Firenze University Press www.fupress.com/substantia Research Articles Loren Eiseley’s Substitution Citation: Kahr B. (2021) Loren Eiseley’s Substitution. Substantia 5(1) : 79-89. Bart Kahr doi: 10.36253/Substantia-1040 Department of Chemistry and Molecular Design Institute, New York University, New Received: Jul 31, 2020 York City, NY 10003 USA E-mail:
[email protected] Revised: Oct 23, 2020 Just Accepted Online: Oct 26, 2020 Abstract.The anthropologist and acclaimed essayist, Loren Eiseley, in the midst of recounting a vision in the conclusion of a draft of a 1960 composition, “Creativity and Published: Mar 01, 2021 Modern Science,” invoked Charles Darwin as the essay’s animating spirit. Eiseley mod- Copyright: © 2021 Kahr B. This is an ified his draft the next year and published it in no less than three of his subsequent open access, peer-reviewed article books. The most striking differences between his draft and published texts is the sub- published by Firenze University Press stitution of Darwin in the final moments of the narrative with Francis Bacon, a bar- (http://www.fupress.com/substantia) rister and philosopher who died nearly two centuries before the famous biologist was and distributed under the terms of the born. Here, is crafted a rationale for this unlikely switch, to the extent that the intent of Creative Commons Attribution License, another can be uncovered, by closely reading Eiseley’s psychologically charged work. which permits unrestricted use, distri- Eiseley’s own struggles as both a scientist and an artist, identities respectively epito- bution, and reproduction in any medi- um, provided the original author and mized by Darwin and Bacon, reveal how and why the writer permitted his foremost source are credited.