Gagosian Gallery
Art Territory April 22, 2016 GAGOSIAN GALLERY The Pool as a Fire Jean Pigozzi’s book, “Pool Party: Sixty Years at the World’s Most Famous Pool” Una Meistere Jean Pigozzi. Elle Macpherson, 1991. Archival pigment print, 20 x 24 inches (50.8 x 61 cm). Edition of 15, plus 3 APs. © Jean Pigozzi. Courtesy of Gagosian Gallery “I see the symbol of the pool as a place where people used to settle around the fire. It’s a central focus of fun activities, where people are very relaxed, tell stories, jump in the pool and have a good time. That’s why I did this book, it’s completely based around the pool, and only around the pool,” says Jean Pigozzi – photographer, art collector, philanthropist and one of today's most extravagant characters on the contemporary art scene – when asked by Arterritory.com what is it about swimming pools that fascinates him, and could they be seen as a symbol of hedonism. Rizzoli Publications has just released Pigozzi's book, “Pool Party: Sixty Years at the World’s Most Famous Pool”, while New York's Gagosian Gallery has opened the doors to the exhibition “Johnny's Pool” (through May 28). The book is a collection of more than 100 photographs taken alongside Pigozzi's legendary “blue pool” at his Villa Dorane, on Cap d'Antibes. On the cover, supermodel Elle Macpherson carouses on an inflatable pool toy, while the pages within feature practically every show-business star of the 20th and 21st centuries: Sharon Stone, Naomi Campbell, Mick Jagger, Michael Douglas, Jack Nicholson, Robert de Niro, Helmut Newton, Swifty Lazar, Jane Fonda, Elizabeth Taylor, Mick Jagger, Julian Schnabel, Larry Gagosian, Woody Allen, and even Bono, who writes in the book's introduction: “Villa Dorane seemed like a chapter F.
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