Indigenismo in Mexico
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Marie Laing M.A. Thesis
Conversations with Young Two-Spirit, Trans and Queer Indigenous People About the Term Two-Spirit by Marie Laing A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of Social Justice Education Ontario Institute for Studies in Education University of Toronto © Copyright by Marie Laing 2018 Conversations with Young Two-Spirit, Trans and Queer Indigenous People About the Term Two-Spirit Marie Laing Master of Arts Department of Social Justice Education University of Toronto 2018 Abstract Since the coining of the term in 1990, two-spirit has been used with increasing frequency in reference to Indigenous LGBTQ people; however, there is rarely explicit discussion of to whom the term two-spirit refers. The word is often simultaneously used as both an umbrella term for all Indigenous people with complex genders or sexualities, and with the specific, literal understanding that two-spirit means someone who has two spirits. This thesis discusses findings from a series of qualitative interviews with young trans, queer and two-spirit Indigenous people living in Toronto. Exploring the ways in which participants understand the term two-spirit to be a meaningful and complex signifier for a range of ways of being in the world, this paper does not seek to define the term two-spirit; rather, following the direction of research participants, the thesis instead seeks to trouble the idea that articulating a definition of two-spirit is a worthwhile undertaking. ii Acknowledgments There are many people without whom I would not have been able to complete this research. Thank you to my supervisor, Dr. -
Aboriginal Two-Spirit and LGBTQ Mobility
Aboriginal Two-Spirit and LGBTQ Mobility: Meanings of Home, Community and Belonging in a Secondary Analysis of Qualitative Interviews by Lisa Passante A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfilment of the requirements of the degree of MASTER OF SOCIAL WORK University of Manitoba Winnipeg Copyright © 2012 by Lisa Passante ABORIGINAL TWO-SPIRIT & LGBTQ HOME, COMMUNITY, AND BELONGING Abstract This thesis reports on a secondary analysis of individual and focus group interviews from the Aboriginal Two-Spirit and LGBTQ Migration, Mobility and Health research project (Ristock, Zoccole, and Passante, 2010; Ristock, Zoccole, & Potskin, 2011). This was a community-based qualitative research project following Indigenous and feminist methods, involving two community Advisory Committees, and adopting research principles of Ownership Control Access and Possession (OCAP) (First Nations Centre, 2007). This analysis reviews data from 50 participants in Winnipeg and Vancouver and answers: How do Aboriginal Two-Spirit and LGBTQ people describe home, community and belonging in the context of migration, multiple identities, and in a positive framework focusing on wellbeing, strengths and resilience? Findings demonstrate how participants experience marginalization in both Aboriginal and gay communities. Their words illustrate factors such as safety required to facilitate positive identities, community building, belonging, and sense of home. For participants in this study home is a place where they can bring multiple identities, a geographical place, a physical or metaphorical space (with desired tone, feeling), and a quality of relationships. Community is about places, relationships, participation, and shared interests. Belonging is relational and interactive, feeling safe, accepted, and welcome to be yourself. -
Hip-Hop, Language, and Indigeneity in the Americas
CRS0010.1177/0896920515569916Critical SociologyNavarro 569916research-article2015 Article Critical Sociology 1 –15 WORD: Hip-Hop, Language, and © The Author(s) 2015 Reprints and permissions: Indigeneity in the Americas sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/0896920515569916 crs.sagepub.com Jenell Navarro California Polytechnic State University, San Luis Obispo, USA Abstract Indigenous hip-hop artists throughout the Americas are currently challenging cultural genocide and contemporary post-racial discourse by utilizing ancestral languages in hip-hop cultural production. While the effects of settler colonialism and white supremacy have been far-reaching genocidal projects throughout the Americas, one primary site of resistance has been language. Artists such as Tall Paul (Leech Lake Band of Ojibwe), Tolteka (Mexica), and Los Nin (Quecha), who rap in Ojibwe, Nahuatl, and Kichwa respectively, trouble the pervasive structure of U.S. cultural imperialism that persists throughout the Americas. As a result, Indigenous hip-hop is a medium to engage the process of decolonization by 1) disseminating a conscious pan-indigeneity through lyricism and alliance building, 2) retaining and teaching Indigenous languages in their songs, and 3) implementing a radical orality in their verses that revitalizes both Indigenous oral traditions/ storytelling and the early message rap of the 1970s and 1980s. Keywords decolonization, hip-hop, Indigenous language, Indigenous studies, post-racial Introduction When asserting the political importance of Indigenous hip-hop, it is important to begin by thinking about the context for the emergence of hip-hop music and culture in the late 1970s and early 1980s in the South Bronx. In the 1970s, the United States witnessed a reaction directly against the Civil Rights movements and the gains that it made for racial equality. -
"El Indio" Fernández: Myth, Mestizaje, and Modern Mexico
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2009-08-10 The Indigenismo of Emilio "El Indio" Fernández: Myth, Mestizaje, and Modern Mexico Mathew J. K. HILL Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Spanish and Portuguese Language and Literature Commons BYU ScholarsArchive Citation HILL, Mathew J. K., "The Indigenismo of Emilio "El Indio" Fernández: Myth, Mestizaje, and Modern Mexico" (2009). Theses and Dissertations. 1915. https://scholarsarchive.byu.edu/etd/1915 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. THE INDIGENISMO OF EMILIO “EL INDIO” FERNÁNDEZ: MYTH, MESTIZAJE, AND MODERN MEXICO by Matthew JK Hill A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of Spanish and Portuguese Brigham Young University December 2009 Copyright © 2009 Matthew JK Hill All Rights Reserved BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Matthew JK Hill This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. Date Douglas J. Weatherford, Chair Date Russell M. Cluff Date David Laraway BRIGHAM YOUNG UNIVERSITY As chair of the candidate’s graduate committee, I have read the thesis of Matthew JK Hill in its final form and have found that (1) its format, citations, and bibliographical style are consistent and acceptable and fulfill university and department style requirements; (2) its illustrative materials including figures, tables, and charts are in place; and (3) the final manuscript is satisfactory to the graduate committee and is ready for submission to the university library. -
Than Two-Spirit: Queer Indigenous Sovereignty and Survivance In
More Than Two-Spirit: Queer Indigenous Sovereignty and Survivance in Museums Caitlin S. Cooper A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2017 Committee: Kristine Morrissey, Chair Luana Ross Amanda Lock Swarr Qwo-Li Driskill Program authorized to offer degree: Museology © Copyright 2016 Caitlin S. Cooper Abstract The intention of this study was to identify ways museums represent Two-Spirit and queer Indigenous artists. This qualitative study included interviews with six Two-Spirit/queer Indigenous artists, using a phenomenological approach. Museums as cultural institutions built upon colonial ideals have the responsibility to amend museological authority that silence the voices of and refuse space to those that traverse intersectional identities. Two-Spirit artists examine the historical relationship of race, gender, and power as they pertain to material culture, contemporary self-expression, and art. Within this art they are Indigenizing Western academic spaces like museums, demanding accountability from institutions considered vessels of cultural knowledge. Findings suggest that curators’ willingness to listen, communicate, and engage in dialog is critical. The study also found that Two-Spirit artists’ work confronts heteronormativity by exhibiting shifts in gender roles across cultures and time and embodying the values of community organizing, storytelling, and survival. Acknowledgments I foremost want to recognize that I obtained my graduate education from the University of Washington, an institution built on the traditional lands belonging to the Coast Salish peoples of all tribes and bands within the Suquamish, Tulalip and Muckleshoot Nations. It is an honor to be a guest in this beautiful place, surrounded by the sacred knowledge and energy of your ancestors. -
The Making and Unmaking of Ethnic Boundaries: a Multilevel Process Theory1
The Making and Unmaking of Ethnic Boundaries: A Multilevel Process Theory1 Andreas Wimmer University of California, Los Angeles Primordialist and constructivist authors have debated the nature of ethnicity “as such” and therefore failed to explain why its charac- teristics vary so dramatically across cases, displaying different de- grees of social closure, political salience, cultural distinctiveness, and historical stability. The author introduces a multilevel process theory to understand how these characteristics are generated and trans- formed over time. The theory assumes that ethnic boundaries are the outcome of the classificatory struggles and negotiations between actors situated in a social field. Three characteristics of a field—the institutional order, distribution of power, and political networks— determine which actors will adopt which strategy of ethnic boundary making. The author then discusses the conditions under which these negotiations will lead to a shared understanding of the location and meaning of boundaries. The nature of this consensus explains the particular characteristics of an ethnic boundary. A final section iden- tifies endogenous and exogenous mechanisms of change. TOWARD A COMPARATIVE SOCIOLOGY OF ETHNIC BOUNDARIES Beyond Constructivism The comparative study of ethnicity rests firmly on the ground established by Fredrik Barth (1969b) in his well-known introduction to a collection 1 Various versions of this article were presented at UCLA’s Department of Sociology, the Institute for Migration Research and Intercultural Studies of the University of Osnabru¨ ck, Harvard’s Center for European Studies, the Center for Comparative Re- search of Yale University, the Association for the Study of Ethnicity at the London School of Economics, the Center for Ethnicity and Citizenship of the University of Bristol, the Department of Political Science and International Relations of University College Dublin, and the Department of Sociology of the University of Go¨ttingen. -
Indigenous Language Revitalization in Montana: Perspectives from Four Nations
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2003 Indigenous language revitalization in Montana: Perspectives from four nations Mary Groom-Hall The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Groom-Hall, Mary, "Indigenous language revitalization in Montana: Perspectives from four nations" (2003). Graduate Student Theses, Dissertations, & Professional Papers. 9458. https://scholarworks.umt.edu/etd/9458 This Dissertation is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University o f MONTANA Permission is granted by the author to reproduce this material in its entirety, provided that tin's material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission ^ No, I do not grant permission _____ Author's Signature Date S)2-V o3> Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. INDIGENOUS LANGUAGE REVITALIZATION IN MONTANA PERSPECTIVES FROM FOUR NATIONS Mary Groom Hall B.A. -
University of California Santa Cruz NO SOMOS ANIMALES
University of California Santa Cruz NO SOMOS ANIMALES: INDIGENOUS SURVIVAL AND PERSEVERANCE IN 19TH CENTURY SANTA CRUZ, CALIFORNIA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in HISTORY with emphases in AMERICAN STUDIES and LATIN AMERICAN & LATINO STUDIES by Martin Adam Rizzo September 2016 The Dissertation of Martin Adam Rizzo is approved: ________________________________ Professor Lisbeth Haas, Chair _________________________________ Professor Amy Lonetree _________________________________ Professor Matthew D. O’Hara ________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright ©by Martin Adam Rizzo 2016 Table of Contents List of Figures iv Abstract vii Acknowledgments ix Introduction 1 Chapter 1: “First were taken the children, and then the parents followed” 24 Chapter 2: “The diverse nations within the mission” 98 Chapter 3: “We are not animals” 165 Chapter 4: Captain Coleto and the Rise of the Yokuts 215 Chapter 5: ”Not finding anything else to appropriate...” 261 Chapter 6: “They won’t try to kill you if they think you’re already dead” 310 Conclusion 370 Appendix A: Indigenous Names 388 Bibliography 398 iii List of Figures 1.1: Indigenous tribal territories 33 1.2: Contemporary satellite view 36 1.3: Total number baptized by tribe 46 1.4: Approximation of Santa Cruz mountain tribal territories 48 1.5: Livestock reported near Mission Santa Cruz 75 1.6: Agricultural yields at Mission Santa Cruz by year 76 1.7: Baptisms by month, through -
Chicana/Os Disarticulating Euromestizaje By
(Dis)Claiming Mestizofilia: Chicana/os Disarticulating Euromestizaje By Agustín Palacios A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Laura E. Pérez, Chair Professor José Rabasa Professor Nelson Maldonado-Torres Universtiy of California, Berkeley Spring 2012 Copyright by Agustín Palacios, 2012 All Rights Reserved. Abstract (Dis)Claiming Mestizofilia: Chicana/os Disarticulating Euromestizaje by Agustín Palacios Doctor of Philosophy in Ethnic Studies University of California, Berkeley Professor Laura E. Pérez, Chair This dissertation investigates the development and contradictions of the discourse of mestizaje in its key Mexican ideologues and its revision by Mexican American or Chicana/o intellectuals. Great attention is given to tracing Mexico’s dominant conceptions of racial mixing, from Spanish colonization to Mexico’s post-Revolutionary period. Although mestizaje continues to be a constant point of reference in U.S. Latino/a discourse, not enough attention has been given to how this ideology has been complicit with white supremacy and the exclusion of indigenous people. Mestizofilia, the dominant mestizaje ideology formulated by white and mestizo elites after Mexico’s independence, proposed that racial mixing could be used as a way to “whiten” and homogenize the Mexican population, two characteristics deemed necessary for the creation of a strong national identity conducive to national progress. Mexican intellectuals like Vicente Riva Palacio, Andrés Molina Enríquez, José Vasconcelos and Manuel Gamio proposed the remaking of the Mexican population through state sponsored European immigration, racial mixing for indigenous people, and the implementation of public education as a way to assimilate the population into European culture. -
Beyond Empire and Nation (CS6)-2012.Indd 1 11-09-12 16:57 BEYOND EMPIRE and N ATION This Monograph Is a Publication of the Research Programme ‘Indonesia Across Orders
ISBN 978-90-6718-289-8 ISBN 978-90-6718-289-8 9 789067 182898 9 789067 182898 Beyond empire and nation (CS6)-2012.indd 1 11-09-12 16:57 BEYOND EMPIRE AND N ATION This monograph is a publication of the research programme ‘Indonesia across Orders. The reorganization of Indonesian society.’ The programme was realized by the Netherlands Institute for War Documentation (NIOD) and was supported by the Dutch Ministry of Health, Welfare and Sport. Published in this series by Boom, Amsterdam: - Hans Meijer, with the assistance of Margaret Leidelmeijer, Indische rekening; Indië, Nederland en de backpay-kwestie 1945-2005 (2005) - Peter Keppy, Sporen van vernieling; Oorlogsschade, roof en rechtsherstel in Indonesië 1940-1957 (2006) - Els Bogaerts en Remco Raben (eds), Van Indië tot Indonesië (2007) - Marije Plomp, De gentleman bandiet; Verhalen uit het leven en de literatuur, Nederlands-Indië/ Indonesië 1930-1960 (2008) - Remco Raben, De lange dekolonisatie van Indonesië (forthcoming) Published in this series by KITLV Press, Leiden: - J. Thomas Lindblad, Bridges to new business; The economic decolonization of Indonesia (2008) - Freek Colombijn, with the assistance of Martine Barwegen, Under construction; The politics of urban space and housing during the decolonization of Indonesia, 1930-1960 (2010) - Peter Keppy, The politics of redress; war damage compensation and restitution in Indonesia and the Philippines, 1940-1957 (2010) - J. Thomas Lindblad and Peter Post (eds), Indonesian economic decolonization in regional and international perspective (2009) In the same series will be published: - Robert Bridson Cribb, The origins of massacre in modern Indonesia; Legal orders, states of mind and reservoirs of violence, 1900-1965 - Ratna Saptari en Erwiza Erman (ed.), Menggapai keadilan; Politik dan pengalaman buruh dalam proses dekolonisasi, 1930-1965 - Bambang Purwanto et al. -
Fanon's Black Skin, White Masks on Race Consciousness by Carolyn
Fanon’s Black Skin, White Masks on Race Consciousness by Carolyn Cusick, Vanderbilt University Readers of Fanon’s Black Skin, White Masks often disagree about whether or not Fanon is arguing for or against the perpetuation of racial categories.1 One interpretation suggests that Fanon’s sociogenic analysis demonstrates the inevitability, if not the necessity, of racial categories. These readers, namely Kathryn Gines in “Fanon and Sartre 50 Years Later: To Retain or Reject the Concept of Race”2 focus on Chapter Five, “The Lived Experience of the Black.” Originally published as a response to Sartre’s “Black Orpheus,” Fanon’s essay introduced Léopold Senghor’s anthology of négritude poetry. In “Black Orpheus” Sartre claims that the négritude movement is essential for a new kind of humanism that will free us from racist thinking, free us from a world divided by race: The unity which will come eventually, bringing all oppressed peoples together in the same struggle, must be preceded in the colonies by what I shall call the moment of separation or negativity: this anti-racist racism is the only road that will lead to the abolition of racial differences.3 Fanon’s response is direct: “Jean-Paul Sartre, in this work, has destroyed black zeal. … I needed not to know. This struggle, this new decline had to take on an aspect of completeness.”4 Sartre’s declaring an end to racialism undermines the power of experiencing blackness positively; rendering it as a temporary move on the way to universal humanism makes it almost powerless. To succeed, négritude has to be able to be experienced as absolute. -
Cultural Nationalism E R I C Ta Y L O R Wo O D S, 2016
Cultural Nationalism E r i c Ta y l o r Wo o d s, 2016 INTRODUCTION Nationalism may involve the combination of culture and politics, but for many of its most prominent students, the former is subordinate to the latter. In this view, nationalist appeals to culture are a means to a political end; that is, the achievement of statehood. Hence, for Ernest Gellner (2006 [1983]: 124), culture is but an epiphenomenon, a ‘false- consciousness … hardly worth analyzing …’. For their part, Eric Hobsbawm and Terrence Ranger (1983) suggest that national traditions are ‘invented’ by elites concerned with the legitimization of state power. Similarly, John Breuilly (2006 [1982]: 11) defines national movements as ‘political movements … which seek to gain or exercise state power and justify their objectives in terms of nationalist doctrine’. A broadly similar characterization of nationalism can be found in the writings of many other esteemed scholars (Giddens, 1985; Laitin, 2007; Mann, 1995; Tilly, 1975). The privileging of politics over culture remains the dominant approach to understanding nationalism, but it is not without criticism. There is now a vast and rapidly growing body of literature insisting that the role of culture should be made more prominent. In opposition to the argument that nationalist appeals to culture are but an exercise in legitimation, this body of literature suggests that they can be ends unto themselves. This latter phenomenon, generally referred to as cultural nationalism, is the subject of this chapter. The chapter proceeds as follows. I begin with the definition and history of cultural nationalism before discussing several key themes in its study.