Alicia-Garza---The-Purpose-Of-Power

Total Page:16

File Type:pdf, Size:1020Kb

Alicia-Garza---The-Purpose-Of-Power Praise for The Purpose of Power “The Purpose of Power is a must-read for those who want a better understanding of the current state of Black America. This book highlights the work necessary not only to transform the conscience of our nation but also to disrupt the policies that contribute to systemic racism so we can successfully build a country where Black lives matter. Alicia Garza has created a guidebook for building coalitions to bring about transformational change. By combining activism with electoral politics, she is reflecting the influence of the strength and brilliance of her late mother, who I know is smiling down from on high with pride and love. As we face challenging times in our nation, anyone interested in turning the page of our contemptible past toward a brighter future should put this book on their reading list.” —CONGRESSWOMAN BARBARA LEE “Alicia Garza has articulated the aspiration of generations of Black people to be valued, protected, respected, and free. This beautiful, important, and timely memoir is insightful, compelling, and necessary in this critical moment of reckoning with our history.” —BRYAN STEVENSON, author of Just Mercy “ ‘Black lives matter’ was Alicia Garza’s love letter read around the world. The Purpose of Power is another love letter that should be read around the world. It speaks to all that molded Garza, all that molds organizers, all that molds movements. It is story. It is lesson. It is power.” —IBRAM X. KENDI, author of How to Be an Antiracist “Damn. The Purpose of Power changes everything. I suppose I shouldn’t be shocked at this book’s audacity, because it’s written by a young Black woman who literally changed everything. But the art of building a movement and the art of building a textured book to chronicle and guide future movements are wholly different endeavors. Somehow—and I think the how is in the way the sentences and chapters put pressure on yesterday and tomorrow— Alicia Garza has written a book that is more dynamic, daring, and rigorous than the most expansive movement of my lifetime, a movement she helped create and sustain. Very few books become national monuments. Even fewer help shape social movements. The Purpose of Power is that rare book that is a monumental movement. It is a liberatory offering. Damn.” —KIESE LAYMON, author of Heavy “Alicia Garza is an originator, the driving force behind one of the most powerful, motivating, and game-changing symbols we have ever seen in the realm of social change—the proud and defiant symbol of Black Lives Matter. It should be no surprise that the person behind this strategy has a lifetime of experience, insight, inspiration, and learning behind her. I have always benefited from Garza’s insight. Now The Purpose of Power lets everyone in: How MTV shaped her understanding of the power of culture to win where politics can’t do it alone. How Black power starts with Black community. How the difference between feeling powerful and being powerful is the difference between seeing our potential and realizing it—the difference between dreaming of freedom and winning freedom. Garza offers a practical guide to one of the most impractical fights of our time: making racial justice a reality.” —RASHAD ROBINSON, president of Color of Change “In this magnificent and engaging text, Alicia Garza deftly combines revealing personal memoir, thorough social history, astute political theory, and pragmatic strategic advice. Through this exquisite narrative, Garza shows why she is a singular figure of her generation —a generation about which everyone was convinced, she writes, ‘that there was something inherently wrong with us.’ Combining personal and national history, Garza reveals all that is right about a generation forged in the fire of the Clinton-era carceral state and coming of age in the era of Obama-enforced respectability. Refusing to romanticize any moment or movement, Garza explains both the why and the how of meaningful, impactful organizing for and with black communities. Never cruel but unflinchingly honest, Garza analyzes the external and internal opponents that have marked Black people’s long struggle for justice in this country. She teaches clearly, corrects lovingly, demands boldly, and proceeds fearlessly to fight for the lives of all Black people. This is a text everyone needs to read, to discuss, to debate, to challenge, and to absorb. Alicia Garza is our Ella Baker.” —MELISSA HARRIS-PERRY, Maya Angelou Presidential Chair and professor of politics and international affairs at Wake Forest University “In the difficult work of building movements, one of our most important resources is leadership, the people who hold the lanterns, light the path, and serve as our guides through the darkness. I can think of no greater guide than Alicia Garza and no greater tome of wisdom for this age than The Purpose of Power, a precious offering to a nation navigating unprecedented crises, for whom movements remain our only saving grace.” —AI-JEN POO, executive director of the National Domestic Workers Alliance and author of The Age of Dignity “Like the movement she launched into the world, Alicia Garza’s book will pull you in, break your heart, and make it bigger all at once. The Purpose of Power cements Garza as a generational leader whose unflinching yet generous wisdom will shape our approach to activism for years to come.” —HEATHER MCGHEE, author of The Sum of Us “With The Purpose of Power, Alicia Garza has provided us simultaneously with a necessary political history, an expansive theory of liberation, and a personal testament to the power of movement building. If we are serious about the work of dismantling all the systems of oppression that have caused pain and suffering for generations, we would do well to listen as Garza helps guide us to greater understanding and faith in our prospects for revolutionary change.” —MYCHAL DENZEL SMITH, author of Stakes Is High “Moving a jaded populace from ‘spectators to strategists’ is not for the faint of heart, but Alicia Garza knows how to do it. With eloquence, intimacy, and electric clarity, Black Lives Matter co- founder Garza has delivered a dynamic story of how a multiracial, Black-led movement for rights and dignity came of age. Accessible and hands on, The Purpose of Power is part generous autobiography, part manual for building multiracial coalitions and political majorities strong enough to overcome anti-Black racism in the modern era. The book reveals Garza as not only a superb strategist but a master storyteller, breaking down complex narratives of displacement, police violence, and worker disenfranchisement to serve up the incredible blend of movement building know-how and community organizing how-to that today’s generation of activists desperately needs. “Make no mistake, Garza’s words are no ride-along. Every page resuscitates the reader, dashes our myths about how change happens, and invites us into the simple but powerful truth that at the end of the day, the future will be built by people. From the streets to the battlefields of popular culture, news, and the Internet, The Purpose of Power delivers wisdom for the seasoned organizer and an incredible story for the impassioned newbie. This layered book is for anyone who understands that surviving with dignity is a practice, but fighting for both dignity and survival is a skill. From end to end, Garza honors the political moment, the new and diverse leadership, all the while reminding us of this simple truth: Hashtags don’t build movements, people do.” —MALKIA DEVICH CYRIL, senior fellow and founding director of Media Justice “Alicia Garza is a leader for our times, a deeply erudite strategist and thinker who leads heart first. In this book, she puts us back together again, reminding us that when things fall apart, as they inevitably do, it is we who hold the puzzle pieces, and coming together, we can begin again.” —BRITTNEY COOPER, professor at Rutgers University and author of Eloquent Rage The Purpose of Power is a work of nonfiction. Some names and identifying details have been changed. Copyright © 2020 by Alicia Garza All rights reserved. Published in the United States by One World, an imprint of Random House, a division of Penguin Random House LLC, New York. ONE WORLD and colophon are registered trademarks of Penguin Random House LLC. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Names: Garza, Alicia, author. Title: The purpose of power : how we come together when we fall apart / Alicia Garza. Description: New York : One World, 2020. Identifiers: LCCN 2020023583 (print) | LCCN 2020023584 (ebook) | ISBN 9780525509684 (hardcover) | ISBN 9780525509691 (ebook) Subjects: LCSH: Social movements. | Political participation. Classification: LCC HM881 .G37 2020 (print) | LCC HM881 (ebook) DDC 303.48/4—dc23 LC record available at https://lccn.loc.gov/ 2020023583 LC ebook record available at https://lccn.loc.gov/ 2020023584 Ebook ISBN 9780525509691 oneworldlit.com Illustration by iStock / OlgaLebedeva Cover design: Michael Morris Cover photograph: Rachel Eliza Griffiths ep_prh_5.6.0_c0_r0 Contents Cover Title Page Copyright Introduction Part I: A Short History of How We Got Here Chapter One: Where I’m From Chapter Two: My Generation Part II: A New Generation Emerges Chapter Three: First Lessons Chapter Four: The First Fight Chapter Five: Unite to Fight Chapter Six: Trayvon, Obama, and the Birth of Black Lives Matter Chapter Seven: Rebellion and Resistance Part III: Notes on the Next Movement Chapter Eight: The Meaning of Movement Chapter Nine: Unity and Solidarity Chapter Ten: New Movements, New Leadership Chapter Eleven: Voting Can Be a Movement Chapter Twelve: The Power of Identity Politics Chapter Thirteen: Impostor Syndrome and the Patriarchy Chapter Fourteen: No Base, No Movement Chapter Fifteen: Political Education and Common Sense Chapter Sixteen: United Fronts and Popular Fronts Chapter Seventeen: Platforms, Pedestals, and Profiles Chapter Eighteen: In the End: Power Epilogue: Take Care of Yourself Dedication Acknowledgments About the Author INTRODUCTION S EVEN YEARS AGO, I STARTED the Black Lives Matter Global Network with my sisters Patrisse Cullors and Opal Tometi.
Recommended publications
  • SENATE—Thursday, September 16, 2010
    15878 CONGRESSIONAL RECORD—SENATE, Vol. 156, Pt. 11 September 16, 2010 SENATE—Thursday, September 16, 2010 The Senate met at 9:30 a.m. and was RECOGNITION OF THE MAJORITY safety. I have had a number of people called to order by the Honorable CARTE LEADER from Nevada—about a dozen people— P. GOODWIN, a Senator from the State The ACTING PRESIDENT pro tem- who have talked about their foodborne of West Virginia. pore. The majority leader is recog- illnesses, children whose growth is nized. stunted their entire life. One young PRAYER woman spent 11 months in the hospital f The PRESIDING OFFICER. Today’s as a result of eating tainted spinach. opening prayer will be offered by Rev. SCHEDULE All over America this is happening. Dr. Bruce Hargrave, vice president of Mr. REID. Mr. President, following We have food safety laws that are in- development for the United Methodist any leader remarks, the Senate will re- adequate and causing people to get sick Theological Seminary, Moscow, Russia. sume consideration of the small busi- because the food is not checked closely The guest Chaplain offered the fol- ness jobs bill. Under an agreement we enough. Senators DURBIN, HARKIN, lowing prayer: reached yesterday, Senator GRASSLEY chairman of the committee, and ENZI Let us pray. and Senator HATCH will offer their re- have worked hard to get something O God, You are the eternal sovereign spective motions to suspend the rules. done. I have talked with Senator of all the world and yet personal. Help Senators BAUCUS, GRASSLEY, and MCCONNELL. He thinks something our Senators to be aware of Your pres- HATCH will control 15 minutes each, for should be done.
    [Show full text]
  • Ethnic Studies Review
    esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 2 COLOR IS FOR APPROXIMATION ONLY – DO NOT USE FOR COLOR APPROVAL Volumes 37 and 38 Volumes National Association For Ethnic Studies Ethnic Studies Review Ethnic Studies Review Pages 1–154 Pages 2014-2015 2014-2015 Volumes 37 and 38 ISSN: 1555-1881 esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 3 The National Association For Ethnic Studies Ethnic Studies Review (ESR) is the journal of the National Association For Ethnic Studies (NAES). ESR is a multi-disciplinary international journal devoted to the study of ethnicity, ethnic groups and their cultures, and inter-group relations. NAES has as its basic purpose the promotion of activities and scholarship in the field of Ethnic Studies. The Association is open to any person or institution and serves as a forum for its members in promoting research, study, and curriculum as well as producing publications of interest in the field. NAES sponsors an annual spring Ethnic Studies Review conference. Journal Information Editorial Board Editor Associate Editors Ron Scapp, College of Mount Saint Vincent David Aliano, College of Mount Saint Vincent Guidelines for Submitting Manuscripts Ravi Perry, Virginia Commonwealth University ESR uses a policy of blind peer review. All papers are read by at least two Book Review Editor reviewers who are experts in the area. Manuscripts must not have been Emily M. Drew, Willamette University published previously or be under consideration by other publications. ESR seeks manuscripts of 7500 words or less, inclusive of notes and works cited. Editorial Advisory Board Endnotes rather than footnotes should be utilized, although these should be Edna Acosta-Belen Rosanne Kanhai kept to a minimum.
    [Show full text]
  • The Complete Works of William Shakespeare (Abridged)
    STATE ED The Complete Works of William Shakespeare (Abridged) by adam long, daniel singer and jess winfieldby adam long, daniel singer & jess winfield director Adam Cook designer Ailsa Paterson lighting designer Ben Flett composer Stuart Day cast Damian Callinan, Nic English and Tim Overton duration Approx 135 minutes suitable for Years 9 - 12 Table of Contents Cast/Creative Team 4 Playwrights 5 Adam Long 5 Daniel Singer 5 Jess Winfield 6 About The Play 7 Excerpt from Shakespeare in Neon Colors 7 Pop Culture Allusion 8 From The Director 9 Actor Profiles 10 Damian Callinan 10 Nic English 11 Tim Overton 11 Synopsis 12 The Characters 13 The Language 13 About William Shakespeare 14 The Works of William Shakespeare 16 The Globe Theatre 16 Forms and Conventions 17 Conventions of Shakespearean Comedy 17 Improvisational Theatre 17 Interesting Reading 18 The Reduced Shakespeare Company 18 Set Design 19 Ailsa Paterson 19 Essay Questions 22 English Questions 22 Drama Questions 23 Design 23 Performance 23 Immediate Reactions 24 Design Roles 25 Further Resources 26 Shakespeare Study 26 Theatrical Comedy and Improvisation 26 Web Links* 26 References 26 p.3 Study Guide The Complete Works of William Shakespeare (Abridged) By Alison Howard © 2011 State Theatre Company of South Australia presents The Complete Works of William Shakespeare (Abridged) by adam long, daniel singer & jess winfield cast & creative team ensemble Damian Callinan Nic English Tim Overton director Adam Cook designer Alisa Paterson lighting designer Ben Flett composer Stuart Day p.4 Study Guide The Complete Works of William Shakespeare (Abridged) By Alison Howard © 2011 Playwrights adam long Founding Member/Writer/Performer Before “falling into” the business of Shakespearean performance, which he deemed only a hobby, Adam Long was an accountant, musician, and stand-up comic.
    [Show full text]
  • Waving the Constitution at Those Who Ignore It
    WAVING THE CONSTITUTION AT THOSE WHO IGNORE IT I waved my pocket copy of the Constitution at Nancy Pelosi on July 19,2008. Khizr Khan waved his at Donald Trump on July 28,2016. In real time Thursday night, I caught only the final few seconds of Khizer Khan’s powerful speech at the Democratic National Convention in Philadelphia. Through the rest of Thursday and Friday, more and more of the details of the speech flitted through my Twitter stream and then my heart was warmed when I saw photos of Khan pulling out his pocket copy of the Constitution and waving it at Donald Trump. Almost exactly eight years ago, I had done the same thing, waving my pocket copy at Nancy Pelosi, who then was Speaker of the House and appearing at Netroots Nation in Austin. Khan was confronting Trump about his campaign in which he had noted that “Trump consistently smears the character of Muslims. He disrespects other minorities, women, judges, even his own party leadership. He vows to build walls and ban us from this country.” (Quotes come from this copy of Khan’s transcript.) Khan then continued, presumably in reference to banning Muslims from the US: “Donald Trump, you are asking Americans to trust you with our future. Let me ask you: Have you even read the U.S. Constitution? I will gladly lend you my copy.” In my case, as I noted here and then in a follow-up a couple of months later here, I was urging Pelosi to act on the clear evidence that the George W.
    [Show full text]
  • Changing States Building Power on the Frontlines: Missouri
    CHANGING STATES BUILDING POWER ON THE FRONTLINES: MISSOURI CREATED IN PARTNERSHIP WITH THE USC PROGRAM FOR ENVIRONMENTAL AND REGIONAL EQUITY 1 TABLE OF CONTENTS INTRODUCTION AND OVERVIEW – 3 CONDITIONS FOR CHANGE – 4 ARENAS OF CHANGE – 14 CAPACITIES FOR CHANGE – 25 CONCLUSION – 33 MISSOURI INTERVIEW LIST – 34 ACKNOWLEDGEMENTS – 35 2 INTRODUCTION AND OVERVIEW: GOALS AND APPROACH OF THIS POWER AUDIT THE CHANGING STATES FRAMEWORK As UC Santa Barbara political Changing States: An Analytical Framework for scientist Hahrie Han described Progressive Governance (May 2016) is a research- based framework for assessing possibilities for, these organizations: and pathways to, progressive governance in the U.S. states. Changing States proposed three main shifts “We need organizations that have in thinking among progressive philanthropy and the ability to link authentic movement leaders: grassroots power with elite lobbying 1. To cast their sights beyond winning power to relationships, can consistently wielding power, thereby emphasizing the idea of demonstrate the ability to move a governance or governing power; constituency, and that have the 2. To challenge the dominant, transactional strategic capacity to effectively approach to states driven by short term campaign navigate the uncertainties of and electoral strategy and instead invest in politics.” organizations that deeply engage constituency bases, develop leadership, and have dynamic capacities across multiple arenas of change; 3. To engage in a rigorous assessment of states POWER AUDIT APPROACH that goes beyond geography and lifts up the conditions, capacities, and arenas for power This “power audit” is meant to synthesize and apply building. the Changing States framework in real time, on the ground, with specific examples and opportunities To support these shifts, Changing States advocates for building a path to progressive governance.
    [Show full text]
  • Chestatee Review 2016
    Spring 2016 Editor’s Note There’s “Always A Screw Lose In The Works.” Seriously, doesn’t that seem A former Chestatee alum once said “I didn’t choose the Chestatee life, the Chestatee life chose to be the truth in our daily lives? This art project was done in Mixed Media Drawing me.” I don’t think there is any better way to describe how I got involved with The Chestatee Review. III where we were to use at least seven different art mediums and materials. I mostly They needed a designer, and I had the experience they were desperate for. That was five issues ago. At first, I saw joining the magazine staff as a wonderful opportunity to build my resume— paint and, at times, I try a touch of different mediums, but how was I to create a this was what I wanted to do—but then it became more than I could have ever imagined. I had piece of art using so many different art materials? Just start. not only found where I belonged on campus, but I had found a family of some of the most I like using the gallery wrapped canvas because then I do not have to worry wonderful friends I’ve ever had. later about a frame when exhibiting. Inspirations that I continuously get are actually Over the short years I have had the pleasure of witnessing the magazine’s immense coming now from my fellow student artists and not always from professional sources. growth. We’ve redesigned twice, survived a consolidation, expanded to the other campuses, add- I also have to say, living in the age of Google and the Internet has opened up my ed events that have reached campus-wide status, added new sections in the magazine, strength- world! In the past, a fellow student had done a small acrylic with all types of two ened interdepartmental relations through collaborative projects, and more.
    [Show full text]
  • Our Commitment to Black Lives
    Our Commitment to Black Lives June 3, 2020 Dear Friends of the CCE, We are writing today to affirm that we, the staff of the Center for Community Engagement, believe and know that Black Lives Matter. We honor wide-spread grief for the murders of George Floyd, Breonna Taylor and Ahmaud Arbery among the many named and unnamed Black lives lost to racial violence and hatred in the United States. The Black Lives Matter (BLM) movement — co-founded by Alicia Garza, Patrisse Cullors, and Opal Tometi — arose to address ongoing legacies of racialized violence in our country. As BLM leaders have consistently stated, disproportionate violence toward Black communities by law enforcement is one manifestation of anti-Black systemic racism perpetuated across public and private institutions including health care, housing and education. We are firmly and deeply committed to the lives of Black community members, Black youth and their families, and Seattle U’s Black students, faculty and staff. We believe that messages like this one can have an impact, and yet our words ring hollow without action. The Center for Community Engagement is committed to becoming an anti-racist organization. Fulfilling our mission of connecting campus and community requires long-term individual, organizational, and system-wide focus on understanding and undoing white supremacy. We see our commitment to anti-racism as directly linked to Seattle University’s pursuit of a more just and humane world as well as our Jesuit Catholic ethos of cura personalis, care for the whole person. We urge you to participate in ways that speak to you during the national racial crisis that is continuing to unfold.
    [Show full text]
  • A Herstory of the #Blacklivesmatter Movement by Alicia Garza
    A Herstory of the #BlackLivesMatter Movement by Alicia Garza From The Feminist Wire, October 7, 2014 I created #BlackLivesMatter with Patrisse Cullors and Opal Tometi, two of my sisters, as a call to action for Black people after 17-year-old Trayvon Martin was post-humously placed on trial for his own murder and the killer, George Zimmerman, was not held accountable for the crime he committed. It was a response to the anti-Black racism that permeates our society and also, unfortunately, our movements. Black Lives Matter is an ideological and political intervention in a world where Black lives are systematically and intentionally targeted for demise. It is an affirmation of Black folks’ contributions to this society, our humanity, and our resilience in the face of deadly oppression. We were humbled when cultural workers, artists, designers and techies offered their labor and love to expand #BlackLivesMatter beyond a social media hashtag. Opal, Patrisse, and I created the infrastructure for this movement project—moving the hashtag from social media to the streets. Our team grew through a very successful Black Lives Matter ride, led and designed by Patrisse Cullors and Darnell L. Moore, organized to support the movement that is growing in St. Louis, MO, after 18-year old Mike Brown was killed at the hands of Ferguson Police Officer Darren Wilson. We’ve hosted national conference calls focused on issues of critical importance to Black people working hard for the liberation of our people. We’ve connected people across the country working to end the various forms of injustice impacting our people.
    [Show full text]
  • Americablog News| a Great Nation Deserves the Truth: What
    AMERICAblog News| A great nation deserves the truth: What... http://www.americablog.com/2005/08/what-makes-people-gay.html AmoLatino.com Feedback - Ads by Google JOHN'S PHOTOS MONDAY, AUGUST 15, 2005 What Makes People Gay? by Michael in New York on 8/15/2005 11:53:00 AM A lengthy, interesting Boston Globe article about why people are gay. It looks at all the recent studies and concludes that people are "born" that way, though well-funded studies are needed and there's a lot more to learn. Basically a sympathetic, friendly article for gays. But, hey, this is a blog and blogs were born to nitpick, so here goes. (Thanks to threader Gypsy Queen for pointing us to this.) What makes the case of Patrick and Thomas so fascinating is that it calls into question both of the dominant theories in the long-running debate over what makes people gay: nature or nurture, genes or learned behavior. Actually, only the MSM would describe the debate that way. It's been pretty clear to researchers (and obvious to queers) that sexual orientation is typically due to some combination of genetics and "environment," with environment typically referring to in utero exposure to certain amounts of hormones, etc. People are genetically disposed to being gay and that orientation is "locked in" by the time we're three at most, and most of the factors that lead to it are in utero. (A gross generalization, of course.) But no one serious in the field has argued for many years that dad refusing to play catch with his eight year old son is a contributing factor.
    [Show full text]
  • Hashtag Activism and Why #Blacklivesmatter in (And To) the Classroom
    City University of New York (CUNY) CUNY Academic Works Publications and Research Brooklyn College 2016 Hashtag Activism and Why #BlackLivesMatter In (And To) the Classroom Prudence Cumberbatch CUNY Brooklyn College Nicole Trujillo-Pagán Wayne State University How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bc_pubs/189 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ISSN: 1941-0832 Hashtag Activism and Why #BlackLivesMatter In (and To) the Classroom by-Prudence Cumberbatch and Nicole Trujillo-Pagán PROTEST MARCH IN RESPONSE TO THE SHOOTING OF PHILANDO CASTILE, ST. PAUL, MINNESOTA ON JULY 7, 2016 (IMAGE: FIBONACCI BLUE) RADICAL TEACHER 78 http://radicalteacher.library.pitt.edu No. 106 (Fall 2016) DOI 10.5195/rt.2016.302 n the wake of the murder of Trayvon Martin and the not only transform people's self-understandings but also acquittal of George Zimmerman, the hashtag contest the legitimacy of received cultural codes and points I #BlackLivesMatter was started by Alicia Garza, of view” (Carroll and Hackett 2006, 87). A critical part of PatrisseCullors and Opal Tometi. 1 The case led to this discursive struggle involves social media, which multiracial protests across the country and Twitter became creates a virtual space to challenge, reframe, and a way of organizing and discussing these experiences. The reinscribe representations of who is victimized. subsequent media attention to the murders of unarmed Communities like Black Lives Matter (BLM) challenge the black and brown people encouraged further protest using legitimacy of an ostensibly “colorblind” judicial system.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • And Visual and Performance Art in the Era of Extrajudicial Police Killings
    International Journal of Humanities and Social Science Vol. 5, No. 10; October 2015 Protesting Police Violence: “Blacklivesmatter” And Visual and Performance Art in the Era of Extrajudicial Police Killings John Paul, PhD Washburn University Departments of Sociology and Art Topeka, Kansas 66621 Introduction This visual essay is an exploration of the art, performance, and visual iconography associated with the BlackLivesMatter social movement organization.[1]Here I examine art that is used to protest and draw awareness to extrajudicial violence and the “increasingly militarized systems of killer cops…in the United States of America.”[2]In this review, secondary themes of racism, dehumanization, racial profiling and political and economic injustice will also be highlighted. Ultimately this work intertwines (and illustrates with art) stories of recent and historic episodes of state violence against unarmed black and brown citizens, and my goals with this project are several. First, I simply seek to organize, in one place, a record of visual protest against excessive policing. In particular, I am interested in what these images have to say about the use of state violence when compared and analyzed collectively. Second, via these images, I hope to explore the various ways they have been used to generate commentary and suggest explanations (as well as alternatives) to racism, police brutality, and a militarized culture within police departments. Within this second goal, I ask whose consciousness is being challenged, what social change is being sought, and how these images hope to accomplish this change. Third, I claim these images as part of the symbolic soul of the BlackLivesMatter social movement—and I explore the art directly within the movement as well as the art in the surrounding culture.[3] I begin however with conceptions of social movement activism.
    [Show full text]