Merino, Australia's Own Pot of Gold
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A-Z ACRONYMS SA 2015 a Guide to Acronyms and Abbreviations in South Australia
A-Z ACRONYMS SA 2015 A guide to acronyms and abbreviations in South Australia A-Z Acronyms SA 2015 Published by Connecting Up Inc. Level 1, 25 Leigh Street, Adelaide 5000 GPO Box 11017, Adelaide 5001 Tel. 1300 731 844 | Fax 08 8212 2788 Email [email protected] Web www.connectingup.org Twitter @sacommunity © Connecting Up 2015 Cover photo: Pink Tag alphabet by Leo Reynolds via Flickr OTHER CONNECTING UP SERVICES Connecting Up Technology donations and discounts - from companies such as Microsoft, Symantec, Sophos and Cisco to eligible income tax exempt (ITE) Australian nonprofits - www.connectingup.org/donations, www.connectingup.org/discounts Connecting Up Conference – annual national conference focusing on social media, technology, marketing and communications for nonprofits - www.connectingup.org/conference Connecting Up Directory – Australian nonprofits and charity organisations – www.connectingup.org/directory SAcommunity – Connecting Up’s community services directory available online - www.sacommunity.org Connecting Up Level 1, 25 Leigh St, Adelaide SA 5000 Tel. 1300 731 844 Email [email protected] www.sacommunity.org 2 A-Z Acronyms SA 2015 AA Alcoholics Anonymous Address: Central Service Office, 120, 38 Gawler Place, Adelaide 5000 Phone: 08 8227 0046 Email: [email protected] Web: www.aa-sa.org AACQA Australian Aged Care Quality Agency Address: Level 5, 26 Flinders St, Adelaide 5000 Postal: GPO Box 620, Adelaide 5001 Phone: 08 8217 6000 Email: [email protected] Web: www.aacqa.gov.au AARD Aboriginal Affairs & Reconciliation -
Stretching Unprimed Vs. Pre-Primed Canvas for Painting
INFORMATION JUST PAINT SHEETS 8/07 No. 3 Developed in collaboration with Conservator James Bernstein and Golden Artist Colors, Inc. Stretching Unprimed vs. Pre-primed Canvas for Painting Pre-stretching traditional size. A stretched linen canvas by the weave in an unfavorable position. It is itself on a humid day would become taut. wisest to pre-stretch as a separate step. This Unprepared Canvas When there is an animal glue size on a linen aligns the weave as fabric tension is For ultimate fabric choice, unprimed canvas, the animal glue swells and the canvas estimated. If a fabric is very responsive, the canvas offers the most possibilities. The becomes less tight. Conversely, a linen first stretching may be done barehanded artist is not limited by the variety or size of canvas by itself on a dry day would become (without pliers), as the canvas should not fabrics available pre-primed. limp. However, animal glue under dry initially be stretched too taut. Allowance has If starting with unprepared linen, cotton, conditions shrinks and becomes taut. Thus to be left for subsequent wetting and rinsing or other fabric for painting, preliminary the opposite natural behaviors of linen and that will tighten the fabric significantly preparation of the canvas is essential. A animal glue are dynamically opposed and (albeit temporarily). common misunderstanding is that the help hold each other in tow. The pre-stretched canvas should be application of size or ground layer coatings This dynamic is not as well balanced for gradually and uniformly moistened and then will correct or compensate for all sorts of cotton canvas. -
Jennifer Brunton 2017
The Zibby Garnett Travelling Fellowship Report by Jennifer Brunton MLitt Technical Art History. The Cleveland Museum of Art, Ohio, USA. th th 9 July – 16 July 2017. Zibby Garnett Travel Fellowship Report Jennifer Brunton 2017 Table of Contents Introduction 1 1.1 Overview 1 1.2 Budget 2 Placement Overview 3 2.1 Cleveland 3 2.2 The Cleveland Museum of Art 4 3.1 Learning Objectives 4 4.1 Day 1: Stretching the First Canvas 6 4.2 Day 2: Part One. Working on a Glue Size Recipe 8 4.2.1 Day 2: Part Two: Preparing a Glue Ground Layer 10 4.3 Day 3: The Second Canvas and WOW! 11 4.3.1 WOW! (Wade Oval Wednesday) 13 4.4 Day 4: Experimenting with Ground Recipes 13 4.5 Day 5: Last Day and Boiling the Third Canvas 14 4.6 Back in Glasgow: Stretching the Huckaback Canvas 16 Conclusion 19 Acknowledgements 20 Appendix 1 21 Appendix 2 22 Appendix 3 24 Zibby Garnett Travel Fellowship Report Jennifer Brunton 2017 Image Credits All images not credited are copyright of the author, with permission from The Cleveland Museum of Art, Ohio. Figure 1. http://www.lib.utexas.edu/maps/world_cities/cleveland.jpg Figure 2. http://www.clevelandart.org/sites/default/files/images/homepage- feature/full/BannerBenefit_desktop.jpg Figure 22. http://www.universitycircle.org/events/2017/06/14/wow-wade-oval-wednesdays Zibby Garnett Travel Fellowship Report Jennifer Brunton 2017 Introduction. 1.1 Overview. My name is Jennifer Brunton, I am 22 years of age, and currently studying for a post- graduate degree in Technical Art History at the Centre for Textile Conservation and Technical Art History at the University of Glasgow. -
Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content. -
Glossary of Terms
Glossary of Terms Areal Density : It is the weight of fabric per unit area. Assortment : It is the selection and classification of raw jute according to fibre characteristics prior to packing or baling. Bag - A Twill : A double warp hemmed twill bag of 112 X 67.5 cm size and weighing 1190 g with three blue stripes woven along the length of the bag and used for packing sugar. Bag - B Twill : A double warp hemmed twill sacking bag measuring 112 X 67.5 cm and weighing 1020 g has the capacity of holding 95 kg of foodgrains. With three blue stripes woven along the length of the bag and is used for packing foodgrain. Due to ILO stipulation, a new type of B.Twill bag has been developed with 50 kg capacity, dimensions 94 X 57 cm and bag weight of 665 g. Bale (Kutcha) : A package of raw jute consists of various morahs, usually weighing 130 kg to 150 kg and sometimes only 55 kg It is bound with jute ropes. Bale ( Pucca) : It is hydraulically pressed bale of raw jute usually bound with jute ropes. Its standard size is ( 120 X 45 X 50 ) cm having net weight of 180 kg. Bale ( Fabric or Jute Bags) : A rectangular or square pressed, rigid package, containing jute fabrics or bags, covered with bale covering with outer layer stiched and bounded by metal hoopes in conformity with the relevant specifications. The bales containing jute bagging do not have bale covering. Batch : A quantity of raw jute selected from various asoortments to produce yarn of desired type of quality. -
Download the World Routes 2019 Essential Guide to Adelaide
Your Essential Guide to Adelaide World Routes 2019 | 21 - 2 4 S eptember I A world of experiences at your fingertips in Adelaide. Adelaide is bursting with culture, flavours, events and entertainment. This vibrant and friendly city invites you to reward your curiosity and discover what makes Adelaide the perfect home for World Routes 2019. Adelaide Oval, Adelaide Your Essential Guide Welcome to Adelaide Welcome, from the hosts of World Routes 2019. Surrounded by lush parklands and speckled with an eclectic combination of historic buildings, trendy bars and state-of- the-art modern facilities, Adelaide is beckoning to be explored. We invite you to indulge in some of Australia’s most awarded restaurants in the heart of the city, immerse yourself in a thriving local arts scene, and unveil the oldest culture on earth through the world’s largest Aboriginal artefact collection. Adelaide, with its bustling Riverbank Precinct, and world-class venues such as the Adelaide Oval, Adelaide Showground and Adelaide Convention Centre, is an ideal setting for major events and conferences. The city can accommodate event-goers from around the world but remains compact enough to enable our visitors to roam freely, explore local attractions, and stay confident that their home base is never too far. Step outside of the city, soak up some sun and uncover a diverse array of experiences in our regions. Taste your way through world-famous wine regions only minutes from the city. Adelaide is a gateway to some of Australia’s best wine country and is recognised as a member of the prestigious Great Wine Capitals Global Network. -
Flexible Supports
MATERIALS INFORMATION and TECHNICAL RESOURCES for ARTISTS - Flexible Supports There are pros and cons to all solid and flexible supports. Generally speaking, an ideal support will be able to withstand fluctuations in RH and temperature, possess an adequate level of absorbency and/or tooth, and will not become brittle or fragile with age. One drawback that is often associated with flexible supports is that they are more susceptible to being damaged by physical contact (e.g. tears, impact cracks, punctures, etc.) In addition, flexible supports are more likely to respond to changes in the environment, giving rise to draws in the corners, an overall loss of tension, and other planar deformations. Such damages can lead to both short and long term condition issues and can affect the stability of the paint and ground layers. Because of these issues, artists are highly encouraged to affix protective backing boards to the reverse of their paintings. Rigid supports, on the other hand, are less likely to withstand physical damage. Although some will still react to changes in the environment (e.g. warping, cracking, etc.), there are steps that artists can take to mitigate these problems. One such method is to adhere a fabric support over the face of the rigid panel. This allows the paint/ground layers to remain somewhat flexible should the rigid support exhibit warping and/or cracking. Rigid supports can also be cradled, particularly if they are large in size, to counteract possible warping or other types of planar deformations. FLEXIBLE SUPPORTS Canvas The use of fabric supports for painting dates to Greek and Roman times. -
Featured Color: CHAR-BLACK TRIB 3413C BELLA + CANVAS UNISEX TRIBLEND SHORT-SLEEVE T-SHIRT Fabric: 3.8 Oz., 50% Polyester, 25% Co
3413C BELLA + CANVAS UNISEX TRIBLEND SHORT-SLEEVE T-SHIRT Fabric: • 3.8 oz., 50% polyester, 25% combed and ringspun cotton, 25% rayon • 40 single 3.8 oz. • Black Heather Triblend: 70% combed ring-spun cotton, 15% polyester, 15% rayon Features: • Retail fit • Unisex sizing • Sideseamed Sizes: XS-4XL MSRP: Call for pricing 37 Available Colors Featured Color: CHAR-BLACK TRIB Blue True Aqua Trblnd Royal Triblend Sea Teal Steel Green Triblend Blu Denim Navy Navy Triblend Trbldn Triblend Solid Purple Berry Nvy Triblend Triblend Red Cardinal Maroon Triblend Trblnd Triblend Clay Orange Yllw Triblend Triblend Gld Oatmeal Brown Ath Triblend Triblend Grey Grey Char-black Sd Triblend Trib Dark Blk Sld Mint Hthr Blk Triblend Green Grass Emerald Triblend Grn Triblend Solid Wht Ice Wht Flck Blue Mauve Olive Peach Triblend Triblend Triblend Solid Red 3413C BELLA + CANVAS UNISEX TRIBLEND SHORT-SLEEVE T-SHIRT Product Specifications S M L XL 2XL - - - - - BODY LENGTH 0 0 0 0 0 - - - - - BODY WIDTH 18 20 22 24 26 - - - - - FULL BODY LENGTH 28 29 30 31 32 - - - - - NECK CIRCUMFERENCE 7 7.25 7.5 7.75 8 - - - - - SLEEVE LENGTH 8.25 8.63 9.13 9.63 10.25 - - - - - How to Measure BODY LENGTH: Lay garment flat (face down). Measure from center back neckline seam straight down to bottom of the front hem. BODY WIDTH: Lay garment flat. 1" below the armhole flat measure the garment across the chest. FULL BODY LENGTH: Lay garment flat(face down). Measure from center back neckline seam straight down to back bottom hem. NECK CIRCUMFERENCE: Lay collar open. -
How to Needlepoint
How to Needlepoint A quick guide for the on the go learner to get started stitching By Casey Sheahan What is needlepoint? Needlepoint is a type of embroidery where wool, cotton or silk is threaded through an open weave canvas. Needlepoint can be used to create many different objects, crafts or art canvases. Sources : Colorsheets, Viviva, and Shovava. “What Is Needlepoint? Learn the DIY Basics to Begin This Fun and Colorful Craft.” My Modern Met, 9 Sept. 2018, https://mymodernmet.com/what-is-needlepoint/. The Editors of Encyclopaedia Britannica. “Needlepoint.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 4 Sept. 2019, https://www.britannica.com/art/needlepoint#:~:targetText=Needlepoint as it is known,the foundation for the embroidery Needlework has been around for centuries. Throughout history we have seen a variety of different types History of of stitching. Tapestries have been found dating back to the 15th century Needlepoint and needlepoint was even found in the cave of a Pharaoh. In the 17th century when upholstered furniture became pooular. Source: “The English Needlepoint.” Ghorbany, https://ghorbany.com/inspiration/the-english-needlepoint. Getting Started Now that you know a little more about the history of needlepoint, you will start collecting your materials to begin stitching. Getting Started Material Options: Threads and Yarns Althea DeBrule outlines some of the most common types of threads used in needlepoint. Persian Yarn: By far the most popular yarn used for needlepoint. Persian wool can be be purchased in hundreds of colors from delicate hues to bold shades. Tapestry Yarn: Tapestry wool is a single strand thread that cannot be separated for fine stitching. -
Adelaide Concierge Map Barossa, ABCDE FGHFITZROY TCE Clare I Valley J K LMNO & Gawler Kantarilla
Adelaide Concierge map Barossa, ABCDE FGHFITZROY TCE Clare I Valley J K LMNO & Gawler Kantarilla D JEFFCOTT RD (Park 3) Pardipardinyilla R 30 (Park 2) T Ngampa Yerta (Park 5) C LEFEVRE E P ROBE TCE LEGEND 2 PARK TCE 1 S 2 O North Course R RD P P MAIN NORTH RD Kangatilla (Park 4) Shopping/Dining Strip MEDINDIE RD Adelaide Riverbank O'CONNELL ST 3 theadelaideriverbank.com.au3 BARTON TCE JEFFCOTT WEST ST BARTON TCE EAST PARK RD LEFEVRE TCE Tram Line MANN RD MILLS TCE ST Nantu Wama (Park 6) 99A/99C loop service 0 4 ST 4 CHILDERS MILLS TCE GOVER 125m 98A/98C loop service TCE ST ST Port Adelaide Linear Park Trail 250m 5 Semaphore TYNTE 5 BUXTON ST MILLS TCE JERNINGHAM PARK TCE Wellington Square/ ST SUSSEX ST Tram Stops ST Kudnartu 6 HILL ST ARCHER KINGSTON ST MOLESWORTH Frome St 6 6 STANLEY Tidlangga Separated Bikeway ST ST (Park 9) ST WARD BUNDEYS RD ANZAC BARNARD MACKINNON PDE Brougham Gardens / 500m MILLS TCE Calvary Hospital BROUGHAM PL WARD ST Tantutitingga MELBOURNE Memorial Walk BROUGHAMK PL I JEFFCOTT ST N PALMER PL 7 G 29 7 W I Toilets W/C L PDE L Palmer STRANGWAYS TCE Gardens / I STRANGWAYS A Women’s & 44 TCE FINNISS ST M Children’s KERMODE Hospital Pangki Pangki Taxi R R A S W MACKINNON V I D 8 R 8 R E D ST M D W E Police INI Pirltawardli (Park 1) PENNINGTON56 TCEMemorial M SM Hospital O RIAL I T 37 H Tainmuntilla (Park 11) Hospital A V Adelaide Zoo E Tarntanya Wama (Park 26) 9 9 South Course 16 ANIC DRV OT W B Information A 1km Karrawirra (Park 12) R M Bonython E 12 Attractions M 23 Park / W V O A 10 Adelaide 10 Tulya Wardli R Par -
ACCESS GUIDE Contents
26 FEB – 14 MAR 2021 ACCESS GUIDE Contents Access Information ................................................................. 1 Website Information ................................................................. 2 Booking Tickets ........................................................................... 3 Venue Facilities ........................................................................... 4 Access Ticket Prices ................................................................. 5 Auslan Interpreted Events ....................................................... 6 Audio Described Events ......................................................... 8 Sensory/Tactile Tour Events ............................................... 9 Events With Highly Visual Content ................................... 10 Events With Assistive Listening ............................................. 13 Venues With Wheelchair Access ............................................. 15 Open House ..................................................................................... 19 Adelaide Writers’ Week Access ............................................. 21 Calendar of Events ................................................................. 22 Map ............................................................................................... 25 Sponsor Thanks ........................................................................... 27 Access Information We make every effort to ensure Adelaide Festival events are accessible to our whole audience. Please check -
Attachment # 1 - Item # 3 Attachment # 2 - Item # 6
Attachment # 1 - Item # 3 Attachment # 2 - Item # 6 74th National Conference & Annual General Meeting 29-31 August 2018 Leeton Soldiers Club Leeton NSW TRUST • UNITY • EQUITY • GROWTH Hosted By Presented By: Leeton Shire Council The Murray Darling Association Chair & Council Murrumbidgee Region The Murray Darling Association welcomes delegates to our 74th National Conference and AGM showcasing the magnificent Riverina and Murrumbidgee regions. TRUST. UNITY. EQUITY. GROWTH. Recent months have seen turbulent times across the Murray-Darling Basin. The future of the Basin Plan is tested amid partisan tensions. Revelations of water theft were met with anger, but not surprise. Scientists question the pace of environmental recovery. And in the absence of a reliable test of social and economic neutrality, the debate over the recovery of the 450GL, and other elements of the sustainable diversion limit rages on. Yet amid this turbulence, there are signs of strength and resilience. Local government is united to support good process delivering better outcomes for communities facing hardship. Agricultural industries are showing signs of adaptation and growth. Regions are working hard to initiate structural adjustment for their local economies. And strong responses from irrigators and legislators are cracking down on the few who would seek to take an unfair advantage. Now, more so than ever before, it is incumbent upon local government to show the leadership, consistency and confidence that will see us through such a dynamic period. With this in mind, the 2018 National Conference of the Murray Darling Association will focus on the future for Basin communities relying on the pillars of trust, unity, equity and growth.