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Contemporary Music Score Collection UCLA Contemporary Music Score Collection Title Uchronia v1 Permalink https://escholarship.org/uc/item/7jp6s1t4 Author Gottschamel, Georg Publication Date 2020 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 eScholarship.org Powered by the California Digital Library University of California i  Uchronia v1 for wind orchestra  ........................... by Georg Gottschamel Uchronia, the city of no time,is built on a fractal foundation. As some others this piece was written following a fractal figure of three see below. The term „Fractal“ is used in my "mathematical" geometry for figures with a structure of self similarity. All parts of the structure have to follow the principle of the structure as a whole. The following drawing shows a fourfold geometrical structure in two dimensions after applying  the rule - which is to divide a line by four and raising the middle parts to a triangle - twice. We can repeat the process of forming the parts in the defined manner as often as we want. A horizontal line is divided in three parts by elevating the middle section. We repeat this process for all three lines. So we get fractal 2 (9 parts, see diagram), fractal 3 and so on.  The density of pitches and the density of sound versus rests are modeled throughout by the 5th fractal, although modified by exponential functions, as can be seen in the diagram. These parameters change with a frequency of about 0,15 Hz, the wavelength is approximated by the measures in the score. Deviating from its ternary fractal foundation, Uchronia developed a four part emotional room: chaos, meditation, sobriety and joy. 100,0 60 ratio sound to total time (%) 90,0 density of pitches 50 80,0 fractal 2 fractal 3  70,0 40 60,0 50,0 30 40,0 20 30,0 20,0 10 10,0 0,0 0 0 50 100 150 200 250  The audible fabric of Uchronia, the city of no time, is built out of 13 duets, all of them with rather strange combinations of instruments. You can see that in the score. The duets are interwoven to a lace of sound easily adaptable to all emotional light necessary for recognition and knowledge. The subtitles are only of a suggestive character. The fantasy of listeners or players is invited to fly out of time. duration: appr. 19 min The score contains 71 pages, including title page, comment and explanations for players. Copyright license shall conform to CC BY-NC-ND (Attribution-NonCommercial-ShareAlike-NoDerivatives). All matters of royalties shall be managed by AKM in Vienna, Austria. email to [email protected] © Georg Gottschamel Uchronia v1 ii Explanation of Symbols for all instruments vibrato: A  „ glissando during the first note n.v. non vibrato „ before or after one note: small, short pitch bend (rip/drop) v.l. vibrato lento v.n. vibrato normale repeat in time (tremolo) or flutter-tongueing v.r. vibrato rapido a.p. amplitudine piccola ord. ordinary type of playing (cancels special signs) a.n. amp. normale a.f. amp. forte ll ll repeat as fast as possible ‰ ‰ 2 notes: tremolo as fast as possible (or trill) accidentals change of speed see below are valid only for the actual note and its immediate repetition without rest or break a short, but soft transition to the next sound [ quarter-tone sharp signifies change of the following parameters: quarter-tone flat loudness < speed of repeat, tremolo and vibrato bow pressure for strings noise content during soffiata below the staff in brackets characters below the staff in brackets, according to the International Phonetic Alphabet (see some words as examples in the annex below) consonants: Zc+ l+ m+ e+ j+ r+ w+ are used to shape the attack and tone quality, y+ s+ v+ sR+ R\ with or without connected vowel, for buzzed and soffiata notes vowels: ZH+ x+ t+ dH+ @+ are used to form the oral cavity, `H+ `T+ ?\ either during buzzing to change the colour of sound or producing harmonics and multiphonics (emphasize one partial) or during singing into the mouthpiece wood wind instruments A  note heads above or under the notes, on the stem soffiata (air noise almost without pitch) Ò # exhaling (normal) is given only if unclear otherwise ÓÔ slap/pizz. (little sound) Û Ú keyclick $ inhaling hit the bell with palm Ù ı Ô Ó slap/pizz. with more tone soffiata with more tone (sometimes called "ghost sounds") changing sound colour by consonants or vowals: see the "all instruments" section Ò flz. flutter-tonguing percussions note heads 4 above or under the notes A 4 Â Ò stroke with bow the edge of the plates stick ÓÔ hit near the support of the plate (more noise) soft Û Ú secco/dead stroke medium Ù ı coperto (hit through a soft cloth) hard completely mute the sound with hand brass instruments b A  note heads Ù ı hit the mouthpiece softly with palm and close it thereby with staccato: take the hand away at once ÓÔ click of tongue without air (pizz.) soffiata: only blowing or speaking into the mouthpiece, close it tightly with lips Ò (consonants or vowels are indicated in brackets below the notes) Ú „ lip buzzing the pitch of the round note, the sound is varied by singing the other note „ Ú TŸ split tone multiphonic (s.t. mph) or vowel harmonics mph (v.h. mph) with number of partial above the notes only for single notes: A  o without mute in the bell (open) T with the mute (muted) © Georg Gottschamel Uchronia v1 iii further information for some instruments oboe flutes A  smz. YY vibrato by jaw (smorzato) blow through mouthpiece surrounded completely by lips vibrato by lips (oscillato) normal play note heads vibrato by diaphragm pitch ÓÔ slap/pizz. vibrato by larynx fingering rhombus indicates fingering smz. vibrato by lips (smorzato) Y Y flutter-tonguing flz.(L) by tongue flz.(G) by throat bassoon Ó flap clarinets A  ≥ brassy tone open slap, louder than slap vibrato by lips T smz. vibrato by jaw (smorzato) horn vibrato by diaphragm + stopped (with hand) o flz.(G) flutter-tonguing by glottis normal position of right hand R: take the right hand comletely out of the bell flz.(L) flutter-tonguing by tongue GS ghost sound (similar to soffiata, ^ brassy overblowing but with some tone or pitched sound) A  trombones vibrato by lips/jaw (timbre) vibrato by slide (intonation) vibrato by diaphragm (dynamics) double bass ˛ note heads Â Û Ú stroke or pluck behind the bridge A knock on the belly with fingertips or joint (sound muffled or ringing) ÓÔ with staccato: hit with fingernail above or under the notes, on the stem ∑ harmonics, NT gives the number g the name of the string to be used flautato (little pressure of the bow, stroke quickly) ˛ T noisy (strong pressure of the bow, stroke very slowly) A Ô TT very heavy pressure of the bow, stroke as slowly as possible (only noise) s.t. sul tasto s.p. sul ponticello p.n. normal position s.t. s.p. p.n. Annex ˛ approximation to the pronounciation of the consonants and vowels A Ò Zc\ do Zl\ my ZH\ is, eel Zm\ no Zx\ kus, gulden (Flemish) Ze\ free Zt\ routine Zj\ cat ZdH\ way Zr\ city Z@\ bar Zw\ loch (Scottish) Z`H\ night Zy\ rose, buzz Z`T\ now Zs\ time Z?\ Belgian Zv\ way ZsR\ cheese ZR\ shine © Georg Gottschamel Uchronia v1 1 Uchronia Georg Gottschamel I. Chaos (ca.4') duration about 20 min ¢ = 120 ˛ all instruments are notated with standard pitches, without transposition, but using clefs with octave transposition sign for the following instruments: Xylophone, Vibraphone, Piccolo Flute, Double Bass, Contrabassoon, Contrabass Clarinet Piccolo 6 A 4 I I I Flute A 46 I I I Oboe A 46 I I I English Horn A 46 I I I Clarinet Bb 6 A 4 I I I Bass Clarinet Bb E 6 4 I I I Contrabass Clarinet Bb E 6 ˛ 4 I I I Sopran Saxophone 6 A 4 I I I Alto Saxophone A 46 I I I Tenor Saxophone 6 A 4 I I I Bariton Saxophone E4 6 I I I Bassoon E4 6 I I I   . . ÂS  [  ÂS.   Contrabassoon E 6 . ˛ 4 Í LL Í L Í KK Í L KM Î Í L L J J Í L p Cornet Bb 6 A 4 I I I Trumpet Bb A 46 I I I French Horn 1 6 A 4 I I I French Horn 2 6 A 4 I I I Tenor Trombone E4 6 I I I Bass Trombone E4 6 I I I Euphonium E4 6 I I I Tuba in C E 6 4 I I I Double Bass E 6 ˛ 4 I I I Timpani E 6 4 I I I ˛ Xylophone A 46 I I I ˛ 6 A 4 I I I Vibraphone 6 A 4 I I I ÂS   ÂS  ÂS   ÂS    A 46 I K K L Í L I Marimbaphone ˘ ˘ ˘ ˘ ˘ p ˘ Á Ê E4 6 L    K   M  K    K. I K    K   K  K. p i © Georg Gottschamel Uchronia v1 2 4 ˛ Picc Ê Ê Ê A I I I K  K  K  K. p Fl A I I I I Ob. A I I I I EH A I I I I Cl A I I I I BCl E I I I I CbCl E ˛ I I I I SSax A I I I I ASax A I I I I TSax A I I I I BSax E I I I I Ba E I I I I CBa E ˛ I I I I Cor A I I I I c.s.
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