DOCSLIB.ORG

Teegarden/Nasht Digital Stock Images of Movie Memorabilia COLLECTION 100 Movies You Should See

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Teegarden/Nasht Digital Stock Images of Movie Memorabilia COLLECTION 100 Movies You Should See HE Teegarden/NashT Digital Stock Images of Movie Memorabilia COLLECTION 100 Movies You Should See Movie Date Genre Director Stars Adventures of Robin Hood, The 1938 Adventure M. Curtiz Errol Flynn, Olivia de Haviland All About Eve 1950 Drama J. Mankiewicz Bette Davis, Anne Baxter Annie Hall 1977 Comedy W. Allen Woody Allen, Diane Keaton Apartment, The 1960 Drama B. Wilder Jack Lemmon, Shirley MacLaine Apocalypse Now 1979 Action F. Coppola Marlon Brando, Martin Sheen Avventura, L’ 1960 Foreign M. Antonioni Monica Vitti Ben Hur 1959 Epic W. Wyler Charlton Heston, Stephen Boyd Best Years of Our Lives, The 1946 Drama W. Wyler Fredric March, Myrna Loy, Teresa Wright Bicycle Thief, The 1949 Foreign V. De Sica Lamberto Maggiorani, Enzo Staiola Birth of a Nation 1915 Silent D. W. Griffith Lillian Gish, Mae Marsh, Henry Walthall Bonnie and Clyde 1967 Drama A. Penn Warren Beatty, Faye Dunaway Breakfast at Tiffany’s 1961 Comedy B. Edwards Audrey Hepburn, George Peppard Breathless 1959 Foreign J-L. Godard Jean Seberg, Jean-Paul Belmondo Bride of Frankenstein 1935 Horror J. Whale Elsa Lanchester, Boris Karloff Bringing Up Baby 1938 Comedy H. Hawks Katharine Hepburn, Cary Grant Cabaret 1972 Musical B. Fosse Liza Minnelli, Joel Grey, Michael York Cabinet of Dr. Caligari, The 1919 Silent R. Weine Werner Krauss, Conrad Veidt Casablanca 1942 Drama M. Curtiz Humphrey Bogart, Ingrid Bergman Cat People 1942 Horror J. Tourneur Simone Simon, Kent Smith Chinatown 1974 Film Noir R. Polanski Jack Nicholson, Faye Dunaway, John Huston Citizen Kane 1941 Drama O. Welles Orson Welles, Joseph Cotten Conformist, The 1970 Foreign B. Bertolucci Jean-Louis Trintignant, Dominique Sanda Day the Earth Stood Still, The 1951 Sci-Fi R. Wise Michael Rennie, Patricia Neal Double Indemnity 1944 Film Noir B. Wilder Barbara Stanwyck, Fred MacMurray Dr. Strangelove 1964 Comedy S. Kubrick Peter Sellers, George C. Scott Doctor Zhivago 1965 Epic D. Lean Omar Sharif, Julie Christie, Alec Guinness Duck Soup 1933 Comedy L. McCarey Marx Brothers, Margaret Dumont Empire of the Sun 1987 Drama S. Spielberg Christian Bale, John Malkovich Fantasia 1940 Family W. Disney Animated Fellini Satyricon 1970 Foreign F. Fellini Martin Potter, Hiram Keller Five Easy Pieces 1970 Drama B. Rafelson Jack Nicholson, Karen Black Four Hundred Blows, The 1959 Foreign F. Truffaut Jean-Pierre Leaud From Here to Eternity 1953 Drama F. Zimmermann Burt Lancaster, Montgomery Clift, Frank Sinatra General, The 1927 Silent B. Keaton Buster Keaton, Marion Mack Godfather, The 1972 Drama F. Coppola Marlon Brando, Al Pacino, James Caan Gold Rush, The 1925 Silent C. Chaplin Charlie Chaplin, Georgia Hale Goldfinger 1964 Action G. Hamilton Sean Connery, Honor Blackman Gone with the Wind 1939 Epic V. Fleming Vivien Leigh, Clark Gable, Olivia de Havilland Graduate, The 1967 Comedy M. Nichols Dustin Hoffman, Anne Bancroft Grapes of Wrath, The 1940 Drama J. Ford Henry Fonda, Jane Darwell, John Carradine High Noon 1952 Western F. Zimmermann Gary Cooper, Grace Kelly Imitation of Life 1959 Drama D. Sirk Lana Turner, Sandra Dee, John Gavin Invasion of the Body Snatchers 1956 Sci-Fi D. Siegel Kevin McCarthy, Dana Wynter It’s A Wonderful Life 1946 Comedy F. Capra Jimmy Stewart, Donna Reed Jaws 1975 Action S. Spielberg Roy Scheider, Richard Dreyfuss Jesus of Montreal 1989 Foreign D. Arcand Lothaire Bluteau Killers, The 1946 Film Noir R. Siodmak Burt Lancaster, Ava Gardner King Kong 1933 Adventure Cooper/Schoedsack Fay Wray, Ernest B. Schoedsack Last Picture Show, The 1971 Drama P. Bogdanovich Timothy Bottoms, Jeff Bridges, Cloris Leechman Lawrence of Arabia 1962 Epic D. Lean Peter O’Toole, Alec Guinness, Omar Sharif Letter from an Unknown Woman 1948 Drama M. Ophuls Joan Fontaine, Louis Jordan Magnificent Ambersons, The 1942 Drama O. Welles Agnes Moorehead, Tim Holt, Joseph Cotten Maltese Falcon, The 1941 Film Noir J. Huston Humphrey Bogart, Mary Astor Manchurian Candidate, The 1962 Suspense J. Frankenheimer Frank Sinatra, Laurence Harvey, Janet Leigh McCabe and Mrs. Miller 1971 Western R. Altman Warren Beatty, Julie Christie Meet Me In St. Louis 1944 Musical V. Minnelli Judy Garland, Margaret O’Brien Metropolis 1926 Silent F. Lang Brigitte Helm, Alfred Abel Mildred Pierce 1945 Film Noir M. Curtiz Joan Crawford, Ann Blyth My Darling Clementine 1946 Western J. Ford Henry Fonda, Linda Darnell, Victor Mature Nights of Cabiria 1957 Foreign F. Fellini Giulietta Masina Ninotchka 1939 Comedy E. Lubitsch Greta Garbo, Melvyn Douglas Now, Voyager 1942 Drama I. Rapper Bette Davis, Paul Henreid Persona 1966 Foreign I. Bergman Bibi Andersson, Liv Ullman Philadelphia Story, The 1940 Comedy G. Cukor Katharine Hepburn, James Stewart, Cary Grant Pinocchio 1940 Family W. Disney Animated Place in the Sun, A 1951 Drama G. Stevens Elizabeth Taylor, Montgomery Clift Potemkin 1925 Silent S. Eisenstein Alexander Antonov Psycho 1960 Horror A. Hitchcock Anthony Perkins, Janet Leigh Rashomon 1950 Foreign A. Kurosawa Toshiro Mifune, Machiko Kyo, Masayuki Mori Rear Window 1954 Suspense A. Hitchcock James Stewart, Grace Kelly Rebel Without a Cause 1955 Drama N. Ray James Dean, Natalie Wood, Sal Mineo Red Shoes, The 1948 Musical M. Powell Moira Shearer, Anton Walbrook Romeo and Juliet 1968 Drama F. Zeffirelli Leonard Whiting, Olivia Hussey Rosemary’s Baby 1968 Horror R. Polanski Mia Farrow, Ruth Gordon, John Cassavetes Scarlet Empress, The 1934 Drama J. von Sternberg Marlene Dietrich, John Lodge Schindler’s List 1993 Drama S. Spielberg Liam Neeson, Ralph Fiennes Searchers, The 1956 Western J. Ford John Wayne, Jeffrey Hunter, Natalie Wood Seven Samurai, The 1954 Foreign A. Kurosawa Toshiro Mifune, Takashi Shimura Singin’ in the Rain 1952 Musical G. Kelly Gene Kelly, Debbie Reynolds, Donald O’Connor Some Like It Hot 1959 Comedy B. Wilder Marilyn Monroe, Jack Lemmon, Tony Curtis Star Is Born, A 1954 Musical G. Cukor Judy Garland, James Mason Star Wars 1977 Sci-Fi G. Lucas Mark Hamill, Harrison Ford, Carrie Fisher Streetcar Named Desire, A 1951 Drama E. Kazan Marlon Brando, Vivien Leigh, Kim Hunter Sullivan’s Travels 1941 Comedy P. Sturges Joel McCrea, Veronica Lake Sunday, Bloody Sunday 1971 Gay J. Schlesinger Peter Finch, Glenda Jackson Sunset Boulevard 1950 Drama B. Wilder Gloria Swanson, William Holden Taxi Driver 1976 Drama M. Scorsese Robert DeNiro, Jodie Foster, Harvey Keitel To Have and Have Not 1944 Adventure H. Hawks Humphrey Bogart, Lauren Bacall To Kill a Mockingbird 1962 Drama R. Mulligan Gregory Peck Tokyo Story 1953 Foreign Y. Ozu Chishu Ryu, Setsuko Hara Top Hat 1935 Musical M. Sandrich Fred Astaire, Ginger Rogers Treasure of the Sierra Madre 1948 Drama J. Huston Humphrey Bogart, Walter Huston, Tim Holt Two for the Road 1967 Drama S. Donen Audrey Hepburn, Albert Finney 2001: A Space Odyssey 1968 Sci-Fi S. Kubrick Keir Dullea, Gary Lockwood Vertigo 1958 Suspense A. Hitchcock James Stewart, Kim Novak West Side Story 1961 Musical Wise/Robbins Natalie Wood, Richard Beymer, Rita Moreno Who’s Afraid of Virginia Woolf? 1966 Drama M. Nichols Elizabeth Taylor, Richard Burton Wizard of Oz, The 1939 Musical V. Fleming Judy Garland, Bert Lahr, Ray Bolger, Jack Haley Women, The 1939 Comedy G. Cukor Joan Crawford, Norma Shearer, Rosalind Russell Wuthering Heights 1939 Drama W. Wyler Laurence Olivier, Merle Oberon.
Load more

Recommended publications
  • Stratford's the Merchant of Venice and Alabama Shakespeare Festival's the Winter's Tale
    Vol. XVI THE • VPSTART • CR.OW Editor James Andreas Clemson University Founding Editor William Bennett The University of Tennessee at Martin Associate Editors Michael Cohen Murray State University Herbert Coursen Bowdoin College Charles Frey The University of Washington Marjorie Garber Harvard University Walter Haden The University of Tennessee at Martin Chris Hassel Vanderbilt University Maurice Hunt Baylor University Richard Levin The University of California, Davis John McDaniel Middle Tennessee State University Peter Pauls The University of Winnipeg Jeanne Roberts American University Production Editors Tharon Howard, Suzie Medders, and Deborah Staed Clemson University Editorial Assistants Martha Andreas, Kelly Barnes, Kati Beck, Dennis Hasty, Victoria Hoeglund, Charlotte Holt, Judy Payne, and Pearl Parker Copyright 1996 Clemson University All Rights Reserved Clemson University Digital Press Digital Facsimile Vol. XVI About anyone so great as Shakespeare, it is probable that we can never be right, it is better that we should from time to time change our way of being wrong. - T. S. Eliot What we have to do is to be forever curiously testing new opinions and courting new impressions. -Walter Pater The problems (of the arts) are always indefinite, the results are always debatable, and the final approval always uncertain. -Paul Valery Essays chosen for publication do not necessarily represent opin­ ions of the editor, associate editors, or schools with which any contributor is associated. The published essays represent a diver­ sity of approaches and opinions which we hope will stimulate interest and further scholarship. Subscription Information Two issues- $14 Institutions and Libraries, same rate as individuals- $14 two issues Submission of Manuscripts Essays submitted for publication should not exceed fifteen to twenty double­ spaced typed pages, including notes.
    [Show full text]
  • Movie Actresses 10 Mar 2017
    Movie Actresses 10 Mar 2017 251-2017-07 This article is about my favorite movie actresses of all time. Movie critics and most people will not agree with my picks. However, my criteria is quite simple - the actress must have made at least three movies I have seen and liked and would watch again if they happened to come on the TV movie channel when I’m in the mood to see a good show. I’m going to pick my Top 20 Actresses. I could not decide on a header so you can pick the one you like best. Faye Dunaway Sharon Stone Liz Taylor #1 Faye Dunaway Born: Dorothy Faye Dunaway on January 14, 1941 (age 76) in Bascom, Florida Alma mater: Boston University Years active: 1962–present (Appeared in 81 movies) Spouse(s): Peter Wolf (m. 1974–79) Terry O'Neill (m. 1983–87) Children: Liam O'Neill (b. 1980) Facts: The daughter of Grace April, and John MacDowell Dunaway, a career officer in the United States Army. She is of Scots-Irish, English, and German descent. She spent her childhood traveling throughout the United States and Europe. Bonnie and Clyde (1967) with Warren Beatty. In the middle of the Great Depression, Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued by Clyde, and decides to take up with him and become his partner in crime. Three Days of the Condor (1975) with Robert Redford.
    [Show full text]
  • 600 Graphic Link Words for Remembering Names and Faces
    600 Graphic Link Words for Female and Male First Names and Faces by Ron White and Lew Toulmin These are names and images to be used to remember names and faces. Focus on the person whose first name you are trying to remember, select a feature (“the file”) on his/her face that is distinctive, then place the image below onto the file, “seeing” it clearly in your mind’s eye. These images are drawn from my (Lew Toulmin’s) background and interest in history, aviation and foreign travel; you may wish to develop images of your own that link to the name of the person. Many of these images come from or were modified from Ron White’s excellent “Black Belt Memory” course, which is recommended. The most popular names are marked on the right with a number sign (#) and the relevant ranking. WOMEN’S NAMES LINK WORDS (~272) Abby – A bee Abigail – A bee in a gale Adell – A Dell computer Alice – a lice Alexis – A Lexus sports car Allison – Allison radial engine Amanda – A Man – Duh! Not! Amy – Aiming Angie – Angie Dickenson, Policewoman Ann – Ant Anita – A knitter Annette – A net Annie – Little Orphan Annie April – A pill that is red Ashley – Ashes Audrey -- Audrey Hepburn’s cigarette holder in “Breakfast at Tiffany’s” Barbara – barbed wire #4 Beatrice – beat rice – this brings joy Becky – bucky horse Belinda – Bee that is beautiful (“linda” ) Bernadette – burn a debt (your mortgage) Bernice or Berenice -- burning ice Beth – bath Betty – Betty Crocker cakemix Beverly – Beverly hillbillies Billie – billy can Bobbie or Bobby –
    [Show full text]
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • Campus Comment, October 22, 1968 Bridgewater State College
    Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1968 Campus Comment, October 22, 1968 Bridgewater State College Volume 43 Number 3 Recommended Citation Bridgewater State College. (1968). Campus Comment, October 22, 1968. 43(3). Retrieved from: http://vc.bridgew.edu/comment/245 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Vol. XL III No.3 BRIDGEWATER STATE COLLEGE. BRIDGEWATER, MASS. OCTOBER 22. 1968 HE THEATRE EARTH SCIENCE SERIES BEGAN CONFERENCE by Anne Bor·owiec The fall series of lectures spon­ sored by the Earth Science and CONVENES Geography Department began on October 8. The first speaker was On Saturday morning, October 5, Dr. David Ross. Associate SCientist, 1968, an eager, if somewhat sleepy­ at Woods' Hole Oceanographic Insti­ eyed delegation of students and tute, speaking on "Diving on the faculty from Bridgewater embarked ocean .floor; 6.000 feet Down". for Tufts University to examine Dr. Ross began his talk by going J "The State of the Art." over the history of marine geology. The climax of the day was reached Thirty or forty years ago the shape early (9:30 A.M.) in a speech by of the ocean bottom was determined Orlin Corey on Children's Theatre.. by merely lowering a line, In 1925 If one can be inspired at a cockcrow sound waves ......'ere used to get re­ on a chilly Saturday morning. Mr. flections from the bottom and more t Corey provided the impetus. He recent advancements were the use of called for theatre to go back to myth.
    [Show full text]
  • Widescreen Weekend 2007 Brochure
    The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film.
    [Show full text]
  • National Arts Awards Monday, October 19, 2015
    2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States.
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Fact Or Fiction: Hollywood Looks at the News
    FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • The Inventory of the Richard Roud Collection #1117
    The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills.
    [Show full text]