DOCSLIB.ORG

PROMOSI WARNA-WARNI AIDILFITRI (WWA) 15 April Hingga 2 Mei 2021 Isnin – Khamis 10.00 Pagi – 6.00 Petang Jumaat – Ahad 10.00 Pagi – 10.00 Malam

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PROMOSI WARNA-WARNI AIDILFITRI (WWA) 15 April Hingga 2 Mei 2021 Isnin – Khamis 10.00 Pagi – 6.00 Petang Jumaat – Ahad 10.00 Pagi – 10.00 Malam PROMOSI WARNA-WARNI AIDILFITRI (WWA) 15 April hingga 2 Mei 2021 Isnin – Khamis 10.00 pagi – 6.00 petang Jumaat – Ahad 10.00 pagi – 10.00 malam Kompleks Kraf Kuala Lumpur BUKU MANUAL DAN SYARAT – SYARAT PENYERTAAN USAHAWAN KRAF ****************************************************** USAHAWAN KRAF ADALAH DINASIHATKAN UNTUK MEMBACA, MEMAHAMI DAN MEMATUHI SYARAT & TERMA WWA 2020 DAN MANUAL YANG BERKAITAN DENGAN MERUJUK KEPADA LAMPIRAN-LAMPIRAN YANG DIBERIKAN. SYARAT-SYARAT YANG DINYATAKAN DALAM LAMPIRAN DI ATAS ADALAH TERTAKLUK KEPADA PERUBAHAN YANG DITENTUKAN OLEH PIHAK KRAFTANGAN MALAYSIA. USAHAWAN JUGA DIWAJIBKAN UNTUK MEMATUHI SOP KESIHATAN YANG TELAH DITETAPKAN BAGI MEMBENDUNG PENULARAN PANDEMIK COVID-19. ISI KANDUNGAN MUKA BIL. PERKARA SURAT 1 PENGENALAN 3 2 MAKLUMAT UMUM 4 - 5 3 KLASIFIKASI PRODUK KRAF BAGI AKTIVITI JUALAN KRAF 6 - 10 4 JADUAL PENYERTAAN WWA 2021 11 - 12 5 GARIS PANDUAN DAN SYARAT PENYERTAAN Lampiran 1 : KRITERIA PENYERTAAN USAHAWAN KRAF 13 - 15 Lampiran 2 : KRITERIA PENYERTAAN USAHAWAN 16 - 17 PERKHIDMATAN AIDILFITRI Lampiran 3 : KRITERIA PRODUK KRAF 18 - 19 Lampiran 4 : BAYARAN YURAN PENYERTAAN 20 - 22 Lampiran 5 : URUS NIAGA JUALAN 23 - 24 Lampiran 6 : URUS NIAGA DI KAUNTER KAD KREDIT 25 Lampiran 7 : PANDUAN PENGGUNAAN SISTEM UNDIAN 26 LOT JUALAN Lampiran 8 : LOT JUALAN DAN PERAGAAN PRODUK 27 Lampiran 9 : URUSAN KELENGKAPAN PERALATAN PERAGAAN 28 - 29 Lampiran 10 : URUSAN TEKNIKAL (TENAGA ELEKTRIK) 30 Lampiran 11 : SYARAT-SYARAT PERATURAN S.O.P DALAM 31 - 35 TEMPOH PENULARAN CONVID-19 Lampiran 12 : URUSAN KESELAMATAN 36 Lampiran 13 : URUSAN KEBERSIHAN 37 Manual & Syarat Penyertaan WWA 2021 2 PENGENALAN Warna-Warni Aidilfitri 2021 merupakan aktiviti promosi kali ke-lima belas (15) dilaksanakan bermula dari tahun 2003. Promosi yang dilaksanakan ini adalah bagi memberi pelbagai pilihan kepada pengguna dalam persiapan menyambut Hari Raya Aidilfitri dengan mengetengahkan gabungan produk kraf dan perkhidmatan Aidilfitri. Penggunaan produk yang merangkumi pelbagai penggunaan produk kraf dalam bidang tekstil, hasil rimba, hasil tanah, aksesori & perhiasan diri, hiasan dalaman, hadiah dan cenderamata juga kelengkapan rumah. Manakala produk berkaitan aidilfitri adalah busana aidilfitri, bingkisan raya (hamper), perhiasan dan aksesori, hiasan kelengkapan rumah, biskut raya & manisan, tempahan makanan dan bunga hiasan. Objektif i. Mengalakkan penyertaan usahawan kraf dan perkhidmatan Aidilfitri dalam memasarkan produk kraf terus kepada pengguna dan pengunjung ii. Membangun dan menjana sumber ekonomi negara khusus dalam penghasilan produk kraf bertemakan Aidilfitri iii. Mempopularkan lagi Kompleks Kraf Kuala Lumpur sebagai Pusat Kraf Setempat, lokasi yang mesti dilawati dan sebagai lokasi utama bagi mendapatkan produk-produk kraf tempatan termasuklah dalam persiapan sambutan Aidilfitri Manual & Syarat Penyertaan WWA 2021 3 MAKLUMAT UMUM Nama Acara : Warna-Warni Aidilfitri 2021 Skop Jualan : i. Produk Kraf • Tekstil • Hasil Rimba • Hasil Tanah • Logam • Aneka Kraf ii. Produk Perkhidmatan Aidilfitri • Busana Aidilfitri (Baju Melayu, Jubah, Baju Raya Tradisi Kanak-Kanak, Pakaian Siap, Tudung Dan Selendang) • Perhiasan Dan Kelengkapan Rumah / Gubahan Bunga • Kuih-Muih / Manisan, / Bingkisan Raya (Hamper) • Produk Aneka Aidilfitri (Lampu Panjut / Pelita Raya / Balang Kuih Dan Lain-Lain • Kad Ucapan Aidilfitri / Video & Fotografi • Produk Kecantikan (Spa) • Perkhidmatan Jahitan (Baju / Manik / Langsir / Alteration Dan Lain-Lain Tarikh : 15 April hingga 2 Mei (18 Hari) Masa : Isnin – Khamis 10.00 pagi – 6.00 petang Jumaat – Ahad 10.00 pagi – 10.00 malam Tempat : Kompleks Kraf Kuala Lumpur, Jalan Conlay Manual & Syarat Penyertaan WWA 2021 4 Penganjur : Perbadanan Kemajuan Kraftangan Malaysia Urus Setia : Kementerian Pelancongan, Kesenian dan Kebudayaan Sasaran Pengunjung : 20,000 orang (Domestik dan Antarabangsa) Kumpulan Sasar : Pengguna, Pemborong, Pedagang, Agen Jualan, Pembekal, Pereka Hiasan Dalaman, Pereka Fesyen, Pereka Produk, Pengeluar, Kumpulan Profesional, Pengimport, Peminat & Pengumpul Seni Kraf, Agensi / Jabatan Kerajaan, Agensi Pelancongan, Institusi Pendidikan dan lain- lain. Manual & Syarat Penyertaan WWA 2021 5 KLASIFIKASI PRODUK KRAF BAGI AKTIVITI JUALAN KRAF BIDANG KRAF KATEGORI PRODUK KELUARAN Tekstil • Batik • Pakaian Siap - Baju • Songket kemeja, baju kurung, • Tenun kebaya, baju blouse, • Limar sarung, pareo, selendang, • Pua kraf tekstil yang dihias- • Rungus tambah dengan teknik • Mugah tekatan dan sulaman. • Tekat / Sulam / Jahitan • Kain pasang • Lukisan Batik • Hiasan Dalaman - Kelengkapan rumah seperti langsir, alas meja, alas gelas, sarung cadar, bantal dan lain-lain. • Lukisan batik dan lain-lain produk kraf hasil tekstil • Hadiah dan Cenderamata : Produk kraf yang dihias- tambah dengan tekstil. Contoh seperti bahan pembungkusan. Manual & Syarat Penyertaan WWA 2021 6 BIDANG KRAF KATEGORI PRODUK KELUARAN Hasil Rimba • Kayu • Perabot • Buluh / Rotan • Pandan / • Wakaf / pergola Mengkuang • Ribu-ribu / Serdang • Hiasan dalaman / lanskap • Seserat-Kulit Kayu • Daun Getah / Lidi / taman - Kerusi dan meja • Tempurung taman, gegantung • Kercut hiasan, replika kolam hiasan, panel hiasan, sangkar burung, produk kayu hanyut. • Kelengkapan rumah • Alat Muzik dan mainan - Congkak, gasing, buai latip, jerat sarang tupai, dam/catur, kompang, gendang, rebana, seruling, gambus, angklung,sape, sompoton dan lain- lain. • Hadiah dan cenderamata - Kotak hadiah anyaman, kotak ukiran kayu, bingkai gambar, beg, tongkat, topi hiasan, aksesori, sarung senjata. Manual & Syarat Penyertaan WWA 2021 7 BIDANG KRAF KATEGORI PRODUK KELUARAN Hasil Tanah • Tanah Liat • Hiasan Taman • Marmar • Kristal • Kelengkapan Rumah • Kaca - Produk kegunaan • Batu tanah liat tradisional dan moden seperti labu sayong, labu lepap, pasu Iban, pasu kechor, tembikar terenang, tembikar mambong, pasu Sarawak dan pasu hiasan serta kombinasi produk kraf seramik dengan bahan lain. • Hiasan dalaman • Perhiasan diri • Seni arca • Hadiah dan cenderamata Logam • Perak • Hiasan dalaman • Tembaga • Produk kegunaan • Piuter • Perhiasan diri • Besi • Senjata tradisi • Aluminium • Hadiah dan cenderamata • Kraf antik Manual & Syarat Penyertaan WWA 2021 8 BIDANG KRAF KATEGORI PRODUK KELUARAN Aneka Kraf • Kertas • Produk kegunaan • Manik • Hiasan dalaman • Mutiara / karang • Perhiasan diri • Kulit • Hadiah dan cenderamata • Getah / sabun • Henna Nota : Usahawan kraf boleh merujuk kepada Seksyen Pembangunan Usahawan Kraf untuk pertanyaan mengenai klasifikasi produk kraf. Manual & Syarat Penyertaan WWA 2021 9 KLASIFIKASI PRODUK PERKHIDMATAN AIDILFITRI • Busana Aidilfitri (Baju Melayu, Jubah, Baju Raya Tradisi Kanak-Kanak, Pakaian Siap, Tudung Dan Selendang) • Perhiasan Dan Kelengkapan Rumah / Gubahan Bunga • Kuih-Muih / Manisan, / Bingkisan Raya (Hamper) • Produk Aneka Aidilfitri (Lampu Panjut / Pelita Raya / Balang Kuih Dan Lain-Lain • Kad Ucapan Aidilfitri / Video & Fotografi • Produk Kecantikan (Spa) • Perkhidmatan Jahitan (Baju / Manik / Langsir / Alteration Dan Lain-Lain Manual & Syarat Penyertaan WWA 2021 10 JADUAL PENYERTAAN WWA 2021 TARIKH MASA PERKARA 15 Mac Sehingga 8.30 pagi ~ • Penerimaan Borang 31 Mac 2021 5.00 petang Permohonan Dan (Waktu Pejabat) Pembayaran Penyertaan Promosi • Urusan pengesahan penyertaan usahawan *Tarikh tutup permohonan dan pembayaran penyertaan :- 31 Mac 2021 (Rabu). 8 April 2021 10.00 pagi – • Undian lot niaga secara 1.00 tengahari online *Tertakluk kepada perubahan tarikh 13 & 14 10.00 pagi • Pendaftaran usahawan April 2021 Hingga di Kompleks Kraf Kuala (Selasa & Rabu) 5.00 petang Lumpur. • Kerja-kerja susun atur produk di ruang jualan. (Masa lanjutan kerja- kerja susun atur akan dimaklumkan kemudian atas keperluan) Manual & Syarat Penyertaan WWA 2021 11 TARIKH MASA PERKARA 15 April hingga – * Isnin – Khamis • WWA 2021 berlangsung 2 Mei 2021 10.00 pg – 6.00 ptg (18 Hari) * Jumaat – Ahad 10.00 pg – 10.00 mlm 2 Mei 2020 10.30 Malam – • Urusan kemas semula (Ahad) 12.00 malam & & 3 Mei 2020 9.00 pagi – (Isnin) 12.00 tengah hari Nota : Jadual adalah tertakluk kepada pindaan oleh pihak Kraftangan Malaysia. Manual & Syarat Penyertaan WWA 2021 12 Lampiran 1 : KRITERIA PENYERTAAN USAHAWAN KRAF 1. Usahawan kraf Malaysia berumur 18 tahun ke atas (selepas ini akan dirujuk sebagai Usahawan Kraf sahaja), berdaftar dengan kKraftangan Malaysia serta memenuhi salah satu kriteria berikut ; i. Usahawan kraf yang menghasil dan mengeluarkan produk kraf buatan Malaysia di kilang yang telah didaftarkan atau kediaman yang disahkan oleh Kraftangan Malaysia. ii. Usahawan kraf yang berdaftar di bawah Program Kraftangan Malaysia iaitu; a. Satu Daerah Satu Industri – Produk Kraf b. Mikro, Kecil & Sederhana (MKS) c. Skim Pengeluaran Inkubator Kraf iv. Penyertaan usahawan kraf bagi kategori kraf tekstil batik, songket dan tenunan akan diberi keutamaan kepada usahawan yang mempunyai sijil standard seperti berikut; v. Usahawan kraf yang aktif mengikuti program-program anjuran Kraftangan Malaysia akan diberi keutamaan. vi. Usahawan kraf dari golongan orang kurang upaya (OKU) dan berdaftar dengan Jabatan Kebajikan Masyarakat atau agensi / persatuan yang diiktiraf oleh kerajaan. vii. Usahawan kraf yang berdaftar dengan agensi-agensi kerajaan dan bukan kerajaan (digalakkan penyertaan melalui agensi yang berkaitan). viii. Usahawan kraf yang telah mendaftarkan perniagaan dengan Suruhanjaya Syarikat Malaysia. Manual & Syarat Penyertaan WWA 2021 13 ix. Usahawan yang memiliki lesen/permit/surat kebenaran atau dokumen lain yang berkenaan dan masih sah laku (sekiranya
Load more

Recommended publications
  • The Social Meanings of Hula
    The social meanings of hula Hawaiian traditions and politicized identities in Hilo Eilin Holtan Torgersen Thesis submitted in partial fulfilment of the M.A. degree Department of Social Anthropology, University of Bergen June 2010 Front cover photograph: “Hula - Na 'Olelo O Ka Pu'uwai, Hula - The Language Of The Heart: Champion dancer Haunani Paredes moves to the chant Kui Wailua , from the legend of Pele, the Fire Goddess, and Pele's sister, Hi'iaka” (Braun 2008), used with the permission of the photographer. © Randy Jay Braun, http://www.randyjaybraun.com/woh.html. 2 Hula is the language of the heart, therefore the heartbeat of the Hawaiian people - King David Kal ākaua 3 Contents Acknowledgements ....................................................................................................................6 Chapter One: Introduction Introduction.................................................................................................................................8 Central themes and problems......................................................................................................9 Resistance, identity and the continuity of cultural forms..............................................10 Knowledge, blood and Hawaiian identity.....................................................................13 Existing research on hula dance................................................................................................14 Methodology.............................................................................................................................16
    [Show full text]
  • Clothing Terms from Around the World
    Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat.
    [Show full text]
  • Fashion Text Book
    Fashion STUDIES Text Book CLASS-XII CENTRAL BOARD OF SECONDARY EDUCATION Preet Vihar, Delhi - 110301 FashionStudies Textbook CLASS XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110 301 India Text Book on Fashion Studies Class–XII Price: ` First Edition 2014, CBSE, India Copies: "This book or part thereof may not be reproduced by any person or agency in any manner." Published By : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 Design, Layout : Multi Graphics, 8A/101, W.E.A. Karol Bagh, New Delhi-110005 Phone: 011-25783846 Printed By : Hkkjr dk lafo/ku mísf'kdk ge] Hkkjr ds yksx] Hkkjr dks ,d lEiw.kZ 1¹izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kkRed x.kjkT;º cukus ds fy,] rFkk mlds leLr ukxfjdksa dks% lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /eZ vkSj mikluk dh Lora=krk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj 2¹jk"Vª dh ,drk vkSj v[kaMrkº lqfuf'pr djus okyh ca/qrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/ku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~ }kjk bl lafo/ku dks vaxhÑr] vf/fu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/ku (c;kyhloka la'kks/u) vf/fu;e] 1976 dh /kjk 2 }kjk (3-1-1977) ls ¶izHkqRo&laiUu yksdra=kkRed x.kjkT;¸ ds LFkku ij izfrLFkkfirA 2- lafo/ku (c;kyhloka la'kks/u) vf/fu;e] 1976 dh /kjk 2 }kjk (3-1-1977) ls ¶jk"Vª dh ,drk¸ ds LFkku ij izfrLFkkfirA Hkkx 4 d ewy dÙkZO; 51 d- ewy dÙkZO; & Hkkjr ds izR;sd ukxfjd dk ;g dÙkZO; gksxk fd og & (d) lafo/ku
    [Show full text]
  • Cultural Etiquette in the Pacific Guidelines for Staff Working in Pacific Communities Tropic of Cancer Tropique Du Cancer HAWAII NORTHERN MARIANA ISLANDS
    Cultural Etiquette in the Pacific Guidelines for staff working in Pacific communities Tropic of Cancer Tropique du Cancer HAWAII NORTHERN MARIANA ISLANDS GUAM MARSHALL PALAU ISLANDS BELAU Pacic Ocean FEDERATED STATES Océan Pacifique OF MICRONESIA PAPUA NEW GUINEA KIRIBATI NAURU KIRIBATI KIRIBATI TUVALU SOLOMON TOKELAU ISLANDS COOK WALLIS & SAMOA ISLANDS FUTUNA AMERICA SAMOA VANUATU NEW FRENCH CALEDONIA FIJI NIUE POLYNESIA TONGA PITCAIRN ISLANDS AUSTRALIA RAPA NUI/ NORFOLK EASTER ISLAND ISLAND Tasman Sea Mer De Tasman AOTEAROA/ NEW ZEALAND Tropic of Cancer Tropique du Cancer HAWAII NORTHERN MARIANA ISLANDS GUAM MARSHALL PALAU ISLANDS BELAU Pacic Ocean FEDERATED STATES Océan Pacifique OF MICRONESIA PAPUA NEW GUINEA KIRIBATI NAURU KIRIBATI KIRIBATI TUVALU SOLOMON TOKELAU ISLANDS COOK WALLIS & SAMOA ISLANDS FUTUNA AMERICA SAMOA VANUATU NEW FRENCH CALEDONIA FIJI NIUE POLYNESIA TONGA PITCAIRN ISLANDS AUSTRALIA RAPA NUI/ NORFOLK EASTER ISLAND ISLAND Tasman Sea Mer De Tasman AOTEAROA/ NEW ZEALAND Cultural Etiquette in the Pacific Guidelines for staff working in Pacific communities Noumea, New Caledonia, 2020 Look out for these symbols for quick identification of areas of interest. Leadership and Protocol Daily Life Background Religion Protocol Gender Ceremonies Dress Welcoming ceremonies In the home Farewell ceremonies Out and about Kava ceremonies Greetings Other ceremonies Meals © Pacific Community (SPC) 2020 All rights for commercial/for profit reproduction or translation, in any form, reserved. SPC authorises the partial reproduction or translation of this material for scientific, educational or research purposes, provided that SPC and the source document are properly acknowledged. Permission to reproduce the document and/or translate in whole, in any form, whether for commercial/for profit or non-profit purposes, must be requested in writing.
    [Show full text]
  • The Sarawak Craft Council (SCC)
    CONTENTS 2 Editorial Sarawak Craft Council 3 Welcome to the Rainforest World Crafts Bazaar 4 Meet the RWCB Exhibitors 6 A Centre for Handicrafts 8 Sarawak Storage 10 The Best of Sarawak Crafts 15 What’s On 1 Editorial INTERNATIONAL LINKS The skill and lore of handicrafts is rooted in each people’s past. The type of craft is suited to their needs and lifestyle. Decorations, or the absence of decorations, tell the observer something about the creative imagination of the maker and the user of each artefact, from humble household utensils to sacred religious paraphernalia. It should be easy to distinguish the crafts of one group from another at a glance. Careful examination, however, shows that even within sub-groups of closely related people there are variations. Designs and motifs overlap community and international boundaries. Historical study confirms this: wherever human groups came into peaceful contact, they borrowed from each other’s cultures. Many examples of cultural borrowing can be found within our own area. A finely plaited bamboo hat, now made by the Melanau of the Matu region, is called by them seraong Sambas. Why? “Some traders who sailed to the west coast of Borneo brought back wives from there,” the elders relate, “these ladies introduced this type of hat.” A book about Borneo’s cultures, compiled at the end of the 19th century, confirms this seemingly far-fetched explanation, complete with an illustration of the hat in question – the author had collected it in Sambas (Ling Roth, H: The Natives of Sarawak and British North Borneo, Truslove and Harrison, London 1896, vol.
    [Show full text]
  • Perayaan Meriah
    KANDUNGAN 4 TEMPAT MENARIK 38 SENSASI MEMBELI-BELAH 5 Mercu Tanda Berprestij 39 Pusat Membeli-belah 6 Tapak Warisan 42 Pusat Kraftangan 10 Tempat Ibadat 43 Pasar Jalanan dan Bazar 12 Tarikan Bertema 44 Cenderamata Popular Malaysia 14 ENKLAF TROPIKAL 45 MENJAMU SELERA 15 Taman Botani Perdana 46 Masakan Melayu 16 Taman KLCC 46 Masakan Cina 17 Taman Tasik Titiwangsa 46 Masakan India 17 Hutan Simpan Bukit Nanas 46 Masakan Mamak 17 Zoo Negara 47 Kuisin Antarabangsa 47 Kegemaran Tempatan 18 KHAZANAH NEGARA 49 Restoran Popular di KL 19 Muzium 21 Galeri 52 DI LUAR KOTA 22 Memorial 53 Kunang-kunang Kuala Selangor 53 Batu Caves 23 REHAT DAN RAWAT 53 Institut Penyelidikan Perhutanan 24 Spa di KL Malaysia (FRIM) 25 Penjagaan Kesihatan 54 Putrajaya 54 Port Dickson 26 PERSEMBAHAN MEMPESONAKAN 54 Genting Highlands 27 Dewan Konsert Perdana 55 Berjaya Hills 27 Persembahan Kebudayaan 55 Cameron Highlands 28 Pusat Seni Halus 55 Melaka 29 PERAYAAN MERIAH 56 MAKLUMAT PENTING 30 Perayaan Keagamaan 57 Penginapan 31 Acara dan Sambutan 61 Pengangkutan ke Kuala Lumpur 62 Pengangkutan di Kuala Lumpur 33 HIBURAN DAN KESERONOKAN 65 Nombor Telefon Untuk Dihubungi 34 Taman Tema 66 Fakta Ringkas Malaysia 35 Sukan dan Rekreasi 68 Peta Kuala Lumpur 37 Hiburan Malam 70 Pejabat Tourism Malaysia 2 Selamat Datang ke Kuala Lumpur, Ibu Negara Malaysia Yang Mempesonakan Kuala Lumpur atau lebih dikenali sebagai KL ialah sebuah metropolis moden yang kaya dengan pelbagai resam dan budaya. Antara bandaraya yang paling menawan di Asia, Kuala Lumpur memiliki daya tarikan yang unik dan mempesonakan. Menara Berkembar Petronas, ikon negara ini yang terkenal di serata dunia, bakal menyambut ketibaan setiap pelancong di Kuala Lumpur.
    [Show full text]
  • What Is the Best Way to Begin Learning About Fashion, Trends, and Fashion Designers?
    ★ What is the best way to begin learning about fashion, trends, and fashion designers? Edit I know a bit, but not much. What are some ways to educate myself when it comes to fashion? Edit Comment • Share (1) • Options Follow Question Promote Question Related Questions • Fashion and Style : Apart from attending formal classes, what are some of the ways for someone interested in fashion designing to learn it as ... (continue) • Fashion and Style : How did the fashion trend of wearing white shoes/sneakers begin? • What's the best way of learning about the business behind the fashion industry? • Fashion and Style : What are the best ways for a new fashion designer to attract customers? • What are good ways to learn more about the fashion industry? More Related Questions Share Question Twitter Facebook LinkedIn Question Stats • Latest activity 11 Mar • This question has 1 monitor with 351833 topic followers. 4627 people have viewed this question. • 39 people are following this question. • 11 Answers Ask to Answer Yolanda Paez Charneco Add Bio • Make Anonymous Add your answer, or answer later. Kathryn Finney, "Oprah of the Internet" . One of the ... (more) 4 votes by Francisco Ceruti, Marie Stein, Unsah Malik, and Natasha Kazachenko Actually celebrities are usually the sign that a trend is nearing it's end and by the time most trends hit magazine like Vogue, they're on the way out. The best way to discover and follow fashion trends is to do one of three things: 1. Order a Subscription to Women's Wear Daily. This is the industry trade paper and has a lot of details on what's happen in fashion from both a trend and business level.
    [Show full text]
  • Januarymarch2010.Pdf
    CONTENTS 2 Editorial 3 A Word From the SCC 4 Indonesian Batik as Head Adornment 6 Duck Mobiles & Bean People 9 Rainforest World Crafts Bazaar T-Shirt–2010 Competition 10 Batik-Style Silk Painting in Sarawak 13 A Page of History 14 What’s On in the World of Crafts 14 Where to buy... KEEPING RECORDS The classic literature on Southeast Asia, written before the 20th Recording the use of new materials, and how they worked out century, contains surprisingly little detailed information about in practice, is part of the documentation we need. In the case handicrafts. Most articles of daily use were hand-produced by of dyes, for instance, does the ceremonial for making dyes still women – textile and fibre crafts, beadwork, earthenware pottery apply if chemical dye stuffs are used? Is dyeing still a communal for home consumption. The explorers and administrators of activity, or can each weaver dye her warps in the privacy of her the past, right into the early 20th century, were more likely to own kitchen? describe smith-craft and weapons, or woodwork like house- building and boat-making. In the 60s some weavers used embroidery cotton to work the ornamental patterns in anyam textiles, but the resulting The authors of these early books on Borneo were bound by stiff fabric wasn’t practical for women’s skirts. Gold thread social restrictions, of course. On their travels they interacted is commonly woven into anyam fabrics nowadays, popular mainly with men; they had no business to intrude into the because of its glittery appearance but liable to snag if such a women’s domain inside the family rooms.
    [Show full text]
  • Hale Mua: (En)Gendering Hawaiian Men
    HALE MUA: (EN)GENDERING HAWAIIAN MEN A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ANTHROPOLOGY AUGUST 2003 By Ty P. Kawika Tengroy Dissertation Committee: Geoffrey M. White, Chairperson Ben Finney Christine Yano Vilsoni Hereniko Noenoe Silva © Copyright 2003 by Ty P. Kawika Tengan iii For Kauilaoniilani Kamaka Iaea Tengan iv ACKNOWLEDGEMENTS There have been so many people that have contributed to this dissertation that I know I will kick myself later as I recall those names that I have forgotten, and so I must apologize immediately for any omissions. First off, mahalo e ke Akua, na 'aumakua, na kini akua, a me na kiipuna for all guidance, inspiration, fortitude, strength, insight, and infinite blessings given to me throughout the process of my living, researching, and writing. I wish to thank all of my family, including the extended family and those I have become a part ofthrough bonds of marriage and friendship. Thank you especially Grandma Carol and Grandpa George for watching Kauila and for always making sure we were fed; thank you also for amazing me with your uncanny ability to procure bananas. Thanks Dad for your support in everything and for your guidance and advice in matters that you probably did not realize you were giving them in. Thanks to Grandma Margaret and Grandpa George for making my visits home just that, and for your constant support and encouragement throughout the years. Thanks Mom for helping me in every way possible and for all of your selfless love and sacrifice.
    [Show full text]
  • 1 a Aba a Fabric Woven from the Hair of Camels Or Goats. a Loose
    A aba a fabric woven from the hair of camels or goats. A loose sleeveless outer garment worn as traditional dress by men in the Middle East. If you are not sure where the Middle East is located, you may wish to find a map from our World section. abaca a naturally occurring fiber found in the stem of the abaca plant. A member of the banana family, Musa Textilis. The fiber is also called Manila Hemp, and is used extensively in the manufacture of marine cordage, abrasive backing papers, tea bags, and other products requiring high tensile strength. accent / novelty yarns these yarns are very very fine and are not intended to be used by themselves; they are intended to be knit with another yarn and will provide additional color and texture to a finished fabric. They do possibly change the gauge of your fabric, so a swatch is recommended whenever you are going to use an accent yarn to make the necessary adjustment to your needle size. (this definition was kindly provided by Karen at Red Meadow Fiber Arts) acrilan (trademark) used for an acrylic fiber. acrylic fiber a quick-drying synthetic textile fiber made by polymerization of acrylonitrile usually with other monomers. adhesives are an essential part of the manufacturing process for a variety of apparel applications ranging from applying labels, decorative trim and waterproofing tapes to innovative solutions like stitchless garment construction. afghan a blanket or shawl of colored wool knitted or crocheted in strips or squares. aiguillette aglet; specifically, a shoulder cord worn by designated military aides.
    [Show full text]
  • I Malaysian Batik Sarongs
    Malaysian Batik Sarongs: A Study of Tradition and Change A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Rafeah Legino M.A. Art and Design (Research) (UiTM, Malaysia) School of Art RMIT University August 2012 Volume I i Declaration I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the thesis is the result of work which has been carried out since the official commencement date of the approved research program; any editorial work, paid or unpaid, carried out by a third party is acknowledged; and, ethics procedures and guidelines have been followed. Rafeah Legino ii Acknowledgements I wish to express my sincere gratitude to both my senior supervisors, Professor David Forrest, Dr. Sophia Errey (former supervisor) and to my second supervisor Dr. Robin Kingston for their patient guidance and encouragement throughout this study. RMIT very generously gave me a grant to attend the Art and Society Conference, Berlin, 2011 to present a paper and to attend lectures relevant to my field of enquiry. I feel grateful for the assistance given by the staff of museums, galleries, archives, and libraries in Malaysia, Singapore, Jakarta and Melbourne for giving me permission to view and study samples from their textile collections. I am also very obliged and thankful to the several individuals and batik artisans as they gave me access to their batik collections for this study.
    [Show full text]
  • Europeana Fashion Thesaurus V1 Deliverable 2.3
    Europeana Fashion Thesaurus v1 Deliverable 2.3 CIP ICT PSP 2011 – Call 5 Objective 2.1 : Aggregating content for Europeana Project Number: 297167 Project start - end date (duration) 01/03/2012 - 28/02/2015 (36 months) Name of Lead Contractor for this Deliverable: Koninklijke Musea voor Kunst en Geschiedenis Author: Nacha Van Steen Co-funded by the European Commission within Connected to: the ICT Policy Support Programme DOCUMENT INFORMATION Deliverable number: 2.3 Deliverable title: Europeana Fashion Thesaurus v1 Contractual date of deliverable: M9 (November 2012) Actual date of deliverable: 31st December 2012 Author(s): Nacha Van Steen Participant(s): KMKG Workpackage: WP2 Workpackage title: Content harmonisation and provision Workpackage leader: MoMu Dissemination Level: PU (Public) Version: 1.0 Keywords: Thesaurus, enrichment, multilingual, vocabulary HISTORY OF VERSIONS Version Date Status Author (Partner) Description/Approval Level 0.1 23/12/2012 Draft Nacha Van Steen (KMKG) 1.0 31/12/2012 Final Nacha Van Steen Reviewed by Marco Rendina (KMKG) (FRD) Acknowledgment “Work partially supported by European Community under the Competitiveness and Innovation Framework Programme as a Best Practice Network with Grant Agreement n°297167. The author is solely responsible for the content of this paper. It does not represent the opinion of the European Community, and the European Community is not responsible for any use that might be made of data appearing therein" EXECUTIVE SUMMARY This is the Europeana fashion Thesaurus mission statement: “The Europeana Fashion project aims to create a multilingual thesaurus in 10 languages (English- French-German-Dutch-Italian-Serbian-Swedish-Spanish-Portugese-Greek) for fashion and fashion- related concepts.
    [Show full text]