Peregrinations: Journal of Medieval Art and Architecture Volume 2 Issue 2 1-53 2007 The Fourteenth-Century Tring Tiles: A Fresh Look at Their Origin and the Hebraic Aspects of the Child Jesus’ Actions Mary F. Casey Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Casey, Mary F.. "The Fourteenth-Century Tring Tiles: A Fresh Look at Their Origin and the Hebraic Aspects of the Child Jesus’ Actions." Peregrinations: Journal of Medieval Art and Architecture 2, 2 (2007): 1-53. https://digital.kenyon.edu/perejournal/vol2/iss2/1 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact
[email protected]. Casey The Fourteenth-Century Tring Tiles: A Fresh Look at Their Origin and the Hebraic Aspects of the Child Jesus’ Actions By Mary F. Casey Images of the Christ Child rarely puzzle or astonish their viewers, as they routinely follow a canonically scripted format. As such, these traditional images of the Child Jesus stand in sharp contrast to the provocative images taken from the early apocrypha and laid down, sometime in the first quarter of the fourteenth century, on an over-sized set of ten rectangular, red clay tiles, known as the Tring Tiles.1 (fig. 1) These extraordinary images yield a most unusual perspective on the childhood of Jesus as they portray stories derived from the second-century Apocryphal Infancy of Christ Gospels which purport to tell events from Jesus’ life, from ages 5 – 12.2 In these stories Jesus kills other boys and a Jewish teacher who offend him, and then returns them to life.