The Times, They Are A-Changin'
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The Capitol Dome
THE CAPITOL DOME The Capitol in the Movies John Quincy Adams and Speakers of the House Irish Artists in the Capitol Complex Westward the Course of Empire Takes Its Way A MAGAZINE OF HISTORY PUBLISHED BY THE UNITED STATES CAPITOL HISTORICAL SOCIETYVOLUME 55, NUMBER 22018 From the Editor’s Desk Like the lantern shining within the Tholos Dr. Paula Murphy, like Peart, studies atop the Dome whenever either or both America from the British Isles. Her research chambers of Congress are in session, this into Irish and Irish-American contributions issue of The Capitol Dome sheds light in all to the Capitol complex confirms an import- directions. Two of the four articles deal pri- ant artistic legacy while revealing some sur- marily with art, one focuses on politics, and prising contributions from important but one is a fascinating exposé of how the two unsung artists. Her research on this side of can overlap. “the Pond” was supported by a USCHS In the first article, Michael Canning Capitol Fellowship. reveals how the Capitol, far from being only Another Capitol Fellow alumnus, John a palette for other artist’s creations, has been Busch, makes an ingenious case-study of an artist (actor) in its own right. Whether as the historical impact of steam navigation. a walk-on in a cameo role (as in Quiz Show), Throughout the nineteenth century, steam- or a featured performer sharing the marquee boats shared top billing with locomotives as (as in Mr. Smith Goes to Washington), the the most celebrated and recognizable motif of Capitol, Library of Congress, and other sites technological progress. -
Bullet for My Valentine to Return to U.S. in May in Support of New Album Venom
BULLET FOR MY VALENTINE TO RETURN TO U.S. IN MAY IN SUPPORT OF NEW ALBUM VENOM (Download Hi-Res Artwork Here) NEW ALBUM, VENOM, OUT NOW ON RCA RECORDS (New York – February 29, 2016) UK metal band Bullet For My Valentine will return to the U.S. for a second invasion in May in support of their recently released album, VENOM. Special guests will include Asking Alexandria and Cane Hill on select dates. The tour will start in Jacksonville, FL on April 30th at Welcome To Rockville festival and will wrap up in San Antonio on May 29th at River City Rockfest. “Attention Army of Noise U.S.! We haven't even left your country yet, but we're super excited to announce that we're coming back to the U.S this May for another run of shows on our Venom World Tour 15/16. We're gonna be hitting a ton of places we couldn't get to this time around so make sure you get yourself our new BFMV App to check and see if we’re coming to a town near you. Thank you and we'll see you all very soon.” – Matt Tuck Bullet For My Valentine Fan Club and VIP pre-sale ticketing will start on Tuesday, March 1st at 10:00AM (local time) and general on sale tickets will be available on March 4th at 10:00AM (local time) at http://www.bulletformyvalentine.com/live/. Fan Club pre-sale tickets will be available exclusively through Bullet For My Valentine’s new App, which is available for download for Android and iOS now at http://bulletformyvalentine.com/app. -
Breaking Benjamin Album Dark Before Dawn Set for Release June 23
FOR IMMEDIATE RELEASE: BREAKING BENJAMIN ALBUM DARK BEFORE DAWN SET FOR RELEASE JUNE 23 NEW SINGLE “FAILURE” AND ALBUM PRE-ORDER AVAILABLE TODAY BAND HITS THE ROAD FOR FESTIVALS/U.S. TOUR DATES THROUGH JULY March 23, 2015 (Burbank, CA) - BREAKING BENJAMIN’s highly-anticipated fifth studio album, DARK BEFORE DAWN will be released June 23rd. Their first single, “Failure,” written and produced by BREAKING BENJAMIN founder Ben Burnley, was released today and is now available (along with the album pre-order) on iTunes. Within an hour of release, the album skyrocketed to iTunes #1 rock single and rock album positions, and is currently in the Top 5 Albums. The first original music from the platinum-selling band since the release of DEAR AGONY in 2009 (certified Gold), Dark Before Dawn marks a new era for the acclaimed band. Burnley is joined by guitarists Jasen Rauch (Red) and Keith Wallen (Adelitas Way), bassist Aaron Bruch, and drummer Shaun Foist (Picture Me Broken). After a string of sold-out club dates, BREAKING BENJAMIN, will hit the road again in April, headlining U.S. tour dates extending through July with performances at this year’s biggest rock festivals including Rock on The Range, Carolina Rebellion, Rocklahoma! and Welcome to Rockville. ABOUT BREAKING BENJAMIN: Over the past decade BREAKING BENJAMIN has amassed a sizeable and diehard fan base, both through their chart-topping music, as well as their electrifying live performances. Their discography includes 2002’s Saturate, 2004’s We Are Not Alone, 2006’s Phobia, and 2009’s Dear Agony. The second two—We Are Not Alone and Phobia—yielded spectacular results with each being certified Platinum. -
Rockfest 80'S Returns for Year Three!
Contact: Roy Anthony Rockfest Concerts, LLC. [email protected] Rockfest 80’s Returns For Year Three! Brand New Venue And The Ultimate Line Up To Date, Bringing The Best 80’s Music Festival In The Country. One “Rockin” Veterans Day Weekend ----- 16 Rock Icons Will Grace The Stage (Miramar, FL – July 2018) – Get ready for round three, with the most ultimate line-up set to ignite South Florida this fall for the third Annual Rockfest 80’s festival event. The epic two-day event is coming to Miramar Amphitheater, Saturday November 10th & Sunday November 11th, 2018 – Doors open noon to 10:30pm each day. Tickets are on-sale: http://www.rockfest80s.com This year’s spectacular lineup features: Vince Neil, Ace Frehley, Cinderella’s Tom Keifer, Night Ranger, Sebastian Bach, KIX, Winger, Mr Big’s Eric Martin, Trixter, Firehouse, Steelheart, Nelson, Zebra and Kickin Valentina. Paying homage to South Florida’s local music scene, Rockfest 80’s always brings the best of the best. The local band scene joining the line-up thus far: Stellar Revival and Big Rock Band. Miramar Amphitheater (Home to Rockfest 80's) located in Miramar, FL. is the center piece of the Miramar Regional Park. The completion of the Miramar Amphitheater came in spring of 2017 with a July 4th grand opening. This State of the Art Amphitheater is the only Amphitheater in South Florida with a canopy covering its 3,000 luxury seats, flanked by a general admission lawn that holds an additional 2,000 people. Being one of Broward County’s premier parks and extremely popular serving Miramar, Pembroke Pines, Hollywood and both Ft Lauderdale and Miami. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
AEG Livelive I Overview Overview Page 10F3lof 3
AEG LiveLive I Overview Overview Page 10f3lof 3 SHOWING EVENTSEVENTS FOR: LOSLOS ANGELES,ANGELES. CA SET LOCATION Search AEGLive,comAEGLive.com SCARCHSEARCH FAQ flEOAEG LIVE NEWS AEG Live, Live, the the live-entertainment live-entertainment division ofof Los Los Angeles-basedAngeles-based AEG,AEG, is dedicated to all aspects of livelive contemporarycontemporary music music performance. performance. AEG AEG LiveLive CONTESTS is comprised of touring, festival, broadcast, merchandise and special event is comprised of touring, festival, broadcast, merchandise and special event CAREERS divisions, fourteen regional officesoffices andand owns,owns, operatesoperates oror exclusivelyexclusively booksbooks thirty-one state-of-the-art venues. venues. TheThe currentcurrent andand recentrecent concert tourtour SUPPLIERS roster includes artists suchsuch asas AliciaAlicia Keys,Keys, AmericanAmerican Idols,Idols, Bon Bon Jovi,Jovi, CarrieCarrie SPONSORSHIPS Underwood, Daughtry, EnriqueEnrique Iglesias,Iglesias. Jennifer Lopez, Justin Bieber, Kenny Chesney, Leonard Cohen, PaulPaul McCartney, TaylorTaylor Swift,Swift, The The Black Black Eyed Eyed Peas, Trey Trey Songz Songz and and Wisin Wisin && Yande!.Yandel. TheThe companycompany is also currently producing residencyresidency showsshows atat The The Colosseum Colosseum at at Caesars Caesars PalacePalace inin LasLas Vegas includingincluding Celine Dion, RodRod StewartStewart andand Shania Twain and is the VIDEO exclusive promoter atat TheThe JointJoint at at Hard Hard Rock Rock HotelHotel && Casino -
Did Hollywood Take Theatre "By Hook Or by Crook?"" (2018)
BearWorks MSU Graduate Theses Fall 2018 AsDid with Hollywood any intellectual T prakoject,e Theatr the contente "b andy Hook views expr oressed by Cr inook?" this thesis may be considered objectionable by some readers. However, this student-scholar’s work has been Catherine S. Wright Missourijudged t oState hav eUniv academicersity, Catherine845@liv value by the student’e.missouristate.edus thesis committee members trained in the discipline. The content and views expressed in this thesis are those of the student-scholar and are not endorsed by Missouri State University, its Graduate College, or its employees. Follow this and additional works at: https://bearworks.missouristate.edu/theses Part of the Acting Commons, Applied Ethics Commons, Art Education Commons, Business and Corporate Communications Commons, Business Law, Public Responsibility, and Ethics Commons, Collective Bargaining Commons, Comparative Philosophy Commons, Digital Humanities Commons, Dramatic Literature, Criticism and Theory Commons, E-Commerce Commons, Ethics and Political Philosophy Commons, History of Philosophy Commons, Intellectual History Commons, International and Comparative Labor Relations Commons, Legal Commons, Metaphysics Commons, Other Business Commons, Other Classics Commons, Other Film and Media Studies Commons, Other Theatre and Performance Studies Commons, Performance Management Commons, Philosophy of Science Commons, Playwriting Commons, Public History Commons, Screenwriting Commons, Social and Behavioral Sciences Commons, Social History Commons, Technical and Professional Writing Commons, Television Commons, Theatre History Commons, Unions Commons, and the United States History Commons Recommended Citation Wright, Catherine S., "Did Hollywood Take Theatre "by Hook or by Crook?"" (2018). MSU Graduate Theses. 3320. https://bearworks.missouristate.edu/theses/3320 This article or document was made available through BearWorks, the institutional repository of Missouri State University. -
101 Films for Filmmakers
101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers. -
Film and Architecture: Discovering the Self-Reflection of Frank Capra And
UNLV Retrospective Theses & Dissertations 1-1-2000 Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis Marie Lynore Kohler University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Kohler, Marie Lynore, "Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis" (2000). UNLV Retrospective Theses & Dissertations. 1120. http://dx.doi.org/10.25669/c7iq-fh8b This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiaice, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor qualify illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. -
98.9'S the Rock Hosts 21 Annual Rockfest This Saturday
98.9’s The Rock Hosts 21st Annual Rockfest This Saturday Another sell-out crowd of 55,000 is expected Kansas City, MO – Rockfest 2013 is this Saturday May 11th at The Liberty Memorial in downtown Kansas City. 98.9 The Rock is projected to host another sell-out crowd of 55,000 passionate fans who will be entertained by 15 bands offering 12 hours of non-stop live rock. From humble beginnings, Rockfest has grown into the biggest one-day music festival in the country, and 2013 marks the 21st anniversary of Rockfest. This year’s performers include Alice In Chains, Seether, Papa Roach, Volbeat, Halestorm, Sevendust, All That Remains, Device, Killswitch Engage, In This Moment, Red Line Chemistry, Young Guns, Aranda, Eye Empire, and Heaven’s Basement. 2013 marks the 21st anniversary of Rockfest. From humble beginnings, Rockfest has grown into the biggest one-day music festival in the country. The very first Rockfest saw 10,000 fans of a new radio station come out to see Cheap Trick, Lillian Axe, and XYZ. Since then the show has steadily grown with along with 98.9 The Rock into the monster concert it has become today. Morning show vet Johnny Dare has been a part of the last 20 Rockfest’s and has seen it grow into the powerhouse it is today. “Rockfest is special because we’ve kept it special. The goal from the beginning was to create an affordable experience for our listeners with cheap tickets and cheap beer & food. The venue is part of what makes Rockfest so special. -
Italian Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences
Italian Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences As a film scholar and educator, I never thought of myself as a ―professional ethnic,‖ that is, as a specialist who primarily studied, wrote about, or taught ethnicity. I hardly considered myself to be an ethnic at all, having been raised as a third-generation Italian American by parents who wanted me to assimilate into the majority or dominant culture. I struggled against my Other-ness by pursuing a mainstream education, learning French and German instead of Italian, rejecting the Catholic Church at age 13, and leaving my parents’ patriarchal home with my first paycheck after college. To me, at that point in time, Italian meant poverty, parochialism, and patriarchy. Nonetheless, as I matured, I came to admire the Italian cinema and occasionally wrote about it, but I also took inspiration from the national cinemas of France, Germany, Sweden, Russia, Senegal, Cuba, China, Japan, and America. My taste in literature, painting, and music included some Italians—principally Dante, De Chirico, and Vivaldi—but my artistic pantheon was as ―catholic‖ (small ―c‖) and international as my cinematic idols. I had more universalist identifications. The Personal Is the Political In 1980, however, my relative disconcern with (or active disdain of) my ethnic identity was given a rude jolt. I became the recipient of an academic award, the Society for Cinema Studies Scholarly Writing Award, for an essay I had written about the classic Italian neorealist film Bicycle Thieves (Ladri di biciclette, 1948). Publication in the prestigious Cinema Journal was assured, subject to one condition: elimination of a page-long ―Personal Preface‖ that dealt with my subjective ethnic relationship to the film. -
A Pictorial History of Comic-Con
A PICTORIAL HISTORY OF COMIC-CON THE GOLDEN AGE OF COMIC-CON The 1970s were the formative years of Comic-Con. After finding its home in the El Cortez Hotel in downtown San Diego, the event continued to grow and prosper and build a national following. COMIC-CON 50 www.comic-con.org 1 OPPOSITE PAGE:A flier for the Mini-Con; the program schedule for the event. THIS PAGE: The Program Book featured a pre-printed cover of Balboa Park; photos from the Mini-Con, which were published in the Program Book for the first three-day MINI-CON Comic-Con held in August (clockwise MINI-CON from left): Forry Ackerman speaking; Mike Royer with some of his art; Comic-Con founding committee member Richard Alf NOTABLE MARCH 21, 1970 at his table; Ackerman at a panel discus- sion and with a fan; and Royer sketching GUESTS live on stage. The basement of the U.S. Grant Hotel, Downtown San Diego Attendance: 100+ Officially known as “San Diego’s Golden State Comic-Minicon” (the hyphen in Minicon comes and goes), this one-day event was held in March to raise funds for the big show in August, and FORREST J ACKERMAN was actually the first-ever West Coast comic convention. Most Comic-Con’s first-ever guest was the popular editor of Famous of those on the organizing com- Monsters of Filmland, the favorite mittee were teenagers, with the movie magazine of many of the major exceptions of Shel Dorf (a fans of that era. He paid his own recent transplant from Detroit way and returned to Comic-Con who had organized the Triple numerous times over the years.