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Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
Download Press Notes
Strand Releasing presents LION’S DEN A film by PABLO TRAPERO Official Competition, Cannes Film Festival 2008 Official Selection, Toronto Film Festival 2008 Country of Origin: Argentina/In Spanish with English Subtitles Shooting format: Super 35mm / Color Aspect Ratio: 2:35 Sound: Dolby SRD Running Time: 113 minutes LA/National Publicity: Michael Berlin / Marcus Hu Strand Releasing phone: (310) 836-7500 fax: (310) 836-7500 [email protected] [email protected] Please download photos from our website: http://extranet.strandreleasing.com/login.aspx Synopsis Julia wakes up in her apartment, surrounded by the bloody corpses of Ramiro and Nahuel. Ramiro is still alive; Nahuel is dead. Both have been, obscure and simultaneously, her lovers and one made Julia pregnant. Julia is sent to a prison housing mothers and pregnant inmates. There she spends her first days absorbed and aloof. Two characters enter her life. One is Marta, a fellow inmate who has reared two children in prison and who becomes her guide and counselor; the other is Sofía, Julia’s own mother, an ambiguous character who Julia meets up with again after many years. Sofía attempts to repair the mistakes of the past; she helps her daughter, gets her a good lawyer, sends her baby clothes, and slowly reestablishes her relationship with Julia. The legal case involving the death of Nahuel, has two possible guilty parties: Julia and Ramiro, both in prison in different penitentiaries. Their testimonies are contradictory, one incriminating the other. The child is born, a baby boy whose name is Tomás. Bringing up a child in prison is difficult. -
Herodotus, Xerxes and the Persian Wars IAN PLANT, DEPARTMENT of ANCIENT HISTORY
Herodotus, Xerxes and the Persian Wars IAN PLANT, DEPARTMENT OF ANCIENT HISTORY Xerxes: Xerxes’ tomb at Naqsh-i-Rustam Herodotus: 2nd century AD: found in Egypt. A Roman copy of a Greek original from the first half of the 4th century BC. Met. Museum New York 91.8 History looking at the evidence • Our understanding of the past filtered through our present • What happened? • Why did it happen? • How can we know? • Key focus is on information • Critical collection of information (what is relevant?) • Critical evaluation of information (what is reliable?) • Critical questioning of information (what questions need to be asked?) • These are essential transferable skills in the Information Age • Let’s look at some examples from Herodotus’ history of the Persian invasion of Greece in 480 BC • Is the evidence from: ― Primary sources: original sources; close to origin of information. ― Secondary sources: sources which cite, comment on or build upon primary sources. ― Tertiary source: cites only secondary sources; does not look at primary sources. • Is it the evidence : ― Reliable; relevant ― Have I analysed it critically? Herodotus: the problem… Succession of Xerxes 7.3 While Darius delayed making his decision [about his successor], it chanced that at this time Demaratus son of Ariston had come up to Susa, in voluntary exile from Lacedaemonia after he had lost the kingship of Sparta. [2] Learning of the contention between the sons of Darius, this man, as the story goes, came and advised Xerxes to add this to what he said: that he had been born when Darius was already king and ruler of Persia, but Artobazanes when Darius was yet a subject; [3] therefore it was neither reasonable nor just that anyone should have the royal privilege before him. -
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6 Li Volume 3, Issue 16 0 1 0 August 21 - September 3, 1986 ANIMINC't A ik3L___ 4111 11114 - ' i ) :... - Friday, Aug. 29 & Saturday, Aug. 30 MILWAUKEE'S FINEST VIDEO DISCO 11.0. 14r•a- : c Sunday, Aug. 31 (3:30am closing) _ SUNDAY MADNESS, PLUS! $1 Door Charge, 75 Rail & Giant Tappers Win the LAST MOTOR SCOOTER (Drawing at 2am) I "MR SAFE SEX" CONTEST & SHOW 11pm Guest MC, Stars and Dancers ...._ Over $300 in Prizes + sponsorship to Pageant Categories: Swim Suit + Description of "Erotic" Safe Sex (Contestant sign-up at La Cage through Sat. 8/30) -.., Monday, Sept. 1st, LABOR DAY SEE YOU ALL AT M.A.P. FEST '86 The Community Event of the Year! Page 2 • August 21 - September 3, 1986 • InStep 63 IN STEP PUBLISHER & EDITOR Staff cartoonist Tom Rezza created this Ron Geiman issues cover to salute and commemorate the American Women in t -le work place. AIDE-de-"CAMP" Joe Koch COLUMNISTS Ken Kurtz Kevin Michael W.W. Wells III Note: Dan Brown Dee Dailey Carl Ohly Deadline for the next issue CARTOONIST Issue 17 Wisconsin's gay/lesbian bi-weekly Tom Rezza the September 4th Issue is 5pm, August 27th PHOTOGRAPHY Call our office at 931-8115 for any other Carl Ohly information. Business Owners . • GRAFFITTI EDITOR Events occuring after August 14th are not in Katie this issue. TYPESETTING C i X . I. D.S. If you've never advertised in INSTEP, you Alpha Composition HOTLINES just may be pleasantly suprised at the results. AD REPRESENTATIVE TOLL FREE Ron Geiman mit. -
180917 BIFF Katalog Klein V15.Pdf
BRAUNSCHWEIG 05. – 11. NOVEMBER 2018 INTERNATIONAL FILM FESTIVAL 8 www.filmfest-braunschweig.de 1 0 2 L A V I T S E F M L I F L A N O I T A N R E T N I G I E W H C S BRAUNSCHWEIG N U A INTERNATIONAL R B 32 FILM FESTIVAL 32 Alfred Hitchcock 2001 M Marlene M Dietrich 2006 2006 ClintC EastwoodC 2011 2011 Whoopi Goldberg 2016 Audrey 2002Tautou 2002 Sean S Connery 2007 2007 2007 Isabella IRossellini 2012 2012 Nina Hoss 2017 C Charly Chaplin 2003 A Audrey A Hepburn 2008 2008 Michael CaineM 2013 2013 Sandrine Bonnaire 2018 Catherine Deneuve 2004 2004 2004 P Paul Newman 2009 2009 2009 NatalieN Portman 2014 2014 J J Johnny 2005 Depp 2005 2005 R Romy R Schneider 2010 2010 2010 Daniel Craig 2015 2 2 1 1 19:29 BRAUNSCHWEIG INTERNATIONAL FILMFESTIVAL INHALT CONTENT 4 Dank / Acknowledgements Vorstand Internationales Filmfestival Braunschweig e.V. Edgar Merkel (1. Vorsitzender), Thorsten Rinke (2. Vorsitzender), Rayk Fenske (Kassenwart), Beate Neigenfind (Schriftführerin), Florence Houdin (Beisitzerin), Evelyn Drewes (Beisitzerin) 5 Unsere Sponsoren / Our Sponsors Festivaldirektor Michael P. Aust Assistenz der Festivaldirektion/Programm Management Karina Gauerhof 6 Grußworte / Greetings Leitung Festivalorganisation Imke Poeschel 9 Die „Europa” für Sandrine Bonnaire / European Actors Award for Sandrine Bonnaire Guestmanagement India von Löwis of Menar 14 Preise des Braunschweig International Film Festival / Prices of the Braunschweig International Film Festival Finanzen Anja Hinderer, Angelika Hoffmann (Mitarbeit) Sponsorenbetreuung Frank Terhorst, Edgar Merkel, Thorsten Rinke, Marc-Aurel Jensen 15 Jurys / Juries Leitung Presse- und Öffentlichkeitsarbeit Frank Terhorst 19 Wettbewerb „Der Heinrich” / Competition “Der Heinrich” Assistenz Presse- und Öffentlichkeitsarbeit Julia Rutkovska 27 Neues Internationales Kino / New International Cinema Filmvermittlung Kristina Schippling Ticketing Sarah Schygulla 35 Prime Time PraktikantInnen Clara Hense, Jessica Gotschlich, Marlene Kaiser, Viktoria Maillard 39 Beyond: No Surrender. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
Academy Invites 774 to Membership
MEDIA CONTACT [email protected] June 28, 2017 FOR IMMEDIATE RELEASE ACADEMY INVITES 774 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 774 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2017. 30 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2017 invitees are: Actors Riz Ahmed – “Rogue One: A Star Wars Story,” “Nightcrawler” Debbie Allen – “Fame,” “Ragtime” Elena Anaya – “Wonder Woman,” “The Skin I Live In” Aishwarya Rai Bachchan – “Jodhaa Akbar,” “Devdas” Amitabh Bachchan – “The Great Gatsby,” “Kabhi Khushi Kabhie Gham…” Monica Bellucci – “Spectre,” “Bram Stoker’s Dracula” Gil Birmingham – “Hell or High Water,” “Twilight” series Nazanin Boniadi – “Ben-Hur,” “Iron Man” Daniel Brühl – “The Zookeeper’s Wife,” “Inglourious Basterds” Maggie Cheung – “Hero,” “In the Mood for Love” John Cho – “Star Trek” series, “Harold & Kumar” series Priyanka Chopra – “Baywatch,” “Barfi!” Matt Craven – “X-Men: First Class,” “A Few Good Men” Terry Crews – “The Expendables” series, “Draft Day” Warwick Davis – “Rogue One: A Star Wars Story,” “Harry Potter” series Colman Domingo – “The Birth of a Nation,” “Selma” Adam -
87Th Academy Awards Reminder List
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 87TH ACADEMY AWARDS ABOUT LAST NIGHT Actors: Kevin Hart. Michael Ealy. Christopher McDonald. Adam Rodriguez. Joe Lo Truglio. Terrell Owens. David Greenman. Bryan Callen. Paul Quinn. James McAndrew. Actresses: Regina Hall. Joy Bryant. Paula Patton. Catherine Shu. Hailey Boyle. Selita Ebanks. Jessica Lu. Krystal Harris. Kristin Slaysman. Tracey Graves. ABUSE OF WEAKNESS Actors: Kool Shen. Christophe Sermet. Ronald Leclercq. Actresses: Isabelle Huppert. Laurence Ursino. ADDICTED Actors: Boris Kodjoe. Tyson Beckford. William Levy. Actresses: Sharon Leal. Tasha Smith. Emayatzy Corinealdi. Kat Graham. AGE OF UPRISING: THE LEGEND OF MICHAEL KOHLHAAS Actors: Mads Mikkelsen. David Kross. Bruno Ganz. Denis Lavant. Paul Bartel. David Bennent. Swann Arlaud. Actresses: Mélusine Mayance. Delphine Chuillot. Roxane Duran. ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY Actors: Steve Carell. Ed Oxenbould. Dylan Minnette. Mekai Matthew Curtis. Lincoln Melcher. Reese Hartwig. Alex Desert. Rizwan Manji. Burn Gorman. Eric Edelstein. Actresses: Jennifer Garner. Kerris Dorsey. Jennifer Coolidge. Megan Mullally. Bella Thorne. Mary Mouser. Sidney Fullmer. Elise Vargas. Zoey Vargas. Toni Trucks. THE AMAZING CATFISH Actors: Alejandro Ramírez-Muñoz. Actresses: Ximena Ayala. Lisa Owen. Sonia Franco. Wendy Guillén. Andrea Baeza. THE AMAZING SPIDER-MAN 2 Actors: Andrew Garfield. Jamie Foxx. Dane DeHaan. Colm Feore. Paul Giamatti. Campbell Scott. Marton Csokas. Louis Cancelmi. Max Charles. Actresses: Emma Stone. Felicity Jones. Sally Field. Embeth Davidtz. AMERICAN REVOLUTIONARY: THE EVOLUTION OF GRACE LEE BOGGS 87th Academy Awards Page 1 of 34 AMERICAN SNIPER Actors: Bradley Cooper. Luke Grimes. Jake McDorman. Cory Hardrict. Kevin Lacz. Navid Negahban. Keir O'Donnell. Troy Vincent. Brandon Salgado-Telis. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
Estratégias Estéticas Em Comerciais De Perfumes Dirigidos Por Cineastas
Estratégias estéticas em comerciais de perfumes dirigidos por cineastas Estrategias estéticas em anuncios de perfumes dirigidos por cineastas Aesthetic strategies in perfume publicity pieces directed by filmmakers GUIMARÃES GUIMARÃES Recebido em: 1 out. 2011 Aceito em: 17 dez. 2011 Denise Azevedo Duarte Duarte Azevedo Denise – Brasil Paraná Tuiuti do Universidade Denise Azevedo Duarte Guimarães é docente do Programa de Pós-graduação em Comunicação e Linguagens da Universidade Tuiuti do Paraná; professora aposentada e doutora em Estudos Literários pela Universidade Federal do Paraná. Contato: [email protected] Revista Comunicação Midiática , v.6, n.3, p.71-90, set./dez. 2011 72 RESUMO O artigo aborda anúncios de perfumes dirigidos por cineastas famosos, sob o viés de recursos estilísticos e estéticos, bem como das estratégias persuasivas comuns aos mesmos. Com aporte em teorias do cinema, do audiovisual e da publicidade, a investigação utiliza-se da semiótica de Peirce, como também das obras de Umberto Eco, Renato Barilli, entre outros. Duas peças publicitárias recentes são cotejadas e analisadas: o curta-metragem Chanel n. 5 , dirigido por Baz Luhrmann (2004), no qual Nicole Kidman contracena com Rodrigo Santoro, e o comercial Gucci Guilty , dirigido por Frank Miller (2010), com Rachel Wood e Chris Evans. Palavras-chave: televisão e cinema; publicidade; perfumes; estética. RESUMEN El artículo propone enfocar anuncios de perfumes dirigidos por cineastas conocidos, bajo la perspectiva de las funciones estilísticas y estéticas, con énfasis en las estrategias persuasivas que les sean comunes. Con el apoyo de las teorías del cine, del audiovisual e de la publicidad, la investigación utiliza la semiótica de Peirce, así como los escritos de Umberto Eco e Renato Barilli, entre otros estudiosos del tema. -
LIONS GATE ENTERTAINMENT CORP. (Exact Name of Registrant As Specified in Its Charter)
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-K (Mark One) ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2012 or TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File No.: 1-14880 LIONS GATE ENTERTAINMENT CORP. (Exact name of registrant as specified in its charter) British Columbia, Canada N/A (State or Other Jurisdiction of (I.R.S. Employer Incorporation or Organization) Identification No.) 1055 West Hastings Street, Suite 2200 2700 Colorado Avenue, Suite 200 Vancouver, British Columbia V6E 2E9 Santa Monica, California 90404 (877) 848-3866 (310) 449-9200 (Address of Principal Executive Offices, Zip Code) Registrant’s telephone number, including area code: (877) 848-3866 Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on Which Registered Common Shares, without par value New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None ___________________________________________________________ Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or Section 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Freemuse-The-State-Of-Artistic-Freedom
THE STATE OF ARTISTIC FREEDOM 2018 FREEMUSE THE STATE OF ARTISTIC FREEDOM 2018 1 Freemuse is an independent international organisation advocating for and defending freedom of artistic expression. We believe that at the heart of violations of artistic freedom is the effort to silence opposing or less preferred views and values by those in power – politically, religiously or societally – mostly due to fear of their transformative effect. With this assumption, we can address root causes rather than just symptoms – if we hold violators accountable. Our approach to artistic freedom is human rights-based as it provides an international legal framework and lays out the principles of accountability, equality and non-discrimination, and participation. ©2018 Freemuse. All rights reserved. ISSN 2596-5190 Design: www.NickPurser.com Infographics: sinnwerkstatt Medienagentur Author: Srirak Plipat Research team: Dwayne Mamo, David Herrera, Ayodele Ganiu, Jasmina Lazovic, Paige Collings, Kaja Ciosek and Joann Caloz Michaëlis Freemuse would like to thank Sara Wyatt, Deji Olatoye, Andra Matei, Sarah Hossain, Shaheen Buneri, Irina Aksenova and Magnus Ag for their review, research assistance and feedback. Every effort has been made to verify the accuracy of the information contained in this report. All information was believed to be correct as of February 2018. Nevertheless, Freemuse cannot accept responsibility for the consequences of its use for other purposes or in other contexts. This report is kindly supported by the Swedish International Development Cooperation Agency (SIDA), the Norwegian Ministry of Foreign Affairs and Fritt Ord Norway. THE STATE OF ARTISTIC FREEDOM 2018 FREEMUSE THE STATE OF ARTISTIC FREEDOM 2018 3 I draw and I paint whenever “ I can.