Annual Report 2020 Annual

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report 2020 Annual YAMAHA GROUP ANNUAL REPORT 2020 Annual Report 2020 https://www.yamaha.com/en/ Printed in Japan YAMAHA PHILOSOPHY BRAND PROMISE The Yamaha Philosophy expresses the core framework of the Yamaha Group’s management and consists of A feeling of enthusiastic excitement lives in sound and music, four elements: the Corporate Philosophy, Customer Experience, through playing or simply listening. We at Yamaha want to inspire peoples’ passion Yamaha Quality (criteria for quality), and Yamaha Way (mindset and manners). and help them make a step forward to express their individuality, emotion and creativity. We utilize the Yamaha Philosophy as a foundation to draw from, try to think from the customer’s viewpoint, and consistently provide high-quality products and services that exceed the expectations of our customers, and to create excitement and cultural inspiration together with people around the world. Diagram of the Yamaha Philosophy Make Waves Just a few notes or a simple melody can send out ripples that trigger an emotional bond with another person. Sound and music have a transformational impact on individuals and the world around us. The “Make Waves” concept focuses on our passions and what matters most to people, namely, expressing themselves and making an impact, to progress personally as a listener and player, and to come together with others. Yamaha is committed to empowering people to “Make Waves” with their sound and music. Yamaha Group Annual Report 2020 01 PUBLISHING ANNUAL REPORT 2020 CONTENTS Since 2018, the Yamaha Group has been integrating its prior annual reports and corporate I. Value Creation by Yamaha 04 V. Financial and Corporate Information 96 social responsibility (CSR) reports to publish integrated reports that communicate the Group’s medium- to long-term value creation initiatives to shareholders, investors, Yamaha’s Path of Ambition 06 11-Year Summary 98 Yamaha Creation by Value and all of our other stakeholders. This report is our third such integrated report. Yamaha’s Business 08 Financial Review 100 When creating Annual Report 2020, we referenced the International Integrated Management Vision and Value Creation Story 10 Consolidated Financial Statements and Notes 104 Reporting Council’s International Integrated Reporting Framework as well as the Ministry Special Feature: Independent Auditor’s Report 153 of Economy, Trade and Industry’s Guidance for Integrated Corporate Disclosure and Enactment of Yamaha’s Value Creation Story 12 Main Networks Company-Investor Dialogues for Collaborative Value Creation. Summarizing the policies 156 Performance Highlights 18 we adopt on a Groupwide basis, this report was created thanks to the cooperation of Stock Information 158 each division of the Company. As such, I believe the creation process and the content of Sustainability Priorities and Progress 20 Company Information 159 this report to be appropriate. Going forward, we will utilize our integrated reports as engagement tools as we pursue Scope of This Report constructive dialogue with our stakeholders. It is our hope that these reports help our II. Management Strategy 22 Information in this report covers 66 companies (as of March 31, 2020): stakeholders feel confident about our efforts to realize a sustainable society and elicit Yamaha Corporation, its 61 consolidated subsidiaries, and its 4 affiliates. Management Strategy Message from the President 24 In cases where it is necessary to specify the scope of reporting, this their understanding and support of our long-term corporate value creation. report lists the applicable institution individually. Make Waves 1.0 Medium-Term Management Plan 32 October 2020 Positioning of the Makes Waves 1.0 Medium-Term Reporting Period Management Plan 32 This report primarily covers fiscal 2020 (April 1, 2019 to March 31, 2020). However, certain sections of this report include information from April 1, Approach to Formulating the Medium-Term 2020, and onward. Management Plan 33 Takuya Nakata Major Medium-Term Management Plan Measures Disclaimer on Forward-Looking Statements The forward-looking statements such as data and forecasts included in Director, President and Representative Executive Officer for Accomplishing Our Management Vision 34 this report are based on assumptions and information available at the Strategies by Business and Function Strategies by Four Key Strategies 36 time of publication and are subject to change due to various factors. These statements are not guarantees that Yamaha will achieve its targets Financial Strategies 44 and forecasts or realize its anticipated future business results. In addi- tion, the content of this report may be changed without prior notice. Accordingly, Yamaha cautions readers not to place undue reliance on Key Points of Annual Report 2020 III. Strategies by Business and Function 48 these forward-looking statements, which are valid only as of the date thereof, and undertakes no obligation for any negative impact caused by Annual Report 2020 provides details on Yamaha’s progress during the first year of its Make Waves 1.0 medium-term management the use of this report. plan. It also offers information on concrete initiatives for creating social value while leveraging the accumulated strengths and Strategies by Business 50 technologies of the Yamaha Group and identifying business risks and opportunities based on the perspective of medium- to long- Musical Instruments Business 50 Names, including those of products and services, used in this report are term growth. We encourage readers to focus on the following key points to help deepen their understanding of the content of trademarks or registered trademarks of Yamaha Corporation or of the Audio Equipment Business 54 respective rights holders. this report. Industrial Machinery and Components Business 56 Strategies by Function 58 Disclosure Structure Fully leveraging the technologies and sensibilities centered on sound and music that Yamaha has Sales 58 Overall Corporate Activities Corporate Governance POINT 1 continued to cultivate since its founding, we aspire to cater to new demand and to help resolve Production 60 the social issues arising in the contemporary business environment and to create new value that Corporate Website: https://www.yamaha.com/en/ Creation of New Value through enriches people’s lives. Research and Development 62 Sound and Music About Us Management Vision and Value Creation Story (Pages 10–11), Special Feature: Enactment of Design 66 https://www.yamaha.com/en/about/ Yamaha’s Value Creation Story (Pages 12–17) Human Resources 68 Research and Corporate Profile Business Activities Development The changes to social structures that will represent the new normal after the global COVID-19 POINT 2 pandemic has been brought under control are something that we can address by following the path IV. Corporate Governance 70 we have walked thus far. While responding to the issues brought to light by the pandemic, we will Information for Investors Sustainability Information Progress in the First Year of Make steadily advance the key strategies of Make Waves 1.0 as we nurture the seeds of future growth in Directors 72 https://www.yamaha.com/ https://www.yamaha.com/ Financial and Corporate Information Waves 1.0 and Preparations for the order to capitalize on the opportunity to act ahead of the times presented by the current adversity. en/ir/ en/csr/ Reasons for Director Appointment 74 New Normal Message from the President (Pages 24–31), Make Waves 1.0 Medium-Term Management Plan (Pages 32–43), Financial Strategies (Pages 44–47) Executive Officers, Operating Officers, Securities Reports Sustainability Reports and Audit Officers 75 Corporate Governance Environmental and Messages from the Outside Directors 76 Reports Social Data One facet of the Company’s efforts to reinforce the management function of the Board of POINT 3 Directors was to establish the new position of audit officer, effectively enhancing the auditing Corporate Governance 78 function. Meanwhile, the Company improved and revised its risk management measures and Reinforcement of Oversight Risk Management 90 Function and Highly Transparent entrenched compliance throughout the organization for the purpose of practicing healthy and highly transparent management. Compliance 94 Annual Report 2020 Management Corporate Governance (Pages 70–95) 02 Yamaha Group Annual Report 2020 Yamaha Group Annual Report 2020 03 Value Creation by Yamaha Creation by Value OUR VALUE CREATION I. Value Creation by Yamaha Yamaha’s Path of Ambition 06 Yamaha’s Business 08 Management Vision and Value Creation Story 10 Special Feature: Enactment of Yamaha’s Value Creation Story 12 Performance Highlights 18 Sustainability Priorities and Progress 20 04 Yamaha Group Annual Report 2020 Yamaha Group Annual Report 2020 05 YAMAHA’S PATH OF AMBITION Advancement of Technology Yamaha promoted the in-house production of semiconductors with the aim of improving the sound quality of its digital musical instruments. This process led the Company to DX7 digital develop new digital musical instruments and audio equipment with proprietary LSIs, synthesizer The origins of the Yamaha Group date back to 1887, when company founder Torakusu Yamaha repaired an 1980 thereby greatly expanding the scope and geographical breadth of its operations. The Company adopted its current name of Yamaha Corporation in conjunction with its cen- imported reed organ. Since then, Yamaha has aimed to create excitement and cultural inspiration together with tennial anniversary in 1987, becoming
Recommended publications
  • Pdf Nord Modular
    Table of Contents 1 Introduction 1.1 The Purpose of this Document 1.2 Acknowledgements 2 Oscillator Waveform Modification 2.1 Sync 2.2 Frequency Modulation Techniques 2.3 Wave Shaping 2.4 Vector Synthesis 2.5 Wave Sequencing 2.6 Audio-Rate Crossfading 2.7 Wave Terrain Synthesis 2.8 VOSIM 2.9 FOF Synthesis 2.10 Granular Synthesis 3 Filter Techniques 3.1 Resonant Filters as Oscillators 3.2 Serial and Parallel Filter Techniques 3.3 Audio-Rate Filter Cutoff Modulation 3.4 Adding Analog Feel 3.5 Wet Filters 4 Noise Generation 4.1 White Noise 4.2 Brown Noise 4.3 Pink Noise 4.4 Pitched Noise 5 Percussion 5.1 Bass Drum Synthesis 5.2 Snare Drum Synthesis 5.3 Synthesis of Gongs, Bells and Cymbals 5.4 Synthesis of Hand Claps 6 Additive Synthesis 6.1 What is Additive Synthesis? 6.2 Resynthesis 6.3 Group Additive Synthesis 6.4 Morphing 6.5 Transients 6.7 Which Oscillator to Use 7 Physical Modeling 7.1 Introduction to Physical Modeling 7.2 The Karplus-Strong Algorithm 7.3 Tuning of Delay Lines 7.4 Delay Line Details 7.5 Physical Modeling with Digital Waveguides 7.6 String Modeling 7.7 Woodwind Modeling 7.8 Related Links 8 Speech Synthesis and Processing 8.1 Vocoder Techniques 8.2 Speech Synthesis 8.3 Pitch Tracking 9 Using the Logic Modules 9.1 Complex Logic Functions 9.2 Flipflops, Counters other Sequential Elements 9.3 Asynchronous Elements 9.4 Arpeggiation 10 Algorithmic Composition 10.1 Chaos and Fractal Music 10.2 Cellular Automata 10.3 Cooking Noodles 11 Reverb and Echo Effects 11.1 Synthetic Echo and Reverb 11.2 Short-Time Reverb 11.3 Low-Fidelity
    [Show full text]
  • Eric Redmond, Jim R. Wilson — «Seven Databases in Seven Weeks
    What Readers Are Saying About Seven Databases in Seven Weeks The flow is perfect. On Friday, you’ll be up and running with a new database. On Saturday, you’ll see what it’s like under daily use. By Sunday, you’ll have learned a few tricks that might even surprise the experts! And next week, you’ll vault to another database and have fun all over again. ➤ Ian Dees Coauthor, Using JRuby Provides a great overview of several key databases that will multiply your data modeling options and skills. Read if you want database envy seven times in a row. ➤ Sean Copenhaver Lead Code Commodore, backgroundchecks.com This is by far the best substantive overview of modern databases. Unlike the host of tutorials, blog posts, and documentation I have read, this book taught me why I would want to use each type of database and the ways in which I can use them in a way that made me easily understand and retain the information. It was a pleasure to read. ➤ Loren Sands-Ramshaw Software Engineer, U.S. Department of Defense This is one of the best CouchDB introductions I have seen. ➤ Jan Lehnardt Apache CouchDB Developer and Author Seven Databases in Seven Weeks is an excellent introduction to all aspects of modern database design and implementation. Even spending a day in each chapter will broaden understanding at all skill levels, from novice to expert— there’s something there for everyone. ➤ Jerry Sievert Director of Engineering, Daily Insight Group In an ideal world, the book cover would have been big enough to call this book “Everything you never thought you wanted to know about databases that you can’t possibly live without.” To be fair, Seven Databases in Seven Weeks will probably sell better.
    [Show full text]
  • Fundamentals of Piano Practice, 2Nd Edition
    Fundamentals of Piano Practice, 2nd Edition by Chuan C. Chang November 21, 2004 ii Copyright 1994–2004; No part of this document shall be downloaded or copied without including the name of the author: Chuan C. Chang, and this copyright statement. Request To those who have found this material useful, please make an effort to let at least two people know about my web site (http://members.aol.com/chang8828/contents.htm), so that we can start a chain reaction of ever more people that will be informed of this site. I am looking for volunteers to translate this book into any language. See “Notes for Translators” in the web page site. Please email me at [email protected] to discuss this matter. This book is now available in German, Polish, Italian and French. I am very grateful to our German translator, Edgar Lins, for his many suggestions that have significantly improved the quality of this book. If you feel that you have benefited from this book and wish to express your appreciation, please send a contri- bution to: C. C. Chang, 35 Orchard Ln, Colts Neck, NJ 07722, USA, to defray my expenses for writing this book and maintaining these web pages. Those who download the non- English versions should send their donations to the translator. If you send $15 or more, I will send you my 1st edition book (available in English only) until I run out of them (include your shipping address and email address). I will pay shipping and handling (1st class in US, airmail for overseas).
    [Show full text]
  • Joel Ford Biog 2016
    ! Joel Ford Producer/ Mixer Joel Ford first exploded onto Brooklyn’s electronic dance scene as the formidable synth-pop duo Games, and later as Ford & Lopatin. Since then Ford has lent his musical expertise to such projects as Oneohtrix Point Never, Autre Ne Veut, Com Truise and Cyril Hahn. He continues to produce some of most exciting new artists around, most recently producing and mixing the breakout Gundelach single, ‘Spiders’, which quickly hit top 40 radio in Norway and made Gundelach one of Spotify’s ‘Artist’s to Watch’ in 2016. He has a studio in Manhattan and also runs his own label, Driftless. Airbird ‘No Origin’/ EP Artist/ Prod/ Mix Bob Moses ‘Days Gone By’/ Live tracks Mix Gundelach ‘Spiders’/ Single Prod/ Mix Cyril Hahn ‘Last’ (ft, Joel Ford)/ Single Prod/ Mix/ Write Gundelach ‘Alone in the Night’/ Single Prod/ Mix Airbird & Napolian ‘Mr. Foolish’/ Album Prod/ Mix North Americans ‘Legends’/ Album Prod/ Mix Megafortress ‘Believer’/ Album Prod/ Mix Chad Valley ‘Entirely New Blue’/ Album Prod/ Mix Joel Ford ‘Breathe’/ Single Prod/ Mix Young Ejecta ‘The Planet’/ Album Prod/ Mix Autre Ne Veut ‘Age of Transparency’/ Album Co-prod Com Truise ‘Wave 1’/ EP Prod Dur Dur Band ‘Dooyo’ (Airbird Remix)/ Single Prod/ Mix North Americans ‘No_No’/ Album Prod/ Mix Ejecta ‘Dominae’/ Album Prod/ Mix Chrome Canyon ‘Branches’ (Airbird Remix)/ Single Prod/ Mix King Midas Sound ‘Without You’/ Album Prod Airbird & Napolian Feat. ‘In The Zone’/ Album Prod Erika Spring Ducktails ‘The Flower Lane’/ Album Bass/Vocals Autre Ne Veut ‘Anxiety’/ Album Prod Airbird ‘Trust’/ Album Prod/ Mix Oneohtrix Point Never ‘Replica’/ Album Prod Airbird ‘City vs Mountains’/ Album Prod/ Mix Anthony & The Johnsons ‘Swanlights'/ EP Mix Ford & Lopatin ‘Channel Pressure’/ Album Prod Ford & Lopatin ‘Emergency Room’/ Album Prod Blonde Redhead ‘My Plants Are Dead’/ Single Remix Games ‘That We Can Play’/ Album Prod/ Mix Games ‘Everything Is Working’/ Single Prod/ Mix Tigercity ‘Pretend Not to Love’/ Album Prod For further information, please contact Laura Jones.
    [Show full text]
  • Vaihala's Keel Sounds
    Hacker The Independent News Iransoiii Magazine for Ensonlq Users I n t h i s i s s u e Review: Vaihala's Keel Sounds Kenn Lowy Articles: YetMoreSQEZFX D I S K D C - 2 — " J a z z " For: EPS and EPS-16 PLUS C l a r k S a l i s b u r y 6 This disk has two samples on it, "Jazz Product: Keel Sound Library Kit" [967 blocks] and "Traps 2" [611 Price: $10 to $15 per disk depending on Orchestral Percussion Secrets on the SQ-1 blocks]. The drum kit sounds realistic quantity ordered — Until Feb 29, 1992 M a r k C l i f t o n 9 enough, and there are the usual assort special sale prices of $7 to $12, Demo ment of bass, snare, kicks, toms and cym Time Stretching on the EPSs disk $6 US, $10 outside US. bals. I'm not sure exactly why this is a S c o t t F i s h e r 1 2 From: Valhala, Box 20157, Ferndale, MI 48220 (313) 548-9360 jazz kit and not a rock kit because it could probably be used for anything that D i s t o r t i o n — I t ' s N o t J u s t F o r G u i t a r s T o m S h e a r 1 3 requires drums. The cymbals deserve spe Having reviewed some of the Keel cial mention because they sound par Mystery Waves in the VFX samples in the past, I was most interested ticularly good.
    [Show full text]
  • Trouble Songs
    trouble songs Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-proft press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afoat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t fnd a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la open-access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) trouble songs. Copyright © 2018 by Jef T. Johnson. Tis work carries a Cre- ative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and trans- formation, you distribute your rebuild under the same license. http://creative- commons.org/licenses/by-nc-sa/4.0/ First published in 2018 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-947447-44-8 (print) ISBN-13: 978-1-947447-45-5 (ePDF) lccn: 2018930421 Library of Congress Cataloging Data is available from the Library of Congress Book design: Vincent W.J.
    [Show full text]
  • Blues We Must Stay Focused on Who We Are As a Brubeck Joined the Trumpeter for a Wry Take on in Her Deeply Pliable Alto
    DB0509_001_COVER.qxd 3/18/09 12:06 PM Page 1 DOWNBEAT DIANA KRALL WAYNE SHORTER 10 CLASSIC SAXOPHONIST INTERVIEWS SUMMER FESTIVAL GUIDE INTERVIEWS SUMMER FESTIVAL CLASSIC SHORTER 10 SAXOPHONIST DIANA KRALL WAYNE DownBeat.com $4.99 05 MAY 2009 0 09281 01493 5 MAY 2009 U.K. £3.50 DB0509_002-005_MAST.qxd 3/18/09 12:10 PM Page 2 DB0509_002-005_MAST.qxd 3/18/09 12:10 PM Page 3 DB0509_002-005_MAST.qxd 3/18/09 1:57 PM Page 4 May 2009 VOLUME 76 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • Resynthesized It Using Granular Techniques
    Microsound This page intentionally left blank Curtis Roads Microsound The MIT Press Cambridge, Massachusetts London, England ( 2001 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any elec- tronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. This book was set in Times New Roman in `3B2' by Asco Typesetters, Hong Kong and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Roads, Curtis. Microsound / Curtis Roads. p. cm. Includes bibliographical references and index. ISBN 0-262-18215-7 (hc. : alk. paper) 1. MusicÐAcoustics and physics. 2. Electronic musicÐHistory and criticism. 3. Computer musicÐHistory and criticism. I. Title. ML3805 .R69 2001 781.202Ðdc21 2001030633 Contents Introduction vii Acknowledgments ix Overview xi 1 Time Scales of Music 1 2 The History of Microsound from Antiquity to the Analog Era 43 3 Granular Synthesis 85 4 Varieties of Particle Synthesis 119 5 Transformation of Microsound 179 6 Windowed Analysis and Transformation 235 7 Microsound in Composition 301 8 Aesthetics of Composing with Microsound 325 9 Conclusion 349 References 353 Appendixes A The Cloud Generator Program 383 B Sound Examples on the CD 389 Name Index 399 Subject Index 403 This page intentionally left blank Introduction Beneath the level of the note lies the realm of microsound, of sound parti- cles. Microsonic particles remained invisible for centuries. Recent technological advances let us probe and explore the beauties of this formerly unseen world. Microsonic techniques dissolve the rigid bricks of music architectureÐthe notes Ðinto a more ¯uid and supple medium.
    [Show full text]
  • Woodstock Villager Mailed Free to Requesting Homes in Eastford, Pomfret & Woodstock Vol
    ERSAR IV Y N N A A A N N N N I I V V Y Y E E R R R R A A S S WOODSTOCK VILLAGER Mailed free to requesting homes in Eastford, Pomfret & Woodstock Vol. X, No. 1 Complimentary to homes by request (860) 928-1818/e-mail: [email protected] Friday, September 25, 2015 A look A decade of what matters to you back…and VILLAGER NEWSPAPERS CELEBRATES 10TH ANNIVERSARY forward The first editions of the Putnam Villager, Thompson Villager and Woodstock Villager were launched Friday, I’ve always been fascinated by time Sept. 23, 2005. The Killingly Villager, the baby of the family, capsules, of both the filling and bury- BY ADAM MINOR was launched five months later on Friday, March 24, 2006. NEWS STAFF WRITER ing of them, and of the unearthing and In the last decade, the papers have covered events both discovering part. Our look back at the big and small. Our pages have been filled with coverage of 10-year publishing history of Villager This week, Villager Newspapers turns 10 years old, and we graduations, school events, Memorial Day and Veterans Newspapers feels like doing a bit of both! couldn’t be more grateful to all of our loyal readers, advertis- Day parades, charity drives, 5K’s, fundraisers, carnivals I decided to see what was going on in ers and the community for the support we have received over and fairs, and many stories on the interesting things people the news back in September 2005. One decade ago, George W.
    [Show full text]
  • Obsah HIS Voice 03 I 2011
    editorial obsah HIS Voice 03 I 2011 Glosář Matěj Kratochvíl 2 Franz Hautzinger a Isabelle Duthoit Petr Slabý 4 Oneohtrix Point Never Karel Veselý 5 Claus Van Bebber a Ignaz Schick Petr Ferenc 6 Z historie přenosu a záznamu zvuku Milan Guštar 8 Vetřelci v éteru Karel Veselý 12 Andreas Ammer a FM Einheit Lukáš Jiřička 16 Rádio ČSSR Trever Hagen 20 Avet Terterjan Vítězslav Mikeš 24 Vážení a milí čtenáři, Okkyung Lee Petr Vrba 30 rozhlas je médium, které působí zároveň archaic- ky i moderně. Je archaický, protože v době nadvlády Jono El Grande Jan Faix 34 audiovizuality a multimediálnosti nutí své poslucha- če vystačit si s jedním smyslem. Toto omezení je ale Kung pao Matěj Kratochvíl 38 zároveň výhodou, protože díky němu se dokáže – ve srovnání s televizí – mnohem lépe šířit a stávat se Tod Machover Matěj Kratochvíl 42 součástí veřejného prostoru. Může být nástrojem ofi - ciální propagandy i podvratným živlem a také se daleko Recenze 45 snadněji propojuje s novějšími komunikačními sítěmi. Těchto aspektů se dotýkáme v textech věnovaných jednak fenoménu pirátských rozhlasových stanic, kte- ré hrály především ve Velké Británii důležitou roli při formování hudebního života, jednak stanici Svobodná Evropa, která oslavila 1. května šedesát let od zahá- jení vysílání. Energie, jakou komunistický režim věnoval rušení signálu této stanice, potvrzuje, že vlny šířící se éterem mají nemalou moc. Zmíněné omezení rádia na oblast slyšeného se zároveň stal pro mnoho umělců velkou inspirací, pro- tože ponechává posluchačově fantazii velký prostor pro domýšlení děl. Jedním z nejvýznamnějších tvůrců specifi cky rozhlasových děl je Andreas Ammer, jehož portrét v tomto čísle přinášíme.
    [Show full text]
  • Annual Report 2020 Annual
    YAMAHA GROUP ANNUAL REPORT 2020 Annual Report 2020 YAMAHA PHILOSOPHY The Yamaha Philosophy expresses the core framework of the Yamaha Group’s management and consists of four elements: the Corporate Philosophy, Customer Experience, Yamaha Quality (criteria for quality), and Yamaha Way (mindset and manners). We utilize the Yamaha Philosophy as a foundation to draw from, try to think from the customer’s viewpoint, and consistently provide high-quality products and services that exceed the expectations of our customers, and to create excitement and cultural inspiration together with people around the world. Diagram of the Yamaha Philosophy BRAND PROMISE A feeling of enthusiastic excitement lives in sound and music, through playing or simply listening. We at Yamaha want to inspire peoples’ passion and help them make a step forward to express their individuality, emotion and creativity. Make Waves Just a few notes or a simple melody can send out ripples that trigger an emotional bond with another person. Sound and music have a transformational impact on individuals and the world around us. The “Make Waves” concept focuses on our passions and what matters most to people, namely, expressing themselves and making an impact, to progress personally as a listener and player, and to come together with others. Yamaha is committed to empowering people to “Make Waves” with their sound and music. Yamaha Group Annual Report 2020 01 PUBLISHING ANNUAL REPORT 2020 Since 2018, the Yamaha Group has been integrating its prior annual reports and corporate social responsibility (CSR) reports to publish integrated reports that communicate the Group’s medium- to long-term value creation initiatives to shareholders, investors, and all of our other stakeholders.
    [Show full text]
  • Obsah HIS Voice 04 I 2011
    editorial obsah HIS Voice 04 I 2011 Glosář Matěj Kratochvíl 2 MUSIC UNLIMITED Petr Vrba 4 Festival Kontraste Matěj Kratochvíl 5 A Filetta Matěj Kratochvíl 6 Contempuls Matěj Kratochvíl 7 Odpor vůči P2P Trever Hagen 8 Keith Fullerton Whitman Jan Faix 12 Der Marebrechst Petr Ferenc 16 Západní hudba z Orientu Matěj Kratochvíl 20 Miguel Azguime Michal Rataj 24 Před jedenácti lety se Tereza Havelková rozhodla změnit věstník Hudebního informačního střediska ve Česká fi lharmonie Jindřich Bálek 28 skutečný časopis, který by se věnoval hudbě, o níž se jinak nepsalo. Za tu dobu se nám snad podařilo při- CONTEMPULS 2008 – 2010 Petr Bakla 32 spět svou skromnou troškou k tomu, že česká hudební scéna dnes žije podstatně více než před lety. Na dru- Financování kultury Kateřina Koutná 34 hou stranu právě tyto změny nás vedou k úvahám, jak má vypadat hudební časopis, aby měla jeho existence Mamelodi house Vít Zdrálek 40 opodstatnění i v dalších letech. Informační proudění zrychlilo a zhoustlo a spíše než nedostatkem informa- Uchihashi Kazuhisa Petr Vrba 46 cí, trpíme dnes jejich přebytkem. Během poslední dekády také začalo stále častěji Miroslav Pudlák 50 docházet ke sbližování hudby na okraji s hudbou v cen- Adlof Wölfl i tru zájmů, a proto je třeba, aby záběr časopisu přesa- hoval ono „ghetto“ menšinových žánrů. Z toho důvodu Jurij Bogdanov Arťom Lipatov 52 již nyní dáváme prostor tématům s širším dosahem, jak ukazují třeba texty o fi nancování umění v minulém Mýtus ticha Jozef Cseres 58 i tomto čísle. I nadále samozřejmě zůstávají informa- ce, které si cestu do světa hledají těžko a jimž v tom Recenze 60 budeme pomáhat.
    [Show full text]