The Victorian Diaries of a Welsh Swagman (1869-1894)
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Eisteddfod Genedlaethol Cymru - Cyfansoddiadau a Beirniadaethau (GB 0210 CYFANS)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Eisteddfod Genedlaethol Cymru - cyfansoddiadau a beirniadaethau (GB 0210 CYFANS) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 04, 2017 Printed: May 04, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH https://archifau.llyfrgell.cymru/index.php/eisteddfod-genedlaethol-cymru- cyfansoddiadau-beirniadaethau-2 archives.library .wales/index.php/eisteddfod-genedlaethol-cymru-cyfansoddiadau- beirniadaethau-2 Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Eisteddfod Genedlaethol Cymru - cyfansoddiadau a beirniadaethau Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement ................................................................................................................................. -
Old Bush Songs Composed and Sung in the Bushranging, Digging and Overlanding Days
Old Bush Songs Composed and Sung in the Bushranging, Digging and Overlanding Days Edited by Paterson, Andrew Barton (1864-1941) A digital text sponsored by University of Sydney Library Sydney 1999 http://setis.library.usyd.edu.au/ © 1999 University of Sydney Library. The texts and images are not to be used for commercial purposes without permission. Source Text: Prepared against the print edition published by Angus and Robertson, Sydney 1905 All quotation marks retained as data All unambiguous end-of-line hyphens have been removed, and the trailing part of a word has been joined to the preceding line. First Published: 1905 821.08 Australian Etexts poetry verse 1890-1909 The Old Bush Songs Composed and Sung in the Bushranging, Digging and Overlanding Days Edited by A.B. Paterson Sydney Angus and Robertson 1905 Preface The object of the present publication is to gather together all the old bush songs that are worth remembering. Apart from other considerations, there are many Australians who will be reminded by these songs of the life of the shearing sheds, the roar of the diggings townships, and the campfires of the overlanders. The diggings are all deep sinking now, the shearing is done by contract, and the cattle are sent by rail to market, while newspapers travel all over Australia; so there will be no more bush ballads composed and sung, as these were composed and sung, as records of the early days of the nation. In their very roughness, in their absolute lack of any mention of home ties or of the domestic affections, they proclaim their genuineness. -
Waltzing Matilda: Reading the Myths
Australian Folklore 24, 2009 39 Waltzing Matilda: Reading the Myths Diannah Johnston ABSTRACT: This paper discusses: the ‘myths’ surrounding the words for and the production of Waltzing Matilda; ideas from the late Russel Ward about the tune; these being perpetuated by coinage/ bank-note images, the Australian Stockman’s Hall of Fame, etc. Essentially the process of ‘elevation’ of the piece contains a sequence of steps obliterating a truer history of the Waltzing Matilda tune, and of its seminal place in the evolution of Australian culture. * Only after a culture has grown to maturity is there any question as to the ‘truth’ embodied in its myths (Danesi and Perron, Analysing Cultures, 1999, p. 248). Most of our national myths constructed in the 1890s produced a masculinised character and identity of/ for Australianness. This paper seeks to decode the myths surrounding Waltzing Matilda in order to demonstrate how Christina Macpherson’s fate is to a degree symbolic of a larger silencing of women in Australia’s cultural history. Texts containing mythic material may be analysed to show how codes/ their messages are transformed, produced and shared to promulgate national culture and identity. An unravelling/ deconstruction of the mythology surrounding Waltzing Matilda reveals how a masculinised reality is privileged/ foregrounded and a feminised reality is (largely) suppressed within the specific contexts. This essay will examine how masculine bush myths pervade Australian culture and how women are obscured in/ erased from them by examining the evidence in specific historical events and texts. Roland Barthes claimed myth to be a ‘type of speech chosen by history’ and that, for myth to evolve, it ‘can only have an historical foundation’ (Mythologies (1993), p. -
AUSTRALIAN BUSH SONGS Newport Convention Bush Band Songbook
AUSTRALIAN BUSH SONGS Newport Convention Bush Band Songbook Friday, 11 July 2003 Song 1 All for Me GrOG...........................................................................................................................................................................2 SONG 2 Billy of tea.................................................................................................................................................................................. 3 Song 3 BLACK VELVET BAND............................................................................................................................................................ 4 Song 4 BOTANTY BAY.......................................................................................................................................................................... 5 Song 5 Click Go the Shears.......................................................................................................................................................................7 Song 6 Dennis O'Reilly............................................................................................................................................................................. 8 Song 7 Drovers Dream..............................................................................................................................................................................9 Song 8 Dying Stockman..........................................................................................................................................................................10 -
Katie Flack – the Diaries of Joseph Jenkins
48 The diaries of Joseph Jenkins Australian Manuscripts Collection MS 13267 Acquired 1997 From time to time the musical lilt of Welsh voices drifts up towards the decorative ceilings of State Library Victoria’s La Trobe Gallery, the home of the manuscripts team. The geiriau (words) spoken belong to Joseph Jenkins, better known to Australian history buffs as the ‘Welsh Swagman’. Jenkins was born in 1818 in Ceredigion, Mid Wales, to a family of poets and farmers.1 He followed in his forebears’ footsteps until, plagued by personal strife, he set off for the distant shores of Australia at the unlikely age of 51. After arriving in Port Melbourne in 1869, Jenkins meticulously recorded his life as an itinerant labourer and new Victorian. Across 25 diaries (1869–94),2 he documented everything from the exorbitant price of a cabbage in drought- stricken 1860s Melbourne to the latest news about bushranger Ned Kelly, and his belief in Aboriginal land rights. Jenkins, a native Welsh speaker, kept his diaries mainly in English, as they offered him an opportunity to practise his written expression in this less familiar language. But he regularly peppers his texts with poems and notes written in his mother tongue, and in the 1870s and 1880s won recognition at Ballarat eisteddfods for recitations of his englynion (Welsh poetry). Extracts from Jenkins’ Australian diaries were published by his grandson William Evans in 1975 and went into several reprints, but in more recent times slipped off the cultural radar. An enthusiastic team of translators from the South Caulfield Community House Welsh-language group is now transcribing Jenkins’ words for new audiences. -
Nanteos Estate Records, (GB 0210 NANTEOS)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Nanteos Estate Records, (GB 0210 NANTEOS) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 04, 2017 Printed: May 04, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH This description follows NLW guidelines based on ISAD(G) Second Edition; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/nanteos-estate-records archives.library .wales/index.php/nanteos-estate-records Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Nanteos Estate Records, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 5 Nodiadau | Notes ............................................................................................................................................. 5 Pwyntiau -
The Australian Bush
Australian Civilisation ANB1052/1052L Dr Granville Pillar The Australian Bush What is it about 'the bush' that is so special to Australians? The bush has an iconic status in Australian life and features strongly in any debate about national identity, especially as expressed in Australian literature, painting, popular music, films and foods. The bush was something that was uniquely Australian and very different to the European landscapes familiar to many new immigrants. The bush was revered as a source of national ideals by the likes of Henry Lawson and Banjo Paterson. Romanticising the bush in this way was a big step forward for Australians in their steps towards self-identity. The legacy is a folklore rich in the spirit of the bush. Folklore, 1790s–1890s Many Australian myths and legends have emanated from the bush. Early bushranging – ranging or living off the land – was sometimes seen as a preferred option to the harsh conditions experienced by convicts in chains. Later bushrangers such as Jack Donohue, Ben Hall and Ned Kelly were seen as rebellious figures associated with bush life. Their bushmanship was legendary as well as necessary. The bush has evoked themes of struggle and survival epitomised in tales of bushrangers, drovers, outback women and lost children. The bush has also been seen as a source of nourishment and survival. These two opposing elements were often brought together by the activities of the Australian 'black trackers'. The skills of Indigenous people in 'the bush', especially their tracking abilities, was seen as miraculous and became legendary in the minds of European Australians. -
Medieval and Early Post- Medieval Holy Wells
MEDIEVAL AND EARLY POST- MEDIEVAL HOLY WELLS A THREAT-RELATED ASSESSMENT 2011 Prepared by Dyfed Archaeological TrustFor For Cadw MEDIEVAL AND EARLY POST -MEDIEVAL HOLY WELLS A THREAT-RELATED ASSESSMENT 2011 DYFED ARCHAEOLOGICAL TRUST RHIF YR ADRODDIAD / REPORT NO.2012/7 RHIF Y PROSIECT / PROJECT RECORD NO. 100735 MEDIEVAL AND EARLY POST-MEDIEVAL HOLY WELLS: A THREAT-RELATED ASSESSMENT 2011 Gan / By MIKE INGS Paratowyd yr adroddiad yma at ddefnydd y cwsmer yn unig. Ni dderbynnir cyfrifoldeb gan Ymddiriedolaeth Archaeolegol Dyfed Cyf am ei ddefnyddio gan unrhyw berson na phersonau eraill a fydd yn ei ddarllen neu ddibynnu ar y gwybodaeth y mae’n ei gynnwys The report has been prepared for the specific use of the client. Dyfed Archaeological Trust Limited can accept no responsibility for its use by any other person or persons who may read it or rely on the information it contains. Ymddiriedolaeth Archaeolegol Dyfed Cyf Dyfed Archaeological Trust Limited Neuadd y Sir, Stryd Caerfyrddin, Llandeilo, Sir The Shire Hall, Carmarthen Street, Llandeilo, Gaerfyrddin SA19 6AF Carmarthenshire SA19 6AF Ffon: Ymholiadau Cyffredinol 01558 823121 Tel: General Enquiries 01558 823121 Adran Rheoli Treftadaeth 01558 823131 Heritage Management Section 01558 823131 Cwmni cyfyngedig (1198990) ynghyd ag elusen gofrestredig (504616) yw’r Ymddiriedolaeth. The Trust is both a Limited Company (No. 1198990) and a Registered Charity (No. 504616) CADEIRYDD CHAIRMAN: C R MUSSON MBE B Arch FSA MIFA. MEDIEVAL AND EARLY POST-MEDIEVAL HOLY WELLS: A THREAT-RELATED ASSESSMENT 2011 CONTENTS 1 SUMMARY 3 INTRODUCTION 4 PROJECT AIMS AND OBJECTIVES 5 METHODOLOGY 6 RESULTS 7 – 8 REFERENCES 9 GAZETTEER 10 1 2 MEDIEVAL AND EARLY POST-MEDIEVAL HOLY WELLS: A THREAT-RELATED ASSESSMENT 2011 SUMMARY The medieval and early post-medieval holy wells project forms an element of the Cadw grant-aided medieval and early post-medieval threat related assessment project. -
May 2020 Page 1 CORNISH ASSOCIATION of VICTORIA, INC
PRESIDENT’S been able to free up as many as MESSAGE 120 beds at the Royal Cornwall ‘Dydh da’ (‘G’day’). Hospital for 12 weeks. It’s a sign of strange Hotels involved include the St times that we have Moritz Hotel at Trebetherick, the our May CAV Carnmarth Hotel in Newquay CORNISH ASSOCIATION Newsletter and yet and Penventon Hotel in Redruth. OF we haven’t met since February! Good on them! VICTORIA, INC. I hope that all of you are fit and well and that you’re coping with Back here in Oz, life is a bit NEWSLETTER the isolation and social distancing. different though, isn’t it? No. 133 Unless miracles occur it appears Out here in Doreen, the guy that our May CAV Meeting and across the road washes his car MAY 2020 most likely our June CAV three times a week and the Meeting will not occur. fellow a few doors down mows Corporation Reg. No. A0008264A We will, of course, keep his lawns twice a week! Newsletter Registered by Australia members posted about the The kids in the street mostly see Post as Print Publication No. 100001610. resumption of our meetings and their grandparents through this will occur when the current flywire screens, but all the restrictions on gatherings are neighbours are helping each CONTENTS lifted. Be assured that your other out in lots of different Committee is monitoring the ways. It’s what a community does President’s Report pp 1 & 3 situation and whilst we would in a crisis: one and all! like to get back to normalcy, we We try to walk every day, except Notices for Members and will take no risks with your when it’s raining. -
Rural Culture and Australian History: Myths and Realities
Rural Culture and Australian History: Myths and Realities RICHARD W ATERHOUSE* In the nineteenth and early twentieth centuries Australia's European inhabitants conceived of the Bush as providing a range of economic opportunities in terms of pastoralism, farming and mining. 'I believe a man with one or two thousand may make a fortune in a very few years ... ', wrote Frank B ailey in 1869 from rural Queensland to his sister Alice in England, 'if he goes the right way to work'. Such sentiments encapsulate the aspirations of generations of those who established rural enterprises.! What strengthened these conceptions of rural Australia as a place of opportunity was the extension of modem communication and transport systems in the form of the telegraph and railway lines to many rural areas. Such developments provided rural Australia with access to modem culture, modern values and, most important of all, modem markets. Moreover, while the impact of industrialisation on Australian secondary industry in the late nineteenth century remained modest, highly advanced technology was applied to our rural industries. Ironically, large wheat and sheep properties more closely resembled modem factories than the workshops that passed for 'factories' in Sydney and Melbourne. So large stations, which in the shearing season might employ in excess of 150 men, were fitted with scouring plants, steam presses and dumping machinery, their wool sheds included dozens of electric powered shearing machines, and conveyor belts were used to carry the shorn fleece to the wool room. Such * Richard Waterhouse is Professor of History and Head, School of Philosophical and Historical Inquiry, University of Sydney. -
Literature Review
The impact of the counterculture on Australian cinema in the mid to late 20th century A thesis submitted in partial fulfillment of the requirement for the degree of Master of Art Administration (Hons) within the School of Art History and Art Education, College of Fine Arts, University of New South Wales, Sydney, Australia. Fiona Hooton 1 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Hooton First name: Fiona Other name/s: Abbreviation for degree as given in the University calendar: School: School of Art History and Art Education Faculty:COFA Title: The impact of the counterculture on Australian cinema in the mid to late 20th century 2 Abstract 350 words maximum: (PLEASE TYPE) This thesis discusses the impact of the counterculture on Australian cinema in the late 20thcentury through the work of the Sydney Underground Film group, Ubu. This group, active between 1965 -1970, was a significant part of an underground counter culture, to which many young Australians subscribed. As a group, Ubu was more than a rat bag assemblage of University students. It was an antipodean aspect of an ongoing artistic and political movement that began with the European avant-garde at the beginning of the 20th century and that radically transformed artistic conventions in theatre, painting, literature, photography and film. Three purposes underpin this thesis: firstly to track the art historical links between a European avant-garde heritage and Ubu. Experimental film is a genre that is informed by cross art form interrelations between theatre, painting, literature, photography and film and the major modernist aesthetic philosophies of the last century. -
In the Shadow of the Australian Legend
In the Shadow of the Australian Legend: Re-reading Australian Literature Elisa Bracalente Laurea in Lingue e Letterature Straniere (summa cum laude) University of Rome ‗Tor Vergata‘ This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2011 Declaration I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. .................................... Elisa Bracalente ii Abstract The Australian legend worked as a romantic myth of survival, a foundational grand narrative that legitimised white Australian belonging to the land. The construction of an identity based on the bush ethos and on those values and characteristics recognised as quintessentially Australian helped in the creation of an imagined community. This myth carried a racist underpinning which limited the typical Australian to the category ‗white‘. Drawing on Foucault‘s discourse analysis I argue that the legend is a discourse, grounded in an untheorised whiteness which defines Australianness. The national identity was modelled on the exclusion of the ‗other‘ from any sense of belonging because Australianness was simply a substitute for whiteness. This exclusion worked on two levels; while it ensured cohesion among whites against a common enemy, it also provided a sense of belonging that could not be questioned because the ‗real‘ Australians, the indigenous people as the common enemy, were left out of a definition of Australianness. Over time this discourse evolved slightly, altering its characteristics, but maintaining its power position and ensuring that its core whiteness remained unaltered.