DISTURBING INNOCENCE Curated by Eric Fischl
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
One of a Kind, Unique Artist's Books Heide
ONE OF A KIND ONE OF A KIND Unique Artist’s Books curated by Heide Hatry Pierre Menard Gallery Cambridge, MA 2011 ConTenTS © 2011, Pierre Menard Gallery Foreword 10 Arrow Street, Cambridge, MA 02138 by John Wronoski 6 Paul* M. Kaestner 74 617 868 20033 / www.pierremenardgallery.com Kahn & Selesnick 78 Editing: Heide Hatry Curator’s Statement Ulrich Klieber 66 Design: Heide Hatry, Joanna Seitz by Heide Hatry 7 Bill Knott 82 All images © the artist Bodo Korsig 84 Foreword © 2011 John Wronoski The Artist’s Book: Rich Kostelanetz 88 Curator’s Statement © 2011 Heide Hatry A Matter of Self-Reflection Christina Kruse 90 The Artist’s Book: A Matter of Self-Reflection © 2011 Thyrza Nichols Goodeve by Thyrza Nichols Goodeve 8 Andrea Lange 92 All rights reserved Nick Lawrence 94 No part of this catalogue Jean-Jacques Lebel 96 may be reproduced in any form Roberta Allen 18 Gregg LeFevre 98 by electronic or mechanical means, including photocopying, recording, or information storage retrieval Tatjana Bergelt 20 Annette Lemieux 100 without permission in writing from the publisher Elena Berriolo 24 Stephen Lipman 102 Star Black 26 Larry Miller 104 Christine Bofinger 28 Kate Millett 108 Curator’s Acknowledgements Dianne Bowen 30 Roberta Paul 110 My deepest gratitude belongs to Pierre Menard Gallery, the most generous gallery I’ve ever worked with Ian Boyden 32 Jim Peters 112 Dove Bradshaw 36 Raquel Rabinovich 116 I want to acknowledge the writers who have contributed text for the artist’s books Eli Brown 38 Aviva Rahmani 118 Jorge Accame, Walter Abish, Samuel Beckett, Paul Celan, Max Frisch, Sam Hamill, Friedrich Hoelderin, John Keats, Robert Kelly Inge Bruggeman 40 Osmo Rauhala 120 Andreas Koziol, Stéphane Mallarmé, Herbert Niemann, Johann P. -
FOR IMMEDIATE RELEASE DAVID LEVINTHAL: Barbie!
FOR IMMEDIATE RELEASE DAVID LEVINTHAL: Barbie! February 28 – April 11, 2009 Reception: Saturday, February 28, 5-7pm Artist Talk: Friday, March 6th at 11am In honor of the iconic doll’s 50th birthday, GERING & LóPEZ GALLERY presents Barbie!, an exhibition of large-format Polaroids by acclaimed photographer David Levinthal. The subjects of these photographs are not toys but rather representations of popular culture, as Levinthal seeks to explore the subliminal effects of the Barbie doll image on the American collective subconscious. A familiar and often polarizing image, the Barbie doll has served as a figure of the idealized female form and the quintessence of glamour as well as a taboo symbol of the oppressive currents in society that have affected generations of American youths. Mattel first manufactured Barbie fifty years ago after the conclusion of World War II, a time when couture houses boomed in France after the ending of wartime restrictions. The Barbie dolls in the photographs featured in this exhibition lack the populist sentiments that later models displayed, instead reflecting a microcosm of mid-century American life inhabited by predominantly white, upper-middle class women. A far subtler series than others in Levinthal’s oeuvre, these unbiased society portraits allow viewers to form their own interpretations of the impact of Barbie’s image on American popular culture. Appropriately, the exhibition is located on Fifth Avenue mere blocks away from both Bergdorf Goodman and F.A.O. Schwartz, titans of haute couture and children’s luxury items, in one of Manhattan’s most highly trafficked shopping areas. Couched in the style of early high fashion photographers such as Irving Penn and Richard Avedon, these dolls showcase the height of post-war fashion from 1959 to the early 1970s. -
Hergé and Tintin
Hergé and Tintin PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Fri, 20 Jan 2012 15:32:26 UTC Contents Articles Hergé 1 Hergé 1 The Adventures of Tintin 11 The Adventures of Tintin 11 Tintin in the Land of the Soviets 30 Tintin in the Congo 37 Tintin in America 44 Cigars of the Pharaoh 47 The Blue Lotus 53 The Broken Ear 58 The Black Island 63 King Ottokar's Sceptre 68 The Crab with the Golden Claws 73 The Shooting Star 76 The Secret of the Unicorn 80 Red Rackham's Treasure 85 The Seven Crystal Balls 90 Prisoners of the Sun 94 Land of Black Gold 97 Destination Moon 102 Explorers on the Moon 105 The Calculus Affair 110 The Red Sea Sharks 114 Tintin in Tibet 118 The Castafiore Emerald 124 Flight 714 126 Tintin and the Picaros 129 Tintin and Alph-Art 132 Publications of Tintin 137 Le Petit Vingtième 137 Le Soir 140 Tintin magazine 141 Casterman 146 Methuen Publishing 147 Tintin characters 150 List of characters 150 Captain Haddock 170 Professor Calculus 173 Thomson and Thompson 177 Rastapopoulos 180 Bianca Castafiore 182 Chang Chong-Chen 184 Nestor 187 Locations in Tintin 188 Settings in The Adventures of Tintin 188 Borduria 192 Bordurian 194 Marlinspike Hall 196 San Theodoros 198 Syldavia 202 Syldavian 207 Tintin in other media 212 Tintin books, films, and media 212 Tintin on postage stamps 216 Tintin coins 217 Books featuring Tintin 218 Tintin's Travel Diaries 218 Tintin television series 219 Hergé's Adventures of Tintin 219 The Adventures of Tintin 222 Tintin films -
George Eastman Museum Annual Report 2016
George Eastman Museum Annual Report 2016 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 9 Photography Workshops 10 Loans 11 Objects Loaned for Exhibitions 11 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 22 Technology 23 George Eastman Legacy 24 Purchases for the Collections 29 Photography 29 Technology 30 Conservation & Preservation 31 Conservation 31 Photography 31 Moving Image 36 Technology 36 George Eastman Legacy 36 Richard & Ronay Menschel Library 36 Preservation 37 Moving Image 37 Financial 38 Treasurer’s Report 38 Fundraising 40 Members 40 Corporate Members 43 Matching Gift Companies 43 Annual Campaign 43 Designated Giving 45 Honor & Memorial Gifts 46 Planned Giving 46 Trustees, Advisors & Staff 47 Board of Trustees 47 George Eastman Museum Staff 48 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2016. Alvin Langdon Coburn Sight Reading: ONGOING Curated by Pamela G. Roberts and organized for Photography and the Legible World From the Camera Obscura to the the George Eastman Museum by Lisa Hostetler, Curated by Lisa Hostetler, Curator in Charge, Revolutionary Kodak Curator in Charge, Department of Photography Department of Photography, and Joel Smith, Curated by Todd Gustavson, Curator, Technology Main Galleries Richard L. Menschel -
George Eastman Museum Annual Report 2018
George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita -
A Curriculum Guide
FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE This page is an excerpt from Focus on Photography: A Curriculum Guide Written by Cynthia Way for the International Center of Photography © 2006 International Center of Photography All rights reserved. Published by the International Center of Photography, New York. Printed in the United States of America. Please credit the International Center of Photography on all reproductions. This project has been made possible with generous support from Andrew and Marina Lewin, the GE Fund, and public funds from the New York City Department of Cultural Affairs Cultural Challenge Program. FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE PART IV Resources FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE This section is an excerpt from Focus on Photography: A Curriculum Guide Written by Cynthia Way for the International Center of Photography © 2006 International Center of Photography All rights reserved. Published by the International Center of Photography, New York. Printed in the United States of America. Please credit the International Center of Photography on all reproductions. This project has been made possible with generous support from Andrew and Marina Lewin, the GE Fund, and public funds from the New York City Department of Cultural Affairs Cultural Challenge Program. FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE Focus Lesson Plans Fand Actvities INDEX TO FOCUS LINKS Focus Links Lesson Plans Focus Link 1 LESSON 1: Introductory Polaroid Exercises Focus Link 2 LESSON 2: Camera as a Tool Focus Link 3 LESSON 3: Photographic Field -
The Cindy Sherman Effect
*FE Cindy Sherman Feb 2012_2008 FEATURE TEMPLATE 1/4/12 5:39 PM Page 2 LEFT Cindy Sherman, Untitled Film Still #7 , 1978. OPPOSITE Cindy Sherman, Untitled #474 , 2008. The Cindy Sherman Effect BY INVENTING HER OWN GENRE, CINDY SHERMAN HAS INFLUENCED THE WAY GENERATIONS OF ARTISTS THINK ABOUT PHOTOGRAPHY, PORTRAITURE, NARRATIVE, AND IDENTITY BY PHOEBE HOBAN K R O Y W E N , S E Starting with the game-changing black-and-white “Untitled Film Stills” she created in R U T C the late 1970s, Cindy Sherman has shown herself to be the ultimate master of self-morphing, utilizing I P O everything from old-fashioned makeup and prosthetics to digital technology, inventing and portraying R T E extraordinary alter egos and multiple identities that brilliantly reflect our image-saturated culture—and M D N in the process inventing her own genre. A T S I Call it the Cindy Sherman effect. Whether it’s those iconic stills of faux cinema moments or her more T R A recent scary-funny clown series, the tragicomic coven of aging society women or the larger-than-life E H T Y S E Phoebe Hoban is a New York –based writer who covers art and culture for a variety of publications. Her biography T R U O Alice Neel: The Art of Not Sitting Pretty was published by St. Martin’s Press in 2010. C 76 February 2012 ARTnews *FE Cindy Sherman Feb 2012_2008 FEATURE TEMPLATE 1/4/12 5:39 PM Page 4 ABOVE Ryan Trecartin, P.opular S.ky (section ish) , 2009, HD-video still. -
Shared Visions Thoughts and Experiences in Social Arts Practice
Shared Visions Thoughts and Experiences in Social Arts Practice Merrill • Powers • Rehagen 2nd Edition Copyright © 2018 Chameleon Press All rights reserved. No part of this book may be reproduced or used in any form or by any means, electronic or mechanical, including means of photocopying or recording, or by any information storage or retrieval system, without written permission from the publisher and copyright holders except for purposes of reviewing the book. Chameleon Press Kansas City, MO www.chameleonartskc.org First Edition, 2014 Second Edition, 2018 ISBN: 9780999022214 Library of Congress Control Number: 2018932273 Cover: Haley Hatch and Chameleon Arts, Ghost Drawing, Emmanuel’s Community Center, Kansas City, Missouri, 2013. All images in book courtesy of Chameleon photo archives, unless otherwise noted. Acknowledgments Chameleon Arts would like to thank all of our dedicated artists, the poets who have spoken for justice, the young people we have served with arts programming, and the many schools and social agencies with whom we have worked. We had no idea 24 years ago that the agency would have helped so many people of varied circumstances and communities. We are humbled by our past history and lifted up by the opportunities of the present and future. None of this work would have been possible without the help of many foundations and organizations who understand the importance of art in creating positive social change. We wish to thank these supporters: The National Endowment for the Arts, the Missouri Arts Council, the ArtsKC Regional Arts Council, the R.A Long Foundation, Francis Family Foundation, Lawrence A. and Joan S. -
Beautiful Beast
NEW YORK ACADEMY OF ART PRESENTS BEAUTIFUL BEAST January 27 – March 8, 2015 Opening Reception: Tuesday, January 27 from 6:00 to 8:00pm New York, NY, November 20, 2014 – The New York Academy of Art is pleased to announce “Beautiful Beast,” a group exhibition of 16 acclaimed sculptors. This dynamic and interdisciplinary show explores the relationship between beauty and abjection through the lens of the grotesque with works by Barry X Ball, Monica Cook, Gehard Demetz, Lesley Dill, Richard Dupont, Eric Fischl, Judy Fox, Folkert de Jong, Elizabeth King, Mark Mennin, Evan Penny, Patricia Piccinini, Rona Pondick, Jeanne Silverthorne, Kiki Smith and Robert Taplin. Opening with a reception on Tuesday, January 27 from 6 to 8pm, the exhibition will remain on view through March 8 at New York Academy of Art, 111 Franklin Street in Tribeca. Connected by their use of distortion to create fearless depictions of humanity, the work of “Beautiful Beast” runs the gamut of human emotion, often teetering towards the uncanny. Highlighting a wide range of work made over the past 20 years, the exhibition encompasses a variety of materials including foam, wood, steel and digital projections. In her new work created for “Beautiful Beast,” Monica Cook fabricates distorted figures out of disposable, but still haunting materials while Mark Mennin debuts a human-chicken hybrid out of flesh-colored Portuguese marble. This paradox using finely crafted materials and debased materials to address horrific imagery is further echoed throughout the exhibition. Ball X Ball’s work uses Mexican onyx to create corroded images of Renaissance masterpieces. Gehard Demetz’s finely crafted wooden sculptures present isolated figures whose desperation is implied through the use of empty drawers. -
Ingrid Bengis Mario Benedetti Mona Bergenfeld ^ /Id Bergelson H
INGRID BENGIS MARIO BENEDETTI MONA BERGENFELD ^ /ID BERGELSON H. BUSTOS DOMECQ STEPHEN DIXON rcdSBERTO HERNÁNDEZ CARLOS MARTINEZ MORENO JUAN CARLOS ONETTI JOYCE CAROL OATES FREDERIC TUTEN H. BUSTOS DOMECQ 2 Monsterfest FELISBERTO HERNÁNDEZ 5 The Crocodile CARLOS MARTÍNEZ MORENO 9 The Wreath on the Door MARIO BENEDETTI 12 The Inartes JUAN CARLOS ONETTI 14 Junta, the Bodysnatcher MONA BERGENFELD 16 Fruit for the Funeral JOYCE CAROL OATES 17 Sunday Blues FREDERIC TUTEN 21 The Tump kins Square Park Tales INGRID BENGIS 22 The Woman and the Child STEPHEN DIXON 23 The Intruder DO VID BERGELSON 25 Joseph Shorr ALFRED ANDERSCH 30 The Windward Islands cFICTION^ EDITOR Markjay Mirsky SENIOR EDITOR Faith Sale EXECUTIVE EDITOR Jerome Charyn MANAGING EDITOR Edward Mooney COPY EDITOR Roger Kasunic EDITORIAL ASSOCIATES Linsey Abrams .Jennifer Gerard, Marianne DeKoven, Ed Norvell, Donna Wintergreen, Margaret Wolf, Norman Filzman EUROPEAN EDITOR Marianne Frisch GUEST EDITORS Suzanne Jill Levine, Emir Rodriguez Monegal CONSULTING EDITORS Louis Asekoff, Carole Cook LAYOUT Inger Grytting COVER House o f the Arias Twins by Fernando Botero. Private collection, New York Photograph courtesy Marlborough Gallery, New York Copyright ©1976 by Fiction, Inc., c/o Department of English, The City College of New York, New York, N.Y. 10031. Volume Five, Number One. All rights reserved. Unsolicited manuscripts will not be returned unless accompanied by self-addressed, stamped envelopes. Advertising cannot be accepted until further notice. Address all busi ness inquiries, art work, and unsolicited manuscripts to Fiction, c/o Department of English, The City College of New York, New York, N.Y. 10031. Telephone (212) 690-8170. -
The FLAG Art Foundation Presents New Exhibition: “Attention To
The FLAG Art Foundation Pre sents New Exhibition: “Attention to Detail” The FLAG Art Foundation is pleased to announce its inaugural ex hibition, "Attention to Detail." Curated by renowned contemporary artist Chuck Close, the show includes work from a wide range of both established and emerging artists: Louise Bourgeois Brice Marden Delia Brown Tony Matelli Glenn Brown Ron Mueck Maurizio Cattelan Richard Patterson Vija Celmins Richard Pettibone Jennifer Dalton Elizabeth Peyton Thomas Demand Richard Phillips Tara Donovan Marc Quinn Olafur Eliasson Alessandro Raho Dan Fischer Gerhard Richter Tom Friedman Aaron Romine Ellen Gallagher Ed Ruscha Tim Gardner Cindy Sherman Franz Gertsch James Siena Ewan Gibbs Ken Solomon Robert Gober Thomas Struth Andreas Gursky Tomoaki Suzuki Damien Hirst Yuken Teruya Jim Hodges Fred Tomaselli Naoto Kawahara Jim Torok Ellsworth Kelly Mark Wagner Cary Kwok Rachel Whiteread Robert Lazzarini Fred Wilson Graham Little Steve Wolfe Christian Marclay Lisa Yuskavage Whether it is through conceptual or technical precision, the deceptively lifelik e nature of a hand-crafted image, a playful interpretation or distortion of a familiar object or the detailed appropriation of another artist's work, an acute focus on the minute connects these works and these artists’ approaches. These artists demonstrate a labor-intensive and exacting artistic passion in their respective processes. As Chuck Close fittingly reflects with respect to his own work, "I am going for a level of perfection that is only mine...Most of the pleas ure is in getting the last little piece perfect." Chuck Close (b. 1940, Monroe, WA) received his B.A. from the University of Washington, Seattle before studying at Yale University School of Art and Architecture (B.F.A., 1963; M.F.A. -
Vernon Fisher
Vernon Fisher 1943 Born, Fort Worth, TX EDUCATION 1967 BA, Hardin-Simmons University, Abilene, TX 1969 MFA, University of Illinois, Champaign, IL TEACHING 1978-2006 Regents Professor of Art Emeritus, University of North Texas, Denton, TX 1969-1978 Associate Professor of Art, Austin College, Sherman, TX AWARDS 1995 John Simon Guggenheim Fellowship 1992 Distinguished Teaching of Art Award, College Art Association 1988 Awards in the Visual Arts, Southeastern Center for Contemporary Art 1984 Louis Comfort Tiffany Foundation 1981-82 National Endowment for the Arts Individual Artist’s Fellowship 1980-81 National Endowment for the Arts Individual Artist’s Fellowship 1974-75 National Endowment for the Arts Individual Artist’s Fellowship 1968-69 University Fellow in Art, University of Illinois 1967-68 University Fellow in Art, University of Illinois SOLO EXHIBITIONS 2016 Distant Voices in a Foreign Language, Arthur Roger Gallery, New Orleans, LA 2015 Vernon Fisher: 1977–2015, Mark Moore Gallery, Culver City, CA Lifting Weights in Space, Zolla Lieberman Gallery, Chicago, IL 2014 Faces, Hiram Butler Gallery, Houston, TX 2013 The Long Road to Nowhere, Mark Moore Gallery, Culver City, CA Flaubert’s parrot Schrodinger’s cat hey look monkeys throwing shit, Talley Dunn Gallery, Dallas, TX 2011 Vernon Fisher 1989-1999, Dunn and Brown Contemporary, Dallas, TX 2010 K-Mart Conceptualism, Modern Art Museum of Fort Worth, Fort Worth, TX Vernon Fisher, Devin Borden Hiram Butler Gallery, Houston, TX 2009 Dead Reckoning, Dallas Contemporary, Dallas, TX 2008 Descent