DOCSLIB.ORG

Bibliografischer Informationsdienst 02/2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliografischer Informationsdienst 02/2019 Bibliografischer Informationsdienst der Bibliothek des Instituts für Zeitgeschichte Ausgabe 02/2019 Der Bibliografische Informationsdienst führt die Bibliographie zur Zeitgeschichte in digitaler Form fort. Er wird monatlich von der Bibliothek des Instituts für Zeitgeschichte München – Berlin auf der Grundlage ihrer laufenden Neuerwerbungen zusammengestellt. Redaktion: Matthias Krebs und Daniel Schlögl ISSN 2366-1194 Online-Archiv und Anmeldung zum E-Mail-Abonnement: http://www.ifz-muenchen.de/bibliothek/literatursuche/bibliografischer-informationsdienst/ Nutzungsbedingungen: Der Informationsdienst steht kostenfrei unter der Creative-Commons-Lizenz CC BY-NC 3.0 DE (Namensnennung – keine kommerzielle Nutzung) zur Verfügung. Näheres zur Lizenz unter: http://creativecommons.org/licenses/by-nc/3.0/de/ Bibliografischer Informationsdienst 02/2019 Inhaltsverzeichnis 1 ALLGEMEINES, NACHSCHLAGEWERKE, HILFSMITTEL ......................................................... 4 2 GESCHICHTSWISSENSCHAFT UND NACHBARWISSENSCHAFTEN ...................................... 4 3 BIOGRAFIEN .................................................................................................................................. 6 3.1 Sammelbiografien ............................................................................................................................ 6 3.2 Einzelbiografien ............................................................................................................................... 7 4 WELTGESCHICHTE, INTERNATIONALE VERGLEICHE, BEZIEHUNGEN UND VERFLECHTUNGEN .................................................................................................................... 10 4.1 Allgemein und epochenübergreifend ............................................................................................. 10 4.2 Bis 1945 (einschließlich Erster und Zweiter Weltkrieg) ................................................................. 12 4.3 1945 – 1990 ................................................................................................................................... 15 4.4 Seit 1990 ........................................................................................................................................ 15 4.5 Europäische Union (einschließlich Geschichte der EWG, EG, EU) .............................................. 17 5 GESCHICHTE EINZELNER STAATEN UND REGIONEN .......................................................... 17 Großbritannien ....................................................................................................................................... 17 Frankreich / Monaco .............................................................................................................................. 17 Benelux .................................................................................................................................................. 18 Schweiz / Liechtenstein ......................................................................................................................... 18 Österreich .............................................................................................................................................. 18 Osteuropa / Ostmitteleuropa ................................................................................................................. 18 Tschechoslowakei / Tschechische Republik / Slowakische Republik ................................................... 19 Polen ...................................................................................................................................................... 19 Baltikum ................................................................................................................................................. 21 Südosteuropa (Griechenland / ehem. Jugoslawien u. a.) ..................................................................... 21 Russland (Sowjetunion / GUS) .............................................................................................................. 21 USA / Kanada ........................................................................................................................................ 22 Lateinamerika ........................................................................................................................................ 22 Naher und Mittlerer Osten ..................................................................................................................... 22 Süd-, Ost- und Südostasien .................................................................................................................. 22 6 DEUTSCHE GESCHICHTE .......................................................................................................... 22 6.1 Allgemein und epochenübergreifend ............................................................................................. 22 6.2 Deutsches Kaiserreich 1871 – 1918 .............................................................................................. 24 6.3 Weimarer Republik 1918 – 1933 ................................................................................................... 24 6.4 Nationalsozialismus und NS-Diktatur 1933 – 1945 ....................................................................... 25 6.5 Deutsche Geschichte seit 1945 ..................................................................................................... 26 2 Bibliografischer Informationsdienst 02/2019 6.6 Bundesrepublik Deutschland 1949 – 1990 .................................................................................... 28 6.7 Deutsche Demokratische Republik 1949 – 1990 .......................................................................... 29 6.8 Bundesrepublik Deutschland seit 1990 ......................................................................................... 30 3 Bibliografischer Informationsdienst 02/2019 1 ALLGEMEINES, 2 GESCHICHTSWISSENSCHAFT UND NACHSCHLAGEWERKE, HILFSMITTEL NACHBARWISSENSCHAFTEN Archiwum Ringelbluma : Konspiracyjne #DigiCampus : digitale Forschung und Lehre in Archiwum Getta Warszawy / Żydowski Instytut den Geisteswissenschaften / herausgegeben Historyczny INB ; Eleonora Bergman (koord.) von Harald Klinke. – München : 29. Pisma Emanuela Ringelbluma z getta / Universitätsbibliothek der opracowała Joanna Nalewajko-Kulikov. – Ludwig-Maximilians-Universität München, Wydanie 1, 2018 – LX, 596 Seiten 2018 – VI, 138 Seiten : Illustrationen, ISBN 978-83-61850-44-1 – Diagramme – (Open Publishing LMU) ISBN 978-83-65254-81-8 ISBN 978-3-95925-055-9 Quelle Konferenzschrift, 19.06.2017, München zum OPAC zum OPAC 29a. Pisma Emanuela Ringelbluma z bunkra / opracowali Eleonora Bergman, Tadeusz Algorithmuskulturen : über die rechnerische Epsztein, Magdalena Siek. – Wydanie 1, Konstruktion der Wirklichkeit / Robert Seyfert, 2018 – XVII, 368 Seiten Jonathan Roberge (Hg.). – Bielefeld : ISBN 978-83-61850-44-1 – transcript, 2017 – 237 Seiten : Illustrationen, ISBN 978-83-65254-84-9 Karte – (Kulturen der Gesellschaft ; Band 26) Quelle ISBN 978-3-8376-3800-4 zum OPAC Aufsatzsammlung 35,2. 1527-1795 – Wydanie 1, 2018 – zum OPAC XXX, 361 Seiten Archiwa, historia, pamięć : bilans 15 lat ISBN 978-83-61850-44-1 – działalności archiwalnej Instytutu Pamięci ISBN 978-83-65254-75-7 Narodowej / redakcja naukowa Jerzy Quelle zum OPAC Bednarek, Rafał Leśkiewicz, Paweł Perzyna. – Łódź ; Warszawa : Instytut Pamięci Narodowej Jüdische Gewerbetreibende, Ärzte und - Komisja Ścigania Zbrodni przeciwko Rechtsanwälte in Nürnberg 1930 / Gerhard Narodowi Polskiemu. Oddział w Łodzi, 2018 – Jochem. – [Erscheinungsort nicht ermittelbar] : 507 Seiten : Illustrationen, Diagramme – Susanne Rieger, Gerhard Jochem, 2016 – (Biblioteka Oddziału Instytutu Pamięci 1 Online-Ressource (42 Seiten) Narodowej w Łodzi ; tom 47) Stand der Online-Liste: 17.05.2016 Pokłosie ogólnopolskiej konferencji "Archiwa - Verzeichnis Historia - Pamięć. Bilans 15 lat działalności zum OPAC archiwalnej Instytutu Pamięci Narodowej ", która odbyła się w Łodzi 16-17 listopada 2015 Die weltweite Ungleichheit : der World roku Inequality Report 2018 / herausgegeben von ISBN 978-83-8098-433-2 Facundo Alvaredo, Lucas Chancel, Thomas Konferenzschrift Piketty, Emmanuel Saez, Gabriel Zucman ; zum OPAC aus dem Englischen übersetzt von Hans Freundl und Stephan Gebauer. – Bauer, Julian : Originalausgabe – München : C.H.Beck, Zellen, Wellen, Systeme : eine Genealogie 2018 – 457 Seiten : Diagramme systemischen Denkens, 1880-1980 / Julian EST: World Inequality Report – Bauer. – Tübingen : Mohr Siebeck, 2016 – ISBN 978-3-406-72385-8 XII, 360 Seiten : Illustrationen, Diagramme – zum OPAC (Historische Wissensforschung ; 5) Dissertation, Universität Konstanz, 2012 – ISBN 978-3-16-154679-2 zum OPAC Bennett, Giles : EHRI 2010-2018 : taking stock / Giles Bennett and Veerle Vanden Daelen. – In: Right-wing 4 Bibliografischer Informationsdienst 02/2019 politics and the rise of Antisemitism in Europe 140 Seiten : Illustrationen – (Studien und 1935-1941, Seite 249-259, 2019 Dokumente der Gedenkstätte Hadamar ; zum OPAC Band 2) ISBN 978-3-7344-0676-8 Berkel, Marc van : Aufsatzsammlung Plotlines of victimhood : the Holocaust in zum OPAC German and Dutch history textbooks, 1960-2010 / by Marcus Leonardus Franciscus "The family of man" revisited : photography in van Berkel. – Rotterdam, 2017 – a global age / edited by Gerd Hurm, Anke 1 Online-Ressource (ii, 319 Seiten) : Reitz, Shamoon Zamir. – London ; New York : Illustrationen,
Load more

Recommended publications
  • Tattooing in Auschwitz Annotated Bibliography Primary Sources
    1 Tattooing in Auschwitz Annotated Bibliography Primary Sources: Nurnburg, International Military Trials. Natzi Conspiracy and Aggression, Volume 1. United ​ ​ States Government Printing Office: Washington, 1946. www.loc.gov This was a great primary source to find information to understand the why the Jewish people were treated in such a horrific manner. This had great information on the horrific treatment of the Jews in concentration camps. I used this document to explain why Jews were treated so badly. I also used this document to show what the Natzi’s did to the tattooed skin of the Jews. Books: Perl, Edith. Not Even a Number: Surviving Lager C-Auschwitz II-Birkenau. Motivational Press: ​ ​ Melbourne, 2017. This book was written by a survivor who lost her mother, brothers and four sisters at Auschwitz II. She described her story from her childhood, the camp, and living after. Her family came from Czechoslovakia, a small town that she felt would be safe and how quickly and radically her life changed. It has taken her all of her life, over 70 years to process what happened to her family and how her mother saved her. She was the only one to survive the Holocaust from her family and I used it for quotes in my project. Broadcasts: “75th Anniversary of the Liberationof German Nazi Concentration and Extermination Camp Auschwitz.” Memorial and Museum Auschwitz-Birkenau. 27 Jan 2020. ​ ​ http://auschwitz.org/en/home-page75/ 2 This was a live broadcast on the anniversary of the camps and it filmed several Holocaust suvivors and they told their stories.
    [Show full text]
  • Narrative Techniques in Twenty-First Century Popular
    NARRATIVE TECHNIQUES IN TWENTY-FIRST CENTURY POPULAR HOLOCAUST FICTION By Andrea Gapsch April 2021 ________________________ A Thesis presented to The Honors Tutorial College at Ohio University ________________________ In partial fulfillMent of the requireMents for graduation from the Honors Tutorial College with the degree of Bachelor of Arts in English. ________________________ Gapsch 2 Table of Contents Introduction Chapter One CaMp Sisters: Representations of FeMale Friendship and Networks of Support in Rose Under Fire and The Lilac Girls Chapter Two FaMilies and Dual TiMelines: Exploring Representations of Third Generation Holocaust Survivors in The Storyteller and Sarah’s Key Chapter Three The Nonfiction Novel: Comparing The Tattooist of Auschwitz and The Librarian of Auschwitz Conclusion Gapsch 3 Introduction As I began collecting sources for this project in early 2020, Auschwitz celebrated the 75th anniversary of its liberation. Despite more than 75 years of separation from the Holocaust, AMerican readers are still fascinated with the subject. In her book A Thousand Darknesses: Lies and Truth in Holocaust Fiction, Ruth Franklin mentions the fear of “Holocaust fatigue” that was discussed in 1980s and 1990s AMerican media, by which she meant the worry that AMericans had heard too about the Holocaust and could not take any more (222). This, Franklin feared, would lead to insensitivity from the general public, even in the face of a massive tragedy such as the Holocaust. After all, in his 1994 book Holocaust Representation: Art within the Limits of History and Ethics, Berel Lang estiMates Holocaust writing to include “tens of thousands” texts, spanning fiction, draMa, MeMoir, poetry, history monographs, and more (35).
    [Show full text]
  • “Don't Mind the Boche”
    UNIVERSITY OF HELSINKI “Don’t Mind the Boche” A Stylistic Analysis of Language Representations in Historical Fiction and Their Contribution to Characterization Väisänen, Rebekka Sini Eveliina Master’s Thesis English Philology Faculty of Arts University of Helsinki November 2019 i Tiedekunta – Fakultet – Faculty Koulutusohjelma – Utbildningsprogram – Degree Programme Humanistinen tiedekunta Englannin kielen ja kirjallisuuden maisteriohjelma Opintosuunta – Studieinriktning – Study Track Englantilainen filologia Tekijä – Författare – Author Rebekka Sini Eveliina Väisänen Työn nimi – Arbetets titel – Title ” Don’t mind the Boche” A stylistic analysis of language representation in historical fiction and their contribution to characterization Työn laji – Arbetets art – Level Aika – Datum – Month and Sivumäärä– Sidoantal – Number of pages Pro gradu -tutkielma year Marraskuu 2019 62 + liitteet Tiivistelmä – Referat – Abstract Tutkielma käsittelee koodinvaihtoa historiallisessa fiktiossa. Erityisenä huomion kohteena on se, miten ja milloin muita kieliä (useimmiten Saksaa ja Ranskaa) esiintyy kolmessa englannikielisessä historiallisessa romaanissa joko koodinvaihdon tai muiden menetelmien kautta ja miten nämä vaikuttavat hahmojen karakterisointiin. Työssä tarkastellaan tekstin ominaisuuksiin stilistisen analyysin avulla. Teoreettisenä viitekehyksenä käytetään Carol Myers-Scottonin "tunnusmerkkisyyden mallia" (Markedness Model), jonka avulla analysoidaan koodinvaihdon funktiota suhteessa hahmojen välisiin valtarakenteisiin, ja Meir Sternbergin "käännösmimesistä"
    [Show full text]
  • 2 the Tattooist of Auschwitz and the Trivialisation of the Holocaust
    The Tattooist of Auschwitz and the Trivialisation of the Holocaust: A Roundtable Discussion Anna Hirsh, Jan Láníček, Samantha Mitschke & Kirril Shields Introduction (Dr Jan Láníček, UNSW Sydney) ‘This story, full of beauty and hope, is based on years of interviews author Heather Morris conducted with real-life Holocaust survivor and Auschwitz-Birkenau tattooist Ludwig (Lale) Sokolov. It is heart-wrenching, illuminating, and unforgettable.’ (http://www.heathermorrisauthor.com/the-tattooist-of-auschwitz/) ‘It’s a sex story of Auschwitz that has very little historical accuracy’ (Professor Konrad Kwiet, quoted in Harari, 2018) The Tattooist of Auschwitz is a debut novel by the New Zealand-born Heather Morris, who currently resides in Melbourne, Australia. It is a fictionalised account based on Morris’ interviews with Lale Sokolov (Eisenberg), a Holocaust survivor who after the war emigrated to Australia. Lale and his future wife Gita Furman were deported from Slovakia to Auschwitz in 1942. They both survived. He had been given a position of some prominence over his fellow prisoners, tattooing numbers on the forearm of those who passed through the selection upon their arrival in Auschwitz-Birkenau and were temporarily left alive, toiling for the German war industry. Lale and Gita fell in love in the camp and married after their post-war return to Bratislava. Morris’ personal website characterises her as a ‘Number 1 New York Times bestselling author’. But the quotes that open this roundtable discussion show the divisive nature of responses that the book elicited in the public and in the academic community. The book received rave reviews all over the world, but the academic community of Holocaust scholars and Holocaust professionals were more alarmed by the story as it was retold by Morris.
    [Show full text]
  • The Tattooist of Auschwitz Has the Quality of a Dark Fairytale. It Is Both Simple and Epic, Shot Through with Compassion
    ‘The Tattooist of Auschwitz has the quality of a dark fairytale. It is both simple and epic, shot through with compassion and love, but inescapably under the shadow of the most devouring monsters our civilisation has known. Everyone should read it.’ Hugh Riminton – journalist, foreign correspondent, TV newsreader, and author of Minefields ‘The Tattooist of Auschwitz is an extraordinary document, coming more than seventy years after the events it describes, and reminding us how many stories will forever remain untold. It reminds us that every one of the unimaginably large number of Holocaust victims was an individual with a unique story… And this story is an extraordinary one, even by the standards of Holocaust stories – by turns moving, confronting and uplifting and, of course, a window on one of the most horrific events in human history. Heather Morris tells Lale’s story with dignity and restraint, never letting her own voice intrude, nor letting the love story overwhelm the greater context of displacement, trauma and survival. This is a story about the extremes of human behaviour existing side by side: calculated brutality alongside impulsive and selfless acts of love. I find it hard to imagine anyone who would not be drawn in, confronted and moved. I would recommend it unreservedly to anyone, whether they’d read a hundred Holocaust stories or none.’ Graeme Simsion – author of The Rosie Project, The Rosie Effect, The Best of Adam Sharp, Two Steps Forward ‘The Tattooist of Auschwitz is a profoundly moving, immense story of loss and courage, exploring the depths of the human heart.
    [Show full text]
  • THE TATTOOIST of AUSCHWITZ Anca Badulescu Lecturer, Phd
    635 JOURNAL OF ROMANIAN LITERARY STUDIES no. 18/2019 THE TATTOOIST OF AUSCHWITZ Anca Badulescu Lecturer, PhD., „Transilvaniaŗ Universityof Brașov Abstract:This article aims at revealing once more the unbelievable atrocities of the greatest humanitarian tragedy witnessed by humanity: the Holocaust. Heather Morrisř novel ŖThe Tattooist of Auschwitzŗ is an amazing document reminding us of the millions of innocent Jews and gypsies tortured and murdered in the Nazi hells: the concentration camps. Auschwitz, the dismal world in between the normal life led by Lale Sokolov and Gita before the war and the inferno where despair and death rule. This article is a warning that we are not to ignore or forget what happened more than seventy years ago because it might happen again if we are irresponsible. Keywords:Concentration camp, document, anti-Semitism, death, love. Heather Morrisř novel ŖThe Tattooist of Auschwitzŗ is one of the heart-wrenching documents which aim at reminding humanity of the greatest massacre ever: the Holocaust. The protagonist himself confessed that he had agreed to tell his frightening story three years before his death, so that ŗit would never happen againŗ(Morris, 2018: 261). This article undertakes to warn against a rising anti-Semitic movement. Just as we are listening to so many horrifying tales about innocent people being tortured, beaten, famished to death, shot, gassed, cremated, about forty per cent of the population of our planet have never heard about the Holocaust, and nationalists and neo-Nazis vandalize Jewish graveyards and synagogues, humiliate or even murder Jewish people. When the National Socialists and the ŘHitler Jugendř started raising their voices in the Germany of the 1930řs, very few foresaw the growing hate, while the majority were mistakenly confident in common sense and reason.
    [Show full text]
  • The Elements of Survival and Guilt in the Novels of Heather Morris: The
    Aut Aut Research Journal ISSN NO: 0005-0601 A.N.Harishraj, M.Phil-English, Dr. C. Jothi Department of English, Assistant Professor of English Kalasalingam Academy of Research and Education, Krishnankoil -626126 Tamil Nadu, India The Elements of Survival and Guilt in the Novels of Heather Morris: The Tattooist of Auschwitz and Cilka’s Journey Abstract This paper titled “The Element of Survival and Guilt in the Novels of Heather Morris: The Tattooist of Auschwitz and Cilka’s Journey” talks about survival of the protagonists in the Holocaust camp. The paper also deals with the guilt experienced by the protagonist and their struggle to overcome their trauma. The thematic analysis is applied to the select novel of Heather Morris. The paper focuses on two major themes, Survival and Guilt. These two themes are prominent in the novel TheTattooist of Auschwitz and Cilka’s Journey. The protagonist are Lale Sokolov and Cilka Klein, are both Jews and successful in surviving the holocaust. The characters Lale Sokolov and Cilka Klein are taken for this study. Both Lale and Cilka work with the Germans to ensure their survival. Survival by working with the German captors leads to guilty conscience in Lale and Cilka. Lale and Cilka are affected by the Survivors Guilt. Lale and Cilka seek redemption for their sins by helping others and putting their lives on the line to save others. Keywords: Holocaust, Survival, Guilt, Survivors’ guilt, Sufferings of prison camps, Lale and Cilka Volume XI, Issue V, May/2020 Page No:52 Aut Aut Research Journal ISSN NO: 0005-0601 Introduction The novels The Tattooist of Auschwitz and Cilka’s Journey are writtenby the author Heather Morris.
    [Show full text]
  • A Rabbi's Daughter Finds Her Birth Parents, and Now Has Two Families LAST CALL for BINGO at MALDEN SHUL
    MARCH 12, 2020 – 16 ADAR 5780 JEWISHVOL 44, NO 16 JOURNALJEWISHJOURNAL.ORG A rabbi’s daughter finds her birth parents, and now has two families By Michael Wittner watched it many, many times, JOURNAL STAFF and it was very cool to see those secret workings.” LYNN – Last Christmas, Still, Mendez had been told Miriam Mendez logged onto when she was very young that Facetime. Her hands were trem- she was adopted, and she felt bling and her skin was covered different from all of her peers in goosebumps. A few seconds attending Orthodox schools. later, she was staring at a cer- “I didn’t fit in with them char- tain form of reflection: a man acteristic-wise,” she said. “In with her pointy ears, a woman my family, I can’t say that I felt with her gray-blue eyes. Mendez apart, but there were times called it an “out of body experi- where I didn’t feel comfort- ence.” able. You know they’re trying to This couple, John and Teresa include you, but as an adoptee, Callicoat of Galloway, Ohio, you always feel those weird feel- were her birth parents, and it ings, like, ‘Do they really accept was the first time she had ever me as part of the family?’” seen or spoken to them. At left, Miriam Mendez of Lynn with her adopted parents, Rabbi Martin and Bella Twersky of Lynn. At These feelings grew more You can’t put that under a right, Mendez with her recently discovered birth family: parents John and Teresa Callicoat, and sister acute as she got older and tree.
    [Show full text]
  • This Is a Work of Fiction, Based on What I Learnt from the First-Hand
    This is a work of fiction, based on what I learnt from the first-hand testimony of Lale Sokolov, the tattooist of Auschwitz, about Cecilia ‘Cilka’ Klein, whom he knew in Auschwitz-Birkenau, from the testimony of others who knew her, and from my own research. Although it weaves together facts and reportage with the experiences of women survivors of the Holocaust, and the experiences of women sent to the Soviet gulag system at the end of the second world war, it is a novel and does not represent the entire facts of Cilka’s life. Furthermore, it contains a mix of characters: some inspired by real-life figures, in some instances representing more than one individual, others completely imagined. There are many factual accounts that document these terrible epochs in our history and I would encourage the interested reader to seek them out. For more information about Cecilia Klein and her family, and about the Gulags, please turn to the end of this novel. I hope that further details about Cilka and those who once knew her will come to light once the book is published. Heather Morris, October 2019 Cilka’s Journey Heather Morris Chapter 1 Auschwitz Concentration Camp, 27 January 1945 Cilka stares at the soldier standing in front of her, part of the army that has entered the camp. He is saying something in Russian, then German. The soldier towers over the eighteen-year-old girl. ‘Du bist frei.’ You are free. She does not know if she has really heard his words. The only Russians she has seen before this, in the camp, were emaciated, starving – prisoners of war.
    [Show full text]
  • The Tattooist of Auschwitz
    Dedication To the memory of Lale Sokolov. Thank you for trusting me to tell your and Gita’s story. Contents Cover Title Page Dedication Prologue Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Epilogue Afterword by Gary Sokolov Acknowledgments P.S. Insights, Interviews & More . .* About the Author About the Book Copyright About the Publisher Prologue LALE TRIES NOT TO LOOK UP. HE REACHES OUT TO TAKE THE piece of paper being handed to him. He must transfer the five digits onto the girl who held it. There is already a number there, but it has faded. He pushes the needle into her left arm, making a three, trying to be gentle. Blood oozes. But the needle hasn’t gone deep enough, and he has to trace the number again. She doesn’t flinch at the pain Lale knows he’s inflicting. They’ve been warned— say nothing, do nothing. He wipes away the blood and rubs green ink into the wound. “Hurry up!” Pepan whispers. Lale is taking too long. Tattooing the arms of men is one thing; defiling the bodies of young girls is horrifying. Glancing up, Lale sees a man in a white coat slowly walking up the row of girls. Every now and then he stops to inspect the face and body of a terrified young woman.
    [Show full text]
  • Not with Ink, but with Blood and Tears the Diary of Yitzchak Meir Kluska
    Centre News SEPTEMBER 2018 The magazine of the Jewish Holocaust Centre, Melbourne, Australia Not with ink, but with blood and tears The diary of Yitzchak Meir Kluska Registered by Australia Post. Publication No. VBH 7236 01 JHC Cover v9.indd 1 15/08/2018 14:35 JHC Board: The Jewish Holocaust Centre is dedicated to the memory of the six million Co-Presidents Pauline Rockman OAM Jews murdered by the Nazis and their collaborators between 1933 and 1945. and Sue Hampel OAM We consider the finest memorial to all victims of racist policies to be an Treasurer Richard Michaels educational program that aims to combat anti-Semitism, racism and prejudice Vice-President David Cohen in the community, and fosters understanding between people. Secretary Elly Brooks Other Directors Allen Brostek Anita Frayman IN THIS ISSUE Abram Goldberg OAM Paul Kegen From the Presidents 3 Phil Lewis Helen Mahemoff Editor’s note 3 Melanie Raleigh Mary Slade Director’s cut 4 JHC Foundation: Chairperson Helen Mahemoff Education 4 Trustees Nina Bassat AM Precious new arrival: Joey Borensztajn a Torah scroll that survived the Holocaust 5 Allen Brostek David Cohen Remember the past – build the future 6 Jeffrey Mahemoff AO JHC Staff: Not with ink, but with blood and tears 10 Executive Director Warren Fineberg Survivors remember the Warsaw Ghetto Uprising 12 Curator and Head of Collections Jayne Josem Jewish life in Germany today 14 Director of Education Lisa Phillips Director of Community Failing to understand failure: Relations & Research Dr Michael Cohen reassessing the
    [Show full text]