DOCSLIB.ORG

Nima Namchu the Partner Anand Halve

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nima Namchu the Partner Anand Halve August 1-15, 2012 Volume 1, Issue 6 `100 24 DEFINING MOMENTS Anand Halve Chlorophyll’s co-founder is an intellectual explorer. 16 HCL The Partner A new positioning, but with the same characters. 42 PROFILE SMOOTH Nima Namchu Cheil’s ECD-to-be looks beyond designations. AGENCIES SAILING Funny Tags 12 How a city supplement inspired a NLP CAPTCHA Learning to Play 20 wave of similar products and changed MALAYALA MANORAMA newspaper journalism. Clock Work 37 34 GEMINI TV Afternoon Surprise 44 EDITORIAL This fortnight... Volume 1, Issue 6 EDITOR Sreekant Khandekar ver since the UK-based tabloidSun, went ahead and registered Page 3 as a trademark in 1970, and PUBLISHER Estarted publishing photographs of topless models on that particular page, the name stuck. And other Prasanna Singh publishers moved in quickly to cash in on a trend that was pushing up sales. Mumbai-based Mid-day in EXECUTIVE EDITOR India was one of the first in this country to embrace the concept. The only difference was that Mid-day’s Prajjal Saha attempt was a more sober one keeping the Indian sensibilities in mind. SENIOR LAYOUT ARTIST Vinay Dominic However, in India, ‘Page 3’ has an entirely different connotation even now. It has PRODUCTION EXECUTIVE become a vehicle for Indian paparazzi that follows the socialites and the celebrities – Andrias Kisku and glamorous happenings in the city in which they live in. The Indian Page 3 started August 1-15, 2012 Volume 1, Issue 6 `100 ADVERTISING ENQUIRIES 24 with Bombay Times - an entertainment supplement which was introduced free with Neha Arora, (0120) 4077866, 4077837 the main edition of The Times of India, Mumbai in 1994. Interestingly, the need for a Noida Khushboo Varadkar, (022) 40429702-5 DEFINING MOMENTS Bombay Times came from the marketing side. In those days the mainline editors found Anand Halve Chlorophyll’s co-founder Mumbai is an intellectual explorer. 16 ‘entertainment content’ to be too frivolous to be included in the daily as it was supposed to cover only serious news – politics, finance or crime. Even for the supplement, the [email protected] editors opposed the coverage of such news in the front page, which is why it occupied MARKETING OFFICE HCL The Partner B-3, First Floor, Sector-4, Noida-201301. A new positioning, but with the same characters. the third page. In fact, the first issue of the supplement only gave space to hardcore city Tel: (0120) 4077800. 42 specific social and political issue on its first page. MUMBAI Bombay Times changed the way newspaper publishers looked at celebrity reportage. 501-502, Makani Center, 5th Floor, PROFILE Off Linking Road, Bandra (W), SMOOTH Nima Namchu Cheil’s ECD-to-be looks beyond designations. It set the trend for the ‘Page3-isation’ of news. Today, entertainment news has made Mumbai - 400050 AGENCIES SAILING Funny Tags 12 Tel: +91-22-40429 709 - 712 How a city supplement inspired a NLP CAPTCHA its way to the first page of not only the supplement but of the main newspaper as well. Learning to Play 20 wave of similar products and changed MALAYALA MANORAMA newspaper journalism. Clock Work 37 BENGALURU 34 GEMINI TV Page 3, as a culture, has been adopted by English, Hindi and regional language dailies. Afternoon Surprise 44 S-1, New Bridge Corporate Centre, Even ‘serious’ newspapers tried their hand at it, especially as it proved to be crucial 777 D, 100 ft Road, Indira Nagar, for success in both existing as well as newer markets. The Page 3 kind of coverage Bengaluru - 560038, India accommodated new advertisers and a newer set of readers. It was observed that the younger lot picked up the SUBSCRIPTION ENQUIRIES publication for the supplement, not the main paper. Akhilesh Singh, (0120) 4077837 [email protected] The current issue of the magazine analyses the success story that is Bombay Times, a city supplement that Owned by Banyan Netfaqs Pvt Ltd and turned 18, recently. The story of Bombay Times is important because for many years, it was the lone crusader Printed and published by - Delhi Times and HT City came in five years after the first edition of Bombay Times. Prasanna Singh, at 7-A/13, Ch. Ratan Singh Complex, Jawala Heri Market, Paschim Vihar, New Delhi-110 063. Printed at Cirrus Graphics Private Limited B-62/14, Naraina Industrial Area, Prajjal Saha Phase II, New Delhi – 110028. [email protected] Cover Illustration Gogol CONTENTS 52 18 PLUS JOCKEY HAVELLS Flowery Proposal No Compromise 20 The mixer-grinder STAR PLUS plays a vital role in making really soft Sunday Flavour 30 idlis too. CHANNEL V Prime Property? 36 KEITH BELLOWS 36 60 Digital Angle SAMBAD AKHON Magazines will have to go Just-in-Time News 48 digital - and pay. BY INVITATION POV 28 Suprio Guha Thakurta 50 Google Social KBC YOUTUBE BUS Has Google missed the social Re-casting the Spell Support Drive DISNEY media bus? The industry Kaun Banega Crorepati’s A bus that will follow Indian Fantasy World 56 discusses. regional versions are a hit. players’ fate in the Olympics. afaqs! Reporter, August 1-15, 2012 5 MNP 1(:6%8//(7,1 ,W¶V$GGLQJ8S Sponsored by obile Number Portability resents slightly more than 5 per cent M(MNP), a service that allows of the total subscriber base. a mobile phone user to change his While subscriber figures have service provider without changing increased, the rise in MNP figures his number, now seems to be gain- is steeper. In January 2011, India had McDonald’s> The world’s largest fast-food chain, is expected to cut prices of more than half the items in its ing popularity. The service, which 806.13 million mobile subscribers menu by up to 15 per cent to arrest a slide in its growth was launched by the government in which has now increased to 921 mil- and push expansion. As part of the plan, the burger and- January last year, initially saw a very lion which a 12 percent increase. On fries chain will slash prices of entry-level and core products few takers. the other hand, MNP witnessed an within categories like extra value meals, breakfast products However, customers are now increase of almost 100 per cent. and desserts. Along with this, McDonald’s will also launch increasingly using the service. A major reason why MNP did McEgg burger. According to recent data issued by not take off initially could be attrib- the Telecom Regulatory Authority uted to lack of awareness about the of India (TRAI), MNP requests have procedure of the service, which is increased from 45.89 million sub- increasing due to word-of-mouth. Eicher Motors> The company has signed a strategic scribers at the end of April 2012 Another reason could be the joint venture agreement with US based powersports major, increasing maturity Polaris Industries, to set up a greenfield project in the automotive sector. The joint venture company will design, among mobile phone develop, manufacture and sell a full new range of personal users. An average vehicles suitable for India and other emerging markets. The mobile service user MARKETING production is expected to start in 2015. now wants to stick to his number as it is linked to his identity. This probably was not In 2009, the Yardley> Wipro Consumer Care & Lighting (WCCGL), the the case earlier as most company had maker of Santoor, has bought Yardley in the UK and several consumers were first other European countries, excluding Germany and Austria, acquired Yardley making it the company’s first acquisition in a developed time users of mobile in Asia, Middle services. market. In 2009, the company had acquired Yardley in Asia, Middle East and certain African markets for $45.5 million to 50.16 million at India has cur- Moreover, the East and from UK-based Lornamead group. It plans to push Yardley the end of May 2012. recently unveiled certain African rently 921 million agressively in India, primarily in the deodorant space where In the month of May mobile subscrib- National Telecom markets. it competes with its own brand Enchanteur from another 2012 alone, 4.27 mil- Policy by the acquired company Unza. lion requests have been ers of which Government of India made for MNP. 50.16 million has emphasised on In comparison, on full mobile num- an average 2.7 mil- users have used ber portability which MTR> The Bangalore-based mixes, spices and desserts lion MNP requests the service to if implemented will maker plans to increase its revenues to `1,000 crore over the per month have been further give a boost next three years. Acquired by Norwegian firm Orkala Brands made since the service switch operators to the MNP service. in 2007, MTR Foods reported sales of `350 crore in fiscal was launched in India Currently in India, 2011-12. Additionally the company has forayed in the meal while for the first year (January- only mobile phone users are allowed mixes category with the launch of Rasoi Magic brand. The December 2011), the average was to change their operators through mixes have been launched in powder format. It had acquired just 2.4 million per month, before the MNP facility within the same the Pune-based Rasoi Magic Foods last year in April 2011 and this. In fact, the average number of network. With full MNP, users can claims to be bullish on the category. adopters of MNP was even lower for change operators irrespective of their the first six months - just 2 million network area. per month. For example, an Idea user in The company has Samsung India> The electronics major has set a target India has currently 921 million Delhi can change the operator to set a target of 35 of 35 per cent market share in flat-panel television (FPTV) mobile subscribers of which 50.16 Airtel Kolkata without changing his category and 60 per cent market share in the smart TV seg- million users have used the service number with full mobile number per cent market ment in India by the end of 2012.
Load more

Recommended publications
  • Big Synergy and Phantom Films Enter Into an Alliance to Create a Content Production Powerhouse Across Tv and Digital Media
    BIG SYNERGY AND PHANTOM FILMS ENTER INTO AN ALLIANCE TO CREATE A CONTENT PRODUCTION POWERHOUSE ACROSS TV AND DIGITAL MEDIA Mumbai, 1st July , 2016: Big Synergy Media and Phantom Films have forged an alliance to create a content production powerhouse, to deliver relevant and impactful entertainment content across TV and Digital Media. With the new alliance, both Big Synergy and Phantoms Films will benefit from each other’s core expertise to expand their businesses. Big Synergy will now have access to the tremendous creative talent resource of Phantom Films to expand their offering into the fiction segment for both TV and Digital Media. Phantom Films will build on Big Synergy’s well-established leadership in factual entertainment to expand their business in the TV and Digital Media. Phantom Films will also now have access to Big Synergy’s expertise and reach in production of regional language content across seven languages in the fiction & non-fiction space. BIG Synergy, promoted by Siddhartha Basu and Anita Kaul Basu, has built its reputation as a leader in the field of factual entertainment, starting off as one of the country's first independent television production houses in 1988. Big Synergy has since then been at the helm of producing some of the country’s most critically acclaimed and popular television programmes. Keeping abreast of constantly changing viewership and growth of regional markets, Big Synergy has incorporated top of the line technology and state-of the art techniques, creating content and programme ideas in sync with market demands across India. Phantom Films, established in 2011 by four prolific filmmakers , Anurag Kashyap, Vikas Bahl ,Vikramaditya Motwane and Madhu Mantena has earned a reputation for producing some of India’s most path breaking and engaging films in recent times.
    [Show full text]
  • KBC, India's Most Famous Game Show: an Analyis
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/348295598 KBC, India's most famous game show: An Analyis Article in ACADEMICIA An International Multidisciplinary Research Journal · December 2020 DOI: 10.5958/2249-7137.2020.01740.1 CITATIONS READS 0 27 1 author: Karunakar B. Narsee Monjee Institute of Management Studies 21 PUBLICATIONS 3 CITATIONS SEE PROFILE All content following this page was uploaded by Karunakar B. on 07 January 2021. The user has requested enhancement of the downloaded file. ACADEMICIA ISSN: 2249-7137 Vol. 10 Issue 12, December 2020 Impact Factor: SJIF 2020 = 7.13 ACADEMICIA An International Multidisciplinary R e s e a r c h J o u r n a l (Double Blind Refereed & Peer Reviewed Journal) DOI: 10.5958/2249-7137.2020.01740.1 KBC, INDIA’S MOST FAMOUS GAME SHOW: AN ANALYSIS Dr B Karunakar* *NMIMS Hyderabad, INDIA Email id: [email protected]; [email protected] ABSTRACT Today, there are more than a dozen reality shows on air across all kinds of channels, from general entertainment to youth channels to the regional, all on prime time. These reality shows offer a wide scope for brand visibility. In this context, Kaun Banega Crorepati as a reality show was studied for its impact and the economics involved. The attempt of this article is to provide insights on the working of the TV channels, production houses, marketers & advertisers that provide the sponsorship, the general comparison of reality shows with serials and the overall impact created. KEYWORDS: Sponsorship, Reality Shows INTRODUCTION Amid the COVID-19 lockdown, 'Kaun Banega Crorepati' (KBC) Season 12, hosted by India’s famous actor Amitabh Bachchan caught the attention of audiences as millions logged in to participate in the show during May 2020.
    [Show full text]
  • ISSN -2347-856X ISSN -2348-0653 International
    Research Paper IJBARR Impact Factor: 3.853 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 THE IMPACT OF REALITY SHOWS OF TELEVISION ON THE YOUTH OF BALLARI Dr. Poornima* D. Christopher Raj** *Professor, CMR College, Bangaluru. **Research Scholar, Tumkur University & Tumkur Principal, Ballari Business College, Ballari. Abstract This paper is an attempt to evaluate the apparent change caused on the viewership of reality television. Understanding the potential influence of the Reality Shows that it can impart of the society cannot be ignored. These reality television programs have phenomenal and penetration in the viewership as well as its growth in reaching to audience bearing far reaching effect. As part of the review of literature the adequate scholarly research were reviewed, a substantial popular commentary about these programs was considered, and a specific definition that captures the core characteristics of the genre is presented, the key characteristics of reality television programs are highlighted. A descriptive research was carried out with regard to the objectively. A survey was conducted among the youth of Ballari in different area of the city. The responses 70 samples were analyzed to evaluate the results. The findings reveal that viewers have enjoyed the Reality show, talent showed on these programs was appreciated, and however the activity engagement by the youth was weak. The study reveals that a moderate degree of activity engagement by the viewers of youth of Ballari was discovered. Gender viewership regarding this genre was equally balanced in all the different kind of reality television program. But the male were dominant in the activity participation than the females.
    [Show full text]
  • Decisions Taken by BCCC 16 April 2014 to 10 MARCH 2015
    ACTION BY BCCC ON COMPLAINTS RECEIVED FROM 16 APRIL 2014 TO 10 MARCH 2015 S.NO Programme Channel Total Nature of Complaints Telecast Action By BCCC Number of date of the Complaints programme Received reviwed by BCCC A : SPECIFIC CONTENT RELATED COMPLAINTS A-1 : Specific Content related complaints Disposed 1 Promos of Aahat Sony 124 Promos of the programme show children turning into ghosts. It Nil The channel was called for a Hearing after being issued a NOTICE in the last has very adverse effect on children. It is repeatedly aired during BCCC meeting. In its reply, the channel maintained that its intention was not to family shows. Watching it has a horrifying effect on children. One demonise children; the treatment of the promo relies on computer graphics to promo shows a girl harassing her teacher in revenge through create supernatural effects as it is a horror show. The show has been scheduled supernatural powers. People interested in watching such horror only in watershed hours and two versions of the promos were created. The shows can watch these at their scheduled time. But those who do toned down version, which had minimum supernatural elements essential to the not wish to should not be made to watch the promos. plot, was aired during normal hours and the longer version was aired during watershed/restrictive ours. The Council asked the channel to give an UNDERTAKING that it would not air any such promo which demonises children and minimise its creativity in showcasing children having supernatural elements in any of the promos henceforth.
    [Show full text]
  • „The Nation Want's to Know'- How Prime Time News Hour Is Being
    International Journal of Humanities & Social Science Studies (IJHSSS) A Peer-Reviewed Bi-monthly Bi-lingual Research Journal ISSN: 2349-6959 (Online), ISSN: 2349-6711 (Print) Volume-II, Issue-V, March 2016, Page No. 163-170 Published by Scholar Publications, Karimganj, Assam, India, 788711 Website: http://www.ijhsss.com „The Nation Want’s to know’- How Prime Time News Hour is Being Stage Managed to pander to the Ego of Big Names: A Case Study on Arnab Goswami’s ‘Newshour’ Naresh, Suparna Professor, Department of Media Studies, Christ University, Bangalore, India Abraham, Niju Scholar, Department of Media Studies, Christ University, Bangalore, India Abstract Public Relations in recent years has been given great importance as a tool of promotion. Celebrity PR is now considered an expedient way to achieve the requisite goal of managing the image of individuals. Media professionals to take recourse to public relations strategy in an attempt to either build a new image or improve an existing one. Arnab Goswami is a popular face/name amongst the sea of news anchors from the Indian media scene who has been using the ‘Newshour’ (Times Now’s 9 pm slot) to project a better image for himself. The present paper attempts to explore this phenomenon of news programmes used as a vehicle to showcase and strengthen celebrity status. Keywords: Celebrity PR, Arnab Goswami, Public Relations, Self PR and PR Vehicles. I. Introduction: Public relations has been playing a vital role in contemporary world for a longtime now. It has however taken some time for the common man to come to terms with the power and impact of public relations.
    [Show full text]
  • Dus Ka Dum Returns on Sony Entertainment Television (Set)
    YEH KHEL HAI ANUMAAN KA, SALMAN KA AUR POORE HINDUSTAN KA! DUS KA DUM RETURNS ON SONY ENTERTAINMENT TELEVISION (SET) ~ Hosted by the dumdaar Salman Khan, the show premieres this June 4, and airs every Monday & Tuesday at 8:30 PM ~ Press Release: Mumbai, May 28, 2018: When the most loved actor from the Indian film industry, Salman Khan, asked on Sony Entertainment Television (SET) in his inimitable style and charisma, he got the entire nation hooked on to Dus Ka Dum. That was in 2008. The show, that saw the debut of a superstar on Indian television, is all set to come back after 9 years with the very same superstar. It will give an opportunity to millions of aam aadmi of the nation to test their power of observation. Dus Ka Dum, promises to be sau pratishat (100%) enthralling and interactive. Staying true to the insight Ye Khel Hai Anumaan ka, Salman ka aur Poore Hindustan ka, Dus Ka Dum packs a punch with its riveting format, new madats (assists) through the three rounds and a lot more interactivity. Even before its launch, Dus Ka Dum has registered a whopping 1.5 million people taking part in its survey on the SonyLIV app, giving people an opportunity to audition for the show and stand a chance to play the game as a participant on television. The format is simple and appealing giving participants ample time to interact with their beloved star as well as revel in their victories. The first round will see two participants compete through 5 Ka Punch which is a knockout round.
    [Show full text]
  • Articulating 'Cultural Proximity' from Big Brother to Bigg Boss
    INTERNATIONAL JOURNAL OF RESEARCH CULTURE SOCIETY ISSN: 2456-6683 Volume - 2, Issue - 1, Jan – 2018 UGC Approved Monthly, Peer-Reviewed, Refereed, Indexed Journal Impact Factor: 3.449 Publication Date: 31/01/2018 Television Format Adaptation: Articulating ‘Cultural Proximity’ from Big Brother to Bigg Boss Narendra Kumar Jangir Ph.D Research Scholar, Department of English, Central University of Rajasthan Email - [email protected] Abstract: Format adaptation broadens a certain kind of public domain to analyze the space(s) between cultures. Television has become unavoidable tool for entertainment and to gain and reach to the information system of the world outside home. This research would focus on the process of adaptations in format transportation function extremely contextualized re-interpretation of the global format Big Brother transnational version into Big Boss in India. This study explores the spaces between cultures and examines the methodology behind constitution of world culture through fading national boundaries in adaptation. I would also investigate differences on dynamic grounds between socio-political and cultural manifestation and how the language is used in USA format and what transportation carries with its novel version. Finally, the study also focus on the distinguish audience response and the part played in game show by forth wall both in American and Indian shows differently. Key Words: New Media, Format Adaptation, Global Format, TV Adaptation, Audience response, Ethnicity, World Culture, Cultural Exchange, Television and film Theater, visual culture. New Media has emerged as critical term in the era of exchange of cultures and economical values. Media studies have been developing since long back around a century through its available medium earlier as print media and later facilitated on screen or online, screen phase distributed the world into every house with an easy accessibility and excitement with tools as television, computer, mobile etc.
    [Show full text]
  • A Case Study on Kaun Banega Crorepati Abstract Indian Individuals and Their Personalities Are Highly Influenced by Cinema and Television, Specifically Young Age-Group
    P: ISSN NO.: 2321-290X RNI : UPBIL/2013/55327 VOL-6* ISSUE-4* December- 2018 E: ISSN NO.: 2349-980X Shrinkhla Ek Shodhparak Vaicharik Patrika Reality Shows in India : A Case Study on Kaun Banega Crorepati Abstract Indian individuals and their personalities are highly influenced by cinema and television, specifically young age-group. The silver screen was enjoying the monopoly in the previous century, but television has proven a great substitute later. “Consumption of television is one of the 1 most time-consuming activities human beings conduct in their lifetimes.” Every channel on television tried to bring numerous shows to attract the viewers and to achieve higher TRP (Television Rating Points) but the success formula now a days, is reality shows. “Reality shows are the 2 trump cards of the producers of the television industry.” Reality shows, so called unscripted dramas are generally based on acting, dancing, singing, cooking, religious visits, dares, game shows etc. The study explains about the reality shows in India and gives a case study on famous Indian reality show „Kaun Banega Crorepati‟. The secondary data is being followed in this research as analyses are made on different research papers, media essays, online articles and research theses in the concerned topic. Keywords: Indian Television, Reality Shows, Kaun Banega Crorepati. Introduction “Reality-based entertainment is as old as society itself.”3 Indian people are enjoying an advanced age of technical development in the field of entertainment. Everybody here is using Internet, social applications, online sports, 3D-9D amusement parks etc. for recreation, though the craze of television is still present.
    [Show full text]
  • The Indian Game Show Kaun Banega Crorepati in the Context of Media Globalization
    The Indian Game Show Kaun Banega Crorepati in the context of Media Globalization and Glocalization A thesis presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Enakshi Roy June 2011 © 2011 Enakshi Roy. All Rights Reserved. This thesis titled The Indian Game Show Kaun Banega Crorepati in the context of Media Globalization and Glocalization by ENAKSHI ROY has been approved for the E.W. Scripps School of Journalism and the Scripps College of Communication by Michael S. Sweeney Professor of Journalism Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT ROY, ENASKHI, M.S., June 2011, Journalism The Indian Game Show Kaun Banega Crorepati in the context of Media Globalization and Glocalization Director of Thesis: Michael Sweeney The game show Kaun Banega Crorepati, adapted from the British show Who Wants to be a Millionaire? changed the television-scape of India. This study guided by the framework of glocalization examines how Kaun Banega Crorepati was successfully localized for an Indian audience. The study includes interviews with the producers of the show and a textual analysis of 50 episodes of the show through four seasons, and identifies elements such as: references to cricket, Bollywood, Indian history and mythology or religion; presence of famous movie stars as hosts, focus on contestants’ stories, and preaching, and examines how each of these elements made the show uniquely Indian. The findings indicate that while references to cricket, Indian history, and mythology or religion were more prominent in the first three seasons, in the fourth season the show’s producers focused on contestant stories and preaching.
    [Show full text]
  • Tamil Movie Kaun Download
    Tamil Movie Kaun Download 1 / 4 2 / 4 Tamil Movie Kaun Download 3 / 4 Bengali movies, Kannada movies, Malayalam movies, Marathi movies, Tamil movies, ... Kaun Banega Crorepati Kannada (Kotyadipathi).. Get the best of bollywood gossip, celebrity news, music videos, live shows, fashion tips & comedy clips at your fingertips to match your everyday essentials!. Using the Download Movies App: Search and Download Movies On Our Vast DVD Archive: Search Through Our Vast DVD Movie Archive for all Your Movies.. Kaun Tujhe MP3 Song by Amaal Mallik & Palak Muchhal from the movie M.s. Dhoni - The Untold Story. Download Kaun Tujhe song on Gaana.com and listen offline.. Killer Kaun Hindi Dubbed Movie Torrent Download 2018 Full HD, Killer Kaun South Indian Hindi Dubbed Full Movie Download .... Check out full movie Hum Aapke Hain Koun...! download, movies counter, new online movies in Hindi and more latest movies at Hungama. ... Full Movie Online .... kaun movie tamil hum aapke hain kaun movie tamil kaun tamil dubbed movie download kaun hai villain tamil movie killer kaun tamil movie .... Watch your favorite Pokémon episodes, movies, and more on the updated ... without a reliable internet connection, you can download an episode, movie, .... Born: Apr 08, 1983, Chennai, Tamil Nadu, India. Popular Movies. All Years, 2020, 2018, 2017 ... Telugu |Tamil |Hindi |Kannada |Malayalam. BiographyHistorical .... Haan Main Galat Ringtone Download mp3 for your mobile phone, Listen and download Latest Hindi Film Song Ringtone for your mobile. ... Malayalam Romantic · BGM ringtone · Download ... Hello Kaun Hum Bole Melody.. Kaun? ( transl. Who?) is a 1999 Indian suspense thriller film directed by Ram Gopal Varma, written by Anurag Kashyap and starring Urmila Matondkar, Manoj ...
    [Show full text]
  • Kaun Banega Crorepati Simulation DEPARTMENT of COMPUTER SCIENCE
    GOVERNMENT DEGREE COLLEGE HAYATHNAGAR Dist: RANGAREDDY (Affiliated to Osmania University) STUDENT STUDY PROJECT ON Kaun Banega Crorepati Simulation DEPARTMENT OF COMPUTER SCIENCE PRESENTED BY STUDENTS B.SC III YEAR (COMPUTER SCIENCE) 1. B Venkatesh 2. P Venkata Subramanyam 3. P Jwalitha 4. T Susmitha 5. Y Susma Under the Guidance of Dr.G.RAJITHA DEVI Asst.Professor in Computer Science. GOVERNMENT DEGREE COLLEGE HAYATHNAGAR (DEPARTMENT OF COMPUTER SCIENCE CERTIFICATE This is to certify that the project work entitled “Kaun Banega Crorepati Simulation” using CPP is presented by B.SC (COMPUTER SCIENCE) STUDENTS in partial fulfillment of the requirements for the degree of Bachelor of Science in Computer science by the Osmania University, Hyderabad during the academic year 2019-20. The results embodied in this report have not been to any other University or Institution for the award of any degree. Dr.GURRAM RAJITHA DEVI Asst.Prof in Computer Science Head of the Department ACKNOWLEDGEMENT I sincerely take it as a privilege to thank the management of our college GOVENMENTT DEGREE COLLEGE, HAYATHNAGAR for providing required facilities during our Project. I derive my great pleasure in expressing our sincere gratitude to our Principal Dr.B.RAJA RAM for his timely suggestions, which helped us to complete the Project successfully. I take it as a privilege to thank our guide Dr.GURRAM RAJITHA DEVI Asst.Professor in Computer Science Department, for the ideas that led to complete the Project and we also thank him for continuous guidance, support and unfailing patience, throughout the course of this work. Her valuable comments during this period have been valuable and worth for a lifetime.
    [Show full text]
  • Perception Analysis of TV Reality Shows: Perspective of Viewers’ and Entertainment Industry Professionals
    International Journal of Media, Journalism and Mass Communications (IJMJMC) Volume 7, Issue 2, 2021, PP 22-31 ISSN 2454-9479 https://doi.org/10.20431/2454-9479.0702003 www.arcjournals.org Perception Analysis of TV Reality Shows: Perspective of Viewers’ and Entertainment Industry Professionals. Souvik Das*, Dr. Partha Sarkar, Dr.S.M Alfarid Hussain Department of Mass Communication, Assam University, Silchar, Assam. *Corresponding Author: Souvik Das, Department of Mass Communication, Assam University, Silchar, Assam. Abstract: Television content is predominantly classified into fiction and non-fiction category which further diversifies in various subcategories. Reality shows are propositioned as entertainment content under non-fiction format in contrast to fictionalised events that are acted in. Road to stardom and affluence is made easier through participation in Reality TV Shows. Extensive audience reach through Television Rating Points(TRP) and support over various social media platforms is achieved through the manufacturing of controversies. Channels are making use of viewer’s emotions both in positive as well as negative ways. Many viewers are obscure about the intent of the show makers. The authenticity of Reality TV Shows as real or unreal has been under contention. Therefore, in the present study, an attempt has been made to understand how an audience perceives the programming tools used in Reality TV shows and how the TV industry professionals perceive the way Reality TV Shows function and delivers their content to the audiences at large. The study employed mixed-method research. Keywords: Societal Perception, Reality Shows, TRPs, Celebrities, Audience Research 1. INTRODUCTION “The world of reality has its limits; the world of imagination is boundless.” – Jean Jacques Rousseau When the famous 18th-century philosopher and writer Jean Jacques Rousseau quoted the lines he too emphasised on the aspects of what appears as reality may have its limitations while the imaginative world is more boundless in presenting them.
    [Show full text]