Alicia-Garza---The-Purpose-Of-Power
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SENATE—Thursday, September 16, 2010
15878 CONGRESSIONAL RECORD—SENATE, Vol. 156, Pt. 11 September 16, 2010 SENATE—Thursday, September 16, 2010 The Senate met at 9:30 a.m. and was RECOGNITION OF THE MAJORITY safety. I have had a number of people called to order by the Honorable CARTE LEADER from Nevada—about a dozen people— P. GOODWIN, a Senator from the State The ACTING PRESIDENT pro tem- who have talked about their foodborne of West Virginia. pore. The majority leader is recog- illnesses, children whose growth is nized. stunted their entire life. One young PRAYER woman spent 11 months in the hospital f The PRESIDING OFFICER. Today’s as a result of eating tainted spinach. opening prayer will be offered by Rev. SCHEDULE All over America this is happening. Dr. Bruce Hargrave, vice president of Mr. REID. Mr. President, following We have food safety laws that are in- development for the United Methodist any leader remarks, the Senate will re- adequate and causing people to get sick Theological Seminary, Moscow, Russia. sume consideration of the small busi- because the food is not checked closely The guest Chaplain offered the fol- ness jobs bill. Under an agreement we enough. Senators DURBIN, HARKIN, lowing prayer: reached yesterday, Senator GRASSLEY chairman of the committee, and ENZI Let us pray. and Senator HATCH will offer their re- have worked hard to get something O God, You are the eternal sovereign spective motions to suspend the rules. done. I have talked with Senator of all the world and yet personal. Help Senators BAUCUS, GRASSLEY, and MCCONNELL. He thinks something our Senators to be aware of Your pres- HATCH will control 15 minutes each, for should be done. -
Ethnic Studies Review
esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 2 COLOR IS FOR APPROXIMATION ONLY – DO NOT USE FOR COLOR APPROVAL Volumes 37 and 38 Volumes National Association For Ethnic Studies Ethnic Studies Review Ethnic Studies Review Pages 1–154 Pages 2014-2015 2014-2015 Volumes 37 and 38 ISSN: 1555-1881 esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 3 The National Association For Ethnic Studies Ethnic Studies Review (ESR) is the journal of the National Association For Ethnic Studies (NAES). ESR is a multi-disciplinary international journal devoted to the study of ethnicity, ethnic groups and their cultures, and inter-group relations. NAES has as its basic purpose the promotion of activities and scholarship in the field of Ethnic Studies. The Association is open to any person or institution and serves as a forum for its members in promoting research, study, and curriculum as well as producing publications of interest in the field. NAES sponsors an annual spring Ethnic Studies Review conference. Journal Information Editorial Board Editor Associate Editors Ron Scapp, College of Mount Saint Vincent David Aliano, College of Mount Saint Vincent Guidelines for Submitting Manuscripts Ravi Perry, Virginia Commonwealth University ESR uses a policy of blind peer review. All papers are read by at least two Book Review Editor reviewers who are experts in the area. Manuscripts must not have been Emily M. Drew, Willamette University published previously or be under consideration by other publications. ESR seeks manuscripts of 7500 words or less, inclusive of notes and works cited. Editorial Advisory Board Endnotes rather than footnotes should be utilized, although these should be Edna Acosta-Belen Rosanne Kanhai kept to a minimum. -
The Complete Works of William Shakespeare (Abridged)
STATE ED The Complete Works of William Shakespeare (Abridged) by adam long, daniel singer and jess winfieldby adam long, daniel singer & jess winfield director Adam Cook designer Ailsa Paterson lighting designer Ben Flett composer Stuart Day cast Damian Callinan, Nic English and Tim Overton duration Approx 135 minutes suitable for Years 9 - 12 Table of Contents Cast/Creative Team 4 Playwrights 5 Adam Long 5 Daniel Singer 5 Jess Winfield 6 About The Play 7 Excerpt from Shakespeare in Neon Colors 7 Pop Culture Allusion 8 From The Director 9 Actor Profiles 10 Damian Callinan 10 Nic English 11 Tim Overton 11 Synopsis 12 The Characters 13 The Language 13 About William Shakespeare 14 The Works of William Shakespeare 16 The Globe Theatre 16 Forms and Conventions 17 Conventions of Shakespearean Comedy 17 Improvisational Theatre 17 Interesting Reading 18 The Reduced Shakespeare Company 18 Set Design 19 Ailsa Paterson 19 Essay Questions 22 English Questions 22 Drama Questions 23 Design 23 Performance 23 Immediate Reactions 24 Design Roles 25 Further Resources 26 Shakespeare Study 26 Theatrical Comedy and Improvisation 26 Web Links* 26 References 26 p.3 Study Guide The Complete Works of William Shakespeare (Abridged) By Alison Howard © 2011 State Theatre Company of South Australia presents The Complete Works of William Shakespeare (Abridged) by adam long, daniel singer & jess winfield cast & creative team ensemble Damian Callinan Nic English Tim Overton director Adam Cook designer Alisa Paterson lighting designer Ben Flett composer Stuart Day p.4 Study Guide The Complete Works of William Shakespeare (Abridged) By Alison Howard © 2011 Playwrights adam long Founding Member/Writer/Performer Before “falling into” the business of Shakespearean performance, which he deemed only a hobby, Adam Long was an accountant, musician, and stand-up comic. -
Waving the Constitution at Those Who Ignore It
WAVING THE CONSTITUTION AT THOSE WHO IGNORE IT I waved my pocket copy of the Constitution at Nancy Pelosi on July 19,2008. Khizr Khan waved his at Donald Trump on July 28,2016. In real time Thursday night, I caught only the final few seconds of Khizer Khan’s powerful speech at the Democratic National Convention in Philadelphia. Through the rest of Thursday and Friday, more and more of the details of the speech flitted through my Twitter stream and then my heart was warmed when I saw photos of Khan pulling out his pocket copy of the Constitution and waving it at Donald Trump. Almost exactly eight years ago, I had done the same thing, waving my pocket copy at Nancy Pelosi, who then was Speaker of the House and appearing at Netroots Nation in Austin. Khan was confronting Trump about his campaign in which he had noted that “Trump consistently smears the character of Muslims. He disrespects other minorities, women, judges, even his own party leadership. He vows to build walls and ban us from this country.” (Quotes come from this copy of Khan’s transcript.) Khan then continued, presumably in reference to banning Muslims from the US: “Donald Trump, you are asking Americans to trust you with our future. Let me ask you: Have you even read the U.S. Constitution? I will gladly lend you my copy.” In my case, as I noted here and then in a follow-up a couple of months later here, I was urging Pelosi to act on the clear evidence that the George W. -
Changing States Building Power on the Frontlines: Missouri
CHANGING STATES BUILDING POWER ON THE FRONTLINES: MISSOURI CREATED IN PARTNERSHIP WITH THE USC PROGRAM FOR ENVIRONMENTAL AND REGIONAL EQUITY 1 TABLE OF CONTENTS INTRODUCTION AND OVERVIEW – 3 CONDITIONS FOR CHANGE – 4 ARENAS OF CHANGE – 14 CAPACITIES FOR CHANGE – 25 CONCLUSION – 33 MISSOURI INTERVIEW LIST – 34 ACKNOWLEDGEMENTS – 35 2 INTRODUCTION AND OVERVIEW: GOALS AND APPROACH OF THIS POWER AUDIT THE CHANGING STATES FRAMEWORK As UC Santa Barbara political Changing States: An Analytical Framework for scientist Hahrie Han described Progressive Governance (May 2016) is a research- based framework for assessing possibilities for, these organizations: and pathways to, progressive governance in the U.S. states. Changing States proposed three main shifts “We need organizations that have in thinking among progressive philanthropy and the ability to link authentic movement leaders: grassroots power with elite lobbying 1. To cast their sights beyond winning power to relationships, can consistently wielding power, thereby emphasizing the idea of demonstrate the ability to move a governance or governing power; constituency, and that have the 2. To challenge the dominant, transactional strategic capacity to effectively approach to states driven by short term campaign navigate the uncertainties of and electoral strategy and instead invest in politics.” organizations that deeply engage constituency bases, develop leadership, and have dynamic capacities across multiple arenas of change; 3. To engage in a rigorous assessment of states POWER AUDIT APPROACH that goes beyond geography and lifts up the conditions, capacities, and arenas for power This “power audit” is meant to synthesize and apply building. the Changing States framework in real time, on the ground, with specific examples and opportunities To support these shifts, Changing States advocates for building a path to progressive governance. -
Chestatee Review 2016
Spring 2016 Editor’s Note There’s “Always A Screw Lose In The Works.” Seriously, doesn’t that seem A former Chestatee alum once said “I didn’t choose the Chestatee life, the Chestatee life chose to be the truth in our daily lives? This art project was done in Mixed Media Drawing me.” I don’t think there is any better way to describe how I got involved with The Chestatee Review. III where we were to use at least seven different art mediums and materials. I mostly They needed a designer, and I had the experience they were desperate for. That was five issues ago. At first, I saw joining the magazine staff as a wonderful opportunity to build my resume— paint and, at times, I try a touch of different mediums, but how was I to create a this was what I wanted to do—but then it became more than I could have ever imagined. I had piece of art using so many different art materials? Just start. not only found where I belonged on campus, but I had found a family of some of the most I like using the gallery wrapped canvas because then I do not have to worry wonderful friends I’ve ever had. later about a frame when exhibiting. Inspirations that I continuously get are actually Over the short years I have had the pleasure of witnessing the magazine’s immense coming now from my fellow student artists and not always from professional sources. growth. We’ve redesigned twice, survived a consolidation, expanded to the other campuses, add- I also have to say, living in the age of Google and the Internet has opened up my ed events that have reached campus-wide status, added new sections in the magazine, strength- world! In the past, a fellow student had done a small acrylic with all types of two ened interdepartmental relations through collaborative projects, and more. -
Our Commitment to Black Lives
Our Commitment to Black Lives June 3, 2020 Dear Friends of the CCE, We are writing today to affirm that we, the staff of the Center for Community Engagement, believe and know that Black Lives Matter. We honor wide-spread grief for the murders of George Floyd, Breonna Taylor and Ahmaud Arbery among the many named and unnamed Black lives lost to racial violence and hatred in the United States. The Black Lives Matter (BLM) movement — co-founded by Alicia Garza, Patrisse Cullors, and Opal Tometi — arose to address ongoing legacies of racialized violence in our country. As BLM leaders have consistently stated, disproportionate violence toward Black communities by law enforcement is one manifestation of anti-Black systemic racism perpetuated across public and private institutions including health care, housing and education. We are firmly and deeply committed to the lives of Black community members, Black youth and their families, and Seattle U’s Black students, faculty and staff. We believe that messages like this one can have an impact, and yet our words ring hollow without action. The Center for Community Engagement is committed to becoming an anti-racist organization. Fulfilling our mission of connecting campus and community requires long-term individual, organizational, and system-wide focus on understanding and undoing white supremacy. We see our commitment to anti-racism as directly linked to Seattle University’s pursuit of a more just and humane world as well as our Jesuit Catholic ethos of cura personalis, care for the whole person. We urge you to participate in ways that speak to you during the national racial crisis that is continuing to unfold. -
A Herstory of the #Blacklivesmatter Movement by Alicia Garza
A Herstory of the #BlackLivesMatter Movement by Alicia Garza From The Feminist Wire, October 7, 2014 I created #BlackLivesMatter with Patrisse Cullors and Opal Tometi, two of my sisters, as a call to action for Black people after 17-year-old Trayvon Martin was post-humously placed on trial for his own murder and the killer, George Zimmerman, was not held accountable for the crime he committed. It was a response to the anti-Black racism that permeates our society and also, unfortunately, our movements. Black Lives Matter is an ideological and political intervention in a world where Black lives are systematically and intentionally targeted for demise. It is an affirmation of Black folks’ contributions to this society, our humanity, and our resilience in the face of deadly oppression. We were humbled when cultural workers, artists, designers and techies offered their labor and love to expand #BlackLivesMatter beyond a social media hashtag. Opal, Patrisse, and I created the infrastructure for this movement project—moving the hashtag from social media to the streets. Our team grew through a very successful Black Lives Matter ride, led and designed by Patrisse Cullors and Darnell L. Moore, organized to support the movement that is growing in St. Louis, MO, after 18-year old Mike Brown was killed at the hands of Ferguson Police Officer Darren Wilson. We’ve hosted national conference calls focused on issues of critical importance to Black people working hard for the liberation of our people. We’ve connected people across the country working to end the various forms of injustice impacting our people. -
Americablog News| a Great Nation Deserves the Truth: What
AMERICAblog News| A great nation deserves the truth: What... http://www.americablog.com/2005/08/what-makes-people-gay.html AmoLatino.com Feedback - Ads by Google JOHN'S PHOTOS MONDAY, AUGUST 15, 2005 What Makes People Gay? by Michael in New York on 8/15/2005 11:53:00 AM A lengthy, interesting Boston Globe article about why people are gay. It looks at all the recent studies and concludes that people are "born" that way, though well-funded studies are needed and there's a lot more to learn. Basically a sympathetic, friendly article for gays. But, hey, this is a blog and blogs were born to nitpick, so here goes. (Thanks to threader Gypsy Queen for pointing us to this.) What makes the case of Patrick and Thomas so fascinating is that it calls into question both of the dominant theories in the long-running debate over what makes people gay: nature or nurture, genes or learned behavior. Actually, only the MSM would describe the debate that way. It's been pretty clear to researchers (and obvious to queers) that sexual orientation is typically due to some combination of genetics and "environment," with environment typically referring to in utero exposure to certain amounts of hormones, etc. People are genetically disposed to being gay and that orientation is "locked in" by the time we're three at most, and most of the factors that lead to it are in utero. (A gross generalization, of course.) But no one serious in the field has argued for many years that dad refusing to play catch with his eight year old son is a contributing factor. -
Hashtag Activism and Why #Blacklivesmatter in (And To) the Classroom
City University of New York (CUNY) CUNY Academic Works Publications and Research Brooklyn College 2016 Hashtag Activism and Why #BlackLivesMatter In (And To) the Classroom Prudence Cumberbatch CUNY Brooklyn College Nicole Trujillo-Pagán Wayne State University How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bc_pubs/189 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ISSN: 1941-0832 Hashtag Activism and Why #BlackLivesMatter In (and To) the Classroom by-Prudence Cumberbatch and Nicole Trujillo-Pagán PROTEST MARCH IN RESPONSE TO THE SHOOTING OF PHILANDO CASTILE, ST. PAUL, MINNESOTA ON JULY 7, 2016 (IMAGE: FIBONACCI BLUE) RADICAL TEACHER 78 http://radicalteacher.library.pitt.edu No. 106 (Fall 2016) DOI 10.5195/rt.2016.302 n the wake of the murder of Trayvon Martin and the not only transform people's self-understandings but also acquittal of George Zimmerman, the hashtag contest the legitimacy of received cultural codes and points I #BlackLivesMatter was started by Alicia Garza, of view” (Carroll and Hackett 2006, 87). A critical part of PatrisseCullors and Opal Tometi. 1 The case led to this discursive struggle involves social media, which multiracial protests across the country and Twitter became creates a virtual space to challenge, reframe, and a way of organizing and discussing these experiences. The reinscribe representations of who is victimized. subsequent media attention to the murders of unarmed Communities like Black Lives Matter (BLM) challenge the black and brown people encouraged further protest using legitimacy of an ostensibly “colorblind” judicial system. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
And Visual and Performance Art in the Era of Extrajudicial Police Killings
International Journal of Humanities and Social Science Vol. 5, No. 10; October 2015 Protesting Police Violence: “Blacklivesmatter” And Visual and Performance Art in the Era of Extrajudicial Police Killings John Paul, PhD Washburn University Departments of Sociology and Art Topeka, Kansas 66621 Introduction This visual essay is an exploration of the art, performance, and visual iconography associated with the BlackLivesMatter social movement organization.[1]Here I examine art that is used to protest and draw awareness to extrajudicial violence and the “increasingly militarized systems of killer cops…in the United States of America.”[2]In this review, secondary themes of racism, dehumanization, racial profiling and political and economic injustice will also be highlighted. Ultimately this work intertwines (and illustrates with art) stories of recent and historic episodes of state violence against unarmed black and brown citizens, and my goals with this project are several. First, I simply seek to organize, in one place, a record of visual protest against excessive policing. In particular, I am interested in what these images have to say about the use of state violence when compared and analyzed collectively. Second, via these images, I hope to explore the various ways they have been used to generate commentary and suggest explanations (as well as alternatives) to racism, police brutality, and a militarized culture within police departments. Within this second goal, I ask whose consciousness is being challenged, what social change is being sought, and how these images hope to accomplish this change. Third, I claim these images as part of the symbolic soul of the BlackLivesMatter social movement—and I explore the art directly within the movement as well as the art in the surrounding culture.[3] I begin however with conceptions of social movement activism.