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Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
The Canadian Music Industry Asks Federal Government for Urgent Relief During Covid-19 Pandemic
THE CANADIAN MUSIC INDUSTRY ASKS FEDERAL GOVERNMENT FOR URGENT RELIEF DURING COVID-19 PANDEMIC FOR IMMEDIATE RELEASE April 1, 2020 TORONTO, ON —The Canadian music industry is asking the Federal government For Further action including robust Financial support and Flexibility in funding rules that would support the artists and the industry’s small business community that is suFFering through the devastating impact oF the COVID-19 pandemic. The Canadian and global music industry is currently experiencing unprecedented upheaval and turmoil due to the COVID-19 global pandemic. Companies are barely operating and surviving with record low to no revenues, staFF are being laid oFF, artists and musicians’ livelihoods are collapsing, and venues are closed indeFinitely. In short, the Canadian and global music industries are being severely and devastatingly impacted. The industry is grateFul For the extensive and broad measures that the Federal government and other levels oF government have implemented recently. We look Forward to the details and implementation oF these measures, and Future announcements in response to the very serious nature oF this unprecedented global circumstance in which we all Find ourselves. We are conFident that these government measures will help provide much needed assistance to Canadians, and we call on governments to continue to Focus attention on those who are vulnerable, namely our artists and the small business community that supports them. Industry groups and associations launched a survey March 17-19 in order to capture the current state oF the music sector during this COVID-19 pandemic crisis. This survey received nearly 3,000 responses from a wide cross-section of the industry, From labels and publishers, to artists and musicians, to promoters and live venues and more. -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
Through the Iris TH Wasteland SC Because the Night MM PS SC
10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G. -
Estudio De Mercado Servicios Musicales En Canadá Mayo 2014
Estudio de Mercado Servicios Musicales en Canadá Mayo 2014 Documento elaborado por la Oficina Comercial de Chile en Canadá - ProChile Tabla de contenido Tabla de contenido ............................................................................................................... 2 I. Resumen Ejecutivo ............................................................................................................. 4 1. Nombre y descripción del servicio. ............................................................................................ 4 2. Evaluación de oportunidades en el mercado para el servicio (en base análisis FODA). ................. 4 3. Estrategia recomendada por la Oficina Comercial....................................................................... 4 4. Análisis FODA. ........................................................................................................................... 5 II. Identificación del servicio .................................................................................................. 6 1. Nombre del servicio ................................................................................................................. 6 2. Descripción del servicio ............................................................................................................. 6 III. Descripción general del mercado importador ................................................................... 7 1. Tamaño del mercado ................................................................................................................ -
View Program
23rd Annual SMITHERS CELEBRITY GOLF TOURNAMENT 2015 Contents Bulkley Valley Health Care & Hospital Foundation ........ 2 Message from the Chairmen ........................ 3 Tournament Rules ................................ 4 Calcutta Rules ................................... 5 rd On Course Activities ............................... 6 23 Annual Course map ..................................... 8 Schedule of Events ............................... 10 SMITHERS Sponsor Advertisers Index ......................... 11 Hole-in-One Sponsors. .11 Other Sponsors .................................. 11 CELEBRITY GOLF History of the Celebrity Golf Tournament .............. 12 Aaron Pritchett ............................. 14 Angus Reid ................................ 14 TOURNAMENT Bobby Orr ................................. 16 Brandon Manning ........................... 20 Chanel Beckenlehner ........................ 22 Charlie Simmer ............................. 22 August 13 – 15, 2015 Dan Hamhuis .............................. 24 Smithers Golf & Country Club Dennis Kearns .............................. 24 Faber Drive ................................ 26 Garret Stroshein ............................ 28 Geneviève Lacasse .......................... 28 Harold Snepsts ............................. 34 Jack McIlhargey ............................ 36 Jamie McCartney ............................ 36 Jeff Carlson, Steve Carlson, Dave Hanson ......... 38 Jessica Campbell ........................... 40 Jim Cotter ................................. 40 Jimmy Watson -
Lives and Work of Professional Musicians in St. John's
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Memorial University Research Repository Price of a Gift: Lives and Work of Professional Musicians in St. John’s, Newfoundland by © David Bruce Chafe A dissertation submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Sociology Memorial University of Newfoundland February 2017 St. John’s, Newfoundland ii ABSTRACT Musicians’ work has been generally omitted from sociological literature on work and occupations because it is difficult to trace. Musicians are usually self-employed on short-term contracts that are often verbal and paid in cash that is usually quickly expended on ongoing costs. Furthermore, their work in music is commonly obscured by portfolio employment within and outside of music to supplement income and cover costs. Portfolio employment is characterized by concurrent multiplicity of sources of employment and income from outside of one’s primary skills. In order to illuminate the true experiences of local professional musicians and to lend some definition to music-making as an occupation, this study traces and examines the complete career trajectories of 54 wage-earning rock, traditional and classical musicians based in St. John’s, Newfoundland. In so doing, it is possible to reveal a network of support essential to their commitment to the music profession. The network usually develops from early childhood and includes family, friends, educational institutions, funding institutions, fellow musicians, other industry professionals, and audiences. The weakening or disappearance of any support can compromise the career and cast doubt onto its viability. -
Study Proves Email Address Value by David M
page 1 Wednesday,Wednesday, SeptemberSeptember 9, 20092009 Study Proves Email Address Value by David M. Ross Artists and record labels historically per year in artist revenue both online and have had little or no direct fan relationships. off. "Of that $111," says MCN President CDs were shipped and placed on store Lang Scott, "the vast majority is being shelves and the identities of purchasers spent away from their website ($98) on were mostly a mystery. As a result, artist stimulated revenue streams like marketers had to use shotguns instead iTunes, ticketmaster, and at retail stores." of sniper rifles when creating advertising According to the study, only about campaigns. The Internet, email and social networks are rapidly changing that equation as shown by a new study completed by Music City Networks, "The True Value of an Email Address." MCN is a web development and interactive media company founded in 2001 that caters to entertainment artists. The study compiles responses from 1384 random fans who opted into the databases of eight artists inside the MCN network. It studies behavior over a two year period. Top level Purchase Behavior—Only a small portion of the revenue findings show that the capture takes place on the artist website, $13. So where is average fan email the remaining $98 spent? The largest single place is concert address is worth $111 tickets which account for 47%. ©2009, MusicRow Communications, LLC—ALL RIGHTS RESERVED [email protected] page 2 Wednesday, September 9, 2009 38% of users actually make purchases, therefore the key MCN's study has the added perspective that is is ingredients in increasing revenue are building the number comprised entirely of fans. -
Transmission 2009 Programme
2 0 0 9 PROGRAMME primary sponsors presenting sponsor of presenting sponsor of transmitLIVE showcase transmitTALKS major sponsor host province sponsor fulltone sponsors p a t r o n s affiliated trade organizations p r o d u c e r s hospitality partners We acknowledge the financial support of the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada’s Private Radio Broadcasters. Booklet design by Rocketday Arts (www.rocketday.com), sister festival featuring illustration on page 5 by Dushan Milic. n behalf of the team of people behind the program. Our response to this quandary has been this unique initiative, I wish to welcome the launch of an online magazine that presents ideas you to the 4th annual edition of TRANSMISSION. and perspectives well before scheduled roundtables so WeO are rolling out with new dates, new venues, a new that key themes at transmitTALKS would be fomented magazine, and a new programme. What is consistent out before we get together. Furthermore, participants WELCOMEare our valued sponsors and international advisory and other contributors are now able to continue these board, who have supported us each year in redefining important conversations long after the lights go down ways for people to connect on the subject of music. on the stage. The result? A relevant, multi-disciplinary dialogue that people can participate in 365 days a year. In terms of a programme, TRANSMISSION is easily more complex than most. It’s not disorganized and it’s This year we focus on three themes: Intellectual not confusing, but it is complex and it does require Property, Emerging Markets and Next Generation the active engagement of the old grey matter. -
Spring Concert Emerson Drive.Pdf University Marketing and Communications
Eastern Illinois University The Keep 2006 Press Releases 4-4-2006 04/04/2006 - Spring Concert Emerson Drive.pdf University Marketing and Communications Follow this and additional works at: http://thekeep.eiu.edu/press_releases_2006 Recommended Citation University Marketing and Communications, "04/04/2006 - Spring Concert Emerson Drive.pdf" (2006). 2006. 124. http://thekeep.eiu.edu/press_releases_2006/124 This Article is brought to you for free and open access by the Press Releases at The Keep. It has been accepted for inclusion in 2006 by an authorized administrator of The Keep. For more information, please contact [email protected]. Spring Concert to Feature Country Music's Emerson Drive Apr-04-2006 The country music band, Emerson Drive, will perform at 8 p.m. Friday, April 21, in Lantz Arena as Eastern Illinois University's spring concert. Fellow country music group Ryan Shupe and The Rubberband will open for Emerson Drive. Tickets, priced at $18 ($14 for EIU students with university ID), may be purchased in advance via the University Union Ticket Office, open 10 a.m. to 3 p.m. weekdays. Visa/Mastercard are accepted. Purchases may be made in person or over the phone at (217) 581-5122. Depending on availability, tickets can also be purchased the night of the performance at the door. Emerson Drive emerged from Canada on to the Nashville country music scene in 2001 with its own brand of hip country. Having signed with DreamWorks Nashville -- and being true instrumentalists -- the group's members distinguished themselves by playing their own instruments on all of their records, becoming one of very few bands ever signed to a major record label to do so. -
2008 / 2009 Annual Report
RADIO STARMAKER FUND ANNUAL REPORT 20#08 –2009 ANNUAL REPORT RADIO TABLE OF CONTENTS STARMAKER #FUND 02. Message from the Chair 03. Board of Directors and Staff | Mandate 04 . Application Evaluation | Applications Submitted vs. Applications Approved 05. Tracking Success | Grant Allocation by Type of Record Label 07. -10. Radio Starmaker Funded Artists 12. Sales Certifications 14. Grant Allocation by Province | Grant Allocation by Genre 16. Grant Allocation by Music Industry Association 18. -19. Awards Won by Radio Starmaker Funded Artists 21. New Artists to Radio Starmaker Fund 23. Allocation of Funding by Category 25. -29. Condensed Financial Statements 372 Bay Street, Suite 302, Toronto, Ontario M5H 2W9 T. 416.597.6622 F. 416.597.2760 TF. 1.888.256.2211 www.radiostarmakerfund.com RADIO STARMAKER FUND ANNUAL REPORT 2008-2009 .01 ANNUAL REPORT RADIO MESSAGE FROM THE CHAIR STARMAKER #FUND It is my pleasure in my second year as Another important issue for Starmaker is to ensure that I am very excited to see these excellent results and I look Chair of the Radio Starmaker Fund the funding is distributed broadly over new and emerg - forward to working further with the new Board and the to present our outstanding results ing talent and that we are not funding the same artists very capable staff here at Starmaker to continue to set from the fiscal year 2008-2009. repeatedly. This year in addition to our dramatic and meet these very high standards for supporting artists increase in applications we saw almost one third of these in Canada. One of the primary goals of the applications from artists who were new to the Fund. -
Gender Role Construction in the Beatles' Lyrics
“SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles..................................................................................................