POV/PETITES Brand Design Direction
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Torrance Herald October 30, 1960
THE TORRANCE HERALD OCTOBER 30, 1960 COATS AND SUITS—Second Floor BEDDING, SHEETS—Third Floor MEN/5_CLOTH IN G—Street FJoor______ o> LUV/O, Lev«.i 2/5.00 Long trans-season coots, colors, white 16.90 Men's Suits OO OC 3.98-4.98 If perfect, slacks 2.99. Long lightweight bottor coats 21.90 Seconds of Candycalc cotton percales 3.98 Cotton denim slacks, broken sizes, 1.99 Odds and ends, not all colors All wool navy gabardine suiis, or Dacron 5.99 Nylon wnsh & wonr jackets, 36-46, 2.99 WOMEN'S DRESSES—Second Floor 2.99 if perfect 72x108 twin fitted 1.99 polyester nnd wool tropical weights. 3.99 if perfect 81x108 double filled 2.39 FURNITURE Third Floor Assorted Urcsses 1.65.if perfect 42x38'/2 pillow cases 1.00 99.99 Green vibrator recliner chair 69.95 14.90 MEN'S FURNISHINGS—Street Floor 249.00 Turquoise 8' sofa; foam; as is 168.00 Final clearance of summer dresses includ 129.00 Modern tangerine chair, 'as is 68.00 ing prints and solids, cottons and sheers. Men's Dress Shirts 1.00 249.50 Oriental china; cherry finish 149.50 Sizes l2'/2-24'/2. North Star and Chatham Blankets First quality, blonds, wools, acrilans Mostly whites, counter soiled, to clear. 109.00 Low back occ. chair; modern 49.00 Val. 10.98-19.98 5.99-10.99 49.95 Modern walnut step table 22.00 SPORTSWEAR 49—Second Floor White dress shirts, sgl. ndl. tailored 1.99 89.59 Plastic rockor & ottoman; grey 55,00 11.98-15.98 Cotton dresses 4.97-6.97 3.99 Dacron polyester cotton shirts 2.99 299.00 Curved front sofa; import, 15.78 Arnol tracetate jersey print Morgan Jones Tattersal Spreads Men's neckties, fall colors. -
Holiday II 2014 & Resort/Spring 2015
Holiday II 2014 & Resort/Spring 2015 - 100% Cashmere LS1517 2 ply 7 gg $109 LS1551 2 ply 9 gg $114 LS1555 2 ply 7 gg $115 LS1549 2 ply 7 gg $99 LS1503 2 ply 12 gg $115 Mini Drape Cardigan Crisscross V-Neck Pullover Hi-Lo Angled Tunic Hi-Lo Angled Front Cardigan Cropped Shirttail Pullover w/ Long Sleeves. Body length - 23" in back, hip length Body length - 24" with long sleeves. Body length - 24" at shortest point, 31" Body length - 20" at shortest point, 27" Body length -21" in front, 23" in back. in front with long sleeves. XS-XL. Available in all 56 colors. at longest point, with long sleeves. at longest point, with long sleeves. SML. Available in all 56 colors. XS-XL. Available in all 56 colors. XS-XL. Available in all 56 colors. XS-XL. Available in all 56 colors. LS1562 2 ply 7 gg $129 LS1537 4 ply 7 gg $135 LS1511 2 ply 7 gg $149 LS1539 2 ply 7 gg $115 LS1522 2 ply 7 gg $175 Mesh Stitch Kimono Pullover Honeycomb Stitch Easy Cardigan Cocoon Slender Dolman Cardigan Tulip Two-Color Tunic Pointelle Zip Jacket Body length - 24" with 3/4 sleeves. Body length - 24" with long sleeves. Body length - 35" with 3/4 sleeves. Body length - 24" center front, 28" Body length - 25" with long sleeves. XS-XL. Available in all 56 colors. XS-XL. Available in all 56 colors. XS-XL. Available in all 56 colors. center back, with 3/4 sleeves. XS-XL. Available in all 56 colors. -
Identifying Handmade and Machine Lace Identification
Identifying Handmade and Machine Lace DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Handmade and Machine Lace Text copyright © Jeremy Farrell, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name held at The Museum of Costume and Textiles, Nottingham on 21st February 2008. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audiences. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Textile Types and Weaves 1750 -1950 Identifying Printed Textiles in Dress 1740-1890 Front cover image: Detail of a triangular shawl of white cotton Pusher lace made by William Vickers of Nottingham, 1870. The Pusher machine cannot put in the outline which has to be put in by hand or by embroidering machine. The outline here was put in by hand by a woman in Youlgreave, Derbyshire. (NCM 1912-13 © Nottingham City Museums) 2 Identifying Handmade and Machine Lace Contents Page 1. List of illustrations 1 2. Introduction 3 3. The main types of hand and machine lace 5 4. -
Calm Down NEW YORK — East Met West at Tiffany on Sunday Morning in a Smart, Chic Collection by Behnaz Sarafpour
WINSTON MINES GROWTH/10 GUCCI’S GIANNINI TALKS TEAM/22 WWDWomen’s Wear Daily • The Retailers’MONDAY Daily Newspaper • September 13, 2004 • $2.00 Accessories/Innerwear/Legwear Calm Down NEW YORK — East met West at Tiffany on Sunday morning in a smart, chic collection by Behnaz Sarafpour. And in the midst of the cross-cultural current inspired by the designer’s recent trip to Japan, she gave ample play to the new calm percolating through fashion, one likely to gain momentum as the season progresses. Here, Sarafpour’s sleek dress secured with an obi sash. For more on the season, see pages 12 to 18. Hip-Hop’s Rising Heat: As Firms Chase Deals, Is Rocawear in Play? By Lauren DeCarlo NEW YORK — The bling-bling world of hip- hop is clearly more than a flash in the pan, with more conglomerates than ever eager to get a piece of it. The latest brand J.Lo Plans Show for Sweetface, Sells $15,000 Of Fragrance at Macy’s Appearance. Page 2. said to be entertaining suitors is none other than one that helped pioneer the sector: Rocawear. Sources said Rocawear may be ready to consider offers for a sale of the company, which is said to generate more than $125 million in wholesale volume. See Rocawear, Page4 PHOTO BY GEORGE CHINSEE PHOTO BY 2 WWD, MONDAY, SEPTEMBER 13, 2004 WWW.WWD.COM WWDMONDAY J.Lo Talks Scents, Shows at Macy’s Accessories/Innerwear/Legwear By Julie Naughton and Pete Born FASHION The spring collections kicked into high gear over the weekend with shows Jennifer Lopez in Jennifer Lopez in from Behnaz Sarafpour, DKNY, Baby Phat and Zac Posen. -
A Study on the Design and Composition of Victorian Women's Mantle
Journal of Fashion Business Vol. 14, No. 6, pp.188~203(2010) A Study on the Design and Composition of Victorian Women’s Mantle * Lee Sangrye ‧ Kim Hyejeong Professor, Dept. of Fashion Design, TongMyong University * Associate Professor, Dept. of Clothing Industry, Hankyong National University Abstract This study purposed to identify the design and composition characteristics of mantle through a historical review of its change and development focusing on women’s dress. This analysis was particularly focused on the Victorian age because the variety of mantle designs introduced and popularized was wider than ever since ancient times to the present. For this study, we collected historical literature on mantle from ancient times to the 19 th century and made comparative analysis of design and composition, and for the Victorian age we investigated also actual items from the period. During the early Victorian age when the crinoline style was popular, mantle was of A‐ line silhouette spreading downward from the shoulders and of around knee length. In the mid Victorian age from 1870 to 1889 when the bustle style was popular, the style of mantle was changed to be three‐ dimensional, exaggerating the rear side of the bustle skirt. In addition, with increase in women’s suburban activities, walking costume became popular and mantle reached its climax. With the diversification of design and composition in this period, the name of mantle became more specific and as a result, mantle, mantelet, dolman, paletot, etc. were used. The styles popular were: it looked like half-jacket and half-cape. Ornaments such as tassels, fur, braids, rosettes, tufts and fringe were attached to create luxurious effects. -
The Science and Geometry of Dress
copv / THE Science and Geometry of Dress. BEING A COMPLETE MANUAL OF INSTRUCTION IN THE ART OF DESIGNING, DRAFTING AND CUTTING its'l 4lnl(lrm's|lmrin0 Ipard AN ENTIRE! y NEW AND ORIGINAL METHOD OF TEi^CHING- BY DIAGRAMIC DELINEATIONS OF GARMENTS IN MINIATURE, TOGETHER WITH EXPLICIT DIRECTIONS FOR MAKING AND TRIMMING; TO WHICH IS ADDED A Vocabulary of Fashion, CONSISTING OF WORDS AND PHRASES PECULIAR TO DRESS, MATERIALS, DESCRIPTIONS OF STYLES, ETC., ETC. By MRS. L. L. JACKSON, Author of tJie ''FAMILY DRESS GUIDE,'' Etc. SPECIALLY DESIGNED AND ARRANGED FOR SCHOOLS, PRIVATE TUITION, D&BS3- MAKERS, AND LADIES GENERALLY. INDIANAPOLIS. IND. Entered according to act of Congress, in the year 1876, by MRS. L0UI8A L. JACKSON, In the Office of the Librarian of Congress, at Washington. RIGHT OF TRANSLATION RESERVED. TO GEN. T. A. MORRIS, OP INDIANAPOLIS, INDIANA, IN KIND REMEMBRANCE, IS RESPECTFULLY INSCRIBED, THE AUTHOR. PREFACE. This work, in its general design, is intended by the author as a complete Guide, Instructor and Text-Book on measuring, designing, drafting and cutting ladies' and children's clothing—suited not only to the studies of the school-room and the re- quirements of the professional Artist in Dress, but also to that large class of ladies outside the profession whose industry is chiefly confined to the home-circle. In the plan herein adopted will be found all the essential rules and directions contained in our former instruction book, first published in 1867, entitled the "Family Dress Guide," besides many important additions suited to the advanced stage of the Art, and specially applicable to garments of modern style and con- struction. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
Gant with an Edge
HARBOR COURT PROTECTION FANTASY MARIA SHARAPOVA INVESTS IN LIGHTS SUN-CARE BRAND SUPERGOOP. PAGE 6 CHRISTIAN DIOR ISLE TOOK ITS COUTURE INSPIRED BY THE COLLECTION ISLAND OF CAPRI, ITALIAN ON THE ROAD FOR A BRAND GICAPRI IS SHOW OVERLOOKING RELAUNCHING IN THE U.S. HONG KONG HARBOR. PAGE MW1 PAGE 4 FOCUSING ON INNERWEAR Victoria’s Secret Trims Apparel Collections By DAVID MOIN LESLIE H. WEXNER, the chairman and chief execu- tive offi cer of L Brands Inc., is taking another sharp turn away from the apparel business. WWD has learned that Victoria’s Secret will be narrowing its apparel offering by dropping most of its THURSDAY, APRIL 10, 2014 ■ $3.00 ■ WOMEN’S WEAR DAILY wovens, outerwear, denim and some of the dress of- WWD fering as well. Hundreds of millions of dollars worth of revenues will be shed, with one apparel source estimating anywhere between $500 million and $750 million of volume. However, those apparel products that more direct- ly relate to Victoria’s Secret’s core offerings (primar- ily lounge and beach-related merchandise) will re- main on the menu. Victoria’s Secret’s core offerings Gant are intimate apparel, fragrances and cosmetics. In addition, the apparel cutback is expected to lead to layoffs, including possibly designers and sourcing staff. L Brands said it was too early to provide any fi g- ures on staff or volume reduction. Details are expected With to emerge at the company’s next earnings call in May when offi cials elaborate on the strategy. Changes to the Victoria’s Secret collection will begin being evident right away but most noticeably by next fall. -
Exhibition Catalog
The Missouri Historic Costume and Textile Collection presents FASHIONING A COLLECTION: 50 Years 50 Objects March 7 – May 20, 2017 State Historical Society of Missouri Gallery FASHIONING A COLLECTION: 50 YEARS, 50 OBJECTS Missouri Historic Costume and Textile Collection Department of Textile and Apparel Management College of Human Environmental Sciences University of Missouri State Historical Society of Missouri FASHIONING A COLLECTION: 50 YEARS, 50 OBJECTS Curated by Nicole Johnston and Jean Parsons The Missouri Historic Costume and Textile Collection was established in 1967 by Carolyn Wingo to support the teaching mission of the Department of Textile and Apparel Management within the College of Human Environmental Sciences at the University of Missouri. MHCTC received its first donation of artifacts from the Kansas City Museum in Kansas City, Missouri and has grown to include over 6,000 items of apparel, accessories and household textiles donated by alumni, faculty and friends. Curator Laurel Wilson guided and nurtured the collection for over half of the Collection’s fifty years, and today, the MHCTC collects and preserves clothing and textiles of historic and artistic value for purposes of teaching, research, exhibition and outreach. This exhibit celebrates the variety and mission of the collection, and is thus organized by the three branches of that mission: education, research and exhibition. It was a challenge to choose only 50 objects as representative. We have chosen those objects most frequently used in teaching and are student favorites, as well as objects used in research by undergraduate and graduate students, faculty, and visiting scholars. Finally, favorites from past exhibits are also included, as well as objects and new acquisitions that have never been previously exhibited. -
The Russian Army of the Napoleonic War, 1808-1815
THE RUSSIAN ARMY OF THE NAPOLEONIC WAR, 1808-1815 The Russian army fought against both the French Republic and Empire surviving numerous defeats, setbacks and massive losses in the 1812 campaign to emerge as a major force in the campaigns of 1813 and 1814. The regular army was huge and was supplemented on home soil by they vast numbers of 'Irregulars' incuding cossacks, partisans, various militia and asiatics. This guide currently only considers the regu- lar army. Attempting to model the Russian army of the Napoleonic wars is made more difficult by a number of changes in organisation and uniform that occured during the period. As always sources can conflict over details of colours and styles, and new uniforms and equipment could take time to get through to the soldiers. These guides cover the core period 1808 to 1815. RUSSIAN INFANTRY A Line infantry regiment consisted of 3 battalions. Each battalion theoretically numbered 738 but campaign losses mean that this was rarely achieved and sustained. The third battalion was used as an undersrength depot formation. The regimental grenadiers were normally separated and brigaded into composite grenadier battalions. As well as Line there were Guard, Grenadier and Jaeger regiments. For Line infantry, the dark green jacket had red collar, cuffs and turnbacks. The shoulder straps were coloured and used to show which Division the unit belonged to and its seniority within the formation. They were coloured red for the 1st regiment, white for the 2nd, yellow for the third, dark green for the 4th and light blue for the 5th. The divisional number was embroidered on the shoulder strap. -
SOPHIE DOLMAN MOTHER NATURE” My Piece Is About Fierce Women
SOPHIE DOLMAN MOTHER NATURE” My piece is about fierce women who have empowered generations of people throughout the years. Starting from Emily Davison who was a suffragette who fought for women’s votes and sacrificed her own life to help out others. Coco Chanel who changed the way women had to dress and allowed women to wear pants instead of dresses. Beyoncé who has made many girls become more confi- dent and believe more in themselves. Michelle Obama who helped change values for young women and allowed more girls the right to a better education. All these women throughout history have helped the change on other women’s lives making them better. The flowers are juxtaposition as flowers are seen as feminine and sweet. These women are fierce and didn’t care about the stereotype that is put on women about being feminine and have inspired more women to break the stereotype. EMMA HARPER REVOLVE” My piece is a visual explanation to the changes that our world goes through every second of every day that we have lived, and will live for the rest of our lives. Although not perfect, the wheels and vari- ous bright colours show the rotation and development of the four seasons and display just how much change actually occurs. Winter, spring, summer and autumn; a revolving cycle of nev- er-ending change. The ink, watercolour and dye on my piece al- most speaks for itself with its contrast and its colour explaining the development of the seasons. The alteration of our earth through the seasons is a beautiful yet destructive phenomenon, and i believe that my piece conveys this in its own way which i hope people will understand. -
DROPPED BOOKS by Book Number
® New Fabrics Every Month DROPPED BOOKS by Book Number • Discard all books on this list. • Most recently dropped books are underlined. • Listing for last three years only. ® GreenhouseFabrics greenhousefabrics.com 866.755.5000 toll free • 336.887.5000 local phone • 336.887.7095 fax Updated January 2016 DROPPED SAMPLE BOOKS • Please DISCARD any book on this list - dropped sample books from the last three years, with the most recent underlined • • B47 Sofa Basics Three • A91 Terrazzo® • A60 Cities of Spice: Multi Purpose Collection • B39 Greenhouse Gallery: Prints, Wovens • A89 Color Palette: Red, Spice, Gold & More • A59 Designer Wovens: Houndstooth & • A88 Color Palette: Spa, Blue, Brown Plains • B38 Greenhouse Gallery: Prints, Wovens & More • A87 Color Palette: Red, Black, Tan • A58 Designer Outdoor: Sunbrella® • B37 Greenhouse Gallery: Prints, Wovens • A86 Enduring Suedes • A57 Designer Chenilles: Soft Textures & More • A85 Fundamental Textures • A56 Designer Chenille: Charisma • B36 Small Upholstery Designs Two • A84 Distinctive Diamonds • A54 Designer Essentials • B33 Sofa Basics Two • A83 Couture Textures • A53 Designer Chenille • B29 Luxurious Linen: 100% Linen • A82 Designer Chenilles • A52 Designer Basics: Slipcover Canvas • B27 All Natural Collection • A81 Drapery Lining & More • A51 Designer Silk • B22 Small Scale Coordinates Two • A80 Beyond Basic Linen • A50 Best of Linens • B21 Dupioni Silks • A79 Modern Threads • A49 Classic Plaids & Stripes • B20 Primary Textures: Drapery • A78 Plush Velvets • A48 Designer Collection •