English Song US 26/01/2005 11:00Am Page 28

Total Page:16

File Type:pdf, Size:1020Kb

English Song US 26/01/2005 11:00Am Page 28 557559-60 bk English Song US 26/01/2005 11:00am Page 28 O tell me the truth about love. The one whose sense suits Has it views of its own about money, ‘Mount Ephraim’ - Does it think Patriotism enough, And perhaps we should seem, Are its stories vulgar but funny? To him, in Death’s dream, ENGLISH SONG O tell me the truth about love. Like the seraphim. Your feelings when you meet it, I As soon as I knew 2 CDs featuring Vaughan Williams, Walton, Holst, Am told you can’t forget, That his spirit was gone I’ve sought it since 1 was a child I thought this his due, Stanford, Warlock, Bax, Quilter, Britten and others But haven’t found it yet; And spoke thereupon. I’m getting on for thirty-five, ‘I think,’ said the vicar, And still I do not know ‘A read service quicker What kind of creature it can be Than viols out-of-doors That bothers people so, In these frosts and hoars. Philip Langridge • Dame Felicity Lott • Simon Keenleyside That old-fashioned way When it comes, will it come without warning, Requires a fine day, Della Jones • Christopher Maltman • Anthony Rolfe Johnson just as I’m picking my nose, And it seems to me O tell me the truth about love. It had better not be.’ Will it knock on my door in the mornin Or tread in the bus on my toes, Hence, that afternoon, O tell me the truth about love. Though never knew he Will it come like a change in the weathe That his wish could not be, Will its greeting lie courteous or bluff, To get through it faster Will it alter my life altogether? They buried the master O tell me the truth about love. Without any tune. But ‘twas said that, when § The Choirmaster’s Burial At the dead of next night Poem by Thomas Hardy The vicar looked out, (from Winter Words) There struck on his ken Music: Benjamin Britten Thronged roundabout, Where the frost was graying He often would ask us The headstoned grass, That, when he died, A band all in white After playing so many Like the saints in church-glass, To their last rest, Singing and playing If out of us any The ancient stave Should here abide, By the choirmaster’s grave. And it would not task us, We would with our lutes Such the tenor man told Play over him When he had grown old. By his grave-brim The psalm he liked best - 8.557559-60 28 557559-60 bk English Song US 26/01/2005 11:00am Page 2 CD 1 One night she came to my bedside when I lay fast Whose white waterfall could bless asleep. Travellers in their last distress, Sir Charles Villiers Stanford (1852-1924) % Silent Noon 4:38 She laid her head upon my bed and she began to weep. (from Marco Polo 8.225098) Simon Keenleyside, baritone • Graham Johnson, piano She sighed, she cried, she damn’ near died, she said: ∞ Tell me the truth about love 1 A Soft Day 2:48 ‘What shall I do?’ Poem by W.H. Auden Bernadette Greevy, mezzo-soprano • Hugh Tinney, piano Gustav Holst (1874-1934) So I hauled her into bed and I covered up Music: Benjamin Britten 2 Irish Skies 5:13 (from Naxos 8.557117) her head, just to keep her from the foggy, foggy dew. Bernadette Greevy, mezzo-soprano • Hugh Tinney, piano ^ Now in these fairylands 1:26 Oh I am a bachelor and I live with my son, and we (Spoken) Liebe Pamour amor amoris Philip Langridge, tenor • Steuart Bedford, piano work at the weaver’s trade. Some say that Love’s a little boy Liza Lehmann (1862-1918) & The dream-city 3:17 And ev’ry single time that I look into his eyes, he And some say it’s a bird, (from Naxos 8.557118) Philip Langridge, tenor • Steuart Bedford, piano reminds me of the fair young maid. Some say it makes the world go round 3 Cherry Ripe 2:42 * Margrete’s Cradle Song 2:45 He reminds me of the wintertime, and of the summer too, And some say that’s absurd: Janice Watson, soprano • Steuart Bedford, piano Susan Gritton, soprano • Steuart Bedford, piano And of the many, many times that I held But when I asked the man next door 4 Mustard and Cress 1:52 ( The Heart worships 3:14 her in my arms, just to keep her from the foggy, Who looked as if he knew, Neal Davies, baritone • Steuart Bedford, piano Christopher Maltman, baritone • Steuart Bedford, piano foggy dew. His wife was very cross indeed 5 The Lily of a Day 2:37 And said it wouldn’t do. Janice Watson, soprano • Steuart Bedford, piano Roger Quilter (1877-1953) ¢ Now the leaves are falling fast 6 Henry King 3:21 (from Naxos 8.557116) Poem by W.H. Auden Does it look like a pair of pyjamas Neal Davies, baritone • Steuart Bedford, piano ) Take, O take those lips away 1:26 Music: Benjamin Britten or the ham in a temp’rance hotel, Anthony Rolfe Johnson, tenor • Graham Johnson, piano O tell me the truth about love. Arthur Somervell (1863-1937) ¡ Now sleeps the crimson petal 2:26 Now the leaves are falling fast, Does its odour remind one of llamas (from Naxos 8.557113) Lisa Milne, mezzo-soprano • Graham Johnson, piano Nurse’s flowers will not last; Or has it a comforting smell? 7 Fain would I change that note 3:07 ™ Love calls through the summer night 5:30 Nurses to the graves are gone, O tell me the truth about love. Patricia Rozario, soprano • Graham Johnson, piano Lisa Milne, mezzo-soprano • Anthony Rolfe Johnson, And the prams go rolling on. Is it prickly to touch as a hedge is or soft as eiderdown 8 In summer-time on Bredon 3:56 tenor • Graham Johnson, piano fluff, Christopher Maltman, baritone • Graham Johnson, piano £ I will go with my father a-ploughing 2:26 Whisp’ring neighbours, left and right, is it sharp or quite smooth at the edges 9 The lads in their hundreds 2:54 Lisa Milne, mezzo-soprano • Ivan McReady, cello • Pluck us from the real delight; O tell me the truth about love. Christopher Maltman, baritone • Graham Johnson, piano Graham Johnson, piano And the active hands must freeze 0 Among the rocks 3:30 Lonely on the sep’rate knees. I looked inside the summerhouse, Catherine Wyn-Rogers, mezzo-soprano • Duke Quartet Lord Berners (1883-1950) It wasn’t ever there, Graham Johnson, piano (from Marco Polo 8.225159) Dead in hundreds at the back I’ve tried the Thames at Maidenhead Three Songs Follow wooden in our track, And Brighton’s bracing air; Ralph Vaughan Williams (1872-1958) ¢ The Rio Grande (Capstan Shanty) 2:34 Arms raised stiffly to reprove I don’t know what the blackbird sang or what the roses (from Naxos 8.557114) ∞ Theodore, or the Pirate King 0:55 In false attitudes of love. said, ! It was a lover and his lass 1:53 § A Long Time Ago (Hilliard’s Shanty) 1:28 But it wasn’t in the chicken run Anthony Rolfe Johnson, tenor • Simon Keenleyside, Ian Partridge, tenor • Len Vorster, piano Starving trough the leafless wood Or underneath the bed. baritone • Graham Johnson, piano Trolls run scolding for their food; @ The Water Mill 4:02 Arnold Bax (1883-1953) And the nightingale is dumb, Can it pull extraordin’ry faces, Anthony Rolfe Johnson, tenor • Graham Johnson, piano (from Marco Polo 8.225098) And the angel will not come. Is it usually sick on a swing, # On Wenlock Edge 3:51 ¶ Oh dear, what can the matter be? 1:36 O tell me the truth about love. Anthony Rolfe Johnson, tenor • Graham Johnson, piano Bernadette Greevy, mezzo-soprano • Hugh Tinney, piano Cold, impossible, ahead Does it spend all its time at the races $ The Call 2:17 Lifts the mountain’s lovely head Or fiddling with pieces of string, Simon Keenleyside, baritone • Graham Johnson, piano TOTAL PLAYING TIME: 77:42 8.557559-60 2 27 8.557559-60 557559-60 bk English Song US 26/01/2005 11:00am Page 26 ¡ Lay your sleeping head, my love Find the mortal world enough CD 2 Poem by W.H. Auden Noons of dryness see you fed Music: Lennox Berkeley By the involuntary powers, Eric Coates (1886-1957) $ Rutterkin 1:08 Nights of insult let you pass (from Marco Polo 8.223806) Adrian Thompson, tenor • John Constable, piano Lay your sleeping head, my love, Watched by ev’ry human love. 1 The Grenadier 3:21 % Bethlehem Down 4:36 Human on my faithless arm; Richard Edgar-Wilson, tenor • Eugene Asti, piano Christopher Maltman, baritone • John Constable, piano Time and fevers burn away ™ Early One Morning 2 The Young Lover 2:59 Individual beauty from Trad. Richard Edgar-Wilson, tenor • Eugene Asti, piano William Walton (1902-1983) Thoughtful children, and the grave Arranged by Benjamin Britten 3 Betty and Johnny 2:12 (from Naxos 8.557112) Proves the child ephemeral: Richard Edgar-Wilson, tenor • Eugene Asti, piano ^ Wapping Old Stairs 2:23 But in my arms till break of day Early one morning, just as the sun was rising, 4 Rise up and reach the stars 1:39 Felicity Lott, soprano • Graham Johnson, piano Let the living creature lie, I heard a maid sing in the valley below; Richard Edgar-Wilson, tenor • Eugene Asti, piano Three Façade Settings Mortal, guilty, but to me ‘O don’t deceive me, O never leave me! & Long Steel Grass 2:31 The entirely beautiful.
Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • Aoife Miskelly Soprano
    Aoife Miskelly Soprano Northern Irish soprano Aoife Miskelly Codetta in their performance – live on studied as a Sickle Foundation Scholar on the Spanish radio – of Beethoven’s oratorio Christ Opera Masters degree course at the Royal on the Mount of Olives in Cuenca. Aoife is also Academy of Music in London, graduating in a very keen oratorio singer, having performed 2012 with the Regency Award. During her in a whole host of concerts, including Bach’s studies, Aoife was a Kathleen Ferrier Awards Christmas Oratorio, St. John and Matthew finalist (2010), won a BBC Northern Ireland Passions, Jauchzet Gott in allen Landen and Young Artists Platform Award, and was a Magnificat, Beethoven’s Mass in C (in Samling Scholar, Internationale Cologne Cathedral), Brahms’ Deutches Meistersinger Akademie Young Artist and Requiem (St. Martin in the Fields), Carissimi’s Britten-Pears Young Artist. Aoife was the Jepthe (St. John’s, Smith Square), Handel’s winner of the Hampshire National Singing Messiah, Dixit Dominus, Laudate Pueri Competition in 2011, the Bernadette Greevy Dominum, and Saul (conducted by Laurence Bursary in 2011, finalist in the Veronica Dunne Cummings), Mozart’s Requiem, Coronation International Singing Competition 2013, and Mass and Exultate Jubilate, Orff’s Carmina finalist in the 2015 Wigmore Hall Song Burana (Ulster Orchestra), Poulenc’s Gloria, Competition. Stravinsky’s Mass, Varese’s Nocturnal and Vivaldi’s Gloria. During the 2012-16 seasons Aoife was a soloist at the Cologne Opera House where she Aoife’s recent highlights include
    [Show full text]
  • A Midsummer Night's Dream
    Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears
    [Show full text]
  • NUI MAYNOOTH Ûllscôst La Ttéiîéann Mâ Üuad Charles Villiers Stanford’S Preludes for Piano Op.163 and Op.179: a Musicological Retrospective
    NUI MAYNOOTH Ûllscôst la ttÉiîéann Mâ Üuad Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 Volumes) Volume 1 Adèle Commins Thesis Submitted to the National University of Ireland, Maynooth for the degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare 2012 Head of Department: Professor Fiona M. Palmer Supervisors: Dr Lorraine Byrne Bodley & Dr Patrick F. Devine Acknowledgements I would like to express my appreciation to a number of people who have helped me throughout my doctoral studies. Firstly, I would like to express my gratitude and appreciation to my supervisors and mentors, Dr Lorraine Byrne Bodley and Dr Patrick Devine, for their guidance, insight, advice, criticism and commitment over the course of my doctoral studies. They enabled me to develop my ideas and bring the project to completion. I am grateful to Professor Fiona Palmer and to Professor Gerard Gillen who encouraged and supported my studies during both my undergraduate and postgraduate studies in the Music Department at NUI Maynooth. It was Professor Gillen who introduced me to Stanford and his music, and for this, I am very grateful. I am grateful to the staff in many libraries and archives for assisting me with my many queries and furnishing me with research materials. In particular, the Stanford Collection at the Robinson Library, Newcastle University has been an invaluable resource during this research project and I would like to thank Melanie Wood, Elaine Archbold and Alan Callender and all the staff at the Robinson Library, for all of their help and for granting me access to the vast Stanford collection.
    [Show full text]
  • Classical Music Service Program Report
    CLASSICAL MUSIC SERVICE PROGRAM REPORT April 1 through June 30, 2004 April 6 Music@Menlo series is broadcast each Tuesday night in April. The four programs showcase performances from last summer's inaugural season of the Music@Menlo chamber music festival. April 9 Bach: St. John Passion … Monteverdi Choir; English Baroque Solists/John Eliot Gardiner, conductor, and soloists Anthony Rolfe Johnson, Stephen Varcoe, Cornelius Hauptmann, Nancy Argenta and Ruth Holton (Archiv 419324, from the MPR library). April 24 Metropolitan Opera final season performance. May 5 Dale Warland Singers Farewell Series: 30th Anniversary Concert. Recorded April 2003. Each Wednesday evening in May, we present special programs by the Dale Warland Singers in honor of the 30 years of music they've brought to the community. May12 Dale Warland Singers Farewell Series: 2003 Cathedral Classics May 19 Dale Warland Singers Farewell Series: 2004 Cathedral Classics May 26 Dale Warland Singers Farewell Series: A River Journey May 28 Final Broadcast of the Minnesota Orchestra season May 30 Dale Warland Singers: live broadcast of their final concert (repeated on June 20) May 30 Minnesota Opera: Verdi’s Rigoletto (Recorded and produced by MPR) June 2 VocalEssence: broadcast of 35th anniversary concert, and of the world premiere of Tina Davidson’s Hymn of the Universe June 3 and 4 Live broadcast of the final concerto round of the International Piano-e-Competition from Orchestra Hall, Minneapolis June 4 The series of three Schubert Club Performances begins, replacing the Friday evening Minnesota Orchestra broadcasts during June. June 6 Minnesota Opera: Donizetti’s Lucrezia Borgia (Recorded and produced by MPR) June 13 Minnesota Opera: Stephen Sondheim’s Passion (Recorded and produced by MPR) June 27 Minnesota Opera: Mozart’s The Magic Flute (Recorded and produced by MPR) CLASSICAL MUSIC SERVICE PROGRAM REPORT January 1 through March 31, 2004 January 12 The St Paul’s Cathedral Choir, London, concert at the Cathedral of St Paul, MN, recorded by Minnesota Public Radio in October 2003.
    [Show full text]
  • A Choral Conductor's Guide
    Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-11-2019 A Choral Conductor's Guide: Anton Bruckner Trösterin Musik, Charles Hubert Hastings Parry Six Modern Lyrics, Dan Forrest You Are the Music, Pärt Uusberg Muusika, Ron Nelson Proclaim This Day for Music Rachel Alessio [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/gs_rp Recommended Citation Alessio, Rachel. "A Choral Conductor's Guide: Anton Bruckner Trösterin Musik, Charles Hubert Hastings Parry Six Modern Lyrics, Dan Forrest You Are the Music, Pärt Uusberg Muusika, Ron Nelson Proclaim This Day for Music." (Spring 2019). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. A CHORAL CONDUCTOR’S GUIDE: ANTON BRUCKNER TRÖSTERIN MUSIK, CHARLES HUBERT HASTINGS PARRY SIX MODERN LYRICS, DAN FORREST YOU ARE THE MUSIC, PÄRT UUSBERG MUUSIKA, RON NELSON PROCLAIM THIS DAY FOR MUSIC by Rachel Alessio BA, Point Loma Nazarene University, 2017 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Music School of Music in the Graduate School Southern Illinois University Carbondale May 2019 Copyright by Rachel Alessio, 2019 All Rights Reserved RESEARCH PAPER APPROVAL A CHORAL CONDUCTOR’S GUIDE: ANTON BRUCKNER TRÖSTERIN MUSIK, CHARLES HUBERT HASTINGS PARRY SIX MODERN LYRICS, DAN FORREST YOU ARE THE MUSIC, PÄRT UUSBERG MUUSIKA, RON NELSON PROCLAIM THIS DAY FOR MUSIC by Rachel Alessio A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Music Approved by: Dr.
    [Show full text]
  • Bernadette Greevy Bursary for Singers 2019 Application Form
    ✁ Bernadette Greevy Bursary for Singers 2019 Application Form Name: Address: Email: Telephone number: BERNADETTE GREEVY Date of birth: Details of current study: BURSARY FOR SINGERS 2019 Details of music qualifications (e.g. B.Mus, Diplomas, etc.): Guidelines and Application Form Programme as submitted by mp3: Any other information that you feel is relevant to this application: Deadline: 5pm, Friday 3 May 2019 to [email protected] Thank you for your application. The National Concert Hall invites singers to apply for the Bernadette Guidelines Greevy Bursary. One singer will be awarded the bursary of €5,000 Entrants may be from all classical voice types. They must be Irish or living by the National Concert Hall, in honour of Irish mezzo-soprano Dr in Ireland, and in third-level education or equivalent. Bernadette Greevy. Entrants will submit: The winner of the Bernadette Greevy Bursary will give a recital at the National Concert Hall at the end of the following year, featuring • programme of their choice of not more than 15 minutes’ length a new Irish piece commissioned for the occasion. in mp3 format shared via wetransfer.com to [email protected]. Please include your name in the message field, but do not attach The Bernadette Greevy Bursary is kindly supported by the your name to the recording. Department of Culture, Heritage & the Gaeltacht. • an application form with personal details and the details of their programme. About Dr Bernadette Greevy • a letter of recommendation from their teacher. Dubliner Bernadette Greevy was the first Irish winner of Harriet Cohen International Music Award for Outstanding Artistry.
    [Show full text]
  • SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com SirArthurSullivan ArthurLawrence,BenjaminWilliamFindon,WilfredBendall \ SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences. From the Portrait Pruntfd w 1888 hv Sir John Millais. !\i;tn;;;i*(.vnce$. i-\ !i. W. i ind- i a. 1 V/:!f ;d B'-:.!.i;:. SIR ARTHUR SULLIVAN : Life-Story, Letters, and Reminiscences. By Arthur Lawrence. With Critique by B. W. Findon, and Bibliography by Wilfrid Bendall. London James Bowden 10 Henrietta Street, Covent Garden, W.C. 1899 /^HARVARD^ UNIVERSITY LIBRARY NOV 5 1956 PREFACE It is of importance to Sir Arthur Sullivan and myself that I should explain how this book came to be written. Averse as Sir Arthur is to the " interview " in journalism, I could not resist the temptation to ask him to let me do something of the sort when I first had the pleasure of meeting ^ him — not in regard to journalistic matters — some years ago. That permission was most genially , granted, and the little chat which I had with J him then, in regard to the opera which he was writing, appeared in The World. Subsequent conversations which I was privileged to have with Sir Arthur, and the fact that there was nothing procurable in book form concerning our greatest and most popular composer — save an interesting little monograph which formed part of a small volume published some years ago on English viii PREFACE Musicians by Mr.
    [Show full text]
  • RTE NSO 25 Sept Prog.Qxp:Layout 1
    WATCH rte.ie/culture LISTEN RTÉ lyric fm ARTHUR DUFF Echoes of Georgian Dublin JOHN KINSELLA Nocturne for Strings MÍCHEÁL Ó SÚILLEABHÁIN Bean Dubh an Ghleanna Oileán/Island Traditional arr. NEIL MARTIN The Fairy Queen Danny Boy The Humours of Ballyloughlin RTÉ National Symphony Orchestra David Brophy conductor Mark Redmond uilleann pipes, flute Presented by Paul Herriott, RTÉ lyric fm FRIDAY 25 SEPTEMBER 2020, 7pm NATIONAL CONCERT HALL 1 Arthur Duff 1899-1956 Echoes of Georgian Dublin i. In College Green ii. Song for Amanda iii. Minuet iv. Largo (The tender lover) v. Rigaudon Arthur Duff showed early promise as a musician. He was a chorister at Dublin’s Christ Church Cathedral and studied at the Royal Irish Academy of Music, taking his degree in music at Trinity College, Dublin. He was later awarded a doctorate in music in 1942. Duff had initially intended to enter the Church of Ireland as a priest, but abandoned his studies in favour of a career in music, studying composition for a time with Hamilton Harty. He was organist and choirmaster at Christ Church, Bray, for a short time before becoming a bandmaster in the Army School of Music and conductor of the Army No. 2 band based in Cork. He left the army in 1931, at the same time that his short-lived marriage broke down, and became Music Director at the Abbey Theatre, writing music for plays such as W.B. Yeats’s The King of the Great Clock Tower and Resurrection, and Denis Johnston’s A Bride for the Unicorn. The Abbey connection also led to the composition of one of Duff’s characteristic works, the Drinking Horn Suite (1953 but drawing on music he had composed twenty years earlier as a ballet score).
    [Show full text]
  • Bernadette Greevy Bursary for Singers 2014
    Bernadette Greevy Bursary for Singers 2014 Guidelines and Application Form The National Concert Hall invites singers to apply for the Bernadette Greevy Bursary. One singer will be awarded the bursary of ¤5,000 by the National Concert Hall, in honour of Irish mezzo-soprano Dr Bernadette Greevy. The winner of the Bernadette Greevy Bursary will give a recital at the National Concert Hall the following year, featuring a new Irish piece commissioned for the occasion. About Dr Bernadette Greevy Dubliner Bernadette Greevy was the first Irish winner of Harriet Cohen International Music Award for Outstanding Artistry. Further honours included: • The Order of Merit of Malta • Honorary Doctorate of Music, National University of Ireland • Honorary Doctorate of Music, Trinity College, Dublin • The Holy Cross Pro Ecclesia et Pontifice She was the founder and artistic director of the Anna Livia Dublin International Opera Festival, and supported student singers through her masterclasses and work as Artist in Residence at the Dublin Institute of Technology. She is remembered for wonderful performances and recordings of oratorio and song; her recordings include Handel, Haydn, Bach and she was acclaimed in particular for her interpretation of Mahler. She also championed new Irish music, premiering works by Irish composers. Previous winners include Gavan Ring (2010), Aoife Miskelly (2011), Rachel Kelly (2012) and Jennifer Davis (2013). Guidelines Entrants may be male or female. They must be resident or domiciled in Ireland, and in third-level education or equivalent. Each entrant will submit: • three copies of an unmarked audio CD with a programme of his or her choice of not more than 15 minutes’ length • an application form with personal details and the details of his or her programme • a letter of recommendation from his or her teacher by the 1 May 2014 deadline.
    [Show full text]
  • Benjamin Britten: Art Song, a Synthesis of Words and Music — Issues and Approaches to Text-Setting
    Benjamin Britten: art song, a synthesis of words and music — issues and approaches to text-setting Paul Higgins The clarity of verbal expression evident throughout Benjamin Britten’s (1913-1976) art songs serves to highlight the central role which the setting of pre-existing written poetic texts occupies in his compositional process and in the aesthetic appreciation of his interpretation. For Britten, text acts initially as a source of musical imagination, but it also provides the composer with a framework with which to express musically his selected, literary-based ideas. To place Britten’s contribution against the backdrop of an important musicological debate, it is necessary to clarify a number of key issues. Firstly, text-setting is often loosely perceived as the composition of music of a pre-existing written text, yet in Britten this approach has been expanded to incorporate the process whereby music and text are simultaneously generated. A good example of this is Britten’s close collaboration with W.H. Auden in the song cycle Our Hunting Fathers op.8 (1936),1 in which Auden not only wrote two poems but also selected and modernised three other poems, specifically for Britten to set to music. Secondly, that text-setting is a broader concern than the activity of mere text underlay and is significant to all text-based vocal music: its study also involves syntactic and semantic considerations. Syntactic concerns make reference to the musical response of the work to the structure of the source text, at both the level of overall form, and sentence and word patterns.
    [Show full text]
  • Download Booklet
    Silence & Music Booklet_Layout_5 final.indd 1 27/05/2017 12:02 recording Charterhouse School Chapel, Surrey 9-11 July 2016 recording producer Adrian Peacock balance engineer Neil Hutchinson editing Paul McCreesh, Adrian Peacock, David Hinitt All recording and editing facilities by Classic Sound Limited, London sources and publishers Stanford, The Blue Bird © 1910 Stainer & Bell Elgar, There is sweet music © 1908 Novello & Company Ltd Vaughan Williams, Silence and Music © 1953 Oxford University Press Howells, The summer is coming © 1965 Novello & Company Ltd Grainger, Brigg Fair © 1911 Schott & Company Vaughan Williams, Bushes and Briars © 1936 Novello & Company Ltd Vaughan Williams, The winter is gone © 1912 Novello & Company Ltd Vaughan Williams, The Turtle Dove © 1924 J Curwen & Sons MacMillan, The Gallant Weaver © 1997 Boosey & Hawkes Dove, Who killed Cock Robin? © 1995 Faber Music Grainger, The Three Ravens © 1950 Schott & Company Britten, The Evening Primrose © 1951 Boosey & Hawkes Warlock, All the flowers of the spring © 1923 Thames Publishing Elgar, Owls (An Epitaph) © 1908 Novello & Company Ltd Vaughan Williams, Rest © 1902 Bosworth & Company photography © Paul McCreesh image of paul mccreesh © Ben Wright cd series concept and design www.abrahams.uk.com Released under licence to Winged Lion www.wingedlionrecords.com Silence & Music Silence & Music Booklet_Layout_5 final.indd 2 27/05/2017 12:02 Silence & Music gabrieli consort paul mccreesh Silence & Music Booklet_Layout_5 final.indd 3 27/05/2017 12:02 programme 1 the blue bird
    [Show full text]