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A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE to BROOKLYN Judith E
L(30 '11 II. BROOKLYN ACADEMY OF MUSIC BOARD OF TRUSTEES Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison, Paul Lepercq, Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman, I. Stanley Kriegel, Ame Vennema, Franklin R. Weissberg, Vice Chairmen; Harvey Lichtenstein, President and Chief Executive Officer; Harry W. Albright, Jr., Henry Bing, Jr., Warren B. Coburn, Charles M. Diker, Jeffrey K. Endervelt, Mallory Factor, Harold L. Fisher, Leonard Garment, Elisabeth Gotbaum, Judah Gribetz, Sidney Kantor, Eugene H. Luntey, Hamish Maxwell, Evelyn Ortner, John R. Price, Jr., Richard M. Rosan, Mrs. Marion Scotto, William Tobey, Curtis A. Wood, John E. Zuccotti; Hon. Henry Geldzahler, Member ex-officio. A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE TO BROOKLYN Judith E. Daykin Executive Vice President and General Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development IN HONOR OF THE 100th ANNIVERSARY Micheal House Vice President for Marketing and Promotion ADMINISTRATIVE OFFICE STAFF OF THE Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager David Perry Mail Clerk BROOKLYN BRIDGE FINANCE Perry Singer Accountant Tuesday, November 30, 1982 Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION Marketing Nancy Rossell Assistant to Vice President Susan Levy Director of Audience Development Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative Diana Robinson Press Assistant PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership Denis Azaro Development Officer Philip Bither Development Officer Sharon Lea Lee Office Manager Aaron Frazier Administrative Assistant MANAGEMENT INFORMATION Jack L. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Carmel Music Society
Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna -
Academy of Music I
-17Mg--.1,=, Ices. 06.12- BROOKLYN ACADEMY OF MUSIC I BOARD OF TRUSTEES Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison, Paul Lepercq, Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman, I. Stanley Kriegel, Ame Vennema, Franklin R. Weissberg, Vice Chairmen; Harvey Lichtenstein, President and Chief Executive Officer; Henry Bing, Jr., Warren B. Coburn, Charles M. Diker, Jeffrey K. Endervelt, Mallory Factor, Harold L Fisher, Leonard Garment, Elisabeth Gotbaum, Sidney Kantor, Eugene H. Luntey, Hamish Maxwell, Evelyn Ortner, John R. Price, Jr., Richard M. Rosan, Mrs. Marion Scotto, William Tobey, Curtis A. Wood, John E. Zuccotti. OFFICERS Harvey Lichtenstein President and Chief Executive Officer Judith E. Daykin Executive Vice President and General Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development ADMINISTRATIVE OFFICE STAFF Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager David Perry Mail Clerk FINANCE Perry Singer Accountant Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION Marketing Nancy Rossell Marketing Coordinator .t. Susan Levy Director of Audience Development BARI Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative Diana Robinson Press Assistant Tom Caravaglia House Photographer PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership -
11-30-09 Lipkin Prog
Williams College Department of Music Bösendorfer Concert Seymour Lipkin, pianist Joseph Haydn Sonata in A-flat major, Hob. XVI/46 (1765-67) (1732-1809) I. Allegro moderato II. Adagio III. Finale. Presto Ludwig van Beethoven Sonata No. 23 in F Minor, opus 57, “Appassionata” (1770-1827) I. Allegro assai II. Andante con moto III. Allegro ma non troppo - Presto ***intermission*** Frédéric Chopin Barcarolle in F-sharp Major, opus 60 (1810-1849) Sergei Rachmaninoff Variations on a theme by Corelli, opus 42 (1873-1943) Claude Debussy Two Etudes (1862-1918) For Composite Arpeggios For Chromatic Notes Franz Liszt Hungarian Rhapsody No. 15 in A Minor, S. 244, (1811-1886) “Rakoczy March” Monday, November 30, 2009 8:00 p.m. Chapin Hall Williamstown, Massachusetts Upcoming Events: See music.williams.edu for full details and to sign up for the weekly e-newsletters. 12/1: Studio Recital: Violin, Brooks-Rogers Recital Hall, 2:00 p.m. 12/1: Seymour Lipkin Piano Master Class, Brooks-Rogers Recital Hall, 4:15 p.m. 12/2: MIDWEEKMUSIC, Chapin Hall Stage, 12:15 p.m. 12/3: Class of 1960 Lecture: Prof. Elaine Sisman, Bernhard Room 30, 4:15 p.m. 12/4: Williams Symphonic Winds and Opus Zero Band, MASS MoCA, 8:00 p.m. 12/5: Service of Lessons and Carols, Thompson Memorial Chapel, 4:00 p.m. 12/6: Service of Lessons and Carols, Thompson Memorial Chapel, 4:00 p.m. 12/6: Studio Recital: Chamber Music (Winds and Strings), Brooks-Rogers Recital Hall, 7:30 p.m. 12/8: Brazilian and Latin Jazz Recital, Brooks-Rogers Recital Hall, 8:00 p.m. -
Music in Houston, 1930-1971
MUSIC IN HOUSTON, 1930-1971 With Annotated Index Donald William Looser, Ph.D. Revised 2020 by Donald W. Looser All rights reserved TABLE OF CONTENTS CHAPTER ONE: WORLD ENOUGH AND TIME, 1929-1936….………..……..1 SUMMARY…………………………………………………………………….27 CALENDARS………………………………………………………..……29-34 CHAPTER TWO: THE FLEDGLING YEARS, 1936-1948……………….….…35 SUMMARY…………………………………………………………………….64 CALENDARS…………………………………………….……………….67-80 CHAPTER THREE: GREAT EXPECTATIONS, 1948-1955………………..….81 SUMMARY……………………….………………………………………….113 CALENDARS………………………………………………………….116-131 CHAPTER FOUR: THE THREEPENNY OPERA, 1955-1961……………… 132 SUMMARY……………………………………….………………………….162 CALENDARS………………………………………………………….166-183 CHAPTER FIVE: A MAN FOR ALL SEASONS, 1961-1966……….………..184 SUMMARY…………………………………………………………….…….220 CALENDARS………………………………………………………….224-242 CHAPTER SIX: THE SOUND AND THE FURY, 1966-1969………...……..243 SUMMARY…………………………………………………………………..261 CALENDARS………………………………………………………....264-280 CHAPTER SEVEN: THE FULLNESS OF TIME, 1966-1972………..………281 SUMMARY…………………………………………………………………..303 CHAPTER EIGHT: THE HEART OF THE MATTER: A SUMMARY…...……305 BIBLIOGRAPHY..………………………………………………….……..….325-345 INDEX (ANNOTATED)…………………..……..………………….………..347-437 CHAPTER ONE WORLD ENOUGH AND TIME 1929-1936 Houston in 1930 was one of two major American cities that had doubled its population since 1920.1 Houston had already ridden the crest of every major economic boom since the city’s founding —cotton, rice, lumber, cattle, and oil.2 It was a restless city, full of self-reliance and optimism—a city, though only one hundred years old, like an adolescent on the brink of maturity, pervaded by a sense of wonder and confident of its limitless future. Houston had been labeled a “whiskey and trombone” town—a montage of brassy frontierism and established gentility. Though Southern in its refinement, Houston was Western in its aggressiveness. Only years before, it had drawn the ocean fifty miles to its door, grabbing the torch of leadership from the once-strategic Galveston and creating for itself the nation’s third largest port. -
Steven De Groote (1953-1989)
STEVEN DE GROOTE (1953-1989): Die loopbaan van 'n Suid-Afrikaanse konsertpianis. DEUR CARA KLEYNHANS WERKSTUK INGELEWER TER GEDEELTELIKE VOLDOENING AAN DIE VEREISTES VIR DIE GRAAD VAN MAGISTER MUSICAE (UITVOERENDE KUNS) IN DIE LETTERE EN WYSBEGEERTE AAN DIE UNIVERSITEIT VAN STELLENBOSCH. DESEMBER 2007 STUDIELEIER: PROF. W. LÜDEMANN VERKLARING Ek, die ondergetekende, verklaar hiermee dat die werk in hierdie werkstuk vervat, my eie oorspronklike werk is en dat ek dit nie vantevore in die geheel of gedeeltelik by enige universiteit ter verkryging van 'n graad voorgelê het nie. CARA KLEYNHANS Desember 2007 Kopiereg ©2007 Universiteit van Stellenbosch Alle regte voorbehou OPSOMMING Steven De Groote (1953-1989) was een van die suksesvolste pianiste wat Suid-Afrika nog opgelewer het. Sy internasionale aansien is grootliks te danke aan sy verowering van die Van Cliburn Internasionale Klavierkompetisie se gesogte Eerste Prys in 1977, die enigste Suid-Afrikaner wat tot op hede hierdie prestasie kon behaal. As sulks is hy 'n belangrike figuur in die Suid-Afrikaanse musiekgeskiedenis. In die lig daarvan dat die uitvoerende musikus se uitvoerings van verbygaande aard is en sy nalatenskap daarom nie in alle opsigte tasbaar is nie, word daar in die inleiding kortliks gepoog om die besonderse metodologiese problematiek verbonde aan die skryf van 'n uitvoerende musikus se biografie te belig. Die fokus in hierdie biografie val op De Groote se talle prestasies en veral op sy loopbaan as konsertpianis. Dit bevat besprekings rondom sy jeugjare, studiejare, die invloed van kompetisies en dan spesifiek dié van die 1977 Van Cliburn Internasionale Klavierkompetisie op sy loopbaan en lewe. Besprekings rondom sy pianistiese styl, De Groote as leermeester en sy liefde vir kamermusiek word ook ingesluit. -
Bravoicameeie Hau. Bttano^1^ VOLUME VIII, NUMBER
BRavoicameeie Hau. Bttano^1^ VOLUME VIII, NUMBER NATIONAL 12 Broadway and Hollywood—In and Out of Tune by Stanley Green 16 Faces and Places BALLET 6 A Dancer is a Student... Is a Dancer... Is a Student. by Ralph H. Peck MUSIC 10 The Third Hand by Wiiliam Jonson FASHION 4 Bravo for Pants by Barbara Ann Magan HUMOR 2 Tempo QUIZ 2 Musical Zoo COVER A portion of “La Foyer de la Danse,” by Edgar Degas Daily classes, along with frequent rehearsals and nightly performances, are an integral part of a ballet dancer’s rou tine. Principal members of the New York City Ballet depend upon the Ballet Master to help them improve their technique according to the article, “A Dancer is a Student... Is a Dancer. .” featured on page six. EDITORS/MARY LOU WOLFGANG, BARBARA ANN MAGAN □ SENIOR ART DIRECTOR/JOHN CIOFALO □ ART DIRECTOR/RICHARD SOMMERS □ INTERNA TIONAL EDITOR/RALPH H. PECK □ TRAVEL EDITOR/LESLIE WALLER □ CON TRIBUTING EDITORS/EMMETT MAXWELL, MARJORIE LELASH □ EDITORIAL ASSISTANTS/BRENDA BAKER, SUSAN ROSEN □ ART ASSISTANT/JOHN GEIGER □ NATIONAL PROGRAM EDITOR/DENNIS DIBBLE □ ADVERTISING DIRECTOR/ MITCHELL AZERIER □ BUSINESS MANAGER/STANLEY MURTON □ PRESIDENT, MAGAZINE DIVISION/PHILIP HOCHSTEIN □ Published nine times a year during the concert season by Bravo Publishing Co., Inc., a wholly owned subsidiary of The Diners Club, Inc., 660 Madison Avenue, New York, New York 10021. © 1969 by Bravo Publishing Co., Inc. Reproduction PERFUME • COLOGNE ■ SPRAY COLOGNE ■ LIPSTICK ■ OUSTING POWOER • SOAP in whole or in part without written permission is prohibited. Emil Gilels recording with Busoni on one (VICS-1379). The George Szell and the Cleveland Or Rudapoema by Villa-Lobos were chestra? The negotiating of con written while the composer was in tracts must have been a monumen RECOM Paris in the early 1920s and they tal task.