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Glitz and Glam
FINAL-1 Sat, Feb 24, 2018 5:31:17 PM Glitz and glam The biggest celebration in filmmaking tvspotlight returns with the 90th Annual Academy Your Weekly Guide to TV Entertainment Awards, airing Sunday, March 4, on ABC. Every year, the most glamorous people • For the week of March 3 - 9, 2018 • in Hollywood stroll down the red carpet, hoping to take home that shiny Oscar for best film, director, lead actor or ac- tress and supporting actor or actress. Jimmy Kimmel returns to host again this year, in spite of last year’s Best Picture snafu. OMNI Security Team Jimmy Kimmel hosts the 90th Annual Academy Awards Omni Security SERVING OUR COMMUNITY FOR OVER 30 YEARS Put Your Trust in Our2 Familyx 3.5” to Protect Your Family Big enough to Residential & serve you Fire & Access Commercial Small enough to Systems and Video Security know you Surveillance Remote access 24/7 Alarm & Security Monitoring puts you in control Remote Access & Wireless Technology Fire, Smoke & Carbon Detection of your security Personal Emergency Response Systems system at all times. Medical Alert Systems 978-465-5000 | 1-800-698-1800 | www.securityteam.com MA Lic. 444C Old traditional Italian recipes made with natural ingredients, since 1995. Giuseppe's 2 x 3” fresh pasta • fine food ♦ 257 Low Street | Newburyport, MA 01950 978-465-2225 Mon. - Thur. 10am - 8pm | Fri. - Sat. 10am - 9pm Full Bar Open for Lunch & Dinner FINAL-1 Sat, Feb 24, 2018 5:31:19 PM 2 • Newburyport Daily News • March 3 - 9, 2018 the strict teachers at her Cath- olic school, her relationship with her mother (Metcalf) is Videoreleases strained, and her relationship Cream of the crop with her boyfriend, whom she Thor: Ragnarok met in her school’s theater Oscars roll out the red carpet for star quality After his father, Odin (Hop- program, ends when she walks kins), dies, Thor’s (Hems- in on him kissing another guy. -
Ethnic Studies Review
esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 2 COLOR IS FOR APPROXIMATION ONLY – DO NOT USE FOR COLOR APPROVAL Volumes 37 and 38 Volumes National Association For Ethnic Studies Ethnic Studies Review Ethnic Studies Review Pages 1–154 Pages 2014-2015 2014-2015 Volumes 37 and 38 ISSN: 1555-1881 esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 3 The National Association For Ethnic Studies Ethnic Studies Review (ESR) is the journal of the National Association For Ethnic Studies (NAES). ESR is a multi-disciplinary international journal devoted to the study of ethnicity, ethnic groups and their cultures, and inter-group relations. NAES has as its basic purpose the promotion of activities and scholarship in the field of Ethnic Studies. The Association is open to any person or institution and serves as a forum for its members in promoting research, study, and curriculum as well as producing publications of interest in the field. NAES sponsors an annual spring Ethnic Studies Review conference. Journal Information Editorial Board Editor Associate Editors Ron Scapp, College of Mount Saint Vincent David Aliano, College of Mount Saint Vincent Guidelines for Submitting Manuscripts Ravi Perry, Virginia Commonwealth University ESR uses a policy of blind peer review. All papers are read by at least two Book Review Editor reviewers who are experts in the area. Manuscripts must not have been Emily M. Drew, Willamette University published previously or be under consideration by other publications. ESR seeks manuscripts of 7500 words or less, inclusive of notes and works cited. Editorial Advisory Board Endnotes rather than footnotes should be utilized, although these should be Edna Acosta-Belen Rosanne Kanhai kept to a minimum. -
Changing States Building Power on the Frontlines: Missouri
CHANGING STATES BUILDING POWER ON THE FRONTLINES: MISSOURI CREATED IN PARTNERSHIP WITH THE USC PROGRAM FOR ENVIRONMENTAL AND REGIONAL EQUITY 1 TABLE OF CONTENTS INTRODUCTION AND OVERVIEW – 3 CONDITIONS FOR CHANGE – 4 ARENAS OF CHANGE – 14 CAPACITIES FOR CHANGE – 25 CONCLUSION – 33 MISSOURI INTERVIEW LIST – 34 ACKNOWLEDGEMENTS – 35 2 INTRODUCTION AND OVERVIEW: GOALS AND APPROACH OF THIS POWER AUDIT THE CHANGING STATES FRAMEWORK As UC Santa Barbara political Changing States: An Analytical Framework for scientist Hahrie Han described Progressive Governance (May 2016) is a research- based framework for assessing possibilities for, these organizations: and pathways to, progressive governance in the U.S. states. Changing States proposed three main shifts “We need organizations that have in thinking among progressive philanthropy and the ability to link authentic movement leaders: grassroots power with elite lobbying 1. To cast their sights beyond winning power to relationships, can consistently wielding power, thereby emphasizing the idea of demonstrate the ability to move a governance or governing power; constituency, and that have the 2. To challenge the dominant, transactional strategic capacity to effectively approach to states driven by short term campaign navigate the uncertainties of and electoral strategy and instead invest in politics.” organizations that deeply engage constituency bases, develop leadership, and have dynamic capacities across multiple arenas of change; 3. To engage in a rigorous assessment of states POWER AUDIT APPROACH that goes beyond geography and lifts up the conditions, capacities, and arenas for power This “power audit” is meant to synthesize and apply building. the Changing States framework in real time, on the ground, with specific examples and opportunities To support these shifts, Changing States advocates for building a path to progressive governance. -
White Girl Bleed a Lot
White Girl Bleed A Lot Colin Flaherty 2013-11-29 2 Contents 1 ‘WHITE GIRL BLEED A LOT’ 9 TABLE OF CONTENTS . 10 INTRODUCTION THERE’S A RIOT GOING ON . 12 1 THE PHILADELPHIA SYNDROME . 17 MAYOR NUTTER HAS A EUREKA MOMENT . 21 JUST BLOWIN’ OFF SOME STEAM . 24 2 THE KNOCKOUT GAME, ST. LOUIS STYLE . 25 COLLEGE CAMPUS FUN . 28 POLAR BEAR HUNTING . 30 3 MOMS FIGHT BACK . 38 4 THEY CHOSE THE WRONG GUY . 41 5 ASIAN TARGETS . 43 PHILADELPHIA . 44 HOME INVASION ROBBERIES IN PHILLY . 47 SAN FRANCISCO . 48 MANHATTAN . 48 6 HAPPY FOURTH OF JULY . 50 7 LET’S PARTY . 58 MIAMI BEACH . 58 MYRTLE BEACH . 61 INDIANAPOLIS . 62 CHARLOTTE . 66 8 GROUND ZERO: CHICAGO . 68 SARAH PALIN DID IT . 76 3 4 CONTENTS TIRED SOLUTIONS AND BLAME SHIFTING . 77 9 CHICAGO: THE SEQUEL . 80 10 CONFESSIONS FROM A NETWORK NEWS DESK . 82 11 MILWAUKEE . 84 WHAT BIG MIKE IS TALKING ABOUT . 85 12 IOWA................................. 95 PEORIA? IMPOSSIBLE. 96 13 MINNEAPOLIS . 98 MINNEAPOLIS BREAKS OUT . 100 14 CONFESSIONS FROM A NEWS DESK, PART 2 . 104 15 NEW YORK . 106 16 BALTIMORE . 113 17 KANSAS CITY . 119 18 TEXAS . 120 19 NEW JERSEY . 123 20 PORTLAND . 125 21 CLEVELAND TWEETS . 129 IMMA’ START A RIOT. 129 SUNDAY: FLASH MOB . 130 MONDAY: AFTERMATH . 132 SATURDAY: PREPARATIONS . 132 22 SOUTH CAROLINA . 133 23 SEATTLE . 136 24 PUBLIC TRANSIT . 140 ATLANTA . 140 ST. LOUIS . 141 CHARLOTTE . 142 BRONX . 142 VENICE . 142 BOSTON . 143 CONTENTS 5 WASHINGTON, D.C. 144 SILVER SPRING . 146 CHICAGO . 146 PHILADELPHIA . 147 SEATTLE . 147 BUS DRIVERS . -
Praise Prime Time
August 17 - 23, 2019 Adam Devine, Danny McBride, Edi Patterson and John Goodman star in “The Righteous Gemstones” AUTO HOME FLOOD LIFE WORK Praise 101 E. Clinton St., Roseboro, N.C. 910-525-5222 prime time [email protected] We ought to weigh well, what we can only once decide. SEE WHAT YOUR NEIGHBORS Complete Funeral Service including: Traditional Funerals, Cremation Pre-Need-Pre-Planning Independently Owned & Operated ARE TALKING ABOUT! Since 1920’s FURNITURE - APPLIANCES - FLOOR COVERING ELECTRONICS - OUTDOOR POWER EQUIPMENT 910-592-7077 Butler Funeral Home 401 W. Roseboro Street 2 locations to Hwy. 24 Windwood Dr. Roseboro, NC better serve you Stedman, NC www.clintonappliance.com 910-525-5138 910-223-7400 910-525-4337 (fax) 910-307-0353(fax) Sampson Independent — Saturday, August 17, 2019 — Page 3 Sports This Week SATURDAY 9:55 p.m. WUVC MFL Fútbol Morelia From Pinehurst Resort and Country season. From Broncos Stadium at Mile 8:00 a.m. ESPN Get Up! (Live) (2h) 8:00 p.m. WRAZ NFL Football Jack- at Club América. From Estadio Azteca-- Club-- Pinehurst, N.C. (Live) (3h) High-- Denver, Colo. (Live) (3h) ESPN2 SportsCenter (1h) sonville Jaguars at Miami Dolphins. 7:00 a.m. DISC Major League Fishing Mexico City, Mexico (Live) (2h05) 4:00 p.m. WNCN NFL Football New ESPN2 Baseball Little League World 9:00 a.m. ESPN2 SportsCenter (1h) Pre-season. From Hard Rock Stadi- (2h) 10:00 p.m. WRDC Ring of Honor Orleans Saints at Los Angeles Chargers. Series. From Howard J. Lamade Stadi- 10:00 a.m. -
And Visual and Performance Art in the Era of Extrajudicial Police Killings
International Journal of Humanities and Social Science Vol. 5, No. 10; October 2015 Protesting Police Violence: “Blacklivesmatter” And Visual and Performance Art in the Era of Extrajudicial Police Killings John Paul, PhD Washburn University Departments of Sociology and Art Topeka, Kansas 66621 Introduction This visual essay is an exploration of the art, performance, and visual iconography associated with the BlackLivesMatter social movement organization.[1]Here I examine art that is used to protest and draw awareness to extrajudicial violence and the “increasingly militarized systems of killer cops…in the United States of America.”[2]In this review, secondary themes of racism, dehumanization, racial profiling and political and economic injustice will also be highlighted. Ultimately this work intertwines (and illustrates with art) stories of recent and historic episodes of state violence against unarmed black and brown citizens, and my goals with this project are several. First, I simply seek to organize, in one place, a record of visual protest against excessive policing. In particular, I am interested in what these images have to say about the use of state violence when compared and analyzed collectively. Second, via these images, I hope to explore the various ways they have been used to generate commentary and suggest explanations (as well as alternatives) to racism, police brutality, and a militarized culture within police departments. Within this second goal, I ask whose consciousness is being challenged, what social change is being sought, and how these images hope to accomplish this change. Third, I claim these images as part of the symbolic soul of the BlackLivesMatter social movement—and I explore the art directly within the movement as well as the art in the surrounding culture.[3] I begin however with conceptions of social movement activism. -
Jimmy Adler’S Grease Alley,David Bowie's Blackstar
CD Review: Jimmy Adler’s Grease Alley By day, Pittsburgh’s James Addlespurger is a mild-mannered educator at a high school for the creative and performing arts. Armed with chalk and curriculum, he molds impressionable young minds into fine, creative citizens, poised to take on the world. One could argue that his day job is literally doing God’s work. However, when the clock strikes nighttime, Pittsburgh’s mild-mannered James Addespurger trades in his chalk for a telecaster and transforms into East Coast bluesman Jimmy Adler. The work he does in the midnight hour strictly belongs to the deep dark blues. And throughout the 13 original tracks on his latest CD release, Grease Alley, Adler proves he’s schooled in far more than one musical discipline when it comes to high-quality swinging rhythm and blues. The sad truth is that there is a gulf-sized distance between the numerous mediocre bands that fancy themselves blues performers and those chosen few that are true purveyors of this great American musical art-form. Jimmy Adler clearly finds himself in the latter category, with this homage to the idiom serving as documented proof. From the opening track “Say It Like Magic Sam,” Adler and company school the listener in what a shuffle groove is all about. With an oooh-so-sneaky and laid-back rhythm section courtesy of drummer June Core (formerly with Charlie Musselwhite), as well as bassist and producer of Grease Alley Norwegian-born Kid Anderson, Jimmy Adler lays out his mission statement with ample T-Bone Walker-inspired guitar licks, and a vocal styling second only to James Montgomery in cool. -
Alicia-Garza---The-Purpose-Of-Power
Praise for The Purpose of Power “The Purpose of Power is a must-read for those who want a better understanding of the current state of Black America. This book highlights the work necessary not only to transform the conscience of our nation but also to disrupt the policies that contribute to systemic racism so we can successfully build a country where Black lives matter. Alicia Garza has created a guidebook for building coalitions to bring about transformational change. By combining activism with electoral politics, she is reflecting the influence of the strength and brilliance of her late mother, who I know is smiling down from on high with pride and love. As we face challenging times in our nation, anyone interested in turning the page of our contemptible past toward a brighter future should put this book on their reading list.” —CONGRESSWOMAN BARBARA LEE “Alicia Garza has articulated the aspiration of generations of Black people to be valued, protected, respected, and free. This beautiful, important, and timely memoir is insightful, compelling, and necessary in this critical moment of reckoning with our history.” —BRYAN STEVENSON, author of Just Mercy “ ‘Black lives matter’ was Alicia Garza’s love letter read around the world. The Purpose of Power is another love letter that should be read around the world. It speaks to all that molded Garza, all that molds organizers, all that molds movements. It is story. It is lesson. It is power.” —IBRAM X. KENDI, author of How to Be an Antiracist “Damn. The Purpose of Power changes everything. I suppose I shouldn’t be shocked at this book’s audacity, because it’s written by a young Black woman who literally changed everything. -
November 29, 2013 Vol. 117 No. 48
VOL. 117 - NO. 48 BOSTON, MASSACHUSETTS, NOVEMBER 29, 2013 $.30 A COPY Trellis Lighting at Christopher Columbus Park by Matt Conti The Old-Fashioned Thanksgiving by Edgar Albert Guest, 1881-1959 It may be I am getting old and like too much to dwell Upon the days of bygone years, the days I loved so well; But thinking of them now I wish somehow that I could know A simple old Thanksgiving Day, like those of long ago, When all the family gathered round a table richly spread, With little Jamie at the foot and grandpa at the head, The youngest of us all to greet the oldest with a smile, With mother running in and out and laughing all the while. It may be I’m old-fashioned, but it seems to me today We’re too much bent on having fun to take the time to pray; Each little family grows up with fashions of its own; It lives within a world itself and wants to be alone. It has its special pleasures, its circle, too, of friends; There are no get-together days; each one his journey wends, Pursuing what he likes the best in his particular way, Letting the others do the same upon Thanksgiving Day. I like the olden way the best, when relatives were glad (Photo by Rosario Scabin, Ross Photography) To meet the way they used to do when I was but a lad; The old home was a rendezvous for all our kith and kin, The annual trellis lighting Monday night turning on the Hayes-Rines and Parks And whether living far or near they all came trooping in at Christopher Columbus thousands of blue lights to Commissioner Toni Pollak With shouts of “Hello, daddy!” as they fairly stormed the place And made a rush for mother, who would stop to wipe her face Park marked the start of the create Boston’s iconic holi- moderated the festivities Upon her gingham apron before she kissed them all, season during this Thanks- day scene. -
Clemency Application
Criminal Appeals Bureau 199 Water Street, 5th Floor New York, NY 10038 (212) 577-3688 https://www.legalaidnyc.org/ Tel (646) 455-7267 [email protected] John K. Carroll April 17, 2020 President New York State Department of Corrections and Community Supervision Janet E. Sabel Attorney-in-Chief Executive Clemency Bureau Chief Executive Officer The Harriman State Campus Building 2 Justine M. Luongo 120 Washington Avenue Attorney-in-Charge Albany, N.Y. 12226-2050 Criminal Practice David Loftis VIA E-MAIL: Attorney-in-Charge of Post-Conviction and Forensic Litigation Re: Executive Clemency Application Dear Clemency Review Team: Attached to this letter are 14 applications seeking executive clemency from Governor Cuomo. In light of the quickly escalating public health crisis that the COVID-19 pandemic has triggered within New York State prisons, we ask for expedited review of these applications, and we ask that the Governor effectuate the immediate release of these clients. As a group, these clients are particularly vulnerable to the devastating effects of COVID-19 or are close to the point at which they would otherwise be entitled to release. And most of these clients have specific housing plans so that their release from prison will drastically diminish the risk that they will be exposed to the coronavirus. Additionally, independent of the current pandemic, these applicants all have strong equities and are deserving of executive clemency. As we noted in our April 3rd submission, we are sending expedited clemency applications to your office in groups so that they may be administered more efficiently; this is the fifth group. -
TWITTER USE by MILLENNIAL BLACK WOMEN DURING the 2016 PRESIDENTIAL ELECTION by Carissa D
TWITTER USE BY MILLENNIAL BLACK WOMEN DURING THE 2016 PRESIDENTIAL ELECTION by Carissa D. Kelley A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts in Mass Communication May 2017 Committee Members: Katherine L. Pierce Burleson, Chair William (Kelly) Kaufhold Prisca Ngondo COPYRIGHT by Carissa D. Kelley 2017 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Carissa D. Kelley, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKOWLEDGEMENTS Thank you to my amazing family who supported me through this crazy process of going to graduate school. Thank you to my friends who made me laugh when I wanted to cry. Thank you to my coworkers who allowed me to vent about school, but encouraged me every day. Last but certainly not least, thank you to the three best committee members a graduate student could ask for, Dr. Kate Pierce-Burleson, Dr. Kelly Kaufhold and Dr. Prisca Ngondo. Dr. Kate – Thank you for talking me off a ledge when Twitter did not want me to pull off this project. And for talking to me about one of my favorite topics, politics. -
!["What Do We Mean When We Say, 'Structural Racism'?" [Pdf]](https://docslib.b-cdn.net/cover/4906/what-do-we-mean-when-we-say-structural-racism-pdf-4644906.webp)
"What Do We Mean When We Say, 'Structural Racism'?" [Pdf]
What Do We Mean When We Say, “Structural Racism”? A Walk down West Florissant Avenue, Ferguson, Missouri Walter Johnson n 1928, Walter Benjamin published a long essay titled “One-Way Street,” com- posed of fragmentary meditations on his times. Te essay takes the form of a Iwalk down a city street, recording impressions, thoughts, provocations, and inspirations at stops along the way. In the room where he eats breakfast, Ben- jamin considers the mystical properties of dreams retold before cofee. At the newsstand, he notes the proliferation of brochures and magazines, and won- ders if the history of the book will outlast the twentieth century. As he passes a sandwich-board man walking up and down the street, Benjamin comments on the terrible eloquence of the placard on the man’s chest in an era of increasingly disposable human labor: “On sale.” At the post ofce, he imagines the collector’s empire of stamps, where kings and queens are reordered according to denomi- nation and defaced by cancellation. Sitting on a park bench, he experiences the soothing sensation of overhearing a whispered conversation in a foreign tongue. At home again in his study, he wishes that the words would fow as easily from his pen as the smoke from his cigarette.1 But it is with Benjamin’s visit to the fortune-teller that I want to begin. Ar- riving at the entrance to her parlor, which is marked by a sign that reads “Ma- dame Ariane—Second Courtyard on the Lef,” he refects on the character of time. “He who asks fortune-tellers the future unwittingly forfeits an inner in- timation of coming events that is a thousand times more exact than anything they may say.” Benjamin uses the phrase “presence of mind” to describe what he means: “Presence of mind is an extract of the future and precise awareness Walter Johnson, a native of Columbia, Missouri, teaches in the departments of history and African and African American studies at Harvard University, where he also directs the Charles Warren Center.