The Sarsen Stones of Stonehenge
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Concrete Prehistories: the Making of Megalithic Modernism 1901-1939
Concrete Prehistories: The Making of Megalithic Modernism Abstract After water, concrete is the most consumed substance on earth. Every year enough cement is produced to manufacture around six billion cubic metres of concrete1. This paper investigates how concrete has been built into the construction of modern prehistories. We present an archaeology of concrete in the prehistoric landscapes of Stonehenge and Avebury, where concrete is a major component of megalithic sites restored between 1901 and 1964. We explore how concreting changed between 1901 and the Second World War, and the implications of this for constructions of prehistory. We discuss the role of concrete in debates surrounding restoration, analyze the semiotics of concrete equivalents for the megaliths, and investigate the significance of concreting to interpretations of prehistoric building. A technology that mixes ancient and modern, concrete helped build the modern archaeological imagination. Concrete is the substance of the modern –”Talking about concrete means talking about modernity” (Forty 2012:14). It is the material most closely associated with the origins and development of modern architecture, but in the modern era, concrete has also been widely deployed in the preservation and display of heritage. In fact its ubiquity means that concrete can justifiably claim to be the single most dominant substance of heritage conservation practice between 1900 and 1945. This paper investigates how concrete has been built into the construction of modern pasts, and in particular, modern prehistories. As the pre-eminent marker of modernity, concrete was used to separate ancient from modern, but efforts to preserve and display prehistoric megaliths saw concrete and megaliths become entangled. -
Researching Stonehenge: Theories Past and Present
Parker Pearson, M 2013 Researching Stonehenge: Theories Past and Present. Archaeology International, No. 16 (2012-2013): 72-83, DOI: http://dx.doi.org/10.5334/ai.1601 ARTICLE Researching Stonehenge: Theories Past and Present Mike Parker Pearson* Over the years archaeologists connected with the Institute of Archaeology and UCL have made substantial contributions to the study of Stonehenge, the most enigmatic of all the prehistoric stone circles in Britain. Two of the early researchers were Petrie and Childe. More recently, colleagues in UCL’s Anthropology department – Barbara Bender and Chris Tilley – have also studied and written about the monument in its landscape. Mike Parker Pearson, who joined the Institute in 2012, has been leading a 10-year-long research programme on Stonehenge and, in this paper, he outlines the history and cur- rent state of research. Petrie and Childe on Stonehenge William Flinders Petrie (Fig. 1) worked on Stonehenge between 1874 and 1880, publishing the first accurate plan of the famous stones as a young man yet to start his career in Egypt. His numbering system of the monument’s many sarsens and blue- stones is still used to this day, and his slim book, Stonehenge: Plans, Descriptions, and Theories, sets out theories and observations that were innovative and insightful. Denied the opportunity of excavating Stonehenge, Petrie had relatively little to go on in terms of excavated evidence – the previous dig- gings had yielded few prehistoric finds other than antler picks – but he suggested that four theories could be considered indi- vidually or in combination for explaining Stonehenge’s purpose: sepulchral, religious, astronomical and monumental. -
A303 Amesbury to Berwick Down
A303 Amesbury to Berwick Down TR010025 6.3 Environmental Statement Appendices Volume 1 6 Appendix 6.1 Annex 8 Influences of the monuments and landscape of the Stonehenge part of the World Heritage Site on literature and popular culture APFP Regulation 5(2)(a) Planning Act 2008 Infrastructure Planning (Applications: Prescribed Forms and Procedure) Regulations 2009 October 2018 HIA Annex 8 – Influences of the monuments and landscape of the Stonehenge part of the WHS on literature and popular culture Introduction Stonehenge, Avebury and Associated Sites was inscribed on the UNESCO World Heritage Site List in 1986, one of the original list of seven sites in the UK to be put forward for inscription. The Statement of Outstanding Universal Value (OUV) was adopted in 2013. The Statement of OUV notes that ‘the monuments and landscape have had an unwavering influence on architects, artists, historians and archaeologists’ (UNESCO 2013). The 2015 Management Plan (Simmonds & Thomas 2015) identifies seven Attributes of OUV for the entirety of the WHS, of which the seventh is: ‘The influence of the remains of the Neolithic and Bronze Age funerary and ceremonial monuments and their landscape setting on architects, artists, historians, archaeologists and others.’ The landscape around Stonehenge, comprising natural and cultural elements, is not just a physical environment, but an abstraction that is perceived by the human observer. Such observers have included literary writers, poets and travel writers, who have used their sense of the place as they experienced it to inspire their creative writing. The unique strength of Stonehenge is that the monument is an instantly recognisable structure which resembles no other and onto which a range of fantasies can be projected (Hutton 2009, 45). -
Stonehenge and Ancient Astronomy Tonehenge Is One of the Most Impressive and Best Known Prehistoric Stone Monuments in the World
Stonehenge and Ancient Astronomy tonehenge is one of the most impressive and best known prehistoric stone monuments in the world. Ever since antiquarians’ accounts began to bring the site to wider attention inS the 17th century, there has been endless speculation about its likely purpose and meaning, and a recurring theme has been its possible connections with astronomy and the skies. was it a Neolithic calendar? A solar temple? A lunar observatory? A calculating device for predicting eclipses? Or perhaps a combination of more than one of these? In recent years Stonehenge has become the very icon of ancient astronomy, featuring in nearly every discussion on the subject. And yet there are those who persist in believing that it actually had little or no connection with astronomy at all. A more informed picture has been obtained in recent years by combining evidence from archaeology and astronomy within the new interdiscipline of archaeoastronomy – the study of beliefs and practices concerning the sky in the past and the uses to which people’s knowledge of the skies were put. This leaflet attempts to summarize the evidence that the Stonehenge monument was constructed by communities with a clear interest in the sky above them. Photograph: Stonehenge in the snow. (Skyscan/english heritagE) This leaflet is one of a series produced by the Royal Astronomical Society (RAS). An electronic version is available for download at www.ras.org.uk. It has been written by the following members of the RAS Astronomical Heritage Committee: Clive Ruggles, Bill Burton, David Hughes, Andrew lawson and Derek McNally. -
THE SINCEREST FORM of FLATTERY: an ANALYSIS of FULL-SCALE, EX SITU REPLICAS of WORLD HERITAGE SITES by REBECCA LEIGH MCMANUS
THE SINCEREST FORM OF FLATTERY: AN ANALYSIS OF FULL-SCALE, EX SITU REPLICAS OF WORLD HERITAGE SITES by REBECCA LEIGH MCMANUS (Under the Direction of WAYDE BROWN) ABSTRACT Full-scale, ex situ replicas of UNESCO World Heritage Sites can be found in five countries and their constructions predate even the World Heritage Convention itself. Clearly, the desire of humans to copy the architectural wonders of the world has a long and enduring history. This thesis will attempt to answer three related questions. First, what is the intent behind constructing these replicas? Second, how do the public and cultural heritage professionals receive these replicas? And third, how do these replicas fit into the ongoing discussions on authenticity and interpretation in historic preservation? INDEX WORDS: Replica, Full-Scale, Ex Situ, World Heritage Convention, World Heritage Sites, Stonehenge, Maryhill Stonehenge, Foamhenge, Parthenon, Nashville Parthenon, Hallstatt Village, Luoyang Hallstatt, Great Sphinx at Giza, Chuzhou Sphinx, Duplitecture, Nara Document, Venice Charter, Postmodernism, Forgeries, Umberto Eco, Jean Baudrillard, Richard Handler, Albert Lessing, Biana Bosker. THE SINCEREST FORM OF FLATTERY: AN ANALYSIS OF FULL-SCALE, EX SITU REPLICAS OF WORLD HERITAGE SITES by REBECCA LEIGH MCMANUS BA, Emory University, 2013 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF HISTORIC PRESERVATION ATHENS, GEORGIA 2016 © 2016 Rebecca Leigh McManus All Rights Reserved THE SINCEREST FORM OF FLATTERY: AN ANALYSIS OF FULL-SCALE, EX SITU REPLICAS OF WORLD HERITAGE SITES by REBECCA LEIGH MCMANUS Major Professor: Wayde Brown Committee: Scott Nesbit Akela Reason Taylor Davis Electronic Version Approved: Suzanne Barbour Dean of the Graduate School The University of Georgia May 2016 iv DEDICATION I dedicate this work to my parents, who encouraged me to keep pursuing knowledge, and to Alex Green, Sophia Latz, and Lesa Miller for their support and editorial advice. -
Durham Research Online
Durham Research Online Deposited in DRO: 17 January 2014 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Towers, J. and Montgomery, J. and Evans, J. and Jay, M. and Pearson, M.P. (2010) 'An investigation of the origins of cattle and aurochs deposited in the Early Bronze Age barrows at Gayhurst and Irthlingborough.', Journal of archaeological science., 37 (3). pp. 508-515. Further information on publisher's website: http://dx.doi.org/10.1016/j.jas.2009.10.012 Publisher's copyright statement: NOTICE: this is the author's version of a work that was accepted for publication in Journal of archaeological science. Changes resulting from the publishing process, such as peer review, editing, corrections, structural formatting, and other quality control mechanisms may not be reected in this document. Changes may have been made to this work since it was submitted for publication. A denitive version was subsequently published in Journal of archaeological science, 37,3, 20 2010, 10.1016/j.jas.2009.10.012 Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. -
Secrets of the High Woods: Landscapes and Lasers
THE NEWSLETTERAST OF THE PREHISTORIC SOCIETY P Registered Office: University College London, Institute of Archaeology, 31–34 Gordon Square, London WC1H 0PY http://www.prehistoricsociety.org/ Secrets of the High Woods: Landscapes and Lasers Introduction fieldscapes, or testified by historic cartography and ancient The South Downs National Park Authority is hosting a documents. However, many more sites have been suspected Heritage Lottery funded community archaeology project. to have been concealed below woodland – and Lidar has “Secrets of the High Woods” is exploring 305 km² of the provided the ideal tool to help explore the hidden landscapes South Downs using specially commissioned high resolution below the trees. airborne Laser scanning data – with spectacular results. Landscapes and lasers The open pasture land of the South Downs has long been Lidar captures three dimensional terrain data, and at 0.25 m recognised as one of our richest archaeological landscapes, resolution the data set is one of the largest and most detailed popular with casual visitors and academic researchers commissioned for archaeological research to date. Highly alike. However, the archaeology of the central area of the accurate models of the landscape are generated and researchers South Downs National Park, characterised by the ancient can digitally “strip away” tree cover, revealing the form of the woodlands and forestry plantations of great private estates, ground surface below. is much less well known. The models have revealed a complex, palimpsestual archae Historically, scholars working in this landscape have revealed ological landscape. They contain so much detail that a fascinating traces of the past, often visible as monuments National Mapping Programme has been essential to provide in areas of open pasture, or as ephemeral traces in arable a baseline quantification and qualification of the resource. -
Interview with Mike Parker Pearson Interview Conducted by Thomas J
PIA Volume 21 (2011), 39-47 DOI: http://dx.doi.org/10.5334/pia.401 Interview with Mike Parker Pearson Interview conducted by Thomas J. T. Williams and Hana Koriech, 12th November 2011 Mike Parker Pearson is the Insti- tute of Archaeology’s newly appointed Professor of British Later Prehistory. In this interview he reflects on his experience at the birth of post-processualism, current problems and opportu- nities in modern archaeology, and the subject for which he is best known: Stonehenge. PIA: After 22 years at Sheffield Univer- and wondering what they were. At that point sity, what made you leave? my parents were living in Oxfordshire near the Uffington White Horse so I was always MPP: I wasn’t going to leave at all, but Steve looking at the earthworks,,walking about up (Stephen Shennan, IoA Director) was very there … after that, I took every opportunity persistent! that there was. Another of the key moments PIA: What are your first impressions? in my past was the very first time I went on an excavation – not just turning up for the MPP: I’m loving it here! It’s an area of Lon- day but camping and realising this was the don I’ve known for years because of course best fun that could be had. I used to work in London in the ‘80s anyway so in a way it’s coming back to old haunts. PIA: What excavation was that? I’ve got a lot of friends here who I’ve known MPP: It was a small Roman site in Somerset for a very long time. -
Burial and Identity in the Late Neolithic And
Burial and identity in the Late Neolithic and Copper Age of south-east Europe Susan Stratton Thesis submitted in candidature for the degree of PhD Cardiff University March 2016 CONTENTS List of figures…………………………………………………………………………7 List of tables………………………………………………………………………….14 Acknowledgements ............................................................................................................................ 16 Abstract ............................................................................................................................................... 17 1 Introduction ............................................................................................................................... 18 2 Archaeological study of mortuary practice ........................................................................... 22 2.1 Introduction ....................................................................................................................... 22 2.2 Culture history ................................................................................................................... 22 2.3 Status and hierarchy – the processualist preoccupations ............................................ 26 2.4 Post-processualists and messy human relationships .................................................... 36 2.5 Feminism and the emergence of gender archaeology .................................................. 43 2.6 Personhood, identity and memory ................................................................................ -
The Engineering of Stonehenge
Proceedings of the British Academy, 92, 231-256 The Engineering of Stonehenge JULIAN FUCHARDS & MARK WHITBY Introduction Julian Richards The experiments THE EXPERIMENTS DESCRIBED IN THIS PAPER, and the thoughts which both preceded and arose from them, are the direct result of the involvement of both authors in the production of a BBC programme in 1994. The series, ‘Secrets of Lost Empires’, exam- ined the greatest and most enduring engineering challenges of the ancient world, among which is the construction of Stonehenge, or more precisely, of the sarsen horseshoe and circle which form the most impressive elements of the stone structures. Within these, the single largest element is the Great Trilithon, now ruinous, but the largest of the individual stone settings, each of which consist of two uprights and one horizontal lintel (Fig. 1). The brief was to demonstrate, using human effort and such technology as could reason- ably be expected to have been available to the builders of Stonehenge during the earlier part of phase 3, now dated to between 2550 and 1600 BC (Cleal et al. 1995, 167) how this could have been accomplished. The nature of the experiment was dictated by the evidence provided by Stonehenge itself, the sarsen stones, estimated as weighing up to 40 tonnes, for which no convincing evidence for local origin could be produced. A possible source on the Marlborough Downs, some 30 km to the north, was first suggested by Samuel Pepys in 1665 (quoted in Brentnall 1946) and was reaffirmed by Colt Hoare in the early nineteenth century (Colt Hoare 1812, 149-50). -
{FREE} Where Is Stonehenge? Kindle
WHERE IS STONEHENGE? PDF, EPUB, EBOOK True Kelley | 112 pages | 01 Nov 2016 | Penguin Putnam Inc | 9780448486932 | English | New York, United States Stonehenge | History, Location, Map, & Facts | Britannica The ditch was continuous but had been dug in sections, like the ditches of the earlier causewayed enclosures in the area. The chalk dug from the ditch was piled up to form the bank. This first stage is dated to around BC, after which the ditch began to silt up naturally. Within the outer edge of the enclosed area is a circle of 56 pits, each about 3. These pits and the bank and ditch together are known as the Palisade or Gate Ditch. A recent excavation has suggested that the Aubrey Holes may have originally been used to erect a bluestone circle. A small outer bank beyond the ditch could also date to this period. In a team of archaeologists, led by Mike Parker Pearson , excavated more than 50, cremated bone fragments, from 63 individuals, buried at Stonehenge. Evidence of the second phase is no longer visible. The number of postholes dating to the early third millennium BC suggests that some form of timber structure was built within the enclosure during this period. Further standing timbers were placed at the northeast entrance, and a parallel alignment of posts ran inwards from the southern entrance. The postholes are smaller than the Aubrey Holes, being only around 16 inches 0. The bank was purposely reduced in height and the ditch continued to silt up. At least twenty-five of the Aubrey Holes are known to have contained later, intrusive, cremation burials dating to the two centuries after the monument's inception. -
Architecture and Meaning in the Structure of Stonehenge, Wiltshire, UK Timothy Darvill
Houses of the Holy: architecture and meaning in the structure of Stonehenge, Wiltshire, UK Timothy Darvill Timothy Darvill is Professor of Archaeology in the Department of Archaeology, Anthropology and Forensic Science, Bournemouth University, UK. His research interests lie in the Neolithic of Northwest Europe and in archaeological resource management, and he has carried out fieldwork in Germany, Russia, Malta, England, Wales, and the Isle of Man. In 2008, together with Geoff Wainwright, he undertook excavations inside the stone circles at Stonehenge as part of ongoing research into the links between Stonehenge and the sources of the Bluestones in the Preseli Hills of southwest Wales. He is a member of the Editorial Advisory Board of Time & Mind. [email protected]. Abstract Stonehenge in central southern England is internationally known. Recent re-evaluations of its date and construction sequence provides an opportunity to review the meaning and purpose of key structural components. Here it is argued that the central stone structures did not have a single purpose but rather embody a series of symbolic representations. During the early third millennium this included a square-in- circle motif representing a sacred house or ‘big house’ edged by the five Sarsen Trilithons. During the late third millennium BC, as house styles changed, some of the stones were re-arranged to form a central oval setting that perpetuated the idea of the a sacred dwelling. The Sarsen Circle may have embodied a time- reckoning system based on the lunar month. From about 2500 BC more than 80 bluestones were brought to the site from sources in the Preseli Hills of west Wales about 220km distant.