Joel Ford Biog 2016

Total Page:16

File Type:pdf, Size:1020Kb

Joel Ford Biog 2016 ! Joel Ford Producer/ Mixer Joel Ford first exploded onto Brooklyn’s electronic dance scene as the formidable synth-pop duo Games, and later as Ford & Lopatin. Since then Ford has lent his musical expertise to such projects as Oneohtrix Point Never, Autre Ne Veut, Com Truise and Cyril Hahn. He continues to produce some of most exciting new artists around, most recently producing and mixing the breakout Gundelach single, ‘Spiders’, which quickly hit top 40 radio in Norway and made Gundelach one of Spotify’s ‘Artist’s to Watch’ in 2016. He has a studio in Manhattan and also runs his own label, Driftless. Airbird ‘No Origin’/ EP Artist/ Prod/ Mix Bob Moses ‘Days Gone By’/ Live tracks Mix Gundelach ‘Spiders’/ Single Prod/ Mix Cyril Hahn ‘Last’ (ft, Joel Ford)/ Single Prod/ Mix/ Write Gundelach ‘Alone in the Night’/ Single Prod/ Mix Airbird & Napolian ‘Mr. Foolish’/ Album Prod/ Mix North Americans ‘Legends’/ Album Prod/ Mix Megafortress ‘Believer’/ Album Prod/ Mix Chad Valley ‘Entirely New Blue’/ Album Prod/ Mix Joel Ford ‘Breathe’/ Single Prod/ Mix Young Ejecta ‘The Planet’/ Album Prod/ Mix Autre Ne Veut ‘Age of Transparency’/ Album Co-prod Com Truise ‘Wave 1’/ EP Prod Dur Dur Band ‘Dooyo’ (Airbird Remix)/ Single Prod/ Mix North Americans ‘No_No’/ Album Prod/ Mix Ejecta ‘Dominae’/ Album Prod/ Mix Chrome Canyon ‘Branches’ (Airbird Remix)/ Single Prod/ Mix King Midas Sound ‘Without You’/ Album Prod Airbird & Napolian Feat. ‘In The Zone’/ Album Prod Erika Spring Ducktails ‘The Flower Lane’/ Album Bass/Vocals Autre Ne Veut ‘Anxiety’/ Album Prod Airbird ‘Trust’/ Album Prod/ Mix Oneohtrix Point Never ‘Replica’/ Album Prod Airbird ‘City vs Mountains’/ Album Prod/ Mix Anthony & The Johnsons ‘Swanlights'/ EP Mix Ford & Lopatin ‘Channel Pressure’/ Album Prod Ford & Lopatin ‘Emergency Room’/ Album Prod Blonde Redhead ‘My Plants Are Dead’/ Single Remix Games ‘That We Can Play’/ Album Prod/ Mix Games ‘Everything Is Working’/ Single Prod/ Mix Tigercity ‘Pretend Not to Love’/ Album Prod For further information, please contact Laura Jones. Email: [email protected] .
Recommended publications
  • Evaluation of Energy Conservation Measures for Wastewater Treatment Facilities
    Evaluation of Energy Conservation Measures for Wastewater Treatment Facilities EPA 832-R-10-005 SEPTEMBER 2010 U.S. Environmental Protection Agency Office of Wastewater Management 1200 Pennsylvania Avenue NW Washington, DC 20460 EPA 832‐R‐10‐005 September 2010 Cover photo: Bucklin Point WWTF, MA. Photo courtesy of Narragansett Bay Commission. Cover insert photos (left to right): High Speed Magnetic Bearing Turbo Blower at the De Pere WTF, WI. Photo courtesy of Green Bay Metropolitan Sewerage District. Oxidation Ditch with Aeration Rotor at the City of Bartlett WWTP #1, TN. Photo courtesy of City of Bartlett Wastewater Division. Variable Outlet Vane Diffuser. Photo courtesy of Turblex, Inc. Evaluation of Energy Conservation Measures ii September 2010 Preface The U.S. Environmental Protection Agency (EPA) is charged by Congress with protecting the nation’s land, air, and water resources. Under a mandate of environmental laws, the Agency strives to formulate and implement actions leading to a balance between human activities and the ability of ecosystems to support and sustain life. To meet this mandate, the Office of Wastewater Management (OWM) provides information and technical support to help solve environmental problems today and to build the knowledge base necessary to protect public health and the environment well into the future. This document was prepared under contract to EPA, by The Cadmus Group. The document provides information on current state‐of‐development as of the publication date; however, it is expected that this document will be revised periodically to reflect advances in this rapidly evolving area. Except as noted, information, interviews, and data development were conducted by the contractor.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • University of Birmingham from Microsound to Vaporwave
    University of Birmingham From Microsound to Vaporwave Born, Georgina; Haworth, Christopher DOI: 10.1093/ml/gcx095 Document Version Peer reviewed version Citation for published version (Harvard): Born, G & Haworth, C 2018, 'From Microsound to Vaporwave: internet-mediated musics, online methods, and genre', Music and Letters, vol. 98, no. 4, pp. 601–647. https://doi.org/10.1093/ml/gcx095 Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 30/03/2017 This is a pre-copyedited, author-produced version of an article accepted for publication in Music and Letters following peer review. The version of record Georgina Born, Christopher Haworth; From Microsound to Vaporwave: Internet-Mediated Musics, Online Methods, and Genre, Music and Letters, Volume 98, Issue 4, 1 November 2017, Pages 601–647 is available online at: https://doi.org/10.1093/ml/gcx095 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain.
    [Show full text]
  • Casio XW-P1 & XW-G1 Groove Synthetizer
    Démarrage - 1.1 Introduction personnelle Casio XW-P1 & XW-G1 Aide mémoire d’utilisation L. Duffar Synthetizer (VA/PCM) & Organ modelisation Groove Synthetizer (Looper- Sampler) CASIO XW-P1 & XW-G1 – Aide-mémoire Décembre 2018 1/205 Démarrage - 1.1 Introduction personnelle Sommaire court (Voir le sommaire complet à la fin) Pour une lecture à l’écran pensez à utiliser les signets du PDF pour naviguer dans le document 1 DÉMARRAGE 6 1.1 INTRODUCTION PERSONNELLE 6 1.2 OU TROUVER QUOI ? 7 1.1 SE PRÉPARER À JOUER 8 1.2 PANNEAU DE COMMANDE 11 1.3 OPÉRATIONS DE BASE 14 2 UTILISATION AVANCÉE 26 2.1 PANNEAU DE COMMANDE 26 2.2 SÉLECTION ET CRÉATION DE « TONES » 30 2.3 EXÉCUTION AUTOMATIQUE DE « PHRASE ARPÉGÉE » (XW-P1 UNIQUEMENT) 66 2.4 ENREGISTREMENT ET REPRODUCTION DE PHRASES 71 2.5 UTILISATION DU « STEP SEQUENCER » 78 2.6 ENREGISTREMENT ET LECTURE AVEC LE « LOOPER-SAMPLER » (XW-G1 UNIQUEMENT) 94 2.7 UTILISATION DU MODE « PERFORMANCES » 103 2.8 AUTRES FONCTIONS UTILES 112 2.9 UTILISATION D’UNE CARTE MÉMOIRE 120 2.10 RACCORDEMENT À UN ORDINATEUR 127 2.11 RÉFÉRENCE 129 3 APPENDICE 145 3.1 TONE LIST 145 3.2 DRUM ASSIGNMENT LIST 151 3.3 SYNTH WAVE LIST 154 3.4 PCM WAVE LIST 156 3.5 NOISE WAVE LIST 162 3.6 INSTRUMENT WAVE LIST 163 3.7 NORMAL DSP LIST 164 3.8 ARPEGGIO LIST 165 3.9 PHRASE LIST 165 3.10 SEQUENCE LIST 166 3.11 CHAIN LIST 166 3.12 PERFORMANCE LIST 167 4 LOGICIELS DE CONTRÔLE EXTÉRIEURS 168 4.1 LOGICIEL PC/MAC « DATA EDITOR FOR XW-P1/XW-G1 » PAR CASIO (GRATUIT) 168 4.2 APPLICATION IOS « MIDI DESIGNER XW SOLO SYNTH CONTROLLER » DE CONFUSION
    [Show full text]
  • Pdf Nord Modular
    Table of Contents 1 Introduction 1.1 The Purpose of this Document 1.2 Acknowledgements 2 Oscillator Waveform Modification 2.1 Sync 2.2 Frequency Modulation Techniques 2.3 Wave Shaping 2.4 Vector Synthesis 2.5 Wave Sequencing 2.6 Audio-Rate Crossfading 2.7 Wave Terrain Synthesis 2.8 VOSIM 2.9 FOF Synthesis 2.10 Granular Synthesis 3 Filter Techniques 3.1 Resonant Filters as Oscillators 3.2 Serial and Parallel Filter Techniques 3.3 Audio-Rate Filter Cutoff Modulation 3.4 Adding Analog Feel 3.5 Wet Filters 4 Noise Generation 4.1 White Noise 4.2 Brown Noise 4.3 Pink Noise 4.4 Pitched Noise 5 Percussion 5.1 Bass Drum Synthesis 5.2 Snare Drum Synthesis 5.3 Synthesis of Gongs, Bells and Cymbals 5.4 Synthesis of Hand Claps 6 Additive Synthesis 6.1 What is Additive Synthesis? 6.2 Resynthesis 6.3 Group Additive Synthesis 6.4 Morphing 6.5 Transients 6.7 Which Oscillator to Use 7 Physical Modeling 7.1 Introduction to Physical Modeling 7.2 The Karplus-Strong Algorithm 7.3 Tuning of Delay Lines 7.4 Delay Line Details 7.5 Physical Modeling with Digital Waveguides 7.6 String Modeling 7.7 Woodwind Modeling 7.8 Related Links 8 Speech Synthesis and Processing 8.1 Vocoder Techniques 8.2 Speech Synthesis 8.3 Pitch Tracking 9 Using the Logic Modules 9.1 Complex Logic Functions 9.2 Flipflops, Counters other Sequential Elements 9.3 Asynchronous Elements 9.4 Arpeggiation 10 Algorithmic Composition 10.1 Chaos and Fractal Music 10.2 Cellular Automata 10.3 Cooking Noodles 11 Reverb and Echo Effects 11.1 Synthetic Echo and Reverb 11.2 Short-Time Reverb 11.3 Low-Fidelity
    [Show full text]
  • Tim Hecker Instrumental Tourist Mp3, Flac, Wma
    Tim Hecker Instrumental Tourist mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Instrumental Tourist Country: US Released: 2012 Style: Abstract, Drone, Ambient, Experimental MP3 version RAR size: 1396 mb FLAC version RAR size: 1959 mb WMA version RAR size: 1874 mb Rating: 4.2 Votes: 207 Other Formats: APE AIFF WMA MOD VOC AAC MMF Tracklist 1 Uptown Psychedelia 5:58 2 Scene From A French Zoo 4:59 3 Vaccination (For Thomas Mann) 5:52 4 Intrusions 4:52 5 Whole Earth Tascam 5:00 6 GRM Blue I 0:51 7 GRM Blue II 5:48 8 Racist Drone 5:39 9 Grey Geisha 4:18 10 Instrumental Tourist 3:19 11 Ritual For Consumption 4:45 12 Vaccination No. 2 3:13 Companies, etc. Copyright (c) – Software Phonographic Copyright (p) – Software Licensed To – Kemado Records, Inc. Recorded At – Gary's Electric Studio Designed At – SEEN Credits Design – Rob Carmichael Engineer – Al Carlson Engineer [Special Assistance By] – Paul Corley Mastered By – James Plotkin Producer – Daniel Lopatin, Tim Hecker Sitar [Eventide Modal], Synthesizer [Clavia Nord Modular], Saxophone [Vapour], Effects [Lexicon Unity], Electronics [Amplifier Expansion] – Hecker* Synthesizer [Alesis Ion], Performer [Monks], Lap Steel Guitar [Ur-Do], Synthesizer [Juno 60], Koto, Electronics [FM Wand] – Lopatin* Notes Recorded April 18-20, 2012 at Gary's Electric, Brooklyn, New York - Mixed June 2012 in Montreal, Quebec Graphic design by Rob Carmichael, SEEN © & ℗ 2012 Software, Under exclusive license to Kemado Records, Inc. d/b/a Mexican Summer Issued in a gatefold Digisleeve. Barcode and
    [Show full text]
  • The Grace of a Gesture Rafael Lozano-Hemmer Angelica Mesiti EM15
    Already Fifty Years! The Grace of a Gesture Rafael Lozano-Hemmer Angelica Mesiti EM15 • BIAN Ryoji Ikeda Artur Zmijewski Printemps du MAC Nocturnes Magazine of the contemporain Musée d’art de Montréal Volume 25, Number 1 — Summer 25, 2014 Volume editorial | 1 In his classic work The Gift, French anthropologist Marcel Mauss theorizes and reflects upon the giver, the gift and the recipient: “The objects are never completely separated from the men who exchange them,” he writes tellingly. An indissoluble link between the giver and the gift— the gift being a part of the giver—makes the act of giving not as innocent a transaction as it might seem. Indeed, it creates a social bond and an obligation to reciprocate on the part of the recipient. It creates relationships. Reciprocity and exchange are the basis of friendship, perhaps also of just and prosperous societies. Ultimately, reciprocity promotes a better way of living. Photo: George Fok © 2013 The month of June marks the fiftieth anniversary of the founding of the Musée d’art con- temporain, a museum that grew out of the wishes, the enterprise and, perhaps most impor- tantly, the donations of collectors and artists. The Musée’s very inception is the result of the kindness of givers. The Grace of a Gesture is our sprawling homage to the builders and makers of the MAC, a celebratory exhibition comprising some 200 artworks donated over the last fifty years—a formal act of reciprocity, in the form of an exhibition, for the generosity of the museum’s many donors and supporters.
    [Show full text]
  • A Day with Driscoll INSIDE HODGEPODGE 2 Wednesday, March 6, 2013 Spinnaker // Unfspinnaker.Com Spinnaker // Unfspinnaker.Com Wednesday, March 6, 2013 3
    UNIVERSITY OF NORTH FLORIDA WEDNESDAY, MARCH 6, 2013 A Day with Driscoll INSIDE HODGEPODGE 2 Wednesday, March 6, 2013 SPINNAKER // UNFSPINNAKER.COM SPINNAKER // UNFSPINNAKER.COM Wednesday, March 6, 2013 3 news 5 expressions 21 sports 29 Feb. 24 Knock and talk (Osprey Crossings) - An officer met with a student to discuss allegations that he was dealing drugs on campus. The officer told the student he had come in contact with several students who said POLICE they had purchased drugs from him. The officer warned the student to stop his illegal distribution activities. The BEAT student said he would take care of it and apologized for any problems he caused. Check out more Police Beats online at unfspinnaker.com March 3 Medical Response (Building 59) March 1 Drug Possession (Osprey Foun- Feb. 28 Fraud (Complainant's office) - Of- Feb. 28 Theft (Lot 18) - A parking decal - UPD responded to a call concerning a tains) - An officer responded to a call ficers met with a member of UNF’s staff was stolen off the windshield of a stu- student who was having seizures. When from an RA in the Fountains concerning who believed a student had committed dent’s car while she was in class. The stu- UPD arrived, they found the student re- the smell of burning marijuana seeping fraud by forging an outside client’s sig- dent contacted UPD, who were unable to sponsive, and she was able to inform the through the hallway. The officer traced nature. Police met with the victim, who find any residue from a parking pass in officer that she had a history of seizures the source of the marijuana odor and said he could not confirm the signature the designated area and did not detect but was not currently on any medication made contact with two residents of the was his.
    [Show full text]
  • Eric Redmond, Jim R. Wilson — «Seven Databases in Seven Weeks
    What Readers Are Saying About Seven Databases in Seven Weeks The flow is perfect. On Friday, you’ll be up and running with a new database. On Saturday, you’ll see what it’s like under daily use. By Sunday, you’ll have learned a few tricks that might even surprise the experts! And next week, you’ll vault to another database and have fun all over again. ➤ Ian Dees Coauthor, Using JRuby Provides a great overview of several key databases that will multiply your data modeling options and skills. Read if you want database envy seven times in a row. ➤ Sean Copenhaver Lead Code Commodore, backgroundchecks.com This is by far the best substantive overview of modern databases. Unlike the host of tutorials, blog posts, and documentation I have read, this book taught me why I would want to use each type of database and the ways in which I can use them in a way that made me easily understand and retain the information. It was a pleasure to read. ➤ Loren Sands-Ramshaw Software Engineer, U.S. Department of Defense This is one of the best CouchDB introductions I have seen. ➤ Jan Lehnardt Apache CouchDB Developer and Author Seven Databases in Seven Weeks is an excellent introduction to all aspects of modern database design and implementation. Even spending a day in each chapter will broaden understanding at all skill levels, from novice to expert— there’s something there for everyone. ➤ Jerry Sievert Director of Engineering, Daily Insight Group In an ideal world, the book cover would have been big enough to call this book “Everything you never thought you wanted to know about databases that you can’t possibly live without.” To be fair, Seven Databases in Seven Weeks will probably sell better.
    [Show full text]
  • Annual Report 2020 Annual
    YAMAHA GROUP ANNUAL REPORT 2020 Annual Report 2020 https://www.yamaha.com/en/ Printed in Japan YAMAHA PHILOSOPHY BRAND PROMISE The Yamaha Philosophy expresses the core framework of the Yamaha Group’s management and consists of A feeling of enthusiastic excitement lives in sound and music, four elements: the Corporate Philosophy, Customer Experience, through playing or simply listening. We at Yamaha want to inspire peoples’ passion Yamaha Quality (criteria for quality), and Yamaha Way (mindset and manners). and help them make a step forward to express their individuality, emotion and creativity. We utilize the Yamaha Philosophy as a foundation to draw from, try to think from the customer’s viewpoint, and consistently provide high-quality products and services that exceed the expectations of our customers, and to create excitement and cultural inspiration together with people around the world. Diagram of the Yamaha Philosophy Make Waves Just a few notes or a simple melody can send out ripples that trigger an emotional bond with another person. Sound and music have a transformational impact on individuals and the world around us. The “Make Waves” concept focuses on our passions and what matters most to people, namely, expressing themselves and making an impact, to progress personally as a listener and player, and to come together with others. Yamaha is committed to empowering people to “Make Waves” with their sound and music. Yamaha Group Annual Report 2020 01 PUBLISHING ANNUAL REPORT 2020 CONTENTS Since 2018, the Yamaha Group has been integrating its prior annual reports and corporate I. Value Creation by Yamaha 04 V.
    [Show full text]
  • Jacob Druckman
    JACOB DRUCKMAN: LAMIA THAT QUICKENING PULSE | DELIZIE CONTENTE CHE L’ALME BEATE | NOR SPELL NOR CHARM | SUITE FROM MÉDÉE [1] THAT QUICKENING PUlsE (1988) 7:41 JACOB DRUCKMAN 1928–1996 Francesco Cavalli/Jacob Druckman: [2] DELIZIE CONTENTE CHE L’ALME BEATE (arr. 1985) 2:48 THAT QUICKENING PULSE [3] NOR SPELL NOR CHARM (1990) 11:37 DELIZIE CONTENTE CHE L’ALME BEATE Marc-Antoine Charpentier/Jacob Druckman: NOR SPELL NOR CHARM SUITE FROM MÉDÉE (arr. 1985) [4] I. Ouverture 2:14 SUITE FROM MÉDÉE [5] II. Prélude 2:45 [6] III. Rondeau pour les Corinthiens 1:50 LAMIA [7] IV. Loure 4:46 [8] V. Passepied & Choeur 3:24 LAMIA (1986) LUCY SHELTON soprano [9] I. Folk conjuration to make one courageous 2:09 [10] II. Metamorphoses, Book VII; BOSTON MODERN ORCHESTRA PROJECT Folk conjuration to dream of one’s future husband 7:01 [11] III. Folk conjuration against death or other absence GIL ROSE, CONDUCTOR of the soul 4:59 [12] IV. Stanza degli Incanti de Medea; Tristan und Isolde; Periapt against theeves 5:08 TOTAL 56:24 COMMENT By Jacob Druckman Lamia was the name of a sorceress of Greek mythology and has come to mean “sorcer- ess” in the generic sense. The concept of the work grew out of a particular performance of my Animus II by my dear friend and colleague, the great American mezzo-soprano Jan DeGaetani at the Aspen Colorado Music Festival in 1972. Ms. DeGaetani, who has magnificently performed and recorded several of my works, gave a particularly magical performance that night in which everything that sounded and befell seemed to be the direct result of her will and her powers.
    [Show full text]