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Pratiques Industrielles Et Artistiques Annonces Importantes Ressources Communications du secteur culturel Annonces Importantes • [COVID-19] Le secteur du spectacle aura besoin de plus qu’une consultation [COVID-19] Quatre semaines additionnelles [Le Devoir] disponibles – prolongation de la PCU de 24 • Local broadcasters face major cuts and closures as Canadian media crisis wor- à 28 semaines pour les travailleurs sens [ACR] [Canada] Pratiques industrielles et artistiques [COVID-19] Modifications à diverses me- • [COVID-19] Livestreaming is an obvious next move for Spotify. Here’s why it makes sense [MBW] sures fiscales [Finances Québec] • Stores are Misusing Background Music and It’s Costing the Record Industry Billions [Rolling Stone] Consommation médiatique et de biens culturels • Classical streams are booming for younger listeners [Music:Ally] Ressources COVID-19 À la une • The Most-Streamed Songs and Podcasts of Summer 2020 [Spotify] Webinaires Politiques publiques Mesures économiques Mesures sanitaires • SESAC inks licensing deal with Radio Music License Committee [MBW] • TikTok sues Trump administration to block pending ban [Digital Trends] Économie • How Much Is an Album Worth in 2020: $3.49? $77? $1,000? Maybe $0 [New York Times] • Why companies are buying up the rights to thousands of songs [Global] Actualités techno • Apple Music Adds Two Radio Streams and Drops Beats Branding [Bloomberg] • YouTube Music to expand lyrics integration to desktop [Music Network] L’Hebdo ADISQ • Synthèse des veilles d’information • 28 août 2020 • Vol.2 • No 30 ANNONCES IMPORTANTES Quatre semaines additionnelles disponibles – prolongation de la PCU de 24 à 28 semaines pour les travail- leurs Le 20 août 2020, le gouvernement du Canada a annoncé la mise en œuvre de change- ments au régime d'assurance-emploi et de nouvelles prestations de soutien du revenu afin de mieux appuyer les Canadiens. Quatre semaines additionnelles disponibles – pro- longation de la PCU de 24 à 28 semaines pour les travailleurs : qui ont arrêté de trav- ailler à cause de la COVID-19; ou qui sont admissibles aux prestations régulières ou aux prestations de maladie de ’l assurance-emploi; ou qui ont épuisé leurs prestations régu- lières ou de pêcheur entre le 29 décembre 2019 et le 3 octobre 2020. Pour en lire davantage : Canada Modifications à diverses mesures fiscales Source : Finances Québec COMMUNICATIONS DU SECTEUR CULTUREL Le secteur du spectacle aura besoin de plus qu’une consultation À l’heure où le gouvernement fédéral adapte et réduit de façon progressive ses mesures de soutien d’urgence, il convient de souligner — statistiques à’ l appui — que l’industrie du spectacle est encore loin d’avoir entamé une réelle reprise. Si le ministère du Patri- moine canadien se montre à l’écoute du secteur et s’appuie sur l’ensemble des données produites par Statistique Canada, souhaitons alors que cela conduise à des mesures ci- blées là où les besoins sont les plus criants. Pour en lire davantage : Le Devoir Local broadcasters face major cuts and closures as Canadian media crisis worsens Source : ACR L’Hebdo ADISQ • Synthèse des veilles d’information • 28 août 2020 • Volume 2 • Numéro 30 PRATIQUES INDUSTRIELLES ET ARTISTIQUES Livestreaming is an obvious next move for Spotify. Here’s why it makes sense One obvious opportunity that Spotify is yet to capitalize on is live video streaming, which has boomed in music during COVID quarantine. At least, Spotify is yet to capitalize on it officially: today brought evidence – as spotted by renowned reverse engineer Jane Manchun Wong – which suggests SPOT may indeed be working on adding virtual concert-related functionality to its platform. Manchun Wong, a specialist in rooting out secret test pages that tech companies are trialling in their platforms, discovered an ‘Upcoming Virtual Events’ area in Spotify’s app, as well as a specific ‘Virtual Event’ mocked-up calendar entry for a BTS show. Pour en lire davantage : MBW / Tech Crunch Stores are Misusing Background Music and It’s Costing the Record Industry Billions That’s one reason why Swedish background music company Soundtrack Your Brand teamed up with Spotify to create a platform that allows business owners to easily stream music and curate brand-friendly playlists for 30 to 40 dollars a month, with the company inking unique licensing deals with Sony and Warner, alongside indie music as- sociation Merlin, to make sure that songs’ rights-holders get paid for influencing these shopping and dining experiences. On Tuesday, Soundtrack Your Brand announced a new deal with Universal Music Group that will lock in deals with all three major labels. Pour en lire davantage : Rolling Stone Music is big on Twitch. Now record labels want it to pay up Source : CNN For Jay Z’s Roc Nation, social justice is personal Source : Fast Company Taylor Swift Starts Frenzy at Indie Record Stores With Surprise Signed ‘Folklore’ CDs Source : Rolling Stone Report shows 58% of Instagram videos contain music Source : The Music Network / PEX 'Genres don't exist like before': BBC Radio 1's boost for rising stars Source : Music Week Music streaming can help reinvent the radio Source : The Telegraph To Test Spread of Coronavirus, These Scientists Put on a Concert Source : The New York Times L’Hebdo ADISQ • Synthèse des veilles d’information • 28 août 2020 • Volume 2 • Numéro 30 PRATIQUES INDUSTRIELLES ET ARTISTIQUES (suite) CERB Gave Canadian Musicians a Lifeline During Lockdown — Now, What's Next? Source : Exclaim! Survey: 30% of musicians are planning weekly livestreams Source : Music:Ally OPINION: Sonstream & Resonate: offering a more ethical alternative to Spotify Source : God is in the TV Zine Thinking outside the box when helping the live sector in crisis Source : The Music Network EMI's Clive Cawley on The Killers' all-conquering Imploding The Mirage album campaign Source : Music Week Denver Is Hosting a New Outdoor Livestream Experience: See Which DJs Are Playing Source : Billboard Still Down by 50%, The Problem With Streaming 2020 Edition Source : The Trichordist L’Hebdo ADISQ • Synthèse des veilles d’information • 28 août 2020 • Volume 2 • Numéro 30 CONSOMMATION MÉDIATIQUE ET DE BIENS CULTURELS Classical streams are booming for younger listeners Globally, the service saw a 17% increase in classical listeners between April 2019 and April 2020, but the report highlights younger listeners (those under 35 – good news ear- ly thirtysomethings worrying that you’re not young any more!) in particular. In the last year, 31% of Deezer’s classical listeners in the UK were under 35, while this age group was also the most likely to have listened to orchestral music during the Covid-19 lock- down according to the RPO. Pour en lire davantage : Music:Ally The Most-Streamed Songs and Podcasts of Summer 2020 Following DaBaby’s “Rockstar” is The Weeknd’s “Blinding Lights,” which takes the slot for the second-most-streamed song this summer. It racked up just under 340 million streams between June 1 and August 15, and although it was released last November, it speaks to cities being“ cold and empty.” In third place is SAINt JHN’s upbeat jam “Roses – Imanbek Remix,” which collected over 280 million streams and was added to many workout playlists. Pour en lire davantage : Spotify 'The real thing': Forget streaming, CDs and vinyl stage COVID comeback Source : Sydney Morning Herald Australia’s streaming music subscriptions reach 12.2m Source : Music Network Country, Metal, and TikTok: Digital Trends in the Music Industry With Former Sony Music Nashville VP Ed Rivadavia Source : Chart Metric L’Hebdo ADISQ • Synthèse des veilles d’information • 28 août 2020 • Volume 2 • Numéro 30 POLITIQUES PUBLIQUES SESAC inks licensing deal with Radio Music License Committee The new agreement sets the rates payable by the majority of America’s commercial ter- restrial radio stations to publicly perform works in the SESAC repertory, effective Janu- ary 1 2019 through December 31, 2022. The RMLC represents more than 10,000 commercial radio stations in the US and SESAC represents more than 1 million songs and some 30,000 songwriters, composers and mu- sic publisher affiliates. Pour en lire davantage : MBW TikTok sues Trump administration to block pending ban In a statement on its website, TikTok said the administration’s ban had the potential to “strip the rights” of the employees and creators on the Tik Tok platform “without any evidence to justify such an extreme action.” The statement also reiterated TikTok’s claim that it is not a national security threat and that the executive order Trump issued ignored the due process usually taken to look into these allegations. Pour en lire davantage : Digital Trends / CMU Government’s cultural fund announces grants for 135 English music venues Source : CMU Apple hits back in Epic Games dispute, as Microsoft takes sides Source : CMU Record Industry Groups Take Action Against Fake Music Streams in Germany Source : Billboard Judge confirms Apple can ban Fortnite but not cut off the Unreal Engine in Epic dispute Source : CMU IFPI takes aim at more ‘music streaming manipulation’ sites Source : Music:Ally L’Hebdo ADISQ • Synthèse des veilles d’information • 28 août 2020 • Volume 2 • Numéro 30 ÉCONOMIE How Much Is an Album Worth in 2020: $3.49? $77? $1,000? Maybe $0 For the most popular artists, the album itself is just one small part of a multiplatform business, and nowhere near the most profitable one. While they still do a healthy busi- ness in physical sales, and sometimes find ways to squeeze additional profits from it— Taylor Swift recently offered eight different deluxe editions of her new album, “Folklore” — generally the album is the thing that sets the table for far more ambitious revenue streams: merchandise, touring, licensing and more. Pour en lire davantage : New York Times Why companies are buying up the rights to thousands of songs One of the biggest is Hipignosis Songs Fund, run by Canadian-born Merck Mercuradis, a former marketing person at Virgin Music Canada.
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