Ursula Bagdasarjanz, Cd Vol. 2 (Othmar Schoeck) Stations Worldwide That Have Confirmed Airplay

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URSULA BAGDASARJANZ, CD VOL. 2 (OTHMAR SCHOECK) STATIONS WORLDWIDE THAT HAVE CONFIRMED AIRPLAY: 2014 RADIO ARS LJUBLJANA, SLOVENIA - YES, var tracks NEW ITU RADIO ISTANBUL, TURKEY - YES, var tracks VOICE OF MUSIC JERUSALEM, ISRAEL - YES, var tracks KLASSIKA RAADIO TALINN, ESTONIA - YES, added for programming HRT RADIO 3 ZAGREB, CROATIA - YES, added for programming ANTENA 2 LISBON, PORTUGAL - YES, var tracks on morning show VENICE CLASSIC RADIO VENICE, ITALY - YES, added for programming ACCENT 4 STRASBOURG, FRANCE - YES, var tracks LYRIC RTE FM DUBLIN, IRELAND - YES, added for programming HJCK RADIO BOGOTA, COLOMBIA - YES, var tracks PHILHARMONIC RADIO TAIPEI, TAIWAN - YES, var tracks RADIO NEW ZEALAND WELLINGTON, NEW ZEALAND - YES catalogued for airplay concert ABC CLASSIC FM ADELAIDE, AUSTRALIA - YES, var tracks RADIO CULTURA SAO PAOLO, BRAZIL - YES, var tracks RADIO FILARMONIA LIMA, PERU - YES, var tracks CLASSIC FM BRAAMFONTEIN, SOUTH AFRICA - YES, var tracks FINE MUSIC RADIO CAPE TOWN, SOUTH AFRICA- YES, var tracks RADIO ADELAIDE 101.1 FM ADELAIDE, AUSTRALIA - YES, Classical Connection show 3MBS 103.5 MELBOURNE, AUSTRALIA - catalogued for airplay 4MBS CLASSIC FM BRISBANE, AUSTRALIA - catalogued for airplay RTHK - RADIO 4 HONG KONG - YES, catalogued for airplay WRTI FM Philadelphia, PA - YES, var tracks on New Release show KCME FM Colorado Springs, CO – YES, var tracks KVNO FM Omaha, NE – YES, var tracks added in rotation DEC 2010 KCCU FM Lawton, OK – YES, var tracks WSMC Chattanooga, TN – YES var tracks planned for future play WCVT Stowe, VT – YES, var tracks WQED Pittsburgh, PA – YES, var tracks WFMT Chicago, IL – YES, to be featured on New Release show WMKY Morehead, KY – YES, added to library for future play KHFM Albuquerque, NM - YES, var tracks added to rotation WRR CLASSICAL 101 Dallas, TX - YES, var tracks CKUA FM Edmonton, AB – YES, var tracks WQLN FM Erie, PA – YES, all tracks starting w. “Variation Sonate” ALABAMA PUBLIC Tuscaloosa, AL - YES, var tracks RADIO KUAT FM Tucson, AZ – YES, var tracks added WKAR FM East Lancing, MI – YES, var tracks added KCSC Edmond, OK – YES, added for future programming WBNI FM Fort Wayne, IN – YES, catalogued for airplay WCNY FM Syracuse, NY- YES, added for future programming WBLV Twin Lakes, MI – YES, added for future programming WSHU FM Fairfield, CT – YES, var tracks WXXI Rochester, NY- YES, var tracks WHRO FM Norfolk, VA – YES, var tracks programmed WCPE Raleigh, NC - YES – var tracks PRESS THAT HAVE CONFIRMED A REVIEW: 2014 AUDIOPHILE AUDITION YES, posted online MUSICWEB INTERNATIONAL YES, online Wholenote Magazine Toronto, ON- YES, in Nov/Dec issue by Terry Robbins AMERICAN RECORD GUIDE YES, planned for Nov/Dec issue.

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Sasha Mackay Thesis
STORYTELLING AND NEW MEDIA TECHNOLOGIES: INVESTIGATING THE POTENTIAL OF THE ABC’S HEYWIRE FOR REGIONAL YOUTH Sasha Mackay Bachelor of Fine Arts (Hons), Creative Writing Production Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2015 Keywords Australian Broadcasting Corporation Heywire new media narrative identity public service media regional Australia storytelling voice youth Storytelling and new media technologies: investigating the potential of the ABC’s Heywire for regional youth i Abstract This thesis takes a case study approach to examine the complexity of audience participation within the Australian public service media institution, the Australian Broadcasting Corporation (ABC). New media technologies have both enabled and necessitated an increased focus on user created content and audience participation within the context of public service media (PSM) worldwide and such practices are now embedded within the remit of these institutions. Projects that engage audiences as content creators and as participants in the creation of their own stories are now prevalent within PSM; however, these projects represent spaces of struggle: a variety of institutional and personal agendas intersect in ways that can be fruitful though at other times produce profound challenges. This thesis contributes to the wider conversation on audience participation in the PSM context by examining the tensions that emerge at this intersection of agendas, and the challenges and potentials these produce for the institution as well as the individuals whose participation it invites. The case study for this research – Heywire – represents one of the first instances of content-related participation within the ABC.
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&200(5&,$/ 5$',2 ± 6(59,1* 5(*,21$/ $8675$/,$
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