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The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
LOST the Official Show Auction
LOST | The Auction 156 1-310-859-7701 Profiles in History | August 21 & 22, 2010 572. JACK’S COSTUME FROM THE EPISODE, “THERE’S NO 574. JACK’S COSTUME FROM PLACE LIKE HOME, PARTS 2 THE EPISODE, “EGGTOWN.” & 3.” Jack’s distressed beige Jack’s black leather jack- linen shirt and brown pants et, gray check-pattern worn in the episode, “There’s long-sleeve shirt and blue No Place Like Home, Parts 2 jeans worn in the episode, & 3.” Seen on the raft when “Eggtown.” $200 – $300 the Oceanic Six are rescued. $200 – $300 573. JACK’S SUIT FROM THE EPISODE, “THERE’S NO PLACE 575. JACK’S SEASON FOUR LIKE HOME, PART 1.” Jack’s COSTUME. Jack’s gray pants, black suit (jacket and pants), striped blue button down shirt white dress shirt and black and gray sport jacket worn in tie from the episode, “There’s Season Four. $200 – $300 No Place Like Home, Part 1.” $200 – $300 157 www.liveauctioneers.com LOST | The Auction 578. KATE’S COSTUME FROM THE EPISODE, “THERE’S NO PLACE LIKE HOME, PART 1.” Kate’s jeans and green but- ton down shirt worn at the press conference in the episode, “There’s No Place Like Home, Part 1.” $200 – $300 576. JACK’S SEASON FOUR DOCTOR’S COSTUME. Jack’s white lab coat embroidered “J. Shephard M.D.,” Yves St. Laurent suit (jacket and pants), white striped shirt, gray tie, black shoes and belt. Includes medical stetho- scope and pair of knee reflex hammers used by Jack Shephard throughout the series. -
Female Sexuality in Toni Morrison's Love Katharine Lynn Fulton Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2009 Female sexuality in Toni Morrison's Love Katharine Lynn Fulton Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the English Language and Literature Commons, and the Rhetoric and Composition Commons Recommended Citation Fulton, Katharine Lynn, "Female sexuality in Toni Morrison's Love" (2009). Graduate Theses and Dissertations. 10621. https://lib.dr.iastate.edu/etd/10621 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Female sexual identity in Toni Morrison’s Love by Katharine Lynn Fulton A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee: Kathleen Hickok, Major Professor Diane Price-Herndl Margaret LaWare Iowa State University Ames, Iowa 2009 ii TABLE OF CONTENTS Chapter 1: Introduction.............................................................................1 Chapter 2: Critical Views of Female Sexuality.........................................4 Oedipal Configurations and Female Sexuality.............................5 Triangular Desire and Female Sexuality.......................................8 -
Type A, AB, B Murderers: Their Relationship to the Victims and to the Criminal Justice System
Type A, AB, B Murderers: Their Relationship to the Victims and to the Criminal Justice System ROBERT I. SIMON, M.D.* Ultimately science must be able to state that if a person with certain personality elements in a certain configuration happens to be in a certain typical life situation, he will probably react in a certain manner, whether the law punishes this response as a crime or tolerates it as unimportant. Thorsten Sellin Culture, Conflict and Crime Bad men do what good men dream, observed the sage, and psychiatrists are frequently called upon to explain why. Murder is the crime of crimes. The murderer particularly inspires the ultimate in feelings of repugnance, fear and fascination for violating man's most sacrosanct commandment - thou shalt not kill. While the immediate circumstances of the murder may be unspeakably horrible, the later examination of the murderer is another matter. No blood-dripping monster, the murderer is frequently a quiet, reasonably cooperative, decent-appearing human being, uncomfortably like us. Add to this that "good men's" consciences are regularly perturbed by murderous phantasies and dreams, and the objective study of the murderer, his victim and the interaction of the murderer with the criminal justice system becomes very difficult. Theodore Reik has put the matter squarely: "If wishes were horses, they would pull the hearses of our dearest friends and nearest relatives. All men are murderers at heart." Although the psychiatrist is not free from these perturbations, his professional training and access to individuals who commit murder present a unique opportunity for clinical study, with the eventual aim of treatment and prevention of this most destructive form of aggression. -
Coercive Change of Religion in South Korea»
Coercive Change of Religion in South Korea» A report on the practice of kidnapping, confinement and forced de-conversion in South Korea. March 2020 Human Rights Without Frontiers 4 Coercive Change of Religion in South Korea By Willy Fautré Human Rights Without Frontiers 2020 No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from Human Rights Without Frontiers International or Bitter Winter. Requests for permission to make copies of any part of this publication should be sent to the address below. Human Rights Without Frontiers International Avenue d’Auderghem 61/16, 1040 Brussels, Belgium Tel. (+32) 2 345 61 45 Email: [email protected] – Website: https://hrwf.eu Table of Contents Foreword ................................................................................................................................... 1 PART I Introduction .................................................................................................................... 5 What is the Shincheonji Church? ................................................................................... 7 Family kidnappings and coercive de-conversion ........................................................... 9 ‘Anti-heretical counseling centers’ ............................................................................. 13 International conference in Seoul 2019 ...................................................................... -
The Orientalist Gaze: a Feminist Analysis of Japanese-U.S
REFLECTING [ON] THE ORIENTALIST GAZE: A FEMINIST ANALYSIS OF JAPANESE-U.S. GIS INTIMACY IN POSTWAR JAPAN AND CONTEMPORARY OKINAWA BY Ayako Mizumura Submitted to the graduate degree program in Sociology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. _____________________________ Joane Nagel, Chair _____________________________ Shirley A. Hill _____________________________ Mehrangiz Najafizadeh _____________________________ Sherrie Tucker _____________________________ Bill Tsutsui _____________________________ Elaine Gerbert Date Defended: __April 28, 2009__ The Dissertation Committee for Ayako Mizumura certifies that this is the approved version of the following dissertation: REFLECTING [ON] THE ORIENTALIST GAZE: A FEMINIST ANALYSIS OF JAPANESE-U.S. GIS INTIMACY IN POSTWAR JAPAN AND CONTEMPORARY OKINAWA Committee: _____________________________ Joane Nagel, Chair _____________________________ Shirley A. Hill _____________________________ Mehrangiz Najafizadeh _____________________________ Sherrie Tucker _____________________________ Bill Tsutsui _____________________________ Elaine Gerbert Date Approved: __April 28, 2009__ ii ABSTRACT Ayako Mizumura, Ph.D. Department of Sociology, Summer 2009 University of Kansas Reflecting [on] the Orientalist Gaze: A Feminist Analysis of Japanese Women- U.S. GIs Intimacy in Postwar Japan and Contemporary Okinawa This project explores experiences of two generations of Japanese women, “war brides,” who married American -
Jack's Costume from the Episode, "There's No Place Like - 850 H
Jack's costume from "There's No Place Like Home" 200 572 Jack's costume from the episode, "There's No Place Like - 850 H... 300 Jack's suit from "There's No Place Like Home, Part 1" 200 573 Jack's suit from the episode, "There's No Place Like - 950 Home... 300 200 Jack's costume from the episode, "Eggtown" 574 - 800 Jack's costume from the episode, "Eggtown." Jack's bl... 300 200 Jack's Season Four costume 575 - 850 Jack's Season Four costume. Jack's gray pants, stripe... 300 200 Jack's Season Four doctor's costume 576 - 1,400 Jack's Season Four doctor's costume. Jack's white lab... 300 Jack's Season Four DHARMA scrubs 200 577 Jack's Season Four DHARMA scrubs. Jack's DHARMA - 1,300 scrub... 300 Kate's costume from "There's No Place Like Home" 200 578 Kate's costume from the episode, "There's No Place Like - 1,100 H... 300 Kate's costume from "There's No Place Like Home" 200 579 Kate's costume from the episode, "There's No Place Like - 900 H... 300 Kate's black dress from "There's No Place Like Home" 200 580 Kate's black dress from the episode, "There's No Place - 950 Li... 300 200 Kate's Season Four costume 581 - 950 Kate's Season Four costume. Kate's dark gray pants, d... 300 200 Kate's prison jumpsuit from the episode, "Eggtown" 582 - 900 Kate's prison jumpsuit from the episode, "Eggtown." K... 300 200 Kate's costume from the episode, "The Economist 583 - 5,000 Kate's costume from the episode, "The Economist." Kat.. -
Through Deaf Eyes Weta and Florentine Films/Hott Productions, Inc
THROUGH DEAF EYES WETA AND FLORENTINE FILMS/HOTT PRODUCTIONS, INC. JANUARY 10, 2007 THIS SCRIPT INCORPORATES THE CORRECTED NARRATION. ###MARKS THE BEGINNING AND ENDING OF OPEN CAPTION SECTIONS. THESE SECTIONS DO NOT REQUIRE CLOSED CAPTIONS. Words Appear: “The following program is available in high-definition TV.” Now, Actor and Director CJ Jones signs as he speaks. CJ JONES: I was driving down on the freeway, oh it was a beautiful day. All the birds were flying and all the birds were singing and all the birds dropping, hey you, quack quack quack, I got you. He swerves and shows a bird hitting his face, then falling. All of a sudden I look through the rear view mirror, the guy behind me was so angry, honk, honk, honk. “Hey you, what are you deaf, huh?” Well that makes me angry, of course I’m deaf and proud. So I step on the gas. Oh, by the way I have a Mercedes 500 ACL. I’m rich and deaf, thank you very much. Finally I caught up with that car. Automatic window. It rolls down. Hey you, what are you hearing, huh? I. King Jordan, former president, Gallaudet University, signs as he speaks. I. KING JORDAN: When you talk to people who can hear and you ask them what do you think it would be like to be a deaf person? Then all of their thinking is well, I couldn’t do this. Can’t, can’t, can’t, can’t, can’t. They would start listing all the things they can’t do. -
LOST the Official Show Auction Catalog
LOST | The Auction 70 1-310-859-7701 Profiles in History | August 21 & 22, 2010 221. JACK’S SEASON TWO COSTUME. Jack’s blue jeans, blue t-shirt and shoes worn in Season Two. $200 – $300 219. JACK’S SEASON TWO COSTUME. Jack’s blue jeans and green t-shirt worn in Season Two. $200 – $300 220. JACK’S SEASON TWO COS- TUME. Jack’s blue jeans and gray t-shirt worn in Season Two. $200 – $300 222. JACK’S MEDICAL BAG. Dark brown leather shoulder bag used by Jack in Season Two to carry medical supplies. $200 – $300 71 www.liveauctioneers.com LOST | The Auction 225. KATE’S COSTUME FROM THE EPISODE, “WHAT KATE DID.” Kate’s brown corduroy pants, brown print t-shirt, and jean jacket worn in the episode, “What Kate Did.” $200 – $300 223. KATE’S SEASON TWO ISLAND COS- TUME. Kate’s white tank top, beige long- sleeve shirt and brown corduroy cargo pants worn in Season Two. $200 – $300 224. KATE’S COSTUME FROM THE EPISODE, “WHAT KATE DID.” Kate’s jeans, jean jacket and Janis Joplin print shirt worn in the episode, “What Kate Did.” $200 – $300 226. HURLEY’S SEASON TWO COSTUMES. Hurley’s olive green shorts and red t- shirt worn on the Island in the episode, “S.O.S..” Includes Hurley’s black jeans, gray t-shirt and black hoodie worn in Season Two. $200 – $300 72 1-310-859-7701 Profiles in History | August 21 & 22, 2010 227. HURLEY’S MR. CLUCK’S CHICKEN SHACK COSTUME. Hurley’s black pants, green Mr. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Other Woman Permalink https://escholarship.org/uc/item/9fj3t10q Author Gworek, Deja Ann Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Other Woman A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Fine Arts in Creative Writing and Writing for the Performing Arts by Deja Ann Gworek June 2012 Thesis Committee: Susan Straight, Chairperson Michael Jayme Goldberry Long Copyright by Deja Ann Gworek 2012 The Thesis of Deja Ann Gworek is approved: Committee Chairperson University of California, Riverside Acknowledgements Thanks to my family for indulging me in my strongest-rooted compulsion so late in life. Their support means everything. Writing may be my life but Bryan, Steve, Mom, Grams, Tracey, Naomi, and Aaron are my world. Thanks to Kathryn Lynn Davis, my first reader, first writing teacher and steadfast friend. This book would not be what it is without the guidance and support of the UC Riverside Creative Writing faculty and staff—in particular, Susan Straight, Michael Jayme, and Goldberry Long. Susan has been there from the very beginning, her empathy and knowledge extending beyond the classroom. She taught me how the best characters must leave an indelible impression on the reader and what she’s remembered about mine over the years has led me to understand them and the author I needed to become to tell their story. Michael’s careful eye helped me stay true to the characters. -
The Truth About the Other Woman
The Truth About the Other Woman I listened on the line as a friend of mine painfully recounted the last few days of her marriage. She was hurt, and I could hear it. Her voice quivered as she told me about the cold treatment she'd been receiving from her husband. I wanted to react, but I knew that the best thing to do was to let her get all of her pain out. I offered her an ear and some reassurance, but besides that, there was nothing more that I could do. I knew that place she was in; after all, I'd been there myself at one point. I knew that there were no words I could utter to ease her pain, because enduring an affair feels a lot like watching someone you love pass away. The woman (or man) on the receiving end feels helpless, unsure, desperate and lost, and all of these feelings often merge together to create a fury of wrath. I wanted to make sure that my friend didn't become vengeful, so I reminded her that God would take care of the adulterous duo. All she had to do was be still and know that HE is God. Nevertheless, I knew that she needed more from me. After all, every time I spoke with her, she was obsessively speaking about her husband and his mistress. Of course, I wanted her to let it go. After all, her husband had left her to be with his mistress, and I knew the lies the enemy was playing in her ear. -
Separate Lives and Shared Legacies: Privilege and Hardships in the Lives of Twenty Women Who Made a Difference Mary Cleary
Undergraduate Review Volume 2 Article 26 2006 Separate Lives and Shared Legacies: Privilege and Hardships in the Lives of Twenty Women who Made a Difference Mary Cleary Follow this and additional works at: http://vc.bridgew.edu/undergrad_rev Part of the United States History Commons, and the Women's History Commons Recommended Citation Cleary, Mary (2006). Separate Lives and Shared Legacies: Privilege and Hardships in the Lives of Twenty Women who Made a Difference. Undergraduate Review, 2, 184-202. Available at: http://vc.bridgew.edu/undergrad_rev/vol2/iss1/26 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Copyright © 2006 Mary Cleary "< Separate Lives and Shared Legacies: Privilege and Hardships in the Lives ofTwenty Women who Made a Difference BY MARY CLEARY Mary Cleary is a Stoiar at Bridgl:water r. Nancy Larrick is not well known. but she should be. She State College who is majoring in history as one of the most influential people who shaped children's with a minor in serondary education. She literature during the latter half of the twentieth century. She first became interested in this project in edited fourteen poetry anthologies for children, wrote A Parents Professor Maragart lowe's fall ·Women Guide to Chi/drens Reading, founded the International Reading Association who Made a Difference" course. She re which surveys students ofall ages to determine reading preferences, and in 1965 ceivtd a grant from the Adrian Tinsley published an influential article, "The All White World ofChildren's Literature; Program that allowed her to research the that was highly critical of the publishing industry of the day.