’ flawless performance, colorful costumes, and elaborate makeup will astound audiences with visual and aural treats. PROGRAM Opening Acrobatic Master and His Pupils The Peking courtyard is bathed in bright moonlight. In the dim light of the training room, three children formally become pupils to an acrobatic master. Through patient teaching, the master is determined to pass his art and tradition down to his pupils. The Drunken Beauty Amidst hundreds of flowers in bloom, the imperial concubine in the Forbidden City admires the full moon while drinking and toasting.
[Show full text]
Spring 2016 Circus Harmony Classes Monday Tuesday Wednesday Thursday Friday Saturday Sunday Fees: the Following Classes Are $175
Spring 2016 Circus Harmony Classes Spring 2016 Session Details Circus Harmony Winter Break Classes th rd (at City Museum 701 N. 15th, 3rd flr., St. Louis, 63103) Monday, February 1 – Sunday, May 15, 2016 (at City Museum 701 N. 15 , 3 flr., St. Louis, 63103) Monday (NO Class Sunday, March 27, 2016) 10:00–11:00 AM Preschool Circus (ages 3-5) Culmination Shows will be held: Learn a variety of circus arts including balancing, 1:00-2:30 PM Homeschool Circus Arts May 13, 14, 15, 2016 (times to be announced) acrobatics, object manipulation, aerial and more! 4:30-6:00 PM Intermediate Mini-trampoline & Sign up for morning, afternoon, or both! Tumbling (must have back handspring) Register at www.circusharmony.org December 21, 22, 23, 24 6:00-7:30 PM Youth Combo Aerial w/Copper Youth Classes for ages 5-17 Circus Arts Level 1.5 & 2 need instructor permission Session 1 A: 9:00 AM – 12:00 PM Tuesday Session 11 B: 1:00 PM – 4:00 PM 6:30-8:00 PM Adult Combo Aerial w/Copper Fees: December 28, 29, 30, 31 The following classes are $175: Session 2A: 9:00 AM – 12:00 PM Session 2B: 1:00 PM – 4:00 PM Wednesday Preschool Circus 4:30-5:30 PM Hula Hoops Intro to Circus Arts Cost $90 per session 4:30-5:30 PM Beginning Tumbling (ages 7-14) Tumbling 5:30-7:00 PM Balancing (wire, globe, unicycle,stilts, rolla) Hula Hoops Juggling & Unicycling Clubs 7:00-8:30 PM Adult Basic Circus Arts Juggling Club All ages & skill levels welcome to join! Unicycle Club Friday Winter Break Juggling Club: Thursday The following classes are $250 Classes held Fridays 6:00 – 7:00 PM Dates:
[Show full text]
Cossin2017-Cricussafer.Pdf
Cossin, Ross and Gosselin 1 Prepared using sagej.cls Journal Title Making single point aerial XX(X):3–27 ©The Author(s) 2016 circus disciplines safer Reprints and permission: sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/ToBeAssigned www.sagepub.com/ Marion Cossin1, Annie Ross1 and Fred´ erick´ P. Gosselin1 Abstract The purpose of this study was to measure the dynamic tension force between the apparatus and the hanging equipment of ﬁve aerial circus apparatus and to recommend minimal loading requirements in rigging and design. Forces generated by different acrobatic movements were measured and synchronized with video recordings. Sixteen students of the National Circus School of Montreal´ (Canada) participated in the study. Maximal forces were analysed and characterized with respect to the discipline, the type of movement and the schooling level of the student. The maximal force measured was 5.3 kN performed in the discipline of aerial straps, equivalent to 7.9 times the bodyweight of the performer. A minimal breaking strength of 22 kN for the hanging point and all the equipment holding the rig is recommended. A minimal breaking strength of 22 kN for straps, 17 kN for rope, and 12 kN for silk, aerial hoop and dance trapeze is recommended. Keywords Aerial circus discipline, maximal forces, safety, circus rigging, acrobat mass Prepared using sagej.cls [Version: 2015/06/09 v1.01] Cossin, Ross and Gosselin 3 Introduction Aerial acrobats use their own force to lift their body and execute various movements requiring extreme strength and precision similar to gymnastics. Aerial acrobatics encompass all disciplines requiring the rigging of an apparatus at a height.
[Show full text]
The Beginner's Guide to Circus and Street Theatre
The Beginner’s Guide to Circus and Street Theatre www.premierecircus.com Circus Terms Aerial: acts which take place on apparatus which hang from above, such as silks, trapeze, Spanish web, corde lisse, and aerial hoop. Trapeze- An aerial apparatus with a bar, Silks or Tissu- The artist suspended by ropes. Our climbs, wraps, rotates and double static trapeze acts drops within a piece of involve two performers on fabric that is draped from the one trapeze, in which the ceiling, exhibiting pure they perform a wide strength and grace with a range of movements good measure of dramatic including balances, drops, twists and falls. hangs and strength and flexibility manoeuvres on the trapeze bar and in the ropes supporting the trapeze. Spanish web/ Web- An aerialist is suspended high above on Corde Lisse- Literally a single rope, meaning “Smooth Rope”, while spinning Corde Lisse is a single at high speed length of rope hanging from ankle or from above, which the wrist. This aerialist wraps around extreme act is their body to hang, drop dynamic and and slide. mesmerising. The rope is spun by another person, who remains on the ground holding the bottom of the rope. Rigging- A system for hanging aerial equipment. REMEMBER Aerial Hoop- An elegant you will need a strong fixed aerial display where the point (minimum ½ ton safe performer twists weight bearing load per rigging themselves in, on, under point) for aerial artists to rig from and around a steel hoop if they are performing indoors: or ring suspended from the height varies according to the ceiling, usually about apparatus.
[Show full text]
Circuscape Workshops BOOKLET.Indd
CircusCape presents Fun Family Fridays, Payomet’s Circus Camp became an accredited summer camp last Super Saturdays, and more! year as a result of our high standards conforming to stringent The Art of Applying and state and local safety and operational requirements. Auditioning / Creating Our team of 5 professional Career Paths in Circus & instructors, lead by Marci Diamond, offers classes over Related Performing Arts 7-weeks for students, with Marci Diamond ages 7-14. Cost: $30 Every week will include aerial Fri 8/24 • 10-noon at Payomet Tent arts, acrobatics, juggling, mini-trampoline, physical comedy/ There are a wide range of career paths for the improv, puppeteering, object aspiring professional circus/performing artist, and manipulation, rope climbing and in this workshop, we will explore some possible physical training geared to the steps toward those dreams, as well as practical, interests and varying levels of individual students. effective approaches to applications and auditions. Applying and Auditioning for professional training programs (from short-term intensive workshops to 3 year professional training programs and universi- ty B.F.A. degrees) in circus and related performing arts, as well as for professional performance opportunities, can be a successful adventure of personal & professional growth, learning, and network-building. And it can be done with less stress than you may think! Come discuss tips for maximizing your opportunities while taking care of The core program runs yourself/your student/child. Practice your “asks and 4 days a week (Mon - Thurs) intros” with the director of the small youth circus from July 9 to August 23 at troupe, a professional circus performer and union the Payomet Tent.
[Show full text]
Monday Tuesday Wednesday Thursday Friday Saturday Cloud
Monday Tuesday Wednesday Thursday Friday Saturday Cloud Swing 1000-01 2:30-3:00PM Swinging Trapeze 1000-01 2:00-3:00PM Hammock 0200-02 3:00-3:30PM Double Trapeze 0100-04 3:30-4:15PM Swinging Trapeze 1000-02 2:45-3:30PM 9:00 AM Wings 0000-01 2:30-3:45PM Pas de Deux 0000-01 3:00-4:00PM Revolving Ladder 1000-01 3:15-4:00PM Handstands 1000-01 3:30-4:15PM 4-Girl Spinning Cube 0000-01 3:15-4:00PM Flying Trapeze 0000-02 3:00 PM Swinging Trapeze 1000-02 2:45-3:30PM Double Trapeze 0100-02 3:15-4:00PM Swinging Trapeze 0100-02 3:15-4:00PM Chair Stacking 1000-01 Duo Trapeze 0100-01 3:15-4:00PM Globes 0000-01 Swinging Trapeze 0100-01 3:30-4:15PM Duo Trapeze 0100-02 3:30-4:15PM Double Trapeze 0100-04 3:30-4:00PM Static Trapeze 1000-01 Triangle Trapeze 0100-02 3:15-4:00PM Low Casting Fun 0000-04 4-Girl Spinning Cube 1000-01 3:45-4:30PM Handstands 1000-01 Triangle Trapeze 1000-01 3:30-4:15PM Duo Trapeze 0100-03 3:30-4:15PM Mini Hammock 0000-02 High Wire 1000-01 Manipulation Cube 0000-01 3:30-4:00PM Star 0100-01 Pas de Deux 0100-01 Toddlers 0200-03 ages 3-4 Swinging Trapeze 0100-01 3:30-4:15PM Acrobatics 0205-01 ages 10+ Triangle Trapeze 1000-01 3:30-4:15PM Double Trapeze 0100-04 3:30-4:15PM Duo Hoops 1000-01 4:00-4:30PM Trampoline 0000-04 ages 6-9 4-Girl Spinning Cube 1000-01 3:45-4:30PM Bungee Trapeze 0300-01 Cloud Swing 0100-02 4:00-4:30PM Handstands 1000-01 3:30-4:15PM Swinging Trapeze 1000-01 4:15-5:00PM 4:00 PM Swinging Trapeze 0000-01 4:15-5:00PM Girls' Master Intensive 0000-01 Pas de Deux 0000-01 4:15-5:15PM Manipulation Cube 0000-01 4:15-5:00PM
[Show full text]
Katie Scarlett CV 2017
Katie Scarlett [email protected] http://katie-scarlett.com Height: 166 cm - 5’4” ● Weight: 53 kg - 115 lbs. ● Hair: Red ● Eyes: Brown PERFORMANCE HISTORY SKILLS ReCirquel Company Budapest 2017 Aerial Straps, Dancer Aerial Hoop Solo+Duet Circus Automatic 2012-2017 Aerial Straps Aerial Straps, Aerial Hoop , Contortion, Dancer Trapeze Industrial Light & Magic 2016 Contortion Motion Capture Dance Stage Entertainment Touring Productions 2015 Aerial Harness Aerial Hoop, Dance Aerial Bartender Celebrity Cruises 2014-2015 Fire Dancing + Eating Aerial Straps, Contortion , Standing Hoop/Pole, Mermaid , Living Statue, Cast Captain Mermaid Trapeze World 2007-2017 Living Statue Aerial Hoop/Straps/Harness, Contortion, Dancer, FireDancer/Eater, Aerial Bartend Pole The Crucible 2008-2017 Acting Aerial Hoop, Contortion, Dancer, Fire Dancer/Eater ,Fire Trapeze Singing Supperclub SF/LA /Amsterdam 2006-2016 Rhythmic Hoop + Ribbon Aerial Hoop/Straps, Fire Dancer/Eater, Contortion.Dancer Sensoree Design Lab 2011-2016 Choreography Dancer, Model, Actress, Spokesperson Rehearsal Direction Obscura Digital 2014 Costume Design + Creation Aerial Hoop, Contortion Instruction: Oakland Fox Theater 2013 Ballet,Pilates,Aerial,Movement Aerial Hoop, Dancer, Contortion Krystallpalast Variete Leipzig 2011 Aerial Hoop, Contortion, Dancer Nikki Beach 2010 Aerial Hoop, Dancer, FireDancer/Eater, Aerial Bartender Circus For Arts 2010 TRAINING Aerial Hoop, Dancer Cirque Dreams Productions 2008 Ballet Aerial Hoop, Dancer New Pickles Circus 2008 Valerie Roche A.R.A.D. Aerial Hoop, Dancer Robin Welch Teatro Zinzanni, Cabaret Lunatique 2008 Summer Lee Rhatigan Aerial Hoop Contemporary Dance Kelly Holcombe Alma Esperanza Cunningham MUSIC VIDEO Aerial Magic Man: PARIS 2014 Chloe Marvel Light Axelrod Contortion Dominik Wyss Gavin Hardkiss: MUNDO VIA AFRIKA 2010 Dancer, Choreographer Rhythmic Apparatus Alkaline Trio: BURN 2005 Shannon Gaines Dancer, Fire Dancer Contortion Serchmaa Byamba Mongolian Contortion Center .
[Show full text]
BRIO Youth Training Company (Ages 8-18) September 2020 - June 2021
BRIO Youth Training Company (ages 8-18) September 2020 - June 2021 1 Brio Program Overview About Brio The Brio Youth Training Company is a ten-month developmental program preparing young circus artists to pursue the joy and wonder of circus with greater intensity. Brio company members will have the opportunity to work with professional performers and world-class instructors to build skills and explore the limitless world of circus arts. Our overarching goal is to facilitate the development of circus skills, creativity, and professionalism, at an appropriate level for the development of our students within a program that is engaging, challenging, growth-oriented, and fun. The structure is designed to be clear— with three levels of intensity—yet flexible enough to respond to individuals’ needs. Candidates should have a background in movement disciplines such as dance, gymnastics, martial arts, parkour, diving, or ice skating, and a desire to bring their passion for the circus arts to the next level. Ideal Brio company members are ages 8 to 18 and interested in exploring the possibilities of circus arts; members may be looking forward towards next steps in our Elements adult training company or circus college, or may just be excited to work with a community of creative and dedicated young artists! The program is currently designed to adjust to the safest training environment, whether online only, hybrid online and small in-studio lessons, or full in-studio classes; see program details below for further information. Training Levels: Junior Core Training Program Students age 8-10 have the option of Brio Junior Core, an introductory program with a lower time commitment than the traditional Core training program.
[Show full text]
Modes of Sonic Interaction in Circus: Three Proofs of Concept
Proceedings ICMC|SMC|2014 14-20 September 2014, Athens, Greece Modes of Sonic Interaction in Circus: Three Proofs of Concept Ludvig Elblaus Maurizio Goina KTH Royal Institute of Technology KTH Royal Institute of Technology [email protected] [email protected] Marie-Andree´ Robitaille Roberto Bresin Stockholm University of the Arts KTH Royal Institute of Technology marie-andree.robitaille [email protected] @doch.uniarts.se ABSTRACT of technology in circus, with a special focus on sound and interaction. The art of circus is a vibrant and competitive culture that Practice-based artistic research in circus offers an oppor- embraces new tools and technology. In this paper, a series tunity to generate new modes of creation, composition and of exploratory design processes resulting in proofs of con- expression in circus. This paper focuses on using tech- cepts are presented, showing strategies for effective use of nology that will enable performers to interactively control three different modes of sonic interaction in contemporary computer generated sounds by means of their own body. circus. Each design process is based on participatory stu- Used in this manner, interactive soniﬁcation [1], and re- dio work, involving professional circus artists. All of the lated artistic practices, can be a tool to overcome the stan- proofs of concepts have been evaluated, both with studio dardized traditional formats of circus, re-invent choreo- studies and public circus performances, taking the work graphic methods and to redeﬁne the use of music and sound beyond theoretical laboratory projects and properly engag- support in circus expression. Furthermore, by novel use ing the practice and culture of contemporary circus.
[Show full text]
Animal-Free Circuses Animal-Free Circuses Are Growing in Popularity
Animal-Free Circuses Animal-free circuses are growing in popularity. Whether you’re looking for dazzling and humane family entertainment, a circus to perform at a fair, or a circus to sponsor for a fundraiser, these circuses feature only skilled human performers. CIRCUS TOUR FUNDRAISERS DESCRIPTION Audience members become a part of the Big Top out the Box Circus North America No experience and get a chance to interact with 1-844-542-4728 characters in the show. [email protected] This is a vaudeville-like show that performs Bindlestiff Family Cirkus U.S., Canada, No mostly at festivals and other events and offers P.O. Box 386 and Europe in workshops and exhibitions to schools and New York, NY 10009 the spring and universities. 718-963-2918 summer 1-877-BINDLES [email protected] bindlestiff.org Sensational puppetry puts “elephants” in the ring as Circus 1903 Currently at the No never before seen, along with a huge cast in the most 310-859-4478 Paris Theater at [email protected] Paris Las Vegas unique circus acts from around the world—from International inquiries: strongmen to contortionists and acrobats to [email protected] musicians, knife throwers, high-wire walkers, and much more. Circus Center The San Francisco Yes This center offers an exquisitely choreographed 755 Frederick St. Bay Area adventure in acrobatics, aerial work, dance, and San Francisco, CA 94117 clowning that relies on grit, not glitz, to get its magic 415-759-8123 across. It gives scholarships to low-income children to [email protected] attend its annual circus camp and distributes free circuscenter.org tickets to nonprofit organizations.
[Show full text]
Dust Palace Roving and Installation Price List 2017
ROVING AND INSTALLATION CIRQUE ENTERTAINMENT HAND BALANCE AND CONTORTION One of our most common performance installations is Hand Balance Contortion. Beautiful and graceful this incredible art is mastered by very few, highly skilled performers. Roving or installation spots are only possible for 30 mins at a time and are priced at $950+gst per performer. ADAGIO AND ACROBATICS Adagio, hand to hand, balance acrobatics and trio acro are all ways to describe the art of balancing people on people. Usually performed as a couple this is the same as hand balance contortion in that it’s only possible for 30 minute stints. Roving or installation can be performed in any style and we’re always happy to incorporate your events theme or branding into the theatrics around the skill. Performers are valued at $950+gst per 30 minute slot. MANIPULATION SKILLS Manipulation skills include; Hula Hoops, Juggling, Cigar boxes, Diabolo, Chin Balancing, Poi Twirling, Plate Spinning and Crystal Ball. As a roving or installation act these are fun and lively, bringing some nice speedy movement to the room. All are priced by the ‘performance hour’ which includes 15 minutes break and range between $400+gst and $700+gst depending on the performer and the skill. Some performers are capable of character work and audience interaction. Working these skills in synchronisation with multiple performers is a super cool look. Most of these skills can be performed with LED props. EQUILIBRISTICS aka balance skills The art of balancing on things takes many long hours of dedication to achieve even the most basic result.
[Show full text]