1 Franco Zeffirelli's Three Shakespeare Films: the TAMING of the SHREW
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Stratford's the Merchant of Venice and Alabama Shakespeare Festival's the Winter's Tale
Vol. XVI THE • VPSTART • CR.OW Editor James Andreas Clemson University Founding Editor William Bennett The University of Tennessee at Martin Associate Editors Michael Cohen Murray State University Herbert Coursen Bowdoin College Charles Frey The University of Washington Marjorie Garber Harvard University Walter Haden The University of Tennessee at Martin Chris Hassel Vanderbilt University Maurice Hunt Baylor University Richard Levin The University of California, Davis John McDaniel Middle Tennessee State University Peter Pauls The University of Winnipeg Jeanne Roberts American University Production Editors Tharon Howard, Suzie Medders, and Deborah Staed Clemson University Editorial Assistants Martha Andreas, Kelly Barnes, Kati Beck, Dennis Hasty, Victoria Hoeglund, Charlotte Holt, Judy Payne, and Pearl Parker Copyright 1996 Clemson University All Rights Reserved Clemson University Digital Press Digital Facsimile Vol. XVI About anyone so great as Shakespeare, it is probable that we can never be right, it is better that we should from time to time change our way of being wrong. - T. S. Eliot What we have to do is to be forever curiously testing new opinions and courting new impressions. -Walter Pater The problems (of the arts) are always indefinite, the results are always debatable, and the final approval always uncertain. -Paul Valery Essays chosen for publication do not necessarily represent opin ions of the editor, associate editors, or schools with which any contributor is associated. The published essays represent a diver sity of approaches and opinions which we hope will stimulate interest and further scholarship. Subscription Information Two issues- $14 Institutions and Libraries, same rate as individuals- $14 two issues Submission of Manuscripts Essays submitted for publication should not exceed fifteen to twenty double spaced typed pages, including notes. -
Campus Comment, October 22, 1968 Bridgewater State College
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1968 Campus Comment, October 22, 1968 Bridgewater State College Volume 43 Number 3 Recommended Citation Bridgewater State College. (1968). Campus Comment, October 22, 1968. 43(3). Retrieved from: http://vc.bridgew.edu/comment/245 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Vol. XL III No.3 BRIDGEWATER STATE COLLEGE. BRIDGEWATER, MASS. OCTOBER 22. 1968 HE THEATRE EARTH SCIENCE SERIES BEGAN CONFERENCE by Anne Bor·owiec The fall series of lectures spon sored by the Earth Science and CONVENES Geography Department began on October 8. The first speaker was On Saturday morning, October 5, Dr. David Ross. Associate SCientist, 1968, an eager, if somewhat sleepy at Woods' Hole Oceanographic Insti eyed delegation of students and tute, speaking on "Diving on the faculty from Bridgewater embarked ocean .floor; 6.000 feet Down". for Tufts University to examine Dr. Ross began his talk by going J "The State of the Art." over the history of marine geology. The climax of the day was reached Thirty or forty years ago the shape early (9:30 A.M.) in a speech by of the ocean bottom was determined Orlin Corey on Children's Theatre.. by merely lowering a line, In 1925 If one can be inspired at a cockcrow sound waves ......'ere used to get re on a chilly Saturday morning. Mr. flections from the bottom and more t Corey provided the impetus. He recent advancements were the use of called for theatre to go back to myth. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Winter 2016-2017 $7.9 9 Intelligent Collector
HERITAGE AUCTIONS | WINTER 2016-2017 $7.9 9 INTELLIGENT COLLECTOR STEVE McQUEEN Book, Auction Thomas Moran Max Ember Auction Previews Spotlight Painting Captures The Fascinating Collection Willis, Stallone, McMurtry, ‘The King of Cool’ America’s Wild Frontier of a Hollywood Writer Spillane, Ruth, Kerouac HERITAGE AUCTIONS HERMLUXURY BOUTIQUEÈS The Heritage Boutique is your unrivaled resource for high-quality, genuine Hermès handbags on the secondary market — fully guaranteed and delivered to you immediately. Shop and purchase outright at HA.com/Luxury, or visit us at 445 Park Avenue in New York. Heritage will also buy your Hermès handbags, or you may wish to consign to our upcoming auctions. Inquiries: 212.486.3500 HA.com/Luxury DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | CHICAGO | PARISPALM BEACH| GENEVA | PARIS | AMSTERDAM | GENEVA | HONGAMSTERDAM KONG | HONG KONG 43965 38188 44 contents HIGHLIGHTS AUCTION PREVIEWS Vintage Posters: My How to Bid Estates: The Max Ember 40 Favorite Things 18 28 Collection Director of Vintage Posters Grey Smith Hollywood writer’s fascination with reveals the tales behind these seven early 20th century art and objects treasures Novelists: McMurtry’s rooted in era’s drive to modernity 19 Typewriters Author used portable Hermes 3000s to Pop Culture: King of Cool write Lonesome Dove Asian Art: Michael York 44 In this excerpt from the bio-graphic 31 Collection novel Steve McQueen: Full-Throttle Classically trained actor sharing Cool, Dwight Jon Zimmerman Literature: Mickey Spillane imperial Chinese -
Download PDF to Read Full Article from Apollo Magazine
INTERVIEW I By Stuart Rowland In an exclusive celebrity interview for Apollo Executive Review, Stuart Rowlands talks to Michael I like to keep testing the waters… York “In late December 2007 I got back to Los If the answer is “YES!” to the question Angeles after filming in Russia, Germany, “do you want to act and you are aged Poland and Israel”, he remembers. “2008 ” got off to a quick start with the continued between 13 and 21, the National Youth narration of a new audio version of the entire Bible – a huge undertaking that would Theatre, Britain's Premiere youth theatre take most of the year to complete. This was followed by a recording of Alan Paton’s company, is just the place for you! extraordinary classic tale of apartheid in South Africa, Cry the Beloved Country. Next or a sixteen year old schoolboy from was a project very dear to my heart - Bromley, Kent, the school board performing with the Long Beach Opera Fnotice was a siren song to the start of company on a very daring double bill, a career that has spanned nearly 45 years Strauss Meets Frankenstein” . and shows absolutely no signs of slowing By March, Michael and his wife Pat were down. In fact Michael York has no plans to headed east to Maine where Pat, a celebrated retire. In late December, a few days before and published photographer, was shooting Christmas, he has finally returned to his renowned American ‘pop art movement home high in the Hollywood Hills above Los icon’ artist Robert Indiana for a new book. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
YVONNE BLAKE Costume Designer
(3/18/15) YVONNE BLAKE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “THERE BE DRAGONS” Roland Joffe Immi Pictures Wes Bentley Golshifteh Farahani Unax Ugalde “GOYA’S GHOST” Milos Forman The Saul Zaentz Co. Natalie Portman Nomination: Satellite Award Stellan Skarsgard “TIRANTE EL BLANCO” Vicente Aranda Carolina Films (Spain) Giancaro Giannini Future Films (UK) Jane Asher Victoria Abril Leonor Watling Casper Zafer “THE BRIDGE OF SAN LUIS REY Mary McGuckian Pembridge Pictures Robert De Niro Winner: Goya Award for Best Costume Design Kanzaman S.A. Kathy Bates Harvey Keitel “THE RECKONING” Paul McGuigan Renaissance Films Willem Dafoe Paramount Classics Paul Bettany Caroline Wood “CARMEN” Vicente Aranda Star Line Paz Vega Winner: Goya Award for Best Costume Design Leonardo Sbaraglia “JAMES DEAN” Mark Rydell Concourse Prods. James Franco Nomination: Emmy Award for Best Costume Design TNT Michael Moriarty “GAUDI AFTERNOON” Susan Seidelman Lola Films Judy Davis Marcia Gay Harden Juliette Lewis "PRESENCE OF MIND" Antonio Aloy Presence of Mind, LLC. Lauren Bacall Sadie Frost Harvey Keitel "WHAT DREAMS MAY COME" Vincent Ward Interscope/Polygram Robin Williams Barnet Bain Annabella Sciorra Stephen Simon Cuba Gooding, Jr. "CRIME OF THE CENTURY" Mark Rydell HBO Stephen Rea Barbara Broccoli Isabella Rossellini "LOOKING FOR RICHARD" Al Pacino Fox Searchlight Al Pacino (Battle sequences) Kevin Spacey "COMPANY BUSINESS" Nicholas Myer Pathe Screen Ent. Gene Hackman Mikhail Baryshnikov (cont.) SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: -
Shak Shakespeare Shakespeare
Friday 14, 6:00pm ROMEO Y JULIETA ’64 / Ramón F. Suárez (30’) Cuba, 1964 / Documentary. Black-and- White. Filming of fragments of Shakespeare’s Romeo and Juliet staged by the renowned Czechoslovak theatre director Otomar Kreycha. HAMLET / Laurence Olivier (135’) U.K., 1948 / Spanish subtitles / Laurence Olivier, Eileen Herlie, Basil Sydney, Felix Aylmer, Jean Simmons. Black-and-White. Magnificent adaptation of Shakespeare’s tragedy, directed by and starring Olivier. Saturday 15, 6:00pm OTHELLO / The Tragedy of Othello: The Moor of Venice / Orson Welles (92’) Italy-Morocco, 1951 / Spanish subtitles / Orson Welles, Michéal MacLiammóir, Suzanne Cloutier, Robert Coote, Michael Laurence, Joseph Cotten, Joan Fontaine. Black- and-White. Filmed in Morocco between the years 1949 and 1952. Sunday 16, 6:00pm ROMEO AND JULIET / Franco Zeffirelli (135’) Italy-U.K., 1968 / Spanish subtitles / Leonard Whiting, Olivia Hussey, Michael York, John McEnery, Pat Heywood, Robert Stephens. Thursday 20, 6:00pm MACBETH / The Tragedy of Macbeth / Roman Polanski (140’) U.K.-U.S., 1971 / Spanish subtitles / Jon Finch, Francesca Annis, Martin Shaw, Nicholas Selby, John Stride, Stephan Chase. Colour. This version of Shakespeare’s key play is co-scripted by Kenneth Tynan and director Polanski. Friday 21, 6:00pm KING LEAR / Korol Lir / Grigori Kozintsev (130’) USSR, 1970 / Spanish subtitles / Yuri Yarvet, Elsa Radzin, GalinaVolchek, Valentina Shendrikova. Black-and-White. Saturday 22, 6:00pm CHIMES AT MIDNIGHT / Orson Welles (115’) Spain-Switzerland, 1965 / in Spanish / Orson Welles, Keith Baxter, John Gielgud, Jeanne Moreau, Margaret 400 YEARS ON, Rutherford, Norman Rodway, Marina Vlady, Walter Chiari, Michael Aldridge, Fernando Rey. Black-and-White. Sunday 23, 6:00pm PROSPERO’S BOOKS / Peter Greenaway (129’) U.K.-Netherlands-France, 1991 / Spanish subtitles / John Gielgud, Michael Clark, Michel Blanc, Erland Josephson, Isabelle SHAKESPEARE Pasco. -
The Mill and the Cross
Mongrel Media Presents THE MILL AND THE CROSS An Lech Majewski Film 92 min., Poland, Sweden, 2011 Languages: English www.themillandthecross.com Inspired by the book THE MILL AND THE CROSS by Michael Francis Gibson Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html 2 Musée du Louvre, Paris INTRODUCTION In 2005, the writer and art critic Michael Francis Gibson saw Lech Majewski’s Angelus in a cinema in Paris. Fascinated by the director’s painterly vision, he gave him a copy of his book The Mill and the Cross, an analysis of Pieter Bruegel’s painting The Way to Calvary. Majewski, whose creative journey began with painting and poetry, admired the depth of Gibson’s insight into Bruegel’s picture, so he took up the challenge of creating a visual equivalent of the Flemish master’s work. For Lech Majewski this challenge was not an entirely new one, as he had already based several of his films on paintings and painters. It was he who wrote the original screenplay for Basquiat and found Julian Schnabel to direct it; his film The Garden of Earthly Delights, with Bosch’s famous painting as a background, was hailed by Sight & Sound as a masterpiece; his unique videoart pieces were displayed at the Museum of Modern Art in New York and the Venice Biennale. -
Romeo and Juliet Act II Scene 1
Romeo and Juliet Act II Scene 1 Manga Shakespeare Romeo and Juliet by Sonia Leong Ranman ½ • Ranma (boy) & Akane (girl) • Episode 39 • "Kissing is Such Sweet Sorrow! The Taking of Akane's Lips“ • Akane has been chosen to play the part of JulietUpon hearing that the person who plays Romeo gets to see China, Ranma wants to play the role. • The balcony scene at 1:49 • http://www.youtube.com/wat ch?v=4ImCrnbgOHw II.1.42-51 • Ben. Go, then, for ’tis in vain • To seek him here that means not to be found. • Rom. He jests at scars, that never felt a wound. • (He…wound: he can laugh at scars because he has never been wounded; speaking to Benvolio’s ‘found’ (scene 1, line 48) indicates that no scene Leonard Whiting as Romeo in break is intended— Romeo and Juliet (1968), directed although Romeo is now by Franco Zeffirelli inside the orchard.) Character Studies • Please ask the following questions for this character: 1) Who is he/she? (i.e. age, personality, education, etc.) 2) What is he/she trying to do? (i.e. purpose, motivation in the scene) 3) By what means? (method to get what he or she wants) 4) Against what resistance (anyone or anything stops him or her from getting what he or she wants) 5) Does this person get what he or she wants? II.1.44-51 • Rom. But, soft! what light through yonder window breaks? • It is the east, and Juliet is the sun! • Arise, fair sun, and kill the envious moon, • Who is already sick and pale with grief, • That thou her maid (Diana; goddess of the moon and patroness of virgins) art far more fair than she: • Be not her maid, since she is envious; • Her vestal livery is but sick and green, • And none but fools do wear it (Her…wear it: Romeo compares the habitual ‘greensickness’ (=anaemia) of young girls (‘vestal’), to the green and yellow coat worn by professional jesters.); cast it off. -
Shakespeare Film Festival Features Zeffirelli Classics Office of Publicnfor I Mation
University of San Diego Digital USD News Releases USD News 1985-03-05 Shakespeare Film Festival Features Zeffirelli Classics Office of Publicnfor I mation Follow this and additional works at: http://digital.sandiego.edu/newsreleases Digital USD Citation Office of Public Information, "Shakespeare Film Festival Features Zeffirelli Classics" (1985). News Releases. 3583. http://digital.sandiego.edu/newsreleases/3583 This Press Release is brought to you for free and open access by the USD News at Digital USD. It has been accepted for inclusion in News Releases by an authorized administrator of Digital USD. For more information, please contact [email protected]. NEWS RELEASE UNIVERSITY OF SAN DIEGC OFFICE OF PUBLIC RELATIONS DIRECTOR: SARA FINN, APR PUBLICATIONS EDITOR: JOHN SUTHERLAND PUBLIC/CALENDAR EVENTS: JOAN MURRY, ASSISTANT DIRECTOR QP TELEPHONE: (619) 260-4600/EXT. 4296 ADDRESS: RM . 266 DESALES HALL, ALCALA PARK, SAN DIEGO, CA 92110 FOR IMMEDIATE RELEASE SHAKESPEARE FILM FESTIVAL FEATURES ZEFFIRELLI CLASSICS Franco Zeffirelli's "Romeo and Juliet" will lead off the Shakespeare Film Festival to be held at the University of San Diego on March 11, 12 and 14 at 8:00 p.m., Salomon Lecture Hall, DeSales Hall. The 1968 film to be shown March 11 stars Olivia Hussey, Leonard Whiting, Milo O'Shea and Michael York. Admission is free. For information, contact the USO Associated Students Cultural Arts, 260-4714. On March 12, "A Midsummer Night's Dream" starring Diana Rigg, David Warner, and Helen Mirren will be shown. Directed by Peter Hall in 1968, "Midsummer Night's Dream" was filmed in the forests near Stratford-on-Avon, England. -
Franco Zeffirelh's Film -Romeo and Julier Is Appropriate for Classroom
DOCUMENTRESUME ED 026 386 TE 001 222 By-Andrews, Tom; Austell, Jan Who Are These People? Pub Date Dec 68 Note-Sp. Jovrnal Ca-Educators Cvide to Media & Methods; v5 n4 p27-29,35 Dec 1968 EDRS Price MF -$025 HC-$0.35 Descriptors-Discussion (Teaching Technique), *Drama, *English Instruction, *Enghsh Literature, Films, *Film Study, Literature, Mass Media, Secondary Education, Teaching Techniques, *Tragedy Identifiers-*Pomeo and Juliet, William Shakespeare Franco Zeffirelh's film -Romeo and Julier is appropriate for classroom study because of its relevance to today's youthful rebellion, to current social pressures, and to the generation gap. After viewing the film and seeing the images and moods of the performers, the students are better prepared to read the play imaginatively. (Numerous questions to help stimulate and guide a discussion of the film are included.) (JS) 3 . 11S DEPARTMENT OF HEALTH EDLICAT!ON h, WEIFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE - PERSON OR ORGANIZATION ORIGINATING IT POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POIICY / How to read this issue The intcrrabang (or interrobang, wc are told) picturcd on the soup can !abel adorning this month's cover, serves as an apt symbol for modern man. The combination of thc question mark and the exclamation point produces a character appropriate for both disbelief and astonishment. Itis reserved for expressions like, "What the H's going on?" and who would argue that this doesn't express contemporary attitudes? Not content to merely describe the interrabang, however, we contrived to calculate its pos- sible effects.