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Sm19-5 Lr.Pdf sm19-5_p01_Cover_sm19-1_FR_pXX 14-01-29 11:39 AM Page 1 sm19-5_p02_UdeMad_sm19-1_FR_pXX 14-01-27 10:09 PM Page 2 L’Atelier d’opéra et l’Orchestre de l’Université de Montréal présentent SUORSUOR ANGELICAANGELICA PUCCINIPUCCINI&& GIANNIGIANNI SCHICCHISCHICCHI DIRECTION MUSICALE Jean-François Rivest MISE EN SCÈNE François Racine DIRECTION DE L’ATELIER D’OPÉRA Robin Wheeler CONCEPTION SCÉNOGRAPHIQUE ET COSTUMES Carl Pelletier ÉCLAIRAGES Serge Pelletier Jeudi 27 février - Vendredi 28 février - Samedi 1er mars 2014 Salle Claude-Champagne – 19 h 30 220, avenue Vincent-d’Indy (métro Édouard-Montpetit) Billets : 25 $ et 12 $ (étudiants) Billetterie ADMISSION : 1 855 790-1245 Renseignements : 514 343-6427 www.musique.umontreal.ca CMIM_LaScena_14.02_F_Layoutsm19-5_p03_CMIM-JMCad_sm19-1_FR_pXX 1 14-01-28 15:32 Page 14-01-28 1 5:38 PM Page 3 LE CONCOURS MUSICAL INTERNATIONAL DE MONTRÉAL PRÉSENTE oup de C cœur GABRIELApour la pianiste & improvisatrice MONTERO «Montero est la reine de l’improvisation.» The Associated Press «Des performances géniales, de petites merveilles d’imagination.» PHOTO : COLLIN BELL The New York Times «Le public ravi l’aurait bien laissée jouer tout l’après-midi.» -20% The Washington Post SALLE POLLACK* 20 mai, 20h | Billets : 25 · 35$ «Une technique Offre spéciale Tél. : 514 398-4547 monstre, des nuances jusqu’au 14 février incroyables.» * École de musique Schulich The Seattle Times de l’Université McGill DU 26 MAI DÉCOUVREZ LES MEILLEURS AU 6 JUIN JEUNES PIANISTES DU MONDE ! QUART ET DEMI-FINALE FINALE ET CONCERT GALA OSM l Giancarlo Guerrero, chef d’orchestre Maison symphonique de Montréal sallebourgie.ca 514 285-2000, poste 4 WWW.CONCOURSMONTREAL.CA sm19-5_p04_TOC_sm19-4_pXX 14-01-29 11:46 AM Page 4 SOMMAIRE CONTENTS VOL 19-5 FÉVRIER/FEBRUARY - MARS/MARCH 2014 12 INDUSTRY NEWS 16 Les lauréats du 17e Prix Opus 18 Denise Massé 20 Piano Prodigies 24 Dix compositeurs québécois illustres 28 JAZZ » Un Opus pour Michel Donato 30 CRITIQUES DE DISQUES / CD REVIEWS 50 Souvenirs de camp d’été 52 Parents’ Column: Summer Camp 56 CAMMAC at 60 GUIDES ANGELA 31 CALENDRIER DÉTACHABLE / PULL-OUT CALENDAR 38 CALENDRIER RÉGIONAL / HEWITT REGIONAL CALENDAR 39 CONCERTS À VENIR / CONCERT PREVIEWS 41 Guide des camps d’été / Summer 6 Arts & Music Camp Guide PHOTO Bernd Eberle BÉNÉVOLES / VOLUNTEERS RÉDACTEURS FONDATEURS / RÉDACTEUR ADJOINT / ASSISTANT PUBLICITÉ / LA SCENA MUSICALE, publié sept fois par FOUNDING EDITORS EDITOR ADVERTISING Wah Wing Chan, Lilian I. Liganor, année, est consacré à la promotion de la Wah Keung Chan, Philip Anson Hassan Laghcha Jennifer Clark, Brigitte Objois, Annie Prothin musique classique et jazz. Chaque numéro La Scena Musicale VOL. 19-5 RÉDACTEUR JAZZ / JAZZ EDITOR Polina Gubnitskaia contient des articles et des critiques ainsi FÉVRIER-MARS 2014 / Marc Chénard ads.scena.org LA SCENA MUSICALE que des calendriers. LSM est publié par La FEBRUARY-MARCH 2014 RÉVISEURS / PROOFREADERS TECHNICIEN COMPTABLE / 5409, rue Waverly, Montréal Scène Musicale, un organisme sans but lu- (Québec) Canada H2T 2X8 cratif. La Scena Musicale est la traduction Alain Cavenne, Annie Prothin , BOOKEEPING italienne de La Scène Musicale. / LA SCENA ÉDITEUR / PUBLISHER Catherine Hine, Brigitte Objois Mourad Ben Achour Tél. : (514) 948-2520 MUSICALE, published 7 times per year, is de- La Scène Musicale DIRECTEUR ARTISTIQUE / CALENDRIER RÉGIONAL / [email protected], www.scena.org dicated to the promotion of classical and RÉDACTEUR EN CHEF / ART DIRECTOR REGIONAL CALENDAR Production – artwork : jazz music. Each edition contains articles EDITOR-IN-CHEIF Adam Norris Eric Legault, Michael Vincent [email protected] and reviews as well as calendars. LSM is pu- Wah Keung Chan DIRECTRICE DE LA PRODUCTION / RÉDACTEUR WEB / Ver : 2014-01-30 © La Scène Musicale blished by La Scène Musicale, a non-profit organization. La Scena Musicale is the Ita- CONSEIL D’ADMINISTRATION / PRODUCTION MANAGER WEB EDITOR ABONNEMENTS / SUBSCRIPTIONS lian translation of The Music Scene. 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Saint-Laurent Montréal (Québec) H2R 1X1 Téléphone : 514 788-5767 Sans frais : 1 855-488-5767 Valentins chantants SINGING VALENTINES au profit de / to benefit La Scena Musicale Mirjana Milovanovic, Janice Goodfellow, Chantal Parent, Kathrin Welte, Priscilla-Ann Tremblay, Wah Keung Chan Des chanteurs d'opéra chanteront à votre demande un air ou une chanson d'amour au téléphone! Opera singers on hand to deliver an aria or love song over the telephone! lascena.ca 514-948-2520 « [Elle] a été enchantée de le recevoir. Merci... ton appel a ensoleillé sa journée. » “[She] was delighted to receive it. Thanks... your call brightened up her day." - André « C'est la 3e année que je l’envoie à ma mère. Elle adore recevoir ce coup de téléphone musical (...). » - Paule "My wife was very delighted to receive it, and, subsequently, so was I!" - George sm19-5_p06-09_Hewitt_sm19-1_FR_pXX 14-01-29 12:01 PM Page 6 TRANSMETTRE, REJOINDRE, PARTAGER ANGELA HEWITT par LUCIE RENAUD l’âge où certains envisagent une préretraite ou parlent d’alléger leur horaire, Angela Hewitt ne compte certainement pas réduire le rythme au cours de la prochaine année. Son agenda de concerts la mènera aussi bien en Corée qu’à Hong Kong, Taipei (pour ses débuts là-bas), San Francisco, New York, Florence, Copenhague, Glyndebourne, Amsterdam, Berlin et peut-être Àbien Tokyo. Elle interprétera notamment dans plusieurs villes (dont Londres) le monumental Art de la fugue de Bach. Avec humour, elle confie qu’Air Canada vient de lui envoyer une carte pour souligner le 25e anniversaire de son programme Aéroplan, avec un sac de punaises, blanches pour les endroits visités, rouges pour ceux qu'elle aurait envie de visiter : « Je ne pense pas qu’il y ait assez de punaises ! » En janvier par exemple, elle a joué et enregistré la Turangalîla-Symphonie de Messiaen avec l’Orchestre sym- phonique de la radio finnoise et Hannu Lintu. Une semaine après, elle retrouvait les ingénieurs du son d’Hyperion à Berlin pour graver le cinquième volet de son intégrale des sonates de Beethoven (le quatrième est paru peu avant Noël). Au cours des prochains mois, elle ne négligera pas non plus sa traversée des concertos de Mozart, dont le prochain volet, une collabora- tion avec l’Orchestre du Centre national des Arts d’Ottawa, enregistré l’été dernier, sera distribué en juillet, ou le répertoire français et romantique. De plus, elle se frottera pour la première fois sur disque aux sonates de Scarlatti. « Souhaitez-moi bonne chance pour choisir lesquelles parmi les 555 j’intégrerai à cet album ! » Juxtaposer Beethoven et Bach Si on l’a beaucoup associée à Bach, on oublie souvent qu’elle demeure l’une des pianistes les plus polyvalentes sur le circuit. « La façon dont je joue chaque compositeur est si enraci - née, fait tellement partie de moi, que je passe de l’un à l’autre en un instant. » Le public mont - PHOTO Keith Saunders réalais pourra apprécier les correspondances 6 FÉVRIER/FEBRUARY - MARS/MARCH 2014 sm19-5_p06-09_Hewitt_sm19-1_FR_pXX 14-01-29 12:01 PM Page 7 ON THE COVER ANGELA HEWITT entre Bach et Beethoven dans un programme consti- tué de la Suite anglaise no 3 et de la Fantaisie chro- matique et fugue du cantor de Leipzig et des deux- ième (opus 2 no 2) et avant-dernière (opus 110) sonates du maître de Bonn. « Quand vous entendez ANGELA HEWITT Beethoven en combinaison avec Bach, confie-t-elle, vous réalisez ce qu’il a retiré de Bach. Si vous jouez DELIVERING, REACHING Beethoven comme étant une suite logique du baroque, en misant sur la clarté des voix et les con- trastes de nuances, cela peut être très révélateur. » OUT, SHARING Elle admet aimer Beethoven de plus en plus, par- ticulièrement depuis qu’elle a redécouvert ses by LUCIE RENAUD œuvres à travers l’éclairage particulier des spécia - listes de musique ancienne au milieu des années t the age when some start looking at early retirement or a lighter sched- 1990 à Londres.
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